
So, this was basically a Su-episode: she gets lost thanks to Ikuto’s Shugo Chara causing trouble, and she spends the episode, trying to find her way back, along with the dog of Amu’s admirer, who seemed to have been lost as well. Overall, it wasn’t such a bad episode, and I like the development that Su has gotten now. The fact that the creators are already mentioning a Christmas-tree in episode ten seems to suggest that we’re in for one heck of a Christmas-special for this show.
Also, for the first time I liked Utau and Ikuto: for the first time, Utau actually came in action, instead of looking at Ikuto like she usually does. It now also becomes clear that she’s searching for Embryo for Ikuto. It does make sense. I’ve aways wondered why Ikuto had a Shugo Chara, while he’s much older than all the other characters of the series. It’s probably also got something to do with this.
This episode also finally shows us Amu’s Su-transformation, one which uses honey to change batsu-charas back. I still find everything going a bit too easy for Amu. I mean, all she has to do is transform and unleash her powers to save the day.
Shugo]]>
Suteki Tantei Labyrinth – 12

Oh for Christ’s sake!
Episode twelve is, for most 26-episode series, the designated time to work towards their first minor climax. So what does Suteki Tantei Labyrinth bring us? A freaking pool episode.
The most annoying thing is that I’m just unable to say anything bad about it. Heck, it was hilarious, and even Mayuki got himself a bit of development. There was a lot of foreshadowing in this episode and for once, Byakko did actually nothing. Really, the only bad thing was the excessive fanservice, but I would be lying if I didn’t laugh at the pool-pervert who dressed himself up as a Santa-Clause. Everything was just so silly and exaggerated that it gave a nice contrast with the rest of the series.
Really, I still have no idea where this series is getting at, but the second half of this series is about to start. Perhaps that will shed some light on this rather peculiar series.]]>
Suteki Tantei Labyrinth – 11

Okay, it’s time for me to catch up with all the series I’ve missed for the past two weeks. Obviously, my posts are going to be a bit shorter than usual until I manage to catch up with everything I missed. First up: Suteki Tantei Labyrinth.
Thankfully, this episode was much better than the last one. It was a surprisingly quiet one, and nothing much happened. If I had to guess, then the story of the manga was a tad too long for two episodes, so it had to be stretched. Still, the result turns out quite nicely. There were no annoying moments, no abuses of tea. And for once, Byakko’s interference didn’t make me want to punch a hole in the wall.
So, it seems that there was an accomplice: the chief of police, who assigned the two detectives to the case. He too is manipulated by Byakko and the bad guy, and at the end of the episode, he too gets silenced. Really, I’m getting quite curious as to why Byakko would go through such extreme lengths. It’s obvious now that she’s provoking Mayuki, with the violin-music and all, but who in her right mind would go around and kill people in the process, just for this?]]>
Neon Genesis Evangelion: Death and Rebirth Review – 69/100

Ah, my exams are finally over and what better way to start the Christmas Holiday than with the conclusion of Neon Genesis Evangelion? ^^; Those who watched the original series probably already know that it went way over-budget, resulting in the two infamous final episodes, which caused a public outrage. In response, Gainax came with two movies: Death and Rebirth and the End of Evangelion. I myself saw the original Evangelion a few years ago, but I never had the chance to watch these movies until now.
It’s no news that Evangelion has turned into a cash-cow. Therefore, it isn’t such a big surprise to me that Death and Rebirth wasn’t really meant to be a movie. Its only role is to fix a few mistakes of the final episodes of the series, and put the chess-pieces in the right place for the End of Evangelion. A TV-special, like with Code Geass, would have been enough.
Because of this, the creators had to fill up time for the rest of the movie. The result? A giant recap-sequence that takes up around two-thirds of the entire airtime. While I admit that it was nice to see the characters back and all, I can’t really imagine how this is better than any recap-episode to someone who just saw the series, where the sequences are still fresh on his or her mind. The only new thing in this part is some added classical music, a very few new frames where characters are playing various instruments and a bit of angsty dialogue. The latter is the only positive thing I can say about the glorified-recap-episode part.
Luckily, there is enough new content once the recap is done, and it becomes clear that Gainax is going for the shock-value. Still, it works, and I can say that I’m eager to see what’s in store for the End of Evangelion, so at least the movie served its purpose. The massive slaughter that went on in the process may have been a bit too much, though, and I’m also a bit disappointed how we never saw any of the intentions of the bad guys, and why they chose such a bloody method to get their way. I hope that the End of Evangelion will clear this up, but this really should have been the purpose of Death and Rebirth.
Obviously, if you haven’t seen the series, then don’t even bother to try and watch this one. Even with the recap, it’s way too confusing, and you need the knowledge of the first 24 episodes. And obviously, making this one into a movie was a bit too much. Still, it does serve as a nice build-up, but on its own, it’s nothing special.]]>
Hiatus
Ghost Hound – 08

Most plot-based series have clearly defined episodes which either focus on building up or pushing the story forward with many climaxes. I like it when a series combines both into one, just like Ghost Hound is currently doing. The majority of the episode focused on fleshing out the characters a bit more, while the episode ended with quite an intriguing plot-twist.
A few months have passed since the previous episode. The hair of the different characters has grown back, Tarou is doing fine, and his mother is now taking therapy as well. It seems that the councillor is aware that there’s something strange with Tarou, though I’m not sure how much he knows. It’s also revealed that the fourth person on the photo with Makoto’s parents is Miyako’s father. This episode, Makoto goes to ask him a few questions about his parents, but he doesn’t get much farther. Tarou in ghost-form, meanwhile makes contact with Miyako again, and for the first time the two of them talk to each other. Miyako also mentions how she sometimes gets possessed by something strange, which probably happened back in episode four.
Tarou also runs into a strange dog-like spirit, and goes to the “other side” that we saw a few episodes ago for the first time. There, it’s really filled with spirits and similar creatures. We also see Miyako’s father at one point in the forest, discovering traces of a campfire (probably belonging to the old man of a few episodes ago), and didn’t look quite happy.
The episode ends with the councillor (I think he’s called Hirata), who waits for his taxi. A huge flash follows, and suddenly he’s thirty minutes further, and the taxi has arrived. In the sky, he can see a big glowing thingie. How did this happen? Did he himself have trouble with his childhood as well? It’s interesting, at the start of the season, I never imagined that his role in the series would be this big.]]>
Romeo x Juliet Review – 56/100

Gonzo… on one hand they search the borders of anime and storytelling, and work with greatly original premises…
… and on the other hand, we have this; generic premises that only stand out in their mediocrity. While others may have loved it, all I saw was a dull, predictable story and annoying characters. For this series, the people from Gonzo decided to bring their own version of the classic by Shakespeare, but this series might also just as well be called “Pete X Catherine”, because the only similarities are the names of the characters. Oh, and the Capulets and the Montagues are still mortal enemies.
This is another anime that suffers from the “bad main-character-syndrome”, as I’d like to call it. Both Romeo and Juliet are incredibly whiny teenagers who prevent the storyline from progressing smoothly, and instead they force the series to delve in cheesy and naive morals. Their relationship starts out nicely, but once they’re in love, their relationship starts behaving like that of a bad soap-opera, with excessive amounts of “I love you but I can’t stay with you”. Predictably, the ending for the series is a horrible one, where characters have convenient increases of powers for the sake of storytelling, complete with some screwed-up physics.
In terms of storytelling, this series also leaves much to be desired. It took me twenty-four freaking episodes to realize that the characters are supposed to be living on an island, floating in the sky. If that wasn’t bad enough, the characters themselves didn’t even know this. I mean, why was there nobody who would have thought at one point: “gee, I hate it here; why don’t I just travel to a very distant place and see what happens?” It doesn’t make any sense.
I’ve said this before; the best people from Gonzo were definitely working on Bokura no during the spring-season. The writers failed completely to make me care about the characters and setting, due to poor writing. These guys need to learn that lots of angst and drama don’t necessarily make a great anime; well fleshed-out characters are much more important.]]>
Kino no Tabi – Life Goes On Review – 75/100

There aren’t many movies that are based on series, which fit into the continuity and end up contributing to them, but I’ve finally found one: Kino no Tabi – Life goes on. It’s basically a glorified episode, clocking in at a mere thirty minutes, and it tells the story of how Kino matured from an insecure little girl to the Kino we’ve come to love in the series. It’s definitely good to see more of this series, though there are a few problems.
I hate to admit it, but it’s clear that this movie was made in a hurry: it lacks the fine-polish that you usually see in the dialogue, it’s a bit too straightforward at times, and the animation is actually worse than it was in the series; something that doesn’t happen often. If the creators just took more time to fix all these, and increase the depth of the storyline, this could have been an excellent movie. Right now, it’s just an okay episode.
This is probably my shortest review in like, ever; but apart from what I mentioned above, there’s nothing much to be said. Fans of the series should definitely check out the movie, but the only purpose of the movie is to give Kino some valuable background. Still, I’m looking forward to the next Kino no Tabi, which premiered in April and should arrive in a few months to the English-speaking community. The creators must have seen that this movie could have been better, so I’m anticipating to see how they’ve learned from this small gem.]]>
Escaflowne – A Girl in Gaea Review – 74/100

Visions of Escaflowne is one of my favourite series ever. I watched it even before starting this blog (hence the lack of a review for it), and after a decent first half, the second half of the series stole my heart. I’ve never really had the chance to watch the movie, though, but now I’ve finally managed to check it out. Like expected, the creators got a bit too ambitions, and the movie doesn’t live up to the series.
Transferring a series that takes up twenty-six episodes into a ninety-minute movie has never been easy, seeing as how a lot of scenes have to be cut. One of the few anime who did it right was Utena: the first half of the movie was basically a crude summary of the series, after which the second half embarked on a totally original and crazy idea, and while it still wasn’t as good as the series itself, it worked. The key was how the Utena-movie stayed so wonderfully away from the mainstream.
You guessed it, Escaflowne the Movie goes way too far into the direction of mainstream, and screws up. Both the story and characters have turned into mere clichés, and the creators basically dropped all of the traits that made them interesting in the series. Folken has been promoted to the main bad guy, the old man is nowhere to be found, and neither is the machine that foresees destiny. Van has also turned into an overpowered action-hero, and Hitomi has turned even more annoying than she was in the series. The little bit of character-development that survived the transition doesn’t make any sense at all. One moment, Hitomi and Van are incredibly cold to each other, and the next moment they’re hopelessly in love without any reason whatsoever.
The movie at least tries to include some substance by asking some philosophical questions. The unfortunate thing is, however, that it refuses to answer them, and when things get too difficult, it just quickly changes the subject. Whenever Van is against a tough opponent that he doesn’t want to kill, a third guy conveniently shows up and stabs the guy, so that Van doesn’t have to worry about him.
Still, despite this I enjoyed a Girl in Gaea. The plot and characters may be dull, but the screenplay is terrific. This has been the first time where I’ve been amazed by the action-scenes of an anime, despite a weak story. Even for a movie, the animation stands out, and while the story itself has its problem, the storytelling is quite decent, and keeps the movie from dragging on and getting boring. And let’s not forget that Yoko Kanno composed the music for this one.
This isn’t really a movie that you need to have seen, though, as it ruins a lot of things that made the series great. If you’ve seen the series, then you might want to check this one out if you’re a real fan. If you’ve not seen the series, then this is a decent action-movie with a rather dull plot. If you’ve seen the movie, but haven’t seen the series, then watch the series NOW!!!]]>
Suteki Tantei Labyrinth – 10

Just when you think a show can’t get any stranger, it surpasses itself. Get this: today’s mystery is about a guy who’s been spiked on top of a huge radio-tower. Yeah.
The explanation that the show puts behind it is also the most ridiculous of the entire series: the culprit was a fireman, and he used a super-powered hose with liquid nitrogen in the middle of the rain to create a path of ice to the top of the tower, climbed it and placed the corpse on top of it. Okay, I can imagine how he got the idea, being a fireman and all, but wouldn’t the ice-tower break through the sheer pressure, being hundreds of meters TALL and all? Also, wasn’t there a fence around the tower? How could he have gotten a fire-truck there? And seriously… why think of such a huge plan when you can just dump the body somewhere in the ruins of the city, and it would have been hidden for a long while. Why go through the trouble of such a risky plan?
Obviously, the evil Byakko is the source of the trouble again. Interestingly enough, she ends up killing the culprit at the end of the episode, and I’m curious as to what the creators had in mind for the next episode. This series really continues to baffle me… the creativity is there, it’s just used at the wrong places, but I do have to admit that I’m intrigued about what tricks the creators will pull with the next instalment.]]>