Bakuman – 04



If I had to describe my feelings of Bakuman so far in one word, it’d be “solid”. It’s not the deepest or most exciting show of the season, nor does it have the best characters yet, but at the moment it’s happy enough to just carefully set up its story and premise. This episode continued that trend, as it discussed Moritaka’s conviction.

Moritaka is actually in some way similar to Yagami Light: both start out as seemingly regular students at the top of their class, with nothing really meaningful to do. Light then gets corrupted by the arrival of the Death Note, while Bakuman takes a completely different turn by having the guy work hard to become a manga artist. This episode really showed his talents, on top of his willingness to make something successful out of it, as he’s willing to let his grades drop significantly in favor of the manga he’s writing.

This episode also established that he might just as well be the guy to actually pull it off: he’s got the right mind-set, and once he starts writing he gets totally caught up in it. I mean, it’s one thing to be experienced in how a manga gets created through his uncle, but even considering that, this guy has talent and the right personality for it. Contrast that with Akito, who probably did not realize all of this when he first proposed his idea to Moritaka.

As for the side-characters, this episode introduced a bunch of new ones. I didn’t really like the wannabe artists whose only purpose was to make Moritaka look smart. Miyoshi meanwhile has me a bit indifferent, as her introduction didn’t really show much of her, and we’ve got a fifteen year old mangaka who probably will serve as some kind of example for Moritaka and Akito, and he’s who I’m interested in the most here. Oh, and Azuki’s scenes were a lot more bearable in this episode, mostly because the creators didn’t try to use any weird coincidences here, but instead just tried to show it progressing naturally. My only gripe is that the mostly down to earth Moritaka somehow becomes a little toogullible when he starts talking with Akito about Azuki.
Rating: * (Good)

Densetsu no Yuusha no Densetsu – 16



Yes! This episode headed into the right direction! These are the episodes I want to see! Screw the politics of this series, the finale of this show needs to be about its characters. This episode really added a lot of depth to them, especially to Ferris and her brother. With this episode, I at least got a glimpse of why the second half of this show is supposed to be awesome.

This episode pretty much didn’t touch the story of the warring nations, and instead it showed some of Ferris’ background, her relationship with her brother, and it developed Ryner’s relationship with her as he found out more about her. This is the kind of character development that I’ve been waiting for for what feels like ages now. I also really liked how this episode cemented Ferris’ brother as one heck of a sunovabitch here. And to make matters even better, the creators are also really making Milk more bearable. She was just as annoying in this episode, but the few bits of drama around her felt much more genuine than in those earlier episodes.

Still, this episode in no way fixes all of the problems of this series: its politics still are uninteresting, and the reason why this episode was so good was because it didn’t put any attention to it. Now that I mention it, the reason the first four episodes were so good was because they also didn’t have much of a focus on the politics. It’s usually a genre I really like, because of the many different directions you can go in, and how it can provide pretty deep insights on its setting, though Denyuuden never really felt like that. I’m also missing creativity.

On top of that, I still don’t trust the anime creators, and whether they’re going to be able to stuff the good parts in the nine remaining episodes. They did take an awful lot of time for the boring stuff and the introductions, not to mention that I have seen the previous works of the director, which were all badly planned out. And I know that directors are accompanied by writers who do the series composition and all, but that doesn’t make me less worried here when we’re talking about the guy who wrote the anime adaptation of Kurogane no Linebarrels…
Rating: ** (Excellent)

Tantei Opera Milky Holmes – 03



I’m going to try something completely different this season. I’m pretty happy with blogging Bakuman, Yakumo, Letter Bee, Star Driver, Kuragehime and Squid Girl this season, but I just couldn’t make up my mind on the twelfth one. Neither TWGOK nor Togainu no Chi seems really interesting enough to cover weekly for an entire season. So yeah, Togainu no Chi is hereby dropped. Instead, I’m going to try and blog a different series each week.

There are a lot of shows this season that I want to say something about, without having to discuss it every single week. I’ve got about 8 to 12 of them, depending on my mood and how they turn out. In the final weeks I’ll cover the most interesting ones once more. Oh, and for the record: a week for me starts on Monday and ends on Sunday.

This week, I’d like to talk about by far the most underrated series of the season: Milky Holmes: it averages a score of 6,28 on MAL, and a whopping 5,41 on AniDB, and while I admit that this is a very guilty pleasure of mine, I also want to say that none of the comedies this season has managed to make me laugh as hard and consistently as Milky Holmes.

It’s utterly stupid, and yet has flashes of brilliance in its jokes. The jokes are all completely fresh: this episode had the cast, among others, play twister in an ancient museum in order to get their powers back, end up in jail and liking it because at least it had food, and locked up in an ancient tomb with a horny English teacher.

Speaking of which, that English teacher is probably the funniest guy on the entire show. For a show that has relatively little fanservice for a moe show aside from the ED, it does have a few points that are just completely wrong, and most of those really involve that teacher. That trunk scene was both utterly hilarious and utterly disturbing.

As a parody, this series rocks, though, as it completely tears the kaitou genre apart. I’m not really sure why, but most Kaitou-parodies in anime turn out more like homages, even though it’s often a very silly premise. The whole premise of this series takes this just to the absurd: just about everything about it is over the top, and yet it doesn’t lose itself in its insanity, as it does have a narrative and a plot that keeps it going. As a moe parody, this also has everything that I have been missing in TWGOK: it knows that it’s completely stupid, and therefore likes to break a few conventions here and there, like that trunk scene (no, I can’t let go of that. I mean, even the most graphic and controversial fanservice series this year didn’t bother to go that far).

Most of the time with moe series, creators use these cliches to make their cast seem stupid or cute. And the thing is, that I see no cliches whatsoever in Milky Holmes, other than the ones it makes fun of and even at episode three it still shows no signs whatsoever of slowing down. This series turned out to be much more creative than I could have expected, but its stupidity will probably turn me insane if I were to try and blog it every single week.
Rating: ** (Excellent)

Break Blade II Review – 75/100



I apologize for the lateness of this review. The biggest reason for that is pretty much a lack of motivation, and that’s pretty much my biggest issue with Break Blade: yes, it’s solid. Yes, it’s got good and realistic battles, and yet it just failed to catch my attention. I do realize that these issues are very subjective, but I still want to try and explain what’s bugging me about this series. And really, it’s not like Break Blade is bad, it’s just… not as good as I expected it to be and that’s what’s getting my goat a bit.

Xebec (or… Zí bek…) clearly got help from Production IG, because the one thing that I do appreciate of Break Blade is how well the action scenes are coordinated. They’re far from your usual mecha bash-fest, and are instead kept on a believable scale. There are a few details that could have been more thought out (like why the mechas don’t have wheels for long-distance travel), but details like those dwarf by the details and movements that a lot of other mecha anime lack. Another thing I really liked was the array of beautifully drawn landscapes.

I’m a lot less enthusiastic about the characters, though. Especially the lead character. Of course I do appreciate that he has his background, and how he’s an actual adult, but the latter is also the only thing that really sets him apart from your average male lead. I had hoped that this second movie of Break Blade would define his character a bit more, but instead it felt like the creators were still running down the “generic male lead checklist”: he learns how to pilot a mecha from out of nowhere, he’s still the only one who is able to pilot what seems like the strongest mecha in the world, he tries not to kill anyone, and let’s not forget at how he formally enlists in the army after considering for a few days to leave everything and not get involved: this guy is just so standard and there’s nothing that sets him apart. He doesn’t feel fleshed out enough, and after two hours of airtime, he still feels pretty flat and shallow as a character. That’s not good for a male lead.

In terms of politics, this episode was solid, but here’s the thing: most of the politics in the second episode were just meant to build up. We know a bit more about the different countries, and why the people are at war with each other, but most of the build up wasn’t really used in this episode, other than turning the lead character’s queen love interest into a bit of a damsel in distress. If the upcoming movies are able to use this build-up, then I’m really willing to hand out high marks for them, but here I have to be honest: this second movie was like the first tedious to watch for me.

Storytelling: 8/10 – Realistic and detailed battles, solid build-up, but I see little use of the build up at this point.
Characters: 7/10 – Generic male lead and a decent side-cast.
Production-Values: 8/10 – For movie standards, this looked great, but nothing really special.
Setting: 7/10 – Lots of build-up but most of the potential is left for later.

Suggestions:
Guin Saga
– Visions of Excaflowne
Densetsu no Yuusha no Densetsu

Nurarihyon no Mago – 16



A few episodes ago I complained about how a building just disappeared after it was destroyed. Okay, so never mind: this episode revisited the site at which Yura and Nurarihyon had been fighting, and it was shown that people definitely noticed the mess, and blocked it off to fix it at a later time. Yay for continuity!

In any case, this episode focused on information warfare, in which the bad guys sent a spy to get some inside information about the Nura-clan. It’s also interesting that the Nura clan has actually suffered some fatalities, while their guys are still all alive.

In the meantime, the good news is that Nura’s classmates have stopped being annoying. I’m surprised how much I liked the few scenes in which they try to kill time inside the mansion, and I have to admit that it’s a nice twist to have Nura keep them safe. I mean, the fact remains that they’re very easy targets as soon as those youkai find out that Nura cares about them.
Rating: ** (Excellent)

Shinryaku! Ika Musume – 03



This episode had a few less sketches than last week, so it was a bit slower than the first two episodes. It was still hilarious though, it came with new material, and I can really see that the creators were going for a fear-themed episode: first of all we see the things that scare the human characters, then we get some sketches on the things that scare squid girl, only for the episode to close off with someone who’s actually scared of her.

I liked how this episode showed in what kind of a different environment and culture Squid Girl grew up in, in the way that she had completely no concept of the meaning of ghosts, and instead of ghosts, she’s scared of the big predators that are roaming around the sea. There was also this point at which actual ghosts show up, and I loved how many different ghosts the creators actually put there, from disgruntled authors, surf accident victims and even a bunch of samurai. I love the deadpan delivery of these guys.

As for the rest of the cast, we learn a few of the phobias of them, like the lifeguard is scared of the dark, while a newly introduced surfer girl has this strange fear of squids. Or whatever squid girl makes her think of. The way in which she instantly believed that Squid Girl was a threat to humanity was a bit too much, but I can understand the creators of having some kind of character for Squid Girl to scare. She was indeed hilarious once she found that out. This episode also introduced a few quirks that could become overused running gags, like that classmate’s obsession over Squid Girl, and the lifeguard’s crush on Chizuru (though I like how subtly this was introduced in this episode). Those are the biggest potential pitfalls for this series.
Rating: * (Good)

Shinrei Tantei Yakumo – 03



Whether a series follows its original source material exactly, like High School of the Dead, it takes its time telling its story and even adds a bit here and there like Nurarihyon no Mago, or whether it tries to put 180 pages into just one episode: it all has the potential to work out well, as long as the creators have a vision and manage to capture the essence of the source material they’re dealing with. Yakumo is a pretty good example of this: it’s indeed rushed but that also gives it its charms. Making a 13 episode anime is completely different from making a 26 episoded one: with the latter, you can take your time and flesh out the cast and the setting, and carefully build up everything. With the former, you do not.

This show has its flaws. This episode was probably the least interesting one so far due to the time it wasted on that rather long car chase scene, on top of this weird coincidence of Haruka being in the exact same car as the bad guy here as he got possessed (that’s something I also really wonder how the manga made plausible…).

Still, I liked this episode, and especially the chemistry between Yakumo and that detective Kazutoshi. At first Yakumo seems a bit of a clone of Ghost Hunt’s Naru-chan, but it’s these things that form the subtle differences between the two. This episode also established that he isn’t perfect, and that there are also cases in which he fails to make a difference. That’s always nice.

What also impressed me was the soundtrack here. Sure, this series’ soundtrack is nowhere near Bee-Train’s better works, but on its own it really is excellent. It’s not all over the place like usual with Bee-Train, and yet it’s varied, creative. It’s really the soundtrack that saved that car chase scene here.
Rating: * (Good)

OVA Impressions: Black Lagoon – Roberta’s Blood Trail – 02



In terms of television series, Madhouse is currently having its worst season out of all of the seasons that I’ve been blogging, so thankfully Black Lagoon delivers one bright point for them this way. This episode was all about building up, but it did this really well.

Basically we had half an hour of dialogue, leading up to the inevitable clash between Roberta and the US Army, which will probably start on either episode 4 or 5. This episode established who the new maid was, it showed the implications that Roberta’s little adventure will have on Roanapur, while still keeping a few things a secret (for example why Balalaika and the favour that Dutch did to her, and what it had to do with anything here). It showed a lot of new stuff about the setting, like all of the different cartels that are operating in the city.

It’s clear that the creators are intending this to become a chapter in which all hell breaks loose. The previous episode explored how much of a monster Roberta had become, this episode did the same for the other fractions involved: the FARC and the US Army, mainly by not showing them and instead having all kinds of people talk about them.
OVA Episode Rating: 8,25/10

Star Driver – 03




Hell yeah, this is looking really good: like Utena, Star Driver, beyond focusing on the main villains, also focuses on the people close to them. Right now, it may seem a bit random, but I’m betting my hat that these guys will return over the course of the series. It’s not like the cast of this series is infinite, and something really is telling me that the main villains will get plenty of time to show themselves.

As for the accusations of this series being formulaic: well, I guess it is partly. However, that’s the entire point of the series: Utena was the same: it had a ton of stuff that happened in every episode. The thing is however, that beyond that formula, you couldn’t predict it at all. The repetition caused it to become a bit ritualistic, which provided a beyond excellent framework for the characters to work with.

Star Driver looks like it’s going to be the same: every episode has the meeting of the council, it sets up someone to become Takuto’s opponent, it shows this person open the cybercasket, the caged girl starts singing the same song, Takuto transforms, and after a fight Takuto wins and the opponent hands in some kind of badge. Beyond that, though: it’s new and fresh. It’s one of the very few series that’s willing to try out new ideas, half of the characters are unique and unlike anyone else, and even the characters that fit a certain archetype are fun to watch.

I’m also really glad to see that the graphics still look really impressive. This is the third episode in a row that ha d a really exciting battle here, and on top of that the creators have made every match different. This one centred around sword battles, and even beyond that the style of animation also was a bit different here. Again: just think of the potential for the future of this series when the creators just continue to up the ante here.
Rating: ** (Excellent)

Heartcatch Precure – 36




Awesome idea: when it’s finally time for the school festival and the fashion show, the creators call in the help of the local light music club. Again it’s within the whole theme of Tsubomi and Erika not being the only ones with stress and nerves, and on top of that it was also a nice excuse to make the fashion show even more awesome than it already was.

The desatorians in this episode were even more on the background than usual. The real climax of this episode was the fashion show, and combined with the performance of the light music club it really was a wonderful end to all of the effort that Tsubomi, Erika and the other members of the fashion club put into it. And I usually have no interest in fashion whatsoever! Also note how the creators tried to insert as many family members as they could: the only one missing was Yuri’s mother.

Overall, the school festival was a very interesting detour here. Directly it had nothing to do with defeating Dune and Sabaaku, but it was a really excellent way to flesh out both the main cast, and the people around them: it allowed some of the previous characters to make a reappearance, and overall it was just really fun to watch. After this we should probably get a few more random stories, and I am very curious, both in what part Cure Moonlight will play in it, and what the creators have in mind for the next arc. We’re nearing the final quarter here, so they should start to develop the bad guys by now.
Rating: ** (Excellent)