Summer 2020 Season Preview

Lenlo: Time passes, leaves grow, allergy season fades and first world nations descend into civil war. Yet still my barber is closed due to COVID-19. Hard times, huh? He isn’t the only thing closed though, as studios continue to postpone series, with only 19 new anime airing this season, 6 of which are sequels. But oh, what big sequels they are. We have two of the biggest Isekai currently on the market, the return of literal fire fighters, and everyone’s favorite high school based romantic drama. Needless to say, just because there aren’t many series airing doesn’t mean we will be lacking for good choices. So strap in, as we here at Star Crossed Anime break down the 2020 Summer Season.

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What will you be watching this summer season?

ALREADY AIRED

Great Pretender

Studio: Wit
Director: Hiro Kaburagi
Series composition: Ryouta Kosawa
Source: Original

Wooper: What if I told you that fansubbing isn’t dead? This Netflix Japan series made its way online at the start of June, and a whopping 10 episodes have been translated at the time of this writing. I’ve seen only two of them, but they were good enough to make me optimistic about the show’s expected run of 23 episodes. Actually, “good enough” is doing this thing a disservice, so let me rephrase; Great Pretender’s first pair of episodes was an unqualified success. From the hard bop jazz score to the multiple layers of its con artist-centered story, this is a series that never takes its foot off the “style” pedal. Director Hiro Kaburagi has attracted a bunch of the industry’s top talent to the project, including Yuusuke Takeda (of Eccentric Family fame) as art director and Gainax legend Yoshiyuki Sadamoto on character designs. This thing looks and sounds like an absolute dream, and the characters are all career criminals whose banter and one-upmanship give them undeniable personality. Honestly, Great Pretender is the whole package. It’s ten whole packages. And if you’re still on the fence about watching it for some reason, look for its OP and ED on YouTube (the latter of which is performed by Freddie fuckin’ Mercury), and prepare to groove harder than you’ve ever grooved before.

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Spring 2020 Summary: Week 9-10

Mario: My apology that we missed out last week. Since the restriction relaxing in my hometown it has been even more hectic and busy for me lately, to the point that I am busier than I was before the lockdown. Anyways, we are here for anime and while the whole anime industry is suffering at this point (with next season looks even grimmer), the easing of restrictions in Japan’s main cities is an encouraging sign – hopefully the anime industry picks up its pace soon.

BNA – 7-9

Mario: Okay, the first half of BNA might be a little shaky (the baseball episode was pretty meh to me), but episode 7 through 9 the show seems to get a handle on framing the big overarching act, as the main players are all in places now and these three episodes provide some twists and turns. Not all of them are effective but now BNA has a sense of knowing where it goes, unlike the first half when it fails to enrich the Anima city worldbuilding. We know about the true reasons behind Michirou’s beast ability (many see this coming), the true identity of Ginrou (it’s not hard to see this coming too), Syvasta’s roles so the next three episodes where the show wraps up can build up to an exciting climax. Hopefully it sticks the landing.

Hamefura – 9-10

Amun: Hamefura got back on track this week!  After two below average (and I’d like to point out the average for this show is very high) outings, episode nine gets back to Catarina winning hearts and minds – this time of her troubled maid.  This was heartwarming, in character, and a wonderful re-perspective of the high class hijinks of whatever this academy is called.  Also the end story, where everyone gets her the exact same thing, had me rolling.  Simply top notch.  I want to point out another interesting tidbit: her parents (father in this episode, but mother in the past) are quietly supporting her shenanigans (despite her mother’s anguish at her gardening).  Nice little detail thrown in there.  Next episode looks like a confrontation, so I’m hyped – I would just recommend weapons (axes or hoes) instead of the magic trip hill.

Mario: Just chime in here for my general thoughts about Hamefura in this second half run. It wasn’t as great as the first few episodes for me, unfortunately. The issue I have with it so far is that it overplays the supporting cast’s affection towards Catarina every single freaking time. Episode 9 adds another side character whom Catarina “changes” for the better. As their love for Catarina grows, it’s hard to distinguish the cast from one another because all they have in mind is Catarina, and it’s kind of the same feeling as the show keeps beating that dead horse. Episode 10 introduces a villain who hated her gut, which for me is a nice change of pace but… is Catarina going to save his soul like everyone else? AGAIN?

Continue reading “Spring 2020 Summary: Week 9-10”

Spring 2020 Summary: Week 6-8

Mario: So a few weeks has passed, and this thin season has gotten thinner and thinner with shows affected by the pandemic and people died left and right, sometimes NOT because of the COVID-19 (like the devastating news that Zac Bertschy over ANN passed away. Rest in peace man). Anyways, all this sad news makes me more appreciative with shows that are still in the running. We’ve been slacking a bit here with a couple shows I have yet to follow up, but rest assured that next week we’ll be back in full steam.

Kakushigoto 4-8

Mario: So about Kakushigoto, I enjoyed the episodes as I was watching, but when it comes to the plot details, unfortunately all these gags muddle and I have a hard time recalling what was happening. I guess the reason for it is because of its gag-based nature. At its best, all the gags set up some unexpected situations. At its worst, it feels random at times. From episode 6 onward however, the show improved remarkably as the episode has connected stories. Episode 6 deals with Gotou both doing the fan meeting and going out with Hime while making sure that Hime doesn’t find out about his job and episode 7 is all about adopting the dog and heritage which I think is a pretty nice theme. The show still holds its cards close in regards to the flash-forward 18 yo Hime (Gotou is still out of the picture in that timeline). There’s also a lot of gags about the manga industry and Gotou random harem but the beating heart is all about Gotou and Hime bond.

Hamefura 6-9

Amun: Man, I know it’s lame to use COVID-19 as an excuse, but it has just sapped all my energy in regards to writing (about anime or otherwise).  Feels like Hamefura is suffering a bit from the midseason doldrums as well.  These episodes were certainly not bad, but they definitely seemed to be putting the brakes on the armada of ships heading for Catarina.  That said, I’m all about Royal Magic Academy Hijinks: Catarina Edition (or, fine, “Princess Lover” if you want to use the canonical title).  These little slices of life are endearing and fun – AND there’s even a little plot progression (meeting her friend from a previous life was really quite sweet).  I’m also dying at how everyone in this show be thirsting, while our girl Catarina is just proper hungry ^_^.   Also, hats off to Mary being the jealous fiance…except she’s jealous that her fiance is spending time with Catarina!  Nice twist there.  Overall, still top tier for this season, but I do feel we’re slowing down just a hair.  Probably getting ready for the epic finale – with candies and comradery (and probably little to no actual romance).

Continue reading “Spring 2020 Summary: Week 6-8”

State of the Season – Spring 2020

Amun: Welcome to this lost spring of anime 2020. I hope everyone is staying safe and watching this B-team of a season. While we didn’t get the heavy hitters of Yahari Season 3 or Re:Zero, there are still some bright spots – Kaguya-sama S2 and the surprise newcomer isekai: Hamefura. Despite my early criticisms, Tower of God has gained some traction – fellow writers seem fairly positive on Yesterday wo Utatte. So this season isn’t a complete wash! We have turtles, villainesses, crows, books, and zodiac animals! Join us humble Star Crossed writers as we take a look at the good, the bad, and the funny of Spring 2020 anime. (But seriously, Hamefura is really good, go watch it).

What show are you enjoying that you’re not reviewing?

Amun: I’m liking Tower of God quite a bit. Feels like every episode fleshes out the world, develops the characters, and pulls you deeper into the tower. Animation is hit or miss, but the story’s moving along nicely now. Little concerned about character creep, but that’s a minor gripe.

Mario: I’m going with Yesterday wo Utatte. Sure, there are other two shows that are equally impressive (Kaguya-sama 2 and the other one down the list), but Yesterday wo Utatte keeps surprising me every week. 4-way star-crossed romance isn’t normally my thing, but so far the show hasn’t put any wrong step, and the characterization for the main cast is off the chart. There’s a lot of details put into their mannerism, figure of speech and their movements. Hopefully the main relationship doesn’t get too convoluted for the sake of drama.

Lenlo: I’m not actually watching much this season. The only non-cancelled seasonal I still keep up with is Kaguya, and BNA I suppose, but I haven’t been enjoying that. Regardless, it is a decent enough rom-com, and I hope that we will actually get to the point where they make some actual progress in a relationship. Rom-coms are only good if you actually include the romance.

Armitage: I love grounded character dramas more than any other genre in anime. Though, such shows have gotten ever so rare these days. That’s why, to see Yesterday wo Utatte do what it does week-in, week-out gives me hope that more such series can be produced down the line. It’s a mature show which cares for its characters and that, in turn, instills a sense of sincerity to the story it’s telling. More importantly, even if it doesn’t stick the landing by the end of its 18-episode run, it might end up paving the way for the adaptations of the many other stellar seinen manga just begging for an anime.

Wooper: Kakushigoto. The show’s absurd flavor of comedy is nicely balanced by its familial themes, and that combination makes it a pleasant weekly watch. Its sixth episode is what really sold me on the series, though, telling one connected story instead of splitting itself into chapters, and really getting to the heart of Goto’s relationship with his work. I’d say it’s the show that has improved the most since its premiere.

Continue reading “State of the Season – Spring 2020”

Spring 2020 Summary: Week 5

Mario: I’m here this week feeling a bit more optimistic about anime than last few weeks, after reading a news where they confirmed that a lot of shows, most notably the ones that have been outperformed this season (though, it makes perfect sense) have already finished production: Yesterday wo Utatte, Arte, Hamefura and Bookworm Isekai with Tower of God, BNA and Kaguya-sama are nearly finished. In the midst of such unstable time it’s certainly impressive that these shows manage to be ahead of their game. In movie news, Nakitai Watashi wa Neko o Kaburu (A Whisker Away) will scrap its theatrical release for Netflix-exclusive streaming on June 18) – a move that I think other anime movies will eventually follow.

Kitsutsuki Tanteidokoro – 02/03

Mario: I know the fourth episode just came out this morning but it makes more sense to group episode 2 & 3 together as they are in the same arc. Episode 2’s case was weird… having the main cast as the main culprit in a Rashomon style and whole cast of side characters (based from actual writers of the period) just pop up and have a round table regarding the murder. It’s certainly not something you see very often, and I still enjoy its attractive arts and detailed backgrounds. It’s certainly risky to portray the main characters as unreliable narrators, given they are our eyes and ears to that world. The resolution makes sense in that aspect, as it successfully gives the reasons why there are gaps in our characters’ testimonies. The biggest thing that put me slightly off, however, is how the show treats death/ murder too easy. A girl dies in the scene, but all we got is the bunch of wannabe “detectives” sitting around the table and dissect the event of the murder. You could argue Ishikawa showed some sympathy towards her death, but let me remind you that more than anyone he could’ve saved the girl – even if she was already sick, would you let her die in such a horrid way? And yes, Ishikawa is a jerk.

Ascendance of a Bookworm – 19

Amun: I’ve been surprised at how consistent Ascendance of a Bookworm is.  Most shows go up and down, but wow, has Ascendance remained absolutely constant.  Definitely not the highest highs (although the first season’s magical smackdown of the high priest was pretty good), but with almost no full episode misfires, Ascendance is just solid.  This week sees Main stepping into her role of orphanage director, some political drama, etc.  All that’s well and good, but most interesting to me is that she’s found a fruit that can absorb mana (which coincidentally is really helpful for her paper) – what will happen next?!  I’m not clairvoyant (or have read any source material), but 19 episodes in, I can confidently say Ascendance is a known quantity – and a good one at that.

Continue reading “Spring 2020 Summary: Week 5”

Spring 2020 Summary: Week 4

Mario: It’s the new week with the same hosts, the slice-of-slice devotee Mario and the isekai junkie Amun report on shows we’re still following, with more shows postponing and next season looks cloudier than ever. This week we see the last showings of Appare-Ranman and Houkago Teibou Nisshi before they hibernate, and some shows show signs of production issues, but it’s also a week where Hamefura proves to be our season’s favorite so far. Who could have predicted this at the start of the season? Well, color me surprise!

Hamefura – 04

Amun: This is possibly my anime of the season (although Kaguya is still this year’s heavyweight so far).  In the tale of the reincarnated benevolent villainess, Hamefura continually S.L.A.Y.S (steals lovers away, yes sir) as one by one, the unsuspecting enemies/interests of our hero/villain are conquered – despite Catarina being completely oblivious.  Any real tension of her actually being killed or banished is by now well dispelled (although I’m sure it’ll come back in the second half to great comedic effect).  Every week, a new excellence – this week was the battle for Maria’s home-cooked muffins.  If there’s one show that I really look forward to every week – it’s Hamefura.

Mario: My thought on Hamefura and our Catarina:

Tamayomi – 04

Mario: It’s hard when you see a TV production falling apart before your eyes. Tamayomi somehow avoids the delayed fate of many other shows, but at this rate it’s just a matter of time before they do. The quality in this episode is amateurish, with many off-model, cutting corners and inconsistencies in animation all over the place. The actual storyboard is fine, it’s just the melted animation that failed to hold things up and thus failed to leave any impact. Hopefully it avoids this pitfall later on, since there will be more baseball matches, and without sufficient production it’s gonna hurt the show a lot.

Continue reading “Spring 2020 Summary: Week 4”

Spring 2020 Summary: Week 3

Mario: This recent week was rough. We all expected this to happen, but still hearing shows after shows get postponed is disheartening. It’s to the point I’m hesitant to drop shows now because I don’t think I have enough options anymore. It might be a good chance to catch up with the old stuff, I myself have been picking up Bookworm isekai again so expect it to be covered here starting next week. We have nearly a dozen shows to talk about this week (thanks to Amun for contributing half of them), so let’s run them down:

Appare-Ranman! – 02

Mario: Another show that is affected by the COVID-19 and it’s a shame because the first two episodes so far have failed to catch my attention. Heck, we don’t even see much of car racing which is its central premise. My biggest issue with the show so far is the characters, which I find bland, uninteresting and filled with bad dialogues. Even the new girl is there because the show wanted to bring up the “girl can’t race” angle, and in the season where Arte is also airing I find it to be on the face. Appare lacks the emotional investment to any human around him that I find him rather one-noted instead of interesting. In addition, I still believe that the premiere is a waste as they could just start off with this one and we won’t really miss out much.

Hachi Nan – 03 

Amun: Just because this show was derided so hard by my colleagues, I’m going to write about it every week.  Hey, to be fair, this has actually turned into a halfway decent isekai. Now, it’s a little unsporting that two other above average isekais (Bookworm and Hamefura) are also in this season – but Hachi Nan is really a decent, run-of-the-mill, escapist isekai.  I think they’ve handled the plot at a good pace – sure, there are some contrived situations, but this is to be expected in backstories. I thought the situational irony landed well this episode, with misunderstood assumptions getting worked out in the end. This is very similar to Didn’t I Say To Make My Abilities Average in the Next Life?!, which aired a few seasons ago – not going to make anyone’s top anime lists, but enjoyable while it lasts.

Continue reading “Spring 2020 Summary: Week 3”

Spring 2020 Summary: Week 2

Mario: Welcome to the first edition of Spring 2020 Weekly Summary where we throw our opinions on leftover shows that don’t receive a full coverage (the orphans so to speak). There are still more shows that I will check out when their second episode’s out (like Fruit Baskets 2, Appare-Ranman and Kisutsuki and that Cute Girls Fishing show). I also have this self-imposed rule where I’ll drop a bunch of them after 3 episodes. So expect a big clean up after next week (Beware! Listeners and Tower of God and Gleinpir). Thanks Amun for contributing to this column, and readers, if you want us to give more chance to any other show airing this season, shout out in the comment section below.

Hamefura – 02

Mario: The second episode of this Otome Isekai might not be as fresh as the first one, but it’s still adorable as heck. This week our main (villain) girl Catarina conquers two more “underlings”, not necessarily with any ulterior motive. It has considerably less self-awareness than the premiere, although in this case I prefer the meta aspect. It says right there in the title, but for me the show works best when Catarina uses her game knowledge and has her little freakouts when all roads she paves indeed leading to doom. Another winning aspect in which Hamefura succeeds so far is that she gains other characters’ trust through her efforts and goddamnit she’s earned it. HameFura is a total delight so far.

Listeners – 02

Amun: If anyone can understand a single thing that went on in this episode, then hat’s off to them.  There’s a weird trio that’s apparently never been approached by a fan, a spooky bathroom, and Mu who is definitely DTHH (Down to Hand Hold) despite our protag’s best efforts.  Throw in the creepy amusement park and a random crucifixion (I think?) and this episode was Evangelion levels of confusion. That being said, it’s not like I didn’t enjoy it – I’m just a bit confused.  Looked good while doing it though, and say what you want, but this show has some characters (MC notwithstanding).

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Some Quick First Impressions: Kaguya-sama S2, Argonavis from BanG Dream!, Kitsutsuki Tantei Dokoro

Kaguya-sama wa Kokurasetai 2

Short Synopsis: You already know what this show is about.

Lenlo: What is there to really say here? It’s Kaguya Season 2, if you have seen the first, you know exactly what to expect and what you are getting here. There will be gags, romantic comedy, Chika will be an idiot and along the way we may get to the point where actual romantic developments occur. The only real difference is the production, which was without a doubt stepped up here. I have no idea if they can carry this through the rest of the season, but its animation was definitely a contender for best of these first impressions. As far as criticisms… Only one I really have is that it felt rushed in places, pacing wise, since it covered 4 chapters and that the animation was actually rather distracting in some places. I don’t expect either of those to keep up though, so ultimately, it’s a pretty easy recommendation.

Potential: 80%

Mario: This premiere does a decent job of reminding us why we love Kaguya-sama in the first place. It has this ridiculously high stake mind game between Kaguya and Shirogane (and other cast members, as the show playfully reminds us in the first segment). In fact, each segment establishes many groundworks that played as the series’s strengths, and ones I expect them to follow up for the rest of the season. We have a couple of supporting casts who receive their spotlight (segment 1 & 2), we have fun games when the core cast spend time together where Chika’s unpredictability drives our main duo insane (segment 3), and we have their usual mind game that ends in an unexpected way. The production is a clear step up as well, with great building up and the narration is pretty sharp. My minor complaint (AKA not really complaining but bragging) is that the show tends to go overboard with Chika’s cartoonish expressions. I know it’s purely fan-service but… I need to find these gifs asap.

Potential: 75%

Argonavis from BanG Dream!

Short Synopsis: Aspiring singer joins bishie band in 3DCG hell.

Mario: Haizz Sanzigen. I remember liking their early efforts including BBK/BRK, ID-0 and Arslan Senki (they just partly produced the latter but still…), but recently they followed the golden prospect of idol anime and they went completely off the mark. Argonavis is in the same universe with their BanG Dream (well, you can see it in the title), and the first episode is a fairly standard story of how the members form a band together. It’s filled with cliche plots, underwritten characters and really really bad CG production. I do think that the studio is in a dire situation, given that the production looks cheap. It’s nothing offensive in its story but it’s the kind of story that I’d forget as soon as the ED hits.

Potential: the worst premiere

Wooper: “I aM fOnD oF sAnZiGeN gIvEn HoW tHeIr ChArAcTeR dEsIgNs ArE aTtRaCtIvE aNd ThE cG lOoKs RaThEr DeCeNt”

Potential: lol

Kitsutsuki Tantei Dokoro

Short Synopsis: A genius poet opens a detective agency to help pay the bills.

Wooper: This show isn’t on the same level as Rakugo Shinjuu, but it’s clearly inspired by it. Both are historical pieces that involve a specific artform; both begin in the present before embarking on a serialized flashback; and both focus on the friendship between two men, one of whom has died and left the other alone in the world. Kitsutsuki Tantei Dokoro is less elegant and more matter-of-fact than its predecessor, throwing Ishikawa into his new detective gig by the end of episode 1, but it’s admirably directed. It focuses on small details, like hanging nails or stuffed bookshelves, that gain new meaning once they reappear in a later scene, having changed in some small way. The backgrounds are strikingly geometric, creating an attractive picture of Tokyo City as it existed in the late 19th century. I really like the show’s use of color, too – the palette is muted, with lavenders and olive greens giving it a vaguely romantic air. The contrast between the city’s orderly layout and earthy appearance results in a nice atmosphere, which helps counteract the sting of the series’ lackluster animation. The characters haven’t sold me yet, but they’re based on novelized versions of real life tanka poets, which sounds neat. And they’re going to solve mysteries, too? Count me in for another couple episodes, at least.

Potential: 60%

Mario: Another stylish detective anime of this Spring season, it’s a style-over-substance show where it has “cool” factor written all over it. While Fugou Keiji rocks you hard on characters’ over-the-top traits and its crazy, wild ride, Kitsutsuki is more concerned with refreshing background arts, the blue character outline and how the main character trolls everyone around him. The show’s style is pleasing with attractive character designs and a nice soundtrack. The actual case is passable with some leaps of logic but at least the plot constantly moves forward. It’s the characters that I am most worried about. Main guy is fine and indeed he carries the whole show so far, given that the other characters are pretty unmemorable at the moment, especially Watson-kun. Because of that I don’t find any chemistry whatsoever between these two so the ending doesn’t work for me. In addition, comparing detective work with poetry is interesting, but frankly I don’t see the links between these and this is more about my lack of class when it comes to poetry but the poems the main character often recites fall flat for me. Still, I can see the appeal of watching this and Fugou Keiji back to back every week to see which one tops the other in terms of stylish ridiculousness.

Potential: 30%

The Case Files of Jeweler Richard Anime Review – 71/100

It’s nice to see some rare gems like Housekishou Richard-shi surface in anime medium once in a while. It’s about a niche subject matter that is gemstones, and how these jewelries reflect the quality of its owners. The show also builds up a solid relationship between the main duo Richard and Seigi, although it remains ambiguous till the end whether their relationship could qualify as “romance”. The cases vary in its delivery and quality and frankly my biggest issue with the show is that I find a real lack of engagement to the main characters, each has traits that I found unrelatable.

Continue reading “The Case Files of Jeweler Richard Anime Review – 71/100”