Author: psgels

True Tears – 03

by psgels, posted in True Tears


I must say that this episode was pretty amusing. Okay, we now know that the third girl likes Shinichiro as well, but that was of course to be expected. Noe’s antics proved to be quite interesting for this series to work with. We also learn that Noe has a brother (whom Shinichiro mistakes for her boyfriend), and she also forces the guy to give her a piggy-back ride by faking an injury. I especially liked how everyone reacted when the two entered the gymnastics-room in that way.

It seems that in terms of romance, Shinichiro and Hiromi both like each other, though Hiromi doesn’t want to admit it. At the end of this episode, we see Shinichiro overhear Hiromi say this, which leads to the cliff-hanger. I can see where Noe fits into the picture, but I’m not sure what Aiko can add to the scene. It would be interesting for her to go after Miyokichi in the later episodes, though. I really must praise the guy. Most “best friends” in similar series make me want to punch their eyes out, though Miyokichi has been really enjoyable up till now.

We also see a small flashback. It turns out that Hiromi has been living with Shinichiro’s family for quite a few years now, and it seems that she once got lost during a festival, and got helped by the younger Shinichiro. We indeed seem to be dealing with yet another childhood crush, though this one is so much better than the standard protagonist who meets a bunch of random girls in his past, and these girls end up still loving the guy even ten years afterwards.

Mahou Tsukai Tai OVA Review – 87/100

by psgels, posted in Anime Reviews


Romantic comedies and I haven’t had the best relationship. Sure, there have been a few gems among them (for example Yamato Nadeshiko Shichi Henge and Code-E), but there is just so much crap amongst the genre. For me, the gags are often lazy, the characters uninspired and they rely way too much on moe stereotypes. The few series that do put a bit of effort into their storytelling also have a large chance of not knowing how to balance the romance and the comedy properly (Magikano, anyone?)

The cream of the crop in the romantic-comedy-genre has to be Mahou Tsukai Tai for me. The television-series made the mistake in going on and on about the major villain, but none of these problems return in the OVA. This is really what a romantic comedy should be. There is no minute wasted, every single character is meaningful and the story manages to fully utilize the format of six episodes. Basically, if you liked the television-series, you just have to check out the OVA.

The strength of Mahou Tsukai Tai is that it takes a cast of characters who would have been incredibly cliché on their own, and turns them into something memorable. Unlike series as Kanon and basically 90% of all other series, the characters don’t feel randomly thrown together. They all have their own strengths and weaknesses, and they use their strengths to make up for the weaknesses of the others. The cast just fits perfectly. Unlike the television-series, this is also one OVA that keeps an excellent balance between comedy and drama. The final episode manages to close off the OVA very nicely due to the build-up of the first five ones.

I’ve seen a lot of movies and OVAs now that don’t know how to build up properly, but those who do understand this have turned into really memorable watches, and this is exactly what makes the difference between a memorable OVA and just a forgettable one. The time that movies and OVAs have to work with is considerably smaller than compared with television-series, but if it’s used well, then the results are awesome.

Tsubasa Tokyo Revelations – 02

by psgels, posted in Tsubasa Chronicle, Tsubasa Tokyo Revelations


Now this is more like it! This episode was much better than the first one. I still have a lot of problems with it, but at least the music has become much better. The amount of new plot-twists is also baffling. In one episode, the plot has been pushed forward as much as the original TV-series did in 52 episodes. Still, I don’t yet consider the Tsubasa Chronicle OVA to be better than the series.

That doesn’t mean that the series didn’t have its problems, though. What was Bee-Train thinking, putting such a dark story in the NHK-channel? I now also finally understand the reason why so many fillers were added. Bee-Train knew that there was no way to put some key-moments in this arc on the air, so they decided to just go with their own story and do what they were good at.

For me, the biggest problem with this episode is that it was really far-fetched. The battle underwater was already pushing my suspense of disbelief (how long can people hold in their breath anyway? And how can these guys flawlessly fight each other, just as easily as if they were on land), but that turned out to be just the tip of the ice-berg.

So, basically Syaoran was already as a kid a very talented magician. In there, he created a clone and gave this clone his eye. The task of this clone was to collect the feathers that would come out of Sakura in about ten years. In order to prepare for that, the clone-Syaoran got his eye sealed and moved to the clow-country where he made friends with Sakura, and later fell in love with her. For some reason beyond me, the original Syaoran was sealed away by Fei Wong, but he could see everything that the clone-Syaoran did.

To make things even more complicated, Syaoran is supposed to be a descendant of Clow Reed. Sakura is also the daughter of some king of the Clow-country, which gives us many hints that she too is a descendant of Clow Reed. It’s strange to think that I spent more than 52 episodes watching some very strange kind of incest-relationship… Also, Fei Wong turned out to be yet another descendant of Clow Reed, hinting that he’s either Syaoran’s father or some kind of uncle.

In any case, while clone-Syaoran is fighting under water, Fye jumps in and just starts using his magic from out of nowhere, even though he vowed not to use magic without his tattoo. Clone Syaoran then BITES the guy’s eye out, which turn out to be the source of his power. Strangely enough, Syaoran gains Fye’s powers by eating Fye’s eye. Syaoran’s powers, by the way, also increased greatly with this. Apparently, the seal on his eye was broken at this point (don’t ask me how or why), and now he’s strong enough to even pwn Kurogane.

In the meantime, the real Syaoran was helped by Xing-Huo (who was punished by Fei Wong afterwards (read: killed)), goes to Yuuko and is teleported to the Clone Syaoran. The two fight, but Clone-Syaoran is now much stronger than the real one due to Fye’s magic.

The feather turned out to be in the middle of a cocoon, in the middle of the pool. Apparently, this was the thing that kept the clean water flowing. Somehow, Sakura’s soul ended up in that cocoon. When Sakura’s body got near the cocoon, it disappeared, and I guess it ended up in the cocoon as well. She then prevents the real Syaoran from killing the clone-one. Clone Syaoran then cuts up yet another cocoon and the feather comes out. He gives it to Sakura and then walks off on his own, leaving her. Kamui, who I guess was unconscious for this time, magically reappears and pulls a person out of this cocoon. Apparently, this person was the reason why he was so protective of the water, and he’s glad that this person is okay. Seriously, the next episode has some real explanation to do, because both subplots need a lot of explanation to make sense to me. The more I think about it, the more questions I have. You can say a lot of Bee-Train, but at least they managed to make sure that everything in the tv-series made sense. Was the manga also so incredibly confusing at this point?

Oh, and there’s one character that I’ve really disliked in the new OVA: Sakura. Oh, how deep did she fall. First, she sleeps for more than an entire episode, then she wakes up, goes “Syaoran! Syaoran!”, gets overwhelmed by the new Syaoran, and falls asleep again. I seriously liked the lovable heroine from the TV-series much better.

Gambling Apocalypse Kaiji – 15

by psgels, posted in Gambling Apocalypse Kaiji


So, in case you’ve been wondering: Ghost Hound and Saiunkoku Monogatari are both in a hiatus this week. Instead we have the new episode of the Tsubasa Chronicle-OVA and another episode of Kaiji. The current episode of Kaiji concludes the steel-beam-arc.

But really, I feel a bit cheated. The creators used a well-known plot-device in these kinds of situations: a huge amount of money is at stake, but some hidden twist somewhere in the middle makes the protagonist unable to cash in the money, whether he won or not doesn’t matter. It feels a bit cheap to use such a twist, just to keep the story going. I mean, the guys could just as well have tempted Kaiji to put his 20 million yet at stake for an even bigger amount, and knowing Kaiji I think that he would have obliged with the right words.

Still, that was about the only thing that I didn’t like about this episode. It’s indeed quite plausible to have some kind of loophole at the end, and Sahara was the perfect person to fall for it. He’s always eager and wants to show off to others. We also finally get to see a proper introduction of the guy who’s behind everything, and I must say that I like the guy.

The next game is going to be E-Card. We still don’t know the exact rules, but it involves ten cards with either a king, a citizen or a slave on it, and I think that the talk about kings and citizens by the big boss also has something to do with it. It looks quite simple, but I trust the creators to make something interesting out of it.

Hakaba Kitarou – 02

by psgels, posted in Hakaba Kitarou


And with Hakaba Kitarou, my schedule for the winter-season is complete. Seriously, this season has proven to be awesome.
Monday: Gunslinger Girl Il Teatrino, Gundam 00
Tuesday: Suteki Tantei Labyrinth
Wednesday: Wellber no Monogatari
Thursday: none
Friday: Hakaba Kitarou, Ghost Hound
Saturday: Saiunkoku Monogatari, Shion no Ou, True Tears
Sunday: Shigofumi, Porfy no Nagai Tabi
And depending on when the subs will come out: Gambling Apocalypse Kaiji

In any case, I just knew that I was going to blog Hakaba Kitarou, the first moment I saw it. For those who haven’t read my first impression:
– Hakaba Kitarou is by no means a kid’s show.
– Hakaba Kitarou’s atmosphere nothing like its predecessor, Gegege no Kitarou.
– Hakaba Kitarou is part of the Noitamina-series, which previously featured series as Mononoke, Moyashimon and Honey and Clover and is known to be one of the most viewed late-night time-slots in Japan.
– Hakaba Kitarou is a fully fledged horror-series.

If you like horror-series, then I seriously recommend you to check out this series. It’s going to take a lot of effort to make this series lose the bad reputation that Gegege no Kitarou gave it.

This episode introduces Nezumi-otoko, or mouse-man. He works for a vampire called Dracula, though this Dracula is a bit different from what you usually see. He likes to eat any kind of human, an doesn’t just limit himself young women. He also ends up eating Kitarou’s father at one point. ^^; In any case, he and Nezumi-otoko end up along with Mizuki’s employer, in Kitarou’s house, while Kitarou has been possessed by a strange demon who likes to eat human flesh as well. This demon ends up fighting with Dracula, killing off both of them and leaving Nezumi-otoko without a master, which probably explains why he keeps hanging around Kitarou.

Mizuki’s employer seems to be something like the mayor, who has come to find out where the guy went due to some bad publicity he’s been getting because of it. He’s the one who ends up saving Kitarou, and drives off a cliff afterwards after seeing yet another scary-looking demon at the side of the road.

We then turn to the netherworld, and we see Mizuki return. It turns out that because he volunteered to go to the netherworld, he doesn’t have to go to the place of the dead, and instead he is doomed to see the dead head into the deeper parts of hell, where they’ll dwell forever (much like Jigoku Shoujo). He immediately blames Kitarou for it, but the fact remains that he died in an accident. Still, I doubt that it was just a coincidence that the guy died, with Kitarou inside his car. 😛

And if that didn’t convince you to check out this series, perhaps this will. Seriously, I had lost my faith in good OPs after the Autumn-season, but the Winter-season has so many new shows with excellent OPs.

Wellber no Monogatari ~ Sisters of Wellber – 16

by psgels, posted in Wellber no Monogatari ~ Sisters of Wellber


Whoa, talk about an awesome episode! Like expected, Tina arrives at the hometown of the first of the three Shinigami Bees, but what happens afterwards is totally unexpected. Instead of meeting the guy himself, Tina meets the guy’s blind mother and his son, who’ve had no idea of all the people that were killed by the guy.

Oh, poor Tina. Here she is, determined to kill the guy who killed her parents, and now she has to face this. It’s easy to kill someone you don’t know anything about, but what about it when you learn that the guy has a whole life? Oh, and Tina has also finally switched to real bullets, which will kill when they hit. It indeed seems that she’s never killed a person before.

I really love how deep this episode went into Tina’s mind. To make things even better, it turns out that the guy had been dead all along. He wasn’t the guy who killed Tina’s parents in the end, but the great thing is that Tina doesn’t know this either. For the same matter, it could have been the same guy. This is exactly why I fell in love with this series!

Suteki Tantei Labyrinth – 15

by psgels, posted in Suteki Tantei Labyrinth


Someone, shoot me. I’m actually beginning to like this series. I’m not sure what it is with the cheese of this anime, with both the male and female fanservice and its rather eccentric script-writers, but I really liked this episode and its twists.

There was lots of character-development in this episode, as Mayuki tries to return to the house in which he was born, and Byakko goes off on her own. There’s still no sign whatsoever of Mayuki’s father, but it seems that Seiran grew up as a servant to a wealthy family, and he was quite close to Mayuki’s mother. The latter died when Mayuki was barely a year old, and the head of the family (who knew about the Hyugake Gentoushu) entrusted Mayuki to Seiran to take care of. Ever since, Seiran has been taking care of Mayuki (too cute, by the way), though we’ve now reached the point where Mayuki is old enough to think on his own and enters the wondrous world of “puberty”.

I’m also glad that Byakko finally became something more than just “that woman who screws up Mayuki’s investigations”. She always striked me as the impatient type, and this doesn’t work quite well with her master. I’m glad to see that she’s finally showing a mind of her own.

But seriously, scriptwriters:
Do NOT make her end up becoming one of the good guys.

Really, I see these guys crazy enough to attempt such a twist. Still, I’m surprised at how small the part of Mayuki’s classmates has become. They hardly appear at any important moment. That’s something you wouldn’t suspect after watching the first few episodes.

And on an side-note: am I the only one who wondered about the point of those five very suspicious looking characters, who sat in the backseat of the bus? When I saw it for the first time, I was certain that it was one of Seiju’s tricks again, but after that they never showed up again. I mean, the ENTIRE bus was empty, except for these guys! It’s getting funnier the more I think about it.

Speaking of funny… the ending cracked me up majorly. ^^;

Gunslinger Girl – Il Teatrino – 02

by psgels, posted in Gunslinger Girl - Il Teatrino


Interesting, an episode without nearly anything about the main cast. They only appear at the final minute or so. Instead, the antagonists get fleshed out. We see the two bomb-technicians (what where they again? My memory about the first season is too fuzzy) from first season back, and they team up with a newly introduced character named Pinocchio, who if I understood correctly, works directly under one of the five great families as an assassin.

What surprises me is the huge amount of hate-reactions this series has been getting, but I think that the huge expectations that everyone had about this series are partially to blame. The first season was of a really high quality, like expected from a studio like Madhouse. The second season just doesn’t have the same budget, and instead has had to sacrifice a lot in the graphical department. Artland just doesn’t have the experience nor the budget to make this the visual feast of the first season, and I can indeed imagine that if you had great expectations about this series, especially after waiting so incredibly long, the thing will disappoint. It’s for the same reason why I’m nearly certain that a lot of people will be disappointed by Haruhi II, even though I know hardly anything about the series.

In any case, there’s one thing that for me definitely improved in terms of the first season: the soundtrack. It fits the series much better, and it’s much more memorable than the soundtrack of the first season. There’s also nothing wrong with the storytelling. The first episode did a good job of refreshing my memory with a random fight-scene, and now the second episode starts building up for real, and it’s good to see so much attention to the villains this time.

So, long story short: the first and second season are, just like Solaris said, completely different series, and for now I have no reason to look down upon the second season yet. It knows how to build up and for now, that’s the most important for me.

Gundam 00 – 14

by psgels, posted in Mobile Suit Gundam 00


Thankfully, the new OP and ED are much better now. They’re still a bit standard, but the first OP and ED just didn’t fit this series, not to mention that the ED finally has some quality animation that this series has been surprisingly lacking, considering the timeslot it’s on and all. I’m glad enough that they fit the epic feeling of this series. I still remember how the first ED gave me a headache when I watched it for the first time.

In any case, this episode is an intermezzo, introducing the next and biggest challenge for the Gundams yet, when they basically have to take on all kinds of elite-pilots from both the AEU and the Union, teamed up together. We also get a bit more information about how humans are able to live in outer-space for so long: by use of nano-machines. I must praise this series for this, because I think that it’s the first anime that I’ve seen that considers the strains on the human body if it lives in outer-space for too long. I now also know why we sometimes see the crew back on earth: to remain mentally healthy (hah!).

And Setsuna yet again surprises us with his sense of duty when he yet again goes off on his own. This time, he goes to visit Marina Ismael (whose guards are surprisingly lazy) while she’s sleeping for no particular reason. Still, I finally see where the creators are going with him. I think that it’s safe to say that he’s the youngest member of the Celestial Beings, and I don’t think that when he became a Gundam Meister, he was so young that his sense of duty wasn’t really that of an adult, and I also doubt that he had any choice in that matter. Someone like Lockon just had one horrible experience in his past, but Setsuna never got the chance to grow up normally.

In any case, because of this he’s the most sceptic Celestial Being about the mission. Something tells me that all he cares about is Exia, not the ultimate mission of the Celestial Beings. This episode mentioned it as well: he’s beginning to see himself as some kind of God, instead of a killing-machine. Because of that, he’s starting to wonder why people fight in this world. And something tells me that Saji and Louise (whose mother finally left in this episode) will play a key-part in this.

Sure, the characters are definitely not the most likable out there, and I don’t deny that some of them are pretty stupid, but their development has been going into a very interesting direction.

Porfy no Nagai Tabi – 02

by psgels, posted in Porfy no Nagai Tabi


Just like expected. For second episode of this season, I’ve found something to nitpick about, but not Porfy. This series has been building-up perfectly for the past two episodes. I like series that don’t play all of their cards on the table, right from the start, which is probably also why I like Ghost Hound and other mystery-series.

In this episode, we learn more about Porfy’s mother. It seems that she grew up in a rich household in some kind of city, her mother died when she was young and she doesn’t know what happened to her father, though when she married Porfy’s father, the two just didn’t have enough money so she moved back to the countryside. The only thing that she took with her was a fancy-looking watch. A letter from Porfy’s father also arrives in this episode, and he get back in about a week. Probably for Mina’s birthday, which is about to happen. He also sends two books along: one about cars for Porfy and one about the Greek gods for Mina. He probably guessed what they wanted from what they wrote in their letters to him. ^^;

Zaimis also gets fleshed out a bit more in this episode, as it seems that he often hangs out with the two siblings. It’s quite funny when the two of them have completely different interests, and he has to pay attention to both of them at the same time. It’s obvious right from the start that he likes Mina’s interests more than Porfy’s. The second half of the episode is about an owl that settles into Porfy and Mina’s bedroom. They name him Apollo, after one of the Greek gods from Mina’s book.

The thing I like most about this series is how genuine the relationship between Porfy and Mina feels so far. You can really see that they’re brother and sister, and not moeblob and geek, like you see in way too many series. Mina likes to follow Porfy around as well, even though she’s often angry with him, and Porfy in his turn is often distracted, but he does show signs that he watches out over his sister.

So far, there has been no earthquake. Judging by other world-masterpiece-series, I’d guess that it’ll happen around episode 12 or 13, though the end of the episode was a classic foreshadowing-scene, with a clear sky making way for a bunch of thick thunderclouds. Seriously, this needs to be watched. I’m still not sure why people find the length of 52 episodes too much of a commitment, and yet you never hear the same complaint about series like Gundam 00, Code Geass and Higurashi no Naku Koro ni.