Shigofumi ~ Stories of the Last Letter – 02


The second episode was slightly less impressive than the first one, but still this remains a good series to blog. My main problem is that the influences of Code Geass’ writer were noticeable, and this episode just lacked the subtlety of Jigoku Shoujo. Still, the only real flaw of this episode was the ending, how the random policeman shot without any reason whatsoever. The guy was clearly underdeveloped, and the script was a bit too hasty at that point to get to the juicy stuff.

Still, the episode did a pretty good job of portraying the psychopath-side of Ayase, and how she basically kills everyone who stands in her way. Of course this can only go on for so long until the police catches up, especially when there isn’t really a solid plan of action. My favourite character of the series is Fumika, though. She turned into an interesting combination of Enma ai and Momo (Shinigami no Ballad), though she can’t help it but involve herself a bit more than the former two did. Still, what was up with her fancy moves when she put her gun back in her bag? Seems to suggest that even though she’s quiet, she likes to show off.

In any case, I’m glad that there finally is another arc-based series that deals with random stories for each arc. I’m a big fan of the well-done series of this concept, and all that Shinigami no Ballad has to do now is to provide enough interesting concepts and watch out that the plot doesn’t go too fast.

And really, the ALI-project needs to evolve a bit. Their style may be nice, but really, all the OPs and EDs they’ve done really begin to look more and more like each other. It’s a shame, their work on .Hack//Roots was awesome, but you can’t see any of this brilliance in their latest works.

Shion no Ou – 12


This is very rare for a sports-anime: three huge matches, happening all at the same time, and all of them turned out to be awesome. I’m so glad that this series is back again.

Basically, this episode was all about the rookies versus the veterans: Shion versus Satoru, Saori versus Hani-meijin and Ayumi versus Shion’s foster-father. The episode ended with all the rookies getting pwned. The episode ended in a cliff-hanger, but with this series you never know how much longer a fight will take. Series like Gambling Apocalypse Kaiji should really take an example from Shion no Ou, because the pacing for this series is truly addictive.

I think that Ayumi has lost for real in this episode. I’m not sure whether the match was over at the end of the episode, but there wasn’t much hope left for him anyway. His mind seemed off for some reason. Ah well, at least Shion’s foster-father offered to take him up as a student, so he can learn more. That’s quite cute. 🙂

Oh, and how I love Shion. It was obvious that Satoru would start teasing her, right from the beginning, and Shion here had no intention to let his mind-games get to her. When Satoru leaves the shougi-room for a minute to suppose to give Shion some extra thinking-time, she does the same against him right when he comes back. Still, it’s clear now that the guy didn’t just stop playing shougi after his mother died, but instead continued to play, unbeknownst to his brother, suggesting that the two of them grew apart after that incident (one flashback this episode showed that they were quite close when their mother was still alive). And indeed, he easily surprises Shion by playing innocent, and then striking with a winning move. Still, I feel that the cliff-hanger was used for a reason…

Saori, meanwhile, has her long-desired match against Hani-Meijin. A match she’s doomed to lose, though I suspect that the way it ends will give her great insights for the future. In any case, the next episode promises to be an excellent one.

True Tears – 02


And the time has come for me to choose which shows to blog. In case you’re wondering: no, I’m not going to blog Hatenkou Yuugi. Basically, the only thing that stands out for that series are the characters and the complicated dialogue, and I didn’t like how the second episode placed Rahzel and her companions “above the system”. It’s an interesting series, but I’m going to wait for the subs to come.

As for True Tears, it’s looking quite solid so far, and it’s definitely something different from the series I usually watch. There are a few stereotypes here and there, but so far the writers have made something interesting out of the first two episodes, not to mention that the series is being directed by the guy from Simoun. I often dislike high-school romances for their shallow characters or just boring plot, but the creators are showing signs that they’re building up with the slow pacing of the past few episodes. The show also only has 13 episodes, so it’ll be nice and short. It’s a good replacement for Shugo Chara with its fifty-one scheduled episodes.

This episode mostly developed the three main characters a bit. If I understood things correctly, Shinichiro lives together with Hiromi, after her parents died or something. Shinichiro likes Hiromi, but they hardly talk to each other. In the previous episode, he ran into Noe and started hanging out with her, and it seems that Noe has come to like Shinichiro, though Shinichiro has problems getting used to Noe’s strange character. Hiromi, meanwhile, also isn’t ignorant about Shinichiro either, and in this episode she tries to find out why the guy spends so much time with Noe. Really, it sounds like a bad soap-opera when I write it down like that, though the episode was quite decent. This isn’t the first time where I liked a series with a flawed storyline.

Saiunkoku Monogatari – 71


Whoa, after the confusing previous episode, the current one totally makes up for it with probably some of the best scenes ever since the end of the Eigetsu-arc. We finally see Juusanhime and Shun together, and we finally learn a bit more about them. Shun’s original name was Shiba Jin, and he lived together with Juusanhime at one point, where she fell in love with him, even though the age-difference between the two was quite large. Then, at one point something happened that caused Jin to change his name, become a prisoner/delinquent/bandit/something and foresake the Ran-clan.

The woman who was with him was indeed Shusui, and only now we see how serious her headaches of the previous episodes were. I didn’t quite catch how he did it, but the fact remains that Shusui lost herself and tried to kill Juusanhime in this episode, if it wasn’t for Ensei, she’d be dead by now. And to think that Shuuei was right there as well, finding out that the woman he longed for tried to kill his own sister.

In the second half of the episode, Shuurei gets basically taken off the case of Juusanhime, because well, she rather failed to protect her. We also see Shuuei, who now really says farewell to Ryuuki. If I had to guess, then there were more things that happened in the past with him, and I guess that he just can’t keep on living like he did for the past two years. I assume that the future episodes will show us more about the guy’s past.

There were a few things I didn’t understand, though. Like, why was the prison with Tantan attacked? And what was the purpose of the match between Ran and Ryuuki?

Ghost Hound – 11


Ah, finally Ghost Hound is back after its holiday-hiatus, and it did a good job of reminding me why it turned into one of my favourite series for the fall-season. It’s so delightfully down to earth, and doesn’t try to force anything. This episode also made things even better when it finally provides lots of answers. And of course, even more questions. ^^;

First of all: the mouse finally appears! Turns out to be an experimental rat from the female scientist (name?), she uses it in this episode in an experiment where she connects the brain to a little robot, making the robot move, based on the rat’s though-patterns. Quite interesting, though I wonder whether it’ll play any future role for this series. Speaking of this doctor, the end of the episode sees her making out with Masayuki’s father. Now that I mention it, we haven’t seen the guy’s mother, have we? Perhaps that would explain why Masayuki hates his father so much, because he forcefully separated him from his mother when he divorced.

In any case, the real meat for this episode was about Makoto’s parents. It all starts when an unidentified corpse shows up in the dammed lake. News like this travels fast, especially with a bunch of psychics like Tarou and Miyako in the neighbourhood, and very soon half of the town is gathered around the site of the murder. One of these people was Makoto’s mother. I actually thought that she died as well, but it seems that they too divorced at some point. Makoto hates her as well.

After seeing this, Miyako’s father (by the way, what happened to his wife?) decided to let the main characters know a few things about his past with Makoto’s parents and the mayor, as they used to be good friends in the past. They too went to visit the old hospital, just like Makoto, Masayuki and Tarou did in episode four. At one point, they found one very strange looking entrance, where Makoto’s father was the only one who entered it. Miyako’s father and the future mayor were too scared to go in, and prevented Makoto’s mother from following her future husband. In the end, Makoto’s father ended up somewhere that made no sense at all, though I didn’t quite catch the exact spot. Still, it has to be quite strange if this is the only thing that Miyuki’s father managed to find weird about the time he spent with the guy as a teenager. Still, he doesn’t know why Makoto’s father committed suicide, but I think that the Mayor can answer those questions.

I liked the small details in this episode as well, like when Masayuki’s bullies returned with their sempai, and this sempai turning out to be the guy from the convenience-store in the previous episode. I also like how he made friends with the fourth guy, and basically involved him with the story. I don’t think anyone would have guessed that the guy would get so much screen-time when he first appeared, and just got bullied by his classmates.

Oh, and it also seems that Tarou can now transform his entire body into his out-of-body experience, instead of the strange babboon-like creatures. I also liked how when Miyuki’s father told is story, Tarou and Makoto (but not Masayuki) got sucked right into the story, as if they were there themselves. It’s interesting how Masayuki didn’t come along with them. After all, he’s probably still in babboon-form in his out-of-body experience, and apart from his little video-game weapons, he hasn’t really tried to search for the borders in these experiences, unlike Tarou, who went to the other side and Makoto, who basically has been running around as a giant ghost hound. The thing also is that we’re only halfway up the series now, so there are still lots of directions that this series can explore.

Gambling Apocalypse Kaiji – 14


Now I know for sure: Kaiji is one of these anime that has a lot of things to like, but also quite a few points to dislike. The looks it gives at human nature are astounding. Ishida was amazing in this episode. Same with Sahara: the two of them were absolutely amazing to watch. The amazing intensity of the past few episodes is unbelievable and Tonegawa’s commentary was as fascinating as ever.

But still, don’t tell me that you didn’t see this episode coming. At one point, everyone falls off the beams at once, apart from the special Sahara, Kaiji and Ishida. When the series started, I remember noting how Kaiji was in no way special from the others. He was just another loser who wasted away his life, and I loved that part. Still, I can’t say that about this series anymore. Another problem with this series is the soap-opera-like cliff-hangers. They just don’t fit the series at all, and all they make me think is “god, not another week”, though that may be because this series is better watched as a marathon, rather than once every week.

Another small point of critique is that I didn’t quite buy the sense of balance of the characters, and how Kaiji kept his balance at all times, despite everything that happened. This is just a small detail, though. Overall, this was a very good episode, but really, the creators need to gear up the pacing very soon now. Slow pacing is just something that doesn’t fit this anime.

Some quick first impressions: Spice and Wolf, Noramimi and Hakaba Kitarou

Spice and Wolf

So… this is what you get if you hand an award-winning novel to an animation-company like Imagin: an authentic atmosphere, interesting characters, and a main female lead who spends nearly the entire episode without any clothes whatsoever and basically ruins the entire series. Still, I do admit that this series turned out better than I originally expected. I can see the potential here in this series, and this episode also took its time in telling the story. At times, I’m just not sure whether the creators’ minds were on storytelling or cheap fanservice, and seeing their reputation (Love Love, Cosmopolitan Prayers, Smash Hit…) there is enough reason to worry about this one to fall into a fanservice-fest.

Noramimi

Ooh, this reminds me so much of Tetsuko no Tabi! Not in terms of story, but in terms of execution. The graphics again are simple and again there’s great chemistry between the characters. Basically, in this series people live together with things called mascots. Noramimi is about a sort-of dating-service company, which basically matches people and mascots so they can live together. It works quite well, but yet again, I don’t see this one getting any chance of being subbed. Still, any series that features a hamster smoking a cigarette deserves to be watched.

Hakaba Kitarou

Oh my god! Oh my god! Oh my god! I can’t believe I was wrong in my entry about Shigofumi! The best first episode of the season definitely belongs to Hakaba Kitarou, and yes, I’m serious about it. Gegege no Kitarou, which aired last year, got dull quite fast, but Hakaba Kitarou turned into a really well-done and freakish horror-series. Whether it can keep up with the same quality for the rest of the series remains another question, but still the fact remains that this episode absolutely ROCKED. If you’re tired of all the moe-shows, you should definitely give this one a chance. I LOVE what noitaminA has been doing for anime for the past few years!!!

The Wings of Honneamise Review – 88/100


Oh, the irony. The wonderful irony. The Wings of Honneamise is Gainax first major production. While I haven’t seen all of their works, I have seen quite a few, and I must say that Wings of Honneamise is Gainax’s only production without any reliance on moe-stereotypes, there’s hardly any useless or stupid fanservice, and it also has a pretty good chance to be one of their most down-to-earth work. I’m not certain whether one thing comes from the other, but for me, it also was among the best that the studio has ever shown me. Oh, the irony.

Basically, The Wings of Honneamse is about space-travel. Sending the first man into orbit, to be exact. The main character feels real and likable and not overly GAR for his own good. He’s pretty stupid at times as well, but make no mistake: the script is very clever at times. There’s lots of symbolism, and this is one movie that makes you think without trying to shove its message down your throat.

While it isn’t a comedy, there’s plenty enough to laugh at, and especially for major part of its airtime, this movie knows exactly when to be funny and when to be serious. The side-characters also do a wonderful job in supporting the main character. For a movie, there’s also a relatively large amount of character-development. Regarding the bad points, well, the creators seemed a bit too keen on making the climax as perfect as possible, and didn’t quite get it right. The result feels a bit weird, but by no means bad.

One thing that should be noted is that you do not want to go into this movie, expecting standard Gainax. This is absolutely nothing like their other works. The pacing is slow, the characters are nearly all adults and none feels out of place. There’s no outrageous animation and everything feels much more life-like. It’s a shame that Gainax went into such a different direction after making The Wings of Honneamise, as this movie is a pretty damn good one!

Sky Girls Review – 82/100


The original Sky Girls OVA was just a tasteless fanservice-fest. Needless to say that I wasn’t that keen on checking out the full-length-series for the concept. Imagine my surprise when I found out that the creators had no intention to make this end up as the failure that was the OVA. Sky Girls is definitely one of the surprises of 2007.

The show does have its issues in the beginning, though. In the first half, it just doesn’t succeed in making its setting believable. A giant war against invaders called WORMs in the past caused a lot of deaths, especially for adults, so because of that under-aged children have been allowed to join the military as well. Fair enough, though at the same time you see enough fully grown males parade the screen as mechanics and other similar jobs. You’d wonder why they didn’t do the piloting as well, as the bodies of young girls just can’t take that much strain when compared to fully grown adults.

The world was also supposed to have been nuked years ago, in an attempt to get rid of the WORMs, and again we hardly see any of the damages of these nuclear attacks. The first half of the series also consists out of a string of random episodes without much coherence; at one point, the characters also have nothing else to do besides comparing breast-sizes.

Still, as the series went on, it becomes clear that the creators knew fully well what they wanted with this series. Sky Girls isn’t about seeing cute girls in questionable outfits pilot mechas against giant invaders. It’s about living in the military, and how people deal with the relatives and loved ones that they leave behind. The main characters all have family, and they all have different relationships, and this anime does a very fine job of portraying this.

The series really picks up its pacing once the second half starts, and the characters start boarding a ship that was specifically designed to take care of the WORMs. With every character far away from home, and without much contact to the outside world, there are quite a few episodes dedicated to the characters, trying to brighten up their situation and trying to forget about the loneliness. What surprised me the most about this series is the final quarter, though, when the plot starts to kick in. Believe it or not, but the entire setting gets satisfactory explained and developed.

Overall, the pacing may be quiet, but this is one series that’s a pretty good recommendation if you want something light, yet engaging and thought-provoking. The first few episodes may not seem that much, but they’re building up pretty well for the second half of this series. It may not be the best, but it’s a great example of how you don’t need to have the hugest storyline in order to be good.

Wellber no Monogatari ~ Sisters of Wellber – 15


Wow, I must say that the new ED is a major improvement on the previous one. It’s a very nice idea, and definitely among the best EDs of the season. In any case, I’m very happy to see that the creators have increased the pacing another gear. The first half of the first series had a few random fillers amongst it, but it’s only the second episode of the second season, and we’re already into some major background info on Tina, when she reaches her birthplace. This shows a lot of potential for the future episodes, and the episode itself was quite good as well.

The place basically lies in ruins after the rampage, ten years ago, with no attempts to rebuild it. The only purpose of it now is for ex-soldier to rob unexpected by-passers. This episode also showed that these three killers weren’t alone and basically brought along an entire army, which explains how they were able to cause such a huge disaster ad get away with it.

A lot of time was also spent on fleshing out the relationships between the characters, especially Tina and Jin, Jin and Galahad and Galahad and Rita. I sense a new couple forming at the latter. ^^;