Arte Review – 74/100

With half of one of the worst years in human history finally behind us, I feel it’s about time that we look ahead at the positives which lie in wait. But before starting something new, it’s only fitting that we wrap up what’s come before. And so, to cap off our coverage of a below average Spring Season rife with shows which underperformed (Tower of God), shows which went unnoticed (Woodpecker Detective) and shows which crashed and burned terribly (YESTERDAY WO UTATTE!), I present to you the review of Arte, a show which didn’t let us down and gave us exactly what it advertised!

[DISCLAIMER: Since there is a cold war going on among the blog writers regarding the ‘True Average Score’, I’d also like to clarify the workings of my own rating scale. ‘70’ is not an ‘average’ score. It is ‘ABOVE’ average. ‘50’ is not an ‘average’ score. It is ‘BELOW’ average. Just like the many anime rated 6/10 on MAL, an anime with a score of 60 out of a 100 is an ‘AVERAGE’ anime. Thank you. Please continue reading.]

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Yesterday wo Utatte Review – 72/100

How much weight should a poor conclusion have in the final analysis of an otherwise well-executed series? Should you take a mathematical approach, calculating which percentage of its episodes didn’t meet an average standard of goodness? Or should you work based on feelings – the degree to which your memory of the show is stained by a lousy ending? Personally, I’d say that either method is fine, so long as you factor in the strength of the series before its implosion. In Yesterday wo Utatte’s case, its first 11 episodes were better than its finale was bad. That schizophrenic bus monologue and badly-timed confession can’t erase the heartache of Shinako’s backstory, or the show’s excellent supporting character work, or its vivid sense of nostalgia. This is an anime that stood atop the spring season for most of its run, then punted its crown in week 12. That doesn’t mean it joins Shachou, Battle no Jikan desu! and Shadowverse at the bottom of the seasonal barrel; it just moves down a couple spots on the winner’s podium.

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Tower of God Anime Review – 56/100

Whatever many might say, Tower of God is not the first Korean work to get an anime adaptation. From the obscure Shin Angyo Onshi to those people barely know were originally Korean such as Freezing. Whatever the reason, be it heated diplomatic relations or just disinterest in the works, Japanese adaptations of Korean works are rare. So to see one of Korea’s largest series in Tower of God, originally created by SIU and read by millions, get one is a momentous occasion. Its success could mean the opening of the door for other Korean series, such as The Breaker. A possible breath of fresh to what sometimes feels like a stagnating industry. Its failure could mean that door stays shut for a long time to come. So the question is, is it good? Adapted by Telecom Animation and Directed by Takashi Sano, this is Tower of God. Let’s dive in.

And warning, this review will contain spoilers for Tower of God.

(Disclaimer: I am working to make 50 the new “average”. 70 is not an average score people. 70 is above average. Carry on.) Continue reading “Tower of God Anime Review – 56/100” →

Spring 2020 Summary: Week 11-12

Mario: Doesn’t matter where you are right now, the last three months have been atypical to say the very least. This is the season we have more time than ever to burn and less shows than ever to follow, so catching up with old series seems like a logical step. I’m actually busier than ever but that doesn’t stop me from having dumb fun with anime and anticipating how all current season shows wrap themselves up. The results were mixed, Yesterday wo Utatte had one hell of a terrible finale that disregards every it built up in the first 11 episodes, BNA is too busy with itself and Kakushigoto’s ending feels a bit disconnected with the rest. Read on to see how these shows reach the finish line, and we will see you in the next season.

Hamefura – 11-12 (END)

Amun: We did it everyone!  We survived all the doom flags, AND avoided committing to any romance.  This last episode was busywork in the first half, and a treat to wrap up the series.  The one good point I’ll give the conclusion of spooky emo boy is that Hamefura was honest to the end – Catarina is like, yup, I really can’t fix your childhood trauma or the fact that your mother was murdered right here….but I can take your hand.  That…was actually nice.  Too many shows try to power through trauma or hurt like it can all be overcome by the power of friendship.  At least Hamefura acknowledges that there isn’t much to be done, except small steps in the right direction, starting now.  I respect that.  The second half is Catarina being Catarina…right up to the point she concludes (as only she could) that they’ve reached the “friendship” end.  Which, of course, they haven’t at all – she’s just managed to create a new end of partial-yuri-reverse-harem.

Hamefura was a bright star in a dismal season.  Although there were a few missteps in the middle, Hamefura was a fresh setting, fresh take, excellent characters, top notch VAs, and compelling enough gimmicks to make it one of the shows I looked forward to every week.  While there isn’t much rewatch value or any real depth/life-changing takeaways, Catarina and crew adorably fought their way through pampered royal high school – and I thoroughly enjoyed tagging along for the ride.

BNA – 10-12 (END)

Mario: As a whole I still consider the second half of BNA much better than the first half. The plot has urgency, characters weave better towards the overarching story, but the ending for me still feels rushed and a tad bit underwhelming. The main themes of the show are about 1) human vs beastman racism and 2) Michiru’s quest to go back to the human world – but then along the way in the climax, the human component goes off the rail and Michiru’s first conflict is being ignored. As a result, the show feels lackey and unfocused. I also have a qualms with Michiru’s special abilities and the fact that not a single side character thinks her ability is abnormal. BNA is stylish and fun to watch, sure, but like most of Trigger’s output the writing, especially the character writing and the worldbuilding are not detailed enough to sell me about the world.

Continue reading “Spring 2020 Summary: Week 11-12” →

Princess Tutu Anime Review – 91/100 – Throwback Thursday

I am not a Mahou Shoujo fan. The first one I ever watched, like many, was the Sailor Moon dub while growing up. It was fine enough, but as I grew, I eventually came to just ignore and tune the genre out. It wasn’t for me, it was silly girl stuff. In recent years, having met new friends in the community and traded recommendations, I was reintroduced to it. Whether it be watching Hugtto Precure or Symphogear for the r/anime awards or Penguindrum via contract, it’s the most Mahou Shoujo I have seen in years. And I hated almost all of them. They were either so sweet they gave me diabetes or had their head stuck incredibly far up where the sun don’t shine. The last one I remember actually enjoying was Madoka Magica, which is hardly an accurate representation of the genre. And then came Princess Tutu.

On paper, going by its title and promotional art, I should hate Princess Tutu. Directed by Junichi Satou, the man behind 2018’s Hugtto Precure, and made by Studio Hal Film Maker, it looks like everything I should hate about the genre. And yet as I watched Princess Tutu, it became very clear to me that this was nothing of the sort. Everything from its direction like a ballet to its tragedy-soaked story and characters felt so much richer than any Mahou Shoujo I had seen before. So much so that I don’t mind spoiling where this review will go by saying right here at the top that Princess Tutu is the best Mahou Shoujo I have ever seen. So as someone who self-describes as “Shounen Trash” and is routinely dismissed as such, please listen when I say: stop reading and give Princess Tutu a shot. You may be surprised.

Without further ado, let’s talk details, and strap in because this is going to get wordy. Also fair warning this review will contain spoilers for Princess Tutu. So if you haven’t watched it… fix that.

(Disclaimer: I am working to make 50 the new “average”. 70 is not an average score people. 70 is above average. Carry on.) Continue reading “Princess Tutu Anime Review – 91/100 – Throwback Thursday” →

Summer 2020 Season Preview

Lenlo: Time passes, leaves grow, allergy season fades and first world nations descend into civil war. Yet still my barber is closed due to COVID-19. Hard times, huh? He isn’t the only thing closed though, as studios continue to postpone series, with only 19 new anime airing this season, 6 of which are sequels. But oh, what big sequels they are. We have two of the biggest Isekai currently on the market, the return of literal fire fighters, and everyone’s favorite high school based romantic drama. Needless to say, just because there aren’t many series airing doesn’t mean we will be lacking for good choices. So strap in, as we here at Star Crossed Anime break down the 2020 Summer Season.

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What will you be watching this summer season?

ALREADY AIRED

Great Pretender

Studio: Wit
Director: Hiro Kaburagi
Series composition: Ryouta Kosawa
Source: Original

Wooper: What if I told you that fansubbing isn’t dead? This Netflix Japan series made its way online at the start of June, and a whopping 10 episodes have been translated at the time of this writing. I’ve seen only two of them, but they were good enough to make me optimistic about the show’s expected run of 23 episodes. Actually, “good enough” is doing this thing a disservice, so let me rephrase; Great Pretender’s first pair of episodes was an unqualified success. From the hard bop jazz score to the multiple layers of its con artist-centered story, this is a series that never takes its foot off the “style” pedal. Director Hiro Kaburagi has attracted a bunch of the industry’s top talent to the project, including Yuusuke Takeda (of Eccentric Family fame) as art director and Gainax legend Yoshiyuki Sadamoto on character designs. This thing looks and sounds like an absolute dream, and the characters are all career criminals whose banter and one-upmanship give them undeniable personality. Honestly, Great Pretender is the whole package. It’s ten whole packages. And if you’re still on the fence about watching it for some reason, look for its OP and ED on YouTube (the latter of which is performed by Freddie fuckin’ Mercury), and prepare to groove harder than you’ve ever grooved before.

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Spring 2020 Summary: Week 9-10

Mario: My apology that we missed out last week. Since the restriction relaxing in my hometown it has been even more hectic and busy for me lately, to the point that I am busier than I was before the lockdown. Anyways, we are here for anime and while the whole anime industry is suffering at this point (with next season looks even grimmer), the easing of restrictions in Japan’s main cities is an encouraging sign – hopefully the anime industry picks up its pace soon.

BNA – 7-9

Mario: Okay, the first half of BNA might be a little shaky (the baseball episode was pretty meh to me), but episode 7 through 9 the show seems to get a handle on framing the big overarching act, as the main players are all in places now and these three episodes provide some twists and turns. Not all of them are effective but now BNA has a sense of knowing where it goes, unlike the first half when it fails to enrich the Anima city worldbuilding. We know about the true reasons behind Michirou’s beast ability (many see this coming), the true identity of Ginrou (it’s not hard to see this coming too), Syvasta’s roles so the next three episodes where the show wraps up can build up to an exciting climax. Hopefully it sticks the landing.

Hamefura – 9-10

Amun: Hamefura got back on track this week!  After two below average (and I’d like to point out the average for this show is very high) outings, episode nine gets back to Catarina winning hearts and minds – this time of her troubled maid.  This was heartwarming, in character, and a wonderful re-perspective of the high class hijinks of whatever this academy is called.  Also the end story, where everyone gets her the exact same thing, had me rolling.  Simply top notch.  I want to point out another interesting tidbit: her parents (father in this episode, but mother in the past) are quietly supporting her shenanigans (despite her mother’s anguish at her gardening).  Nice little detail thrown in there.  Next episode looks like a confrontation, so I’m hyped – I would just recommend weapons (axes or hoes) instead of the magic trip hill.

Mario: Just chime in here for my general thoughts about Hamefura in this second half run. It wasn’t as great as the first few episodes for me, unfortunately. The issue I have with it so far is that it overplays the supporting cast’s affection towards Catarina every single freaking time. Episode 9 adds another side character whom Catarina “changes” for the better. As their love for Catarina grows, it’s hard to distinguish the cast from one another because all they have in mind is Catarina, and it’s kind of the same feeling as the show keeps beating that dead horse. Episode 10 introduces a villain who hated her gut, which for me is a nice change of pace but… is Catarina going to save his soul like everyone else? AGAIN?

Continue reading “Spring 2020 Summary: Week 9-10” →

Spring 2020 Summary: Week 6-8

Mario: So a few weeks has passed, and this thin season has gotten thinner and thinner with shows affected by the pandemic and people died left and right, sometimes NOT because of the COVID-19 (like the devastating news that Zac Bertschy over ANN passed away. Rest in peace man). Anyways, all this sad news makes me more appreciative with shows that are still in the running. We’ve been slacking a bit here with a couple shows I have yet to follow up, but rest assured that next week we’ll be back in full steam.

Kakushigoto 4-8

Mario: So about Kakushigoto, I enjoyed the episodes as I was watching, but when it comes to the plot details, unfortunately all these gags muddle and I have a hard time recalling what was happening. I guess the reason for it is because of its gag-based nature. At its best, all the gags set up some unexpected situations. At its worst, it feels random at times. From episode 6 onward however, the show improved remarkably as the episode has connected stories. Episode 6 deals with Gotou both doing the fan meeting and going out with Hime while making sure that Hime doesn’t find out about his job and episode 7 is all about adopting the dog and heritage which I think is a pretty nice theme. The show still holds its cards close in regards to the flash-forward 18 yo Hime (Gotou is still out of the picture in that timeline). There’s also a lot of gags about the manga industry and Gotou random harem but the beating heart is all about Gotou and Hime bond.

Hamefura 6-9

Amun: Man, I know it’s lame to use COVID-19 as an excuse, but it has just sapped all my energy in regards to writing (about anime or otherwise).  Feels like Hamefura is suffering a bit from the midseason doldrums as well.  These episodes were certainly not bad, but they definitely seemed to be putting the brakes on the armada of ships heading for Catarina.  That said, I’m all about Royal Magic Academy Hijinks: Catarina Edition (or, fine, “Princess Lover” if you want to use the canonical title).  These little slices of life are endearing and fun – AND there’s even a little plot progression (meeting her friend from a previous life was really quite sweet).  I’m also dying at how everyone in this show be thirsting, while our girl Catarina is just proper hungry ^_^.   Also, hats off to Mary being the jealous fiance…except she’s jealous that her fiance is spending time with Catarina!  Nice twist there.  Overall, still top tier for this season, but I do feel we’re slowing down just a hair.  Probably getting ready for the epic finale – with candies and comradery (and probably little to no actual romance).

Continue reading “Spring 2020 Summary: Week 6-8” →

State of the Season – Spring 2020

Amun: Welcome to this lost spring of anime 2020. I hope everyone is staying safe and watching this B-team of a season. While we didn’t get the heavy hitters of Yahari Season 3 or Re:Zero, there are still some bright spots – Kaguya-sama S2 and the surprise newcomer isekai: Hamefura. Despite my early criticisms, Tower of God has gained some traction – fellow writers seem fairly positive on Yesterday wo Utatte. So this season isn’t a complete wash! We have turtles, villainesses, crows, books, and zodiac animals! Join us humble Star Crossed writers as we take a look at the good, the bad, and the funny of Spring 2020 anime. (But seriously, Hamefura is really good, go watch it).

What show are you enjoying that you’re not reviewing?

Amun: I’m liking Tower of God quite a bit. Feels like every episode fleshes out the world, develops the characters, and pulls you deeper into the tower. Animation is hit or miss, but the story’s moving along nicely now. Little concerned about character creep, but that’s a minor gripe.

Mario: I’m going with Yesterday wo Utatte. Sure, there are other two shows that are equally impressive (Kaguya-sama 2 and the other one down the list), but Yesterday wo Utatte keeps surprising me every week. 4-way star-crossed romance isn’t normally my thing, but so far the show hasn’t put any wrong step, and the characterization for the main cast is off the chart. There’s a lot of details put into their mannerism, figure of speech and their movements. Hopefully the main relationship doesn’t get too convoluted for the sake of drama.

Lenlo: I’m not actually watching much this season. The only non-cancelled seasonal I still keep up with is Kaguya, and BNA I suppose, but I haven’t been enjoying that. Regardless, it is a decent enough rom-com, and I hope that we will actually get to the point where they make some actual progress in a relationship. Rom-coms are only good if you actually include the romance.

Armitage: I love grounded character dramas more than any other genre in anime. Though, such shows have gotten ever so rare these days. That’s why, to see Yesterday wo Utatte do what it does week-in, week-out gives me hope that more such series can be produced down the line. It’s a mature show which cares for its characters and that, in turn, instills a sense of sincerity to the story it’s telling. More importantly, even if it doesn’t stick the landing by the end of its 18-episode run, it might end up paving the way for the adaptations of the many other stellar seinen manga just begging for an anime.

Wooper: Kakushigoto. The show’s absurd flavor of comedy is nicely balanced by its familial themes, and that combination makes it a pleasant weekly watch. Its sixth episode is what really sold me on the series, though, telling one connected story instead of splitting itself into chapters, and really getting to the heart of Goto’s relationship with his work. I’d say it’s the show that has improved the most since its premiere.

Continue reading “State of the Season – Spring 2020” →

Spring 2020 Summary: Week 5

Mario: I’m here this week feeling a bit more optimistic about anime than last few weeks, after reading a news where they confirmed that a lot of shows, most notably the ones that have been outperformed this season (though, it makes perfect sense) have already finished production: Yesterday wo Utatte, Arte, Hamefura and Bookworm Isekai with Tower of God, BNA and Kaguya-sama are nearly finished. In the midst of such unstable time it’s certainly impressive that these shows manage to be ahead of their game. In movie news, Nakitai Watashi wa Neko o Kaburu (A Whisker Away) will scrap its theatrical release for Netflix-exclusive streaming on June 18) – a move that I think other anime movies will eventually follow.

Kitsutsuki Tanteidokoro – 02/03

Mario: I know the fourth episode just came out this morning but it makes more sense to group episode 2 & 3 together as they are in the same arc. Episode 2’s case was weird… having the main cast as the main culprit in a Rashomon style and whole cast of side characters (based from actual writers of the period) just pop up and have a round table regarding the murder. It’s certainly not something you see very often, and I still enjoy its attractive arts and detailed backgrounds. It’s certainly risky to portray the main characters as unreliable narrators, given they are our eyes and ears to that world. The resolution makes sense in that aspect, as it successfully gives the reasons why there are gaps in our characters’ testimonies. The biggest thing that put me slightly off, however, is how the show treats death/ murder too easy. A girl dies in the scene, but all we got is the bunch of wannabe “detectives” sitting around the table and dissect the event of the murder. You could argue Ishikawa showed some sympathy towards her death, but let me remind you that more than anyone he could’ve saved the girl – even if she was already sick, would you let her die in such a horrid way? And yes, Ishikawa is a jerk.

Ascendance of a Bookworm – 19

Amun: I’ve been surprised at how consistent Ascendance of a Bookworm is.  Most shows go up and down, but wow, has Ascendance remained absolutely constant.  Definitely not the highest highs (although the first season’s magical smackdown of the high priest was pretty good), but with almost no full episode misfires, Ascendance is just solid.  This week sees Main stepping into her role of orphanage director, some political drama, etc.  All that’s well and good, but most interesting to me is that she’s found a fruit that can absorb mana (which coincidentally is really helpful for her paper) – what will happen next?!  I’m not clairvoyant (or have read any source material), but 19 episodes in, I can confidently say Ascendance is a known quantity – and a good one at that.

Continue reading “Spring 2020 Summary: Week 5” →