One thing I like about Gundam 00 is how it’s finally a war-story that doesn’t give Japan special treatment. Heck, it doesn’t even seem to be a member of the Human Reform-Leage, and if I had to guess, then I’d say that it’s just a tiny neutral country. Sortof like Switzerland in the twentieth century. The only link with Japan that seemed to be in the series (Setsuna’s name) also turned out to have nothing to do with Japan in the end (seeing as how Setsuna is just a codename) Take that, Code Geass.
Anyway, about the episode: I liked it a lot, because there finally is a high emphasis on tactics for this battle, and for the first time, the Celestial Beings are in real trouble. I must admit that this happened sooner than I thought. The fight was quite solid so far. There was a bit of angst, but that’s only natural, as for many members of the crew, it was the first time their lives were in direct danger. I’ve heard from all sorts of sides that Gundam Seed Destiny was a scream-fest, and now that there’s no threat that Gundam 00 will follow in Code Geass’ footsteps, my biggest fear for this series is the same thing to happen as with Gundam Seed.
The first half of the episode was quite light-hearted, and the creators did a god job of portraying how the characters spend their free time on such a small spacecraft. There’s hardly any moment for privacy! Meanwhile, we learn that Lockon grew up in Ireland, and that he has an evil twin-brother. Ishmael has finally found a party that can help Azadistan: the United Nations. Louise meanwhile gets picked up by her mother, who finds it too dangerous for her daughter to be studying abroad. Saji still remains a whimp.
Oh, and we also have a first for this series: for the first time, Setsuna didn’t feel annoying whatsoever. In fact, he was rather cute when he had his meal, right next to Tieria. Felt also gets a bit of development in this episode. Her parents were apparently second-generation Gundam Meisters. They died, but the reason why remains a mystery.]]>
Les Miserables – Shoujo Cosette – 48
And with this episode, all remaining threads for as far as I know have been neatly wrapped up, aside from the Thenardiers. Now… what the heck is going to happen in the final four episodes!? The only hint we have is Jean, who spent the episode trying to decide where to go from now. Cosette is happy with Marius, and she’s finally reached the point where she doesn’t need him anymore. Now, what is Jean going to do?
In the rest of the episode, Marius tries to find the guy who saved him (he doesn’t remember that it was Jean), and Jean eventually ends up lying about how he wasn’t the one, and he made up a story of how he got away in the confusion. Marius also finally runs into Gavroche, and breaks the news of Eponine’s death to him and Cosette. He has settled his differences with his grandfather, and yes, he ends up proposing to Cosette. Awww. :3
One thing I am glad for, by the way, is that the animators found themselves some budget again. Especially the proposal-scene looked really pretty.]]>
Shion no Ou – 08
Yep, it does seem that Daijin’s right about the length of this series. There is no way that the creators are going to stuff the rest of the tournament in just four episodes. This episode revealed that the tournament is going to be huge, and EVERYONE will be participating in it. There is no way that four episodes will be enough, especially since this episode has also been introducing new opponents for Shion.
Also, after playing a few shougi-games myself here (link, thanks to Daijin), I’ve gotten even more respect for the different characters of this series. Really, shougi is hard. It’s really much, much harder than it looks. The pieces can really come from nowhere, there are so many holes that can be created in your defence, and you really need to take care of all of them if you don’t want to fail miserably. The shougi-match between Shion and Saori in the last episode, I really can imagine how one simple move can turn the entire tables for one match.
Anyway, now that that’s out, I absolutely loved this episode. The tournament starts here, and it’s well built-up for. Not only the characters we know have entered, but also quite a few unknown ones, and this episode already marks the end of the first matches of the first rounds. Something you rarely see in tournament-series.
The tournament is basically divided into three groups, and the participants are randomly divided in these three groups. Here’s the line-up:
Group A:
Hisatani (Shion’s foster-brother)
Shinji (Shion’s foster-father)
Ayumi
Group B:
Hani-Meijin
Ayumi’s shougi-teacher
Saori
Group C:
Shion
Satoru
An interesting line-up, especially as it seems very likely that Hani-Meijin will end up playing against Ayumi’s shougi-teacher. Shion is also the one who’s going to have to go up against Satoru (which he probably arranged behind the scenes). Apart from that, she has to go against newly introduced characters. This episode, she wins from a grown-up adult, who is something like a good amateur. Next episode is some kind of other child prodigy, which could turn interesting. Ayumi has also won his first match, though we don’t get to see the opponent, and I can imagine how all the others won as well. Satoru also seems to have beaten quite a famous shougi-player, suggesting that the guy indeed was really good.
And yet, so much more went on in this episode than just that! We first get to see a bit of background between Hani-Meijin and Satoru, of the time when their mother died. They were just playing a few shougi-matches, while the hospital phoned. Satoru begged Hani to continue playing, though Hani wanted to take care of his late mother. After that, Satoru stopped playing. Later, we see how Shion visits Ayumi’s mother.
I must say, that out of all anime that feature tournament-arcs that I’ve seen, Shion no Ou is the best. It successfully manages to avoid so many clichés, and I love the way the first rounds have turned out, with enough going on. I also love how many friends have entered in the same tournament. Also, none of the matches drag, and all of them so far have been over within a minute. While this will probably change in the future, I still love how so far, Shion no Ou feels refreshingly different from them.
And seriously, I love the scenes where Ayumi and Shion are together more and more. Right now, I’m really sure that it wasn’t a mistake to label Shion no Ou as the best series of the autumn-season so far. No other series has managed to make me care about its characters as this one.]]>
Dennou Coil – A Circle of Children – Review – 93/100
Fans of the fifteenth episode of Rahxephon can rejoice: its director, Mitsuo Iso has embarked on a new project called Dennou Coil. Having done the animation for major Ghibli-movies such as Porco Rosso, Ocean Waves and Only Yesterday as well, this guy had the potential to create a masterpiece. Thankfully, he actually pulled it off, and many consider this series as one of the best of the entire year.
The thing that’ll probably immediately catch your attention when you start to watch this series is the immense amount of creativity that’s put into the series. It takes place in about twenty years, where a cyber-world exists that people can only see if they’re wearing special glasses already is something you don’t think of quite easily, but Mitsuo Iso created a world that consists out of much, much more than just that. The first half of the series carefully builds this up, and makes sure that the viewer has been accustomed to the many sides of the setting, only for this series to really get fired off with the second half, and the final quarter of the series has some incredibly emotionally charged climaxes.
To make this even better, Dennou Coil has amazing production-values, second to only Seirei no Moribito. What you usually see with series is how their first few episodes have amazing animation, only to switch to a lazier animation-style after a few episodes, but Dennou Coil is different. The animation is of a consistent high quality, and there are no signs of outsourcing at all. The character-designs may look simple, but the animation and integration with CG make them look beautiful.
The characters may not be among the best points of this series, but they do work effectively when they have to, due to the careful building-up of the storyline. One point of critique would be that most of the side-characters could have gotten more development. Daiichi, Denpa, Fumie and Kyoko are wonderful characters, but if feels like they weren’t used to their full potential, and their roles became smaller and smaller as the series went on.
One thing that irked me, but will probably have little effect to those who plan to marathon the series is the overabundance of recap-episodes. In total, there’ve been three of them for a 28-episode series. The final episode could also have been a bit less rushed. Finally, there are three episodes in the middle of the series (11, 12 and 13), which I guess were meant to flesh out the world of Dennou Coil a bit, and they’re excellent standalone episodes, but they really feel out of place with the rest of the series, and only throw in more potential that unfortunately had to be ignored in the end.
Apart from this, though, we’ve got ourselves a masterpiece here. It’s one of the highlights of the year, and apart from Kaze no Shoujo Emily, it’s the most consistently good series of 2007 for me. It’s anime like these that show that even stories focused at children can be awesome nonetheless.]]>
Dennou Coil – A Circle of Children – 26
Ah, thank god. For a minute, I thought that the ending for Dennou Coil would end up rushed, but thankfully the series gets closed with one final powerful climax that nicely finished the series. Obviously, the ending itself doesn’t match up to some of the other series of the spring-season: Bokura no, El Cazador, Seirei no Moribito, Kaze no Shoujo Emily and Ooedo Rocket all wrapped up their stories better than Denou Coil did in this episode, but I can’t complain, as it could have turned out a lot worse.
And so, we finally find out what really happened in Yasako’s flashback. Obviously, if you haven’t seen the episode, CLOSE YOUR WINDOW. Yasako ended up in the coil-domain thanks to Densuke, right after the accident with Nobuhiko and Isako occurred. She than ran into Nobuhiko at the shrine, and the two of them had fun for a bit. Then Nobuhiko realized that the coil-domain was starting to collapse, so he told Yasako to run away fast, while he himself got sucked into the void.
Afterwards, Yasako managed to escape the black void, and met the Null. This guy turned out to be indeed Yasako’s grandfather. The two of them recognized each other quickly after Yasako’s memory went blank, so the two of them managed to say one final goodbye. The reason Yasako’s grandfather was there was because he was trying to save Isako. Nobuhiko lost his body in the accident, though Isako’s body remained, and it was Yasako’s grandfather who managed to bring it back in the end.
There were quite a few forced scenes in this episode – Nobuhiko suddenly got eyes, and there’s no real reason given for all the revelations. But one thing that went really well, apart from the climax itself, is the emphasis on one of the major themes of this series: saying goodbye to the deceased: Yasako got to say her final goodbye with her grandfather, Isako got to see her brother one final time, Densuke remains gone, but he appears in front of Yasako and Kyoko one final time, when they’ve grown up. This is really why it’s a children’s series in the end: it’s meant to show children who have lost something important to keep remembering this person, but live on at the same time.
And so we’ve come at the end of the major gems of the spring-season. It’s really been an awesome ride, and also a really consistent series.]]>
Higurashi no Naku Koro ni – 47
Whoa, things went much, much faster than I expected. And really, the building-up is really paying off now, as this was an excellent episode. With three more episodes left, there are many twists up ahead, as 60 minutes is enough time to throw in some excellent climaxes. It’s hard to imagine that finally, after nearly fifty episodes, Higurashi is nearly getting finished.
This really was an episode for the adults of the story. The children only appear in one scene, but apart from that, it was all about Irie, Tomitake, Oishi and of course Takano. Especially the latter finally crawled out of her shell, and showed us something entirely different from her usual character. I do admit that I’ve often complained at her annoying character, but it was so worth it to see her in despair after finding out that people were once again going against her.
Meanwhile, Tomitake is on the run for Takano and the Yamainu, as it’s obvious that he’s the most likely traitor. Irie tries to remain on Takano’s side, though the latter manages to realize that Irie is against her too, so she puts the guy under surveillance. I hope that Irie does realize that he’s obviously going to be tracked.
There were a few vague parts in this episode, mostly at the police-side. I’m not exactly sure where Ootaka came from, and his “connection” with the Sonozakis. Still, it was good to see this guy getting pwned by Oishi, who refused to let anyone to the autopsy-department of the police office.]]>
Shugo Chara – 09
After Yaya and Kuukai, we now have the Nadeshiko-episode. All that’s left now is for Hotori to get his own episode, and after that this anime can move on. I’m glad that there was no bad egg this week, and instead the creators opted for the obligatory haunted-house episode, as Nadeshiko appears to live in a huge mansion.
It’s all fairly cliché so far: Kuukai has soccer, Yaya has ballet and now Nadeshiko turns out to be well-versed out in the classic Japanese style of dancing. Obviously, the animation for this turned out to be too much to handle for the animators, so they just went and showed a bunch of still-frames. It’s a shame, as especially dancing-scenes like these ones are the perfect chance for them to show off their skills.
The “ghost” of this episode turned into the Shugo Charas, who were trying to chase a mouse out of the mansion. It was all fairly standard, though the development for Nadeshiko made up for it, and how she tried to hide her hard-working self from Amu. The manga-readers also mentioned something about Nadeshiko’s “true identity”, though we don’t get to see that in this episode. It’s clear that the creators plan to use the first season of this series for fleshing out the character amidst random stories.]]>
Saiunkoku Monogatari – 68
I’m not exactly sure why, but this episode was easier to understand than usual. It was another great one, by the way. It first becomes clear that Juusanhime and Shuuei are very close to each other. I recall that Shun mentioned something about Juusanhime’s true, unreachable love, but could this refer to Shuuei? If that’s the case, then it’s quite the tragic story. For the entire series, I imagined Ran as a mature guy who has had lots of experiences, but instead it was just a facade he put up because he kept running away. Now that he stopped doing his, we start to get to know his true sides a bit more. In that viewpoint, I can see why his triplet brothers decided to get him away from Ryuuki. It may have sounded a bit mean at the time, but I’m sure that they wanted to help their brother.
Shuurei and Suou meanwhile are seen inspecting the prison of the palace in terms of health and facilities. There’s also a prisoner (Shun) that just refuses to leave his cell, even though he’s been released long ago. The reason he gives is because Shuurei keeps visiting him to urge him to leave, though I think there’s a deeper reason behind it. It also seems that Shuurei reminds him of someone. It also seems that even in the prison, Seiga has been active.
A while later, when Shurei and Suou are leaving the prison, they get assaulted by a bunch of cheap assassins. These guys are clearly rookies, so both of them manage to escape quickly, but this does mean that someone without a lot of money is trying to get rid of Shuurei. Could this be becasue people already think that she’s Juusanhime? In any case, when Shuurei arrives back, Seiga stands there, waiting for her with the news that Juusanhime is ready to get picked up.
Later, Shuurei is in the library, when she runs into Riou, where they chat for a while, Riou makes a bit of tea, and Shuurei plays the erhu for him. The former seems to be the norm for the family where Riou comes from. Riou then talks about how he might have hurt Riou in the previous episode because of the things he said. Shuurei, however, believes that Ryuuki likes Riou, so he’d never hate him, and Riou should apologize and that would settle everything. (by the way, why did Riou use the window as an exit? Does he want to avoid running into certain people or something?).
Ryuki, meanwhile, has sought the company of Shusui, now that Shuuei and Kouyuu are gone. Meanwhile, he’s getting more worried about the fact that he’s going to have to marry Juusanhime, which suggests that we’ll see his more serious side soon. Shushui also talks about her worries a bit, how she always runs away and gets protected by everyone, despite being strong. Later, when Shusui is alone, she’s again bothered by the strange sound, and she mentions something about not having fulfilled a promise yet. Riou then runs into her, and he seems to realize that his eyes are causing trouble for her, so he tries to help her, though she refuses.
Then Ran arrives, and tells Riou to leave, while he himself carries Shusui to her room. The latter (nearly unconscious), mistakes Shuuei for Shouka, and begs him to kill her. If I recall correctly, then Shuuei once had (or still has) a crush on Shusui, so seeing this probably has to have made a deep impact on him. We later see him in hiw own room, when Juusanhime visits him again, and again it shows how close the two of them are. The episode ends with Shuurei, who finally gets to formally meet Juusanhime, whom she has to impersonate.
I’m not sure why, but I liked this episode more than usual. My guess would be that it’s been a while since I managed to understand an episode of this series that well, and it actually inspired me to look up the small parts I didn’t understand, and write a whole summary. And of course, the events that happened in this episode were quite intriguing, and the creators can do great things with them. I really wonder why Shun just refuses to leave his cell, and why he’s going to be important to the story.]]>
Ghost Hound – 07
Boy, MRI-scans. That brings back memories, as I’ve had a few of them myself. I’ve never had them on my brains, though. Basically, the entire first half of the episode is something what you’d call “Brain MRI-scans for Dummies”, and it’s basically one big lecture, which I of course couldn’t understand. ^^; It was interesting to see the councillor return, though and he also showed a new side of him, that was way more interested and away from his distant usual self. Something tells me that he’s beginning to suspect that Tarou has out-of-body experiences, and got interested.
For Masayuki, this episode tells us more about his family. His sister is as big of a gaming-addict as he is, and the doctor we saw introduced in the previous episode turns out to be an acquaintance of his father. What also piqued my interest was how he really uses his games as a way to escape from real life.
Tarou, meanwhile, regained consciousness, but a new sort of experience got introduced for him in this episode, where he can basically see inside his own brains. In there is a strange figure, who somehow reminds Tarou of his sister. This was really a moment that showed that even the calm Tarou hasn’t recovered a full 100% from his experiences, as he does shout at the strange figure that he wants to see his sister.
Meanwhile, we learn a bit more about why Makoto reacted so angrily at the picture we saw last episode. It doesn’t seem that he hates the guy, running for mayor, but instead he hates the fact that people blamed his father’s death as a suicide. He figures that his former friends might know a bit more, and this really seems to be the case for the guy who is running in the elections. Of course, he isn’t going to easily talk, but it’s clear that he too has suffered some kind of trauma because of Makoto’s father. Whether this was the suicide itself, or something more complex is for the next episodes to show us.
The episode also ends with quite a few intriguing events: Makoto walks past an abandoned building and sees some kind of hallucination that looks awfully familiar to the death of Tarou’s kidnapper. Afterwards, Masayuki sees a kid getting bullied, and simply runs away. One thing I really like about this series, aside from the large roots in psychology, is how the dramatic scenes don’t feel forced at al. This shows quite some promise for the future.]]>
November Summary
+ November Rankings +
My general opinion of the current Autumn-Season is indeed that it isn’t as good as the previous Spring-season. There haven’t really come any epic series yet, like Bokura no, Towards the Terra or Kaze no Shoujo Emily, but instead of that, we’ve got quite a lot of well-executed, charming and intriguing series, so overall, I just can’t call it a failure. The Winter-season is also looking better than it’s ever had, with most of the shows of the current season who’ll be hitting their second halves and let’s not forget the amazing line-up of series that are going to start in January. So a slightly less exciting season isn’t really that bad.
Oh, and in case this is the first time you see this, the series are ranked from worst to best, the number between the ( and ) indicates the place where that series was on last month, the rating is out of 10, with average being a 6,0 (and yes, I’m using the decimal comma).
#30 (29) – Engage Planet Kiss Dum – (5,6/10) – Do note that most of the points this series is getting are because of the entertainment value. Only one episode was released, but it was so bad that it became hilarious. The animation was garbage, the plot couldn’t be more clichéd, and the only thing that was good was the scriptwriting, which made me laugh as well. Overall, this series is a failure, but it’s definitely a fun failure.
#29 (40) – Romeo x Juliet – (5,7/10) – So, yep. Like predicted, the two lovers must overcome one more angst-ridden obstacle before they can be together: the fact that both of them are whiny teenagers. It’s clear that Gonzo spent the best of its staff on Bokura no for the spring-season…
#28 (35) – Dragonaut The Resonance – (5,7/10) – Really, this is just getting silly. Someone over at the production-team has to realize that the melodrama only causes this series to become laughably bad. It’s a shame, the potential’s there, but right now Gonzo can be compared with a man, trying to walk out an overexcitable dog: the man wants to go to the park, while the dog wants to chase random cars, and in the end, they end up at the local garbage-dump.
#27 (new) – Yume da Maya Kidan – (7,2/10) – This doesn’t really warrant its own post, but I do want to say a few things about it. It’s a nice attempt and it’s got a great style, but it was a tad too short to make any real impact. Still, I like the idea of taking the ideas of amateurs, you’ll be surprised at some of the great ideas that some of them have.
#26 (38) – Kimikiss Pure Rouge – (7,5/10) – I originally dropped this, but I switched this with Night Wizard, which was getting really pointless with only 12 episodes to work with. Kimikiss surprised me, though, and offers quite a realistic view on high-school romances.
#25 (20) – Suteki Tantei Labyrinth – (7,6/10) – Really, what is up with this series? On one hand, it manages to deliver interesting adventures, and the screenplay is terrific, and yet the stories themselves have plotholes and quite often delve into silliness, with of course the epitome being the giant robot which appeared from out of nowhere.
#24 (17) – Shugo Chara – (7,6/10) – Fun, cute, cool and spicy, but not really the best this season has to offer.
#23 (28) – Kodomo no Jikan – (7,7/10) – Rin’s past may have been a bit too dramatic, but apart from that this series has been going into the right direction. The fanservice is still annoying, but I admit that the characters are quite cute and interesting to watch.
#22 (23) – Gundam 00 – (7,8/10) – Well, Gundam has been solid up till now. Nothing groundbreaking has happened yet, but it set a solid base for itself to work with. Apart from the idiotic actions of Setsuna, of course. Really, some one needs to kill this guy fast.
#21 (new) – Tsubasa Tokyo Revelations – (7,9/10) – The first episode was mainly an introduction, both to the new story and the new art by Production IG, but something tells me that the real fun is going to start with the next two episodes.
#20 (13) – Bamboo Blade – (7,9/10) – Okay, it’ll never be among the best comedies, but it’s quite entertaining to see where the characters go. One thing that holds this series down is the predictability, though.
#19 (29) – Clannad – (8/10) – I’m really surprised with this series: it’s basically Kanon, with all the things I hated about it removed. Yuuichi was a horrible lead for Kanon, all he did was chase after cute girls who happened to be special, the scenes felt forced, there was no link between any of the different stories apart from Yuuichi, and the annoyingness of Ayu and Makoto didn’t make things easier. Clannad, however, doesn’t have these problems. The main character suddenly isn’t the only one who can solve the problem of the girl in question, the future stories flow well with each other, and the female lead works excellent with this. While it isn’t the best series in the season, for me, this is by far Kyoani’s best series up till now.
#18 (7) – Sayonara Zetsubou-Sensei – (8,2/10) – It’s such a shame that I need fansubs for the complex comedies such as Sayonara Zetsubou-Sensei. It’s been almost a month since the last release. The episode was excellent as well, but I can hardly remember what it was about. Thankfully other subbing-groups have now started to pick up this series as well, to make sure that the first season ends before the start of the second season. I have yet to see episode 10, but I look forward to it. 🙂
#17 (15) – Blue Drop – (8,3/10) – The pacing has been slow, but because of this, Blue Drop has had the opportunity to flesh out the side-characters in this month, something which I really appreciate. The angst also doesn’t feel weird, and the characters are getting more touching with every episode. It’s going to be interesting to see where this series is going to go from now.
#16 (5) – Gambling Apocalypse Kaiji – (8,3/10) – This series has quite a few pacing-issues, but apart from that it remains a fascinating look on human nature. Not to mention the insanity of episode eight.
#15 (21) – Sky Girls – (8,4/10) – When Otoha’s childhood-friend that got sucked away by the worms appeared, I was convinced that this series would fall down the pit of predictability, but then it started to introduce quite an amount of new and interesting stuff that got me quite enthusiastic about this series, and it seems that the creators do know how to deliver a few surprises. Good job.
#14 (new) – Ahiru no Quack – (8,5/10) – Ah, this one brings back memories. It was probably the first anime I ever saw as a kid, though I never fully finished it because the clown in the OP scared me (no, seriously). This also is probably the only anime that gives an accurate portrayal of the Netherlands through the different ages. And really, for a kid’s show it’s got quite some heavy themes. I remember freaking out when I saw the ending of the second episode at the age of five or six. The soundtrack is also unique, and especially Herman van Veen has a unique voice, and uses it in an excellent way.
#13 (19) – Perrine Monogatari – (8,5/10) – This month featured a triple release, in which the first piece of serious drama appeared with the rivalling travelling photographers. I must say that I’ve gotten great respect for Perrine’s mother after this. While I feared that everything would end a bit preachy, the scenes were wonderfully written.
#12 (14) – Moyashimon – (8,5/10) – Really, the originality in this series continues to surprise me. Everything from the characters to the stories feels fresh and different, not to mention hilarious.
#11 (25) – ef – A Tale of Memories – (8,5/10) – One thing that surprised me for this season is how there are so many quality high-school romances out there, and this one probably is the best of the bunch. Both Clannad, Kimikiss and ef have gone way beyond the stereotypes that you usually see in romances, which inevitably become uninspired harems. Episode seven was really intense, and I really liked it, and the unique directing-style.
#10 (24) – Little Princess Sara – (8,6/10)
Despite only being two episodes in, I already like this series a lot. It may be more than twenty years old, but the storytelling so far has been excellent.
#9 (14) – Kekkaishi – (8,6/10)
Finally Kekkaishi is back, and Yoroshiku released a double-release that concluded the current arc. While it suffered from the “I have yet to reveal my true powers!”-syndrome, it did break several shounen-clichés as well, so I’m happy, not to mention that the conclusion was amazing. Naruto should have taken an example of this series.
#8 (22) – Mokke – (8,8/10)
I finally realize what’s wrong with this series! A lot of people (including myself) have been hoping for this to become the next Mushishi, right from the start. But instead, this turned into a really charming tale between two sisters, and the people they grow up with. It really needs to grow on you for a few episodes, and in the past month, the episodes have been getting better and better and better.
#7 (16) – Higurashi no Naku Koro ni – (8,8/10)
Higurashi has been really solid for the past episodes. Something you wouldn’t expect after the first season. While part of me is still getting used to the extreme change of pace of the second season, the past few episodes have been flawless in terms of storytelling.
#6 (12) – Ghost Hound – (8,8/10)
Like Lain, Ghost Hound doesn’t feel episodic at all, and instead it continues to deliver one full story that’s carefully being built up. I like the amount of research the creators put into this to make the traumas that the different characters suffer from look as real and believable as possible.
#5 (8) – Shion no Ou – (8,8/10)
One thing that does irk me a small bit is how most series this season are quite slow-paced, and take their time in telling the story. But not Shion no Ou! Episode after episode, it keeps pushing the plot forward, and the unique and interesting cast of characters make this an excellent series.
#4 (6) – Saiunkoku Monogatari – (8,8/10)
Saiunkoku continues to carefully build up its many storylines, with a few excellent climaxes here and there. The new characters are coming together more and more, and if the previous arcs are any indicators, then this series is only going to end up better and better.
#3 (4) – Gintama – (8,9/10)
In this month, the comedy took a step back to allow for Kagura’s backstory. Had I already mentioned that this is one of the few comedy-series that can turn dramatic and still be awesome?
#2 (1) – Les Miserables – Shoujo Cosette – (9,2/10)
Javert really has been one of the best villains of the year. It’s a shame that the creators changed certain parts of the book, but that didn’t ruin my enjoyment of this series. It’s really a shame that people are chosing series as Ninomiya-kun above this gem.
#1 (3) – Dennou Coil – (9,3/10)
It’s all about Isako this month, and boy, it surprises me how a series can keep up such a consistent high quality episode after episode. It’s a shame that this series is nearly over.]]>