Japan Sinks 2020 Anime Review – 22/100

Masaaki Yuasa is, without a doubt, my favorite director in anime. His 2014 adaptation of Ping Pong the Animation is my favorite anime of all time, while Tatami Galaxy sits at a close 2nd. Among his more recent works, Devilman Crybaby was imperfect but ultimately a visual treat, while Keep Your Hands Off Eizouken is my current anime of the year. The man has a visual style unlike any other, and the works he adapts often resonate with something deeply personal, to put it simply, utterly human. So when I heard he was working on another series, also to be released this year, I was ecstatic. That it was based off of a famed novel from the 70’s and would be his last work as President of Science Saru only fueled this fire. I was expecting something incredible, a rival for Eizouken! Sadly, Japan Sinks was nothing of the sort.

Simply put, Japan Sinks was a complete and utter failure, the likes of which I was not prepared for. There are themes to be found, and moments of Masaaki Yuasa’s usual brilliance to be found. But they are few and far between. The tone is jarring and throughout the whole thing I wasn’t sure if I was supposed to be laughing, crying or just shocked. Japan Sinks is, in a word or two, jarringly inconsistent, questionably paced and poorly timed in regards to current world events. With all of that said, the ending score should come as now surprise, it was an utter failure. But the question remains as to why, why did it fail, why does it not work? So without further ado, let’s talk details, and strap in because this is going to get wordy. Also fair warning this review will contain spoilers for Japan Sinks.

(Disclaimer: I am working to make 50 the new “average”. 70 is not an average score people. 70 is above average. Also apologies for how long this took, motivation was low with this piece.) Continue reading “Japan Sinks 2020 Anime Review – 22/100”

Arte Review – 74/100

With half of one of the worst years in human history finally behind us, I feel it’s about time that we look ahead at the positives which lie in wait. But before starting something new, it’s only fitting that we wrap up what’s come before. And so, to cap off our coverage of a below average Spring Season rife with shows which underperformed (Tower of God), shows which went unnoticed (Woodpecker Detective) and shows which crashed and burned terribly (YESTERDAY WO UTATTE!), I present to you the review of Arte, a show which didn’t let us down and gave us exactly what it advertised!

[DISCLAIMER: Since there is a cold war going on among the blog writers regarding the ‘True Average Score’, I’d also like to clarify the workings of my own rating scale. ‘70’ is not an ‘average’ score. It is ‘ABOVE’ average. ‘50’ is not an ‘average’ score. It is ‘BELOW’ average. Just like the many anime rated 6/10 on MAL, an anime with a score of 60 out of a 100 is an ‘AVERAGE’ anime. Thank you. Please continue reading.]

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Yesterday wo Utatte Review – 72/100

How much weight should a poor conclusion have in the final analysis of an otherwise well-executed series? Should you take a mathematical approach, calculating which percentage of its episodes didn’t meet an average standard of goodness? Or should you work based on feelings – the degree to which your memory of the show is stained by a lousy ending? Personally, I’d say that either method is fine, so long as you factor in the strength of the series before its implosion. In Yesterday wo Utatte’s case, its first 11 episodes were better than its finale was bad. That schizophrenic bus monologue and badly-timed confession can’t erase the heartache of Shinako’s backstory, or the show’s excellent supporting character work, or its vivid sense of nostalgia. This is an anime that stood atop the spring season for most of its run, then punted its crown in week 12. That doesn’t mean it joins Shachou, Battle no Jikan desu! and Shadowverse at the bottom of the seasonal barrel; it just moves down a couple spots on the winner’s podium.

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Tower of God Anime Review – 56/100

Whatever many might say, Tower of God is not the first Korean work to get an anime adaptation. From the obscure Shin Angyo Onshi to those people barely know were originally Korean such as Freezing. Whatever the reason, be it heated diplomatic relations or just disinterest in the works, Japanese adaptations of Korean works are rare. So to see one of Korea’s largest series in Tower of God, originally created by SIU and read by millions, get one is a momentous occasion. Its success could mean the opening of the door for other Korean series, such as The Breaker. A possible breath of fresh to what sometimes feels like a stagnating industry. Its failure could mean that door stays shut for a long time to come. So the question is, is it good? Adapted by Telecom Animation and Directed by Takashi Sano, this is Tower of God. Let’s dive in.

And warning, this review will contain spoilers for Tower of God.

(Disclaimer: I am working to make 50 the new “average”. 70 is not an average score people. 70 is above average. Carry on.) Continue reading “Tower of God Anime Review – 56/100”

Princess Tutu Anime Review – 91/100 – Throwback Thursday

I am not a Mahou Shoujo fan. The first one I ever watched, like many, was the Sailor Moon dub while growing up. It was fine enough, but as I grew, I eventually came to just ignore and tune the genre out. It wasn’t for me, it was silly girl stuff. In recent years, having met new friends in the community and traded recommendations, I was reintroduced to it. Whether it be watching Hugtto Precure or Symphogear for the r/anime awards or Penguindrum via contract, it’s the most Mahou Shoujo I have seen in years. And I hated almost all of them. They were either so sweet they gave me diabetes or had their head stuck incredibly far up where the sun don’t shine. The last one I remember actually enjoying was Madoka Magica, which is hardly an accurate representation of the genre. And then came Princess Tutu.

On paper, going by its title and promotional art, I should hate Princess Tutu. Directed by Junichi Satou, the man behind 2018’s Hugtto Precure, and made by Studio Hal Film Maker, it looks like everything I should hate about the genre. And yet as I watched Princess Tutu, it became very clear to me that this was nothing of the sort. Everything from its direction like a ballet to its tragedy-soaked story and characters felt so much richer than any Mahou Shoujo I had seen before. So much so that I don’t mind spoiling where this review will go by saying right here at the top that Princess Tutu is the best Mahou Shoujo I have ever seen. So as someone who self-describes as “Shounen Trash” and is routinely dismissed as such, please listen when I say: stop reading and give Princess Tutu a shot. You may be surprised.

Without further ado, let’s talk details, and strap in because this is going to get wordy. Also fair warning this review will contain spoilers for Princess Tutu. So if you haven’t watched it… fix that.

(Disclaimer: I am working to make 50 the new “average”. 70 is not an average score people. 70 is above average. Carry on.) Continue reading “Princess Tutu Anime Review – 91/100 – Throwback Thursday”

The Case Files of Jeweler Richard Anime Review – 71/100

It’s nice to see some rare gems like Housekishou Richard-shi surface in anime medium once in a while. It’s about a niche subject matter that is gemstones, and how these jewelries reflect the quality of its owners. The show also builds up a solid relationship between the main duo Richard and Seigi, although it remains ambiguous till the end whether their relationship could qualify as “romance”. The cases vary in its delivery and quality and frankly my biggest issue with the show is that I find a real lack of engagement to the main characters, each has traits that I found unrelatable.

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Fate/Grand Order Absolute Demonic Front: Babylonia Anime Review – 65/100

I am certainly a bit late with this review but forgive me as the Fate/Grand Order mobile game decided that now was a fine time to drop the first chapter in the second big story arc of the game and laziness due current circumstances of which you are no doubt aware. Considering the number of Fate adaptations we have been getting in recent times, I wouldn’t be surprised if that new Fate Grand Order Chapter got an anime adaption in the future but well that is something for another day. This anime is yet another spinoff to the Fate series and if you know anything about spinoffs you would know that Fate is a bit rocky when it comes to their quality. From the boring Fate Extra Last encore to the mixed bag of Fate/Apocrypha to the weirdly excellent Today’s menu for the Emiya family to the sadly disappointing Lord El-Melloi case files. Many a Fate adaptation we have gotten and even as a Fate fan I wouldn’t say they were particularly good. Still what we have here is an adaption of a story from the Fate/ Grand Order mobile game, otherwise known as the emptier of Nasufan wallets. Not the first adaption as we did get an anime adaption of the prologue of the game in Fate/Grand Order First Order which yeah, wasn’t really much good. In a strange twist of fate this adaption is not really the continuation of that OVA but the seventh story chapter of the game, basically skipping the previous six(Well there are a series of three movies which will cover the sixth chapter Camelot)

 

To make things clear from the onset, if your question is “Can I start the Fate Series from here?” the answer is a solid no. For anime only fans you will likely have to watch the holy four(Fate/Zero, Fate(No anime adaption at time of writing), Unlimited Bladeworks, Heaven’s feel) and the First Order OVA but even then this likely wouldn’t give you everything you need to enjoy this anime to the fullest. Quite frankly, this anime is a fanservice anime and in that I do not mean the kind with panty shots and breasts that jiggle at the slightest drop in room temperature. (Though there is some fanservice of that degree as well.) I mean that this is an anime made by fans for fans, that namely being fans of the mobile game. Fate GO Babylonia does not hold your hand and instead barrels forward with it’s plot regardless if you are on board or not. There is only the bare minimum to try and allow the viewer to catch up on six chapters of missing content but it more or least assumes that you not only know what has happened but even know the gist of what is going to happen. There are plot points which will fly over your head if you don’t know your lore and even the main villain’s motivation needs some knowledge of mesopotamian creation myth.
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MHA Season 4 Review – 80/100

My Hero Academia is the forerunner of modern shounen – the descendant, if you will, of Bleach, HxH, One Piece, and Fairy Tale.  With 2 movies, 4 seasons, infinite merch and cosplay, MHA is a force to be reckoned with. With that in mind, Season 4 proved to be a transitional season, with our lead Midoriya moving forward in the world of heroes and All-Might fading, set against a backdrop of a world trying to cope. 

(I’m also part of the movement to make 50 the new average score, not 70.)

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Magia Record Anime Review – 65/100

(Little side note: Not meant to start a civil war between us writers but I’m a firm follower of 60 being a line that separates recommendable to mediocre shows. You pass your subjects if you get over 60%, right? Review-aggregation sites like Rotten Tomatoes and Metacritics also use 60 as their middle line. So 65/100 means it’s slightly above average) 

Magia Record has a huge hurdle to clear: being a spin-off of one of the most talk-about anime in the last 10 years. This new adaptation doesn’t have the original writer Gen Urobuchi on board, but the background duo of the original Gekidan Inu Curry helm the project with Shaft returning to produce it. The result is a good indication of this transition and of the fact that Magia Record is based on a gacha game. Magia Record has some stunning art designs that fit its dark themes like a T and Shaft does a pretty decent job in terms of visual directing, soundtracking and shot composing, but the show suffers from its lack of focus to the main story, and introduces far too many characters that aren’t well developed. Magia Record uses the settings set by the original quite consistently, with some brand new updated concepts such as uwasa (manifestations of actual rumors) and doppel (materialization of despair from the magical girls), but as the story progresses it feels as if Iroha the main character wanders around for side quests rather than her main quest of finding lost sister Ui whom she has no memory of, as a result Magia Record feels hollow, superfluous and incomplete.

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In/Spectre Review – 60/100

I love yokai shows.  Almost every season, sandwiched between your generic isekai and the high school drama, you’ll find some spooky yokai and poor humans who have to navigate the two worlds.  This season, In/Spectre filled that niche, as something of a cross between Bakemonogatari and Natsume’s Book of Friends. 

(I’m also part of the movement to make 50 the new average score, not 70.)

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