Princess Tutu Anime Review – 91/100 – Throwback Thursday

I am not a Mahou Shoujo fan. The first one I ever watched, like many, was the Sailor Moon dub while growing up. It was fine enough, but as I grew, I eventually came to just ignore and tune the genre out. It wasn’t for me, it was silly girl stuff. In recent years, having met new friends in the community and traded recommendations, I was reintroduced to it. Whether it be watching Hugtto Precure or Symphogear for the r/anime awards or Penguindrum via contract, it’s the most Mahou Shoujo I have seen in years. And I hated almost all of them. They were either so sweet they gave me diabetes or had their head stuck incredibly far up where the sun don’t shine. The last one I remember actually enjoying was Madoka Magica, which is hardly an accurate representation of the genre. And then came Princess Tutu.

On paper, going by its title and promotional art, I should hate Princess Tutu. Directed by Junichi Satou, the man behind 2018’s Hugtto Precure, and made by Studio Hal Film Maker, it looks like everything I should hate about the genre. And yet as I watched Princess Tutu, it became very clear to me that this was nothing of the sort. Everything from its direction like a ballet to its tragedy-soaked story and characters felt so much richer than any Mahou Shoujo I had seen before. So much so that I don’t mind spoiling where this review will go by saying right here at the top that Princess Tutu is the best Mahou Shoujo I have ever seen. So as someone who self-describes as “Shounen Trash” and is routinely dismissed as such, please listen when I say: stop reading and give Princess Tutu a shot. You may be surprised.

Without further ado, let’s talk details, and strap in because this is going to get wordy. Also fair warning this review will contain spoilers for Princess Tutu. So if you haven’t watched it… fix that.

(Disclaimer: I am working to make 50 the new “average”. 70 is not an average score people. 70 is above average. Carry on.) Continue reading “Princess Tutu Anime Review – 91/100 – Throwback Thursday”

Princess Tutu – 25/26 – Throwback Thursday

Welcome one and all to the finale of our Princess Tutu watch! It’s been a long and surprising road for me. I thought this was going to be another bargain bin Mahou Shoujo. And here we are, an ending where the guy doesn’t get the girl, the heroine loses and the villain walks off without a care in the world. And I loved it. So let’s dive in! And remember, a poll for the next show to watch is at the bottom!

First up, lets talk animation and production, because this isn’t normally an area Princess Tutu excels in. It’s not bad by any means, Ahiru can be quite expressive when she wants to. But most of the time we are treated to stills and a more “postcard memories” treatment. While that’s a perfectly valid, and often times better, method I still want to give praise where it’s due. Because this week Princess Tutu had quite a bit of good animation. Most of it involved Mytho, from his flight on the petals to his combat with the Rave. But a fair a bit, and what I generally preferred, involved Ahiru. Her dances, how she flew about in the wind or got knocked around among crows. It was all unexpectedly polished and made for a great finale. I wish we had gotten more sooner, but in this case, the wait was worth it.

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Princess Tutu – 23/24 – Throwback Thursday

Welcome one and all to the penultimate edition of my Princess Tutu watch. Everything comes to a head this week! As Fakir rescues Ahiru, Kraehe learns the truth about the Raven and Mytho succumbs to the blood. Will Ahiru get the happy ending she wants or will Drosselmeyer win in the end? Well its time to dive in and talk about it.

Starting off we have episode 23, Marionettes. In recent episodes Princess Tutu has been really focused on the more story based aspect of its setting. Going in on things like authorship of stories, the responsibilities and power authors have with their characters. When the focus is on Fakir this can be a rather uplifting and positive notion, as he doesn’t want to abuse this power. This week though we see the other side of this power in Drosselmeyer. Where Fakir doesn’t want to control or abuse, Drosselmeyer will only be satisfied with his story and his ending. He is all about control over the story and forcing it to fit his desires. Going so far as to stop the story entirely by taking Tutu out of it until she bows to his control. Simply put, he wants a tragic ending of his own design, without caring what his characters want.

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Princess Tutu – 21/22 – Throwback Thursday

Ladies and Gentleman, this is the time when Princess Tutu starts to get weird. As this week we upend almost the entire story. Who is the main antagonist now? Protagonist? Are we even in the same story anymore? And the best part is, I still love it, so lets dive right in.

Right off the bat, before we get to far into the details, I want to say that things got weird. Princess Tutu turned the whole story on its head this week, all by simply changing the main antagonist. I am of course talking about Drosselmeyer and the Raven. You see, while Drosselmeyer has never exactly been a good force in Princess Tutu, he has never really hindered them either. All he wanted was a good story, a tragic one, and that coincided with Ahiru’s desire to save Mytho. So for the longest time he was this vaguely threatening neutral party, with the Raven being the main evil force. This week though, and Princess Tutu has built up to this well, he takes center stage and the Raven doesn’t even show up at all. Had there not been such a focus on fairy tale stories, i’d be annoyed. Instead, i’m excited.

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Princess Tutu – 19/20 – Throwback Thursday

Welcome one and all to another week of Princess Tutu! This time we cover episodes 19 and 20, where we tackle “Love” in all it’s forms, across the entire cast. From Mytho and Fakir to Rue and Ahiru, none are safe, not even the side characters. So without further ado, lets dive in!

Starting off we have episode 19, A Midsummer Night’s Dream. Being named after one of the most famous plays William Shakespeare ever wrote, it’s connections should be obvious. Everything within this episode is a callback to the play in some form or another. From the overarching theme of love, loves lost and loves ignored, to the very names of our side characters: Hermia and Lysander. Were this a western work I would almost call it to on the nose, with how blatant these references are. However, and I don’t know Shakespeare’s prevalence in Japan, this depth and understanding of the work feels so unique for anime. Most of the time we get schlock like the recent *Boarding School Juliet*. Thing’s that take the base premise, toss it in a school setting, and call it a day. Yer Princess Tutu does so much with the original work, and I love it.

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Princess Tutu – 17/18 – Throwback Thursday

2 more episodes, and 8 more to go for Princess Tutu! This week on Throwback Thursday Princess Tutu returns to form in the most unexpected of ways. Meanwhile Rue and Mytho get some much needed conflict and my OTP takes another step forward. So lets jump right into it!

Starting off we have episode 17, Crime and Punishment. It’s been a long time since I started an episode so poorly, and loved it so much by the end. You see, at the beginning, I couldn’t stand Femio. Everything from his VA to his over the top nature felt out of place and fit Princess Tutu poorly. You need look no further than his interpretive dance, a perfect representation of my problems with modern at, for proof. Yet by the end of this very same dance, his place in the episode and the story became clear. Effectively lamp-shading both Kraehe and Mytho and the current state of their characters. I thought this episode was effectively going to be filler, to be honest. Yet like Princess Tutu is wont to do, by the end Femio fit in perfectly. So without further ado, lets talk specifics.

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Princess Tutu – 15/16 – Throwback Thursday

Another week, another double feature of Princess Tutu! This week see’s the Raven start to make some moves, Fakir get ostracized and Mytho struggle internally. Does any of it work? Lets dive in and find out!

To start, these two episodes are perhaps the most disappointed I have been in Princess Tutu since we started. Everything about these two, or arguably 4, episodes were rough. The pacing is off, the content is either to rushed or to slow, and its rather repetitive. No doubt this is all tied back into how this 2nd season was originally aired. Rather than 13 full length episodes, it aired as 26 half-length episodes, and were cut up accordingly. This meant though that each half length episode required its own beginning, middle and end. So when you stitch the half length episodes together, you get this weird mess where it starts and ends twice. Compared to the mostly phenomenal pacing of the first cour, it’s a complete let down. I can only hope that Princess Tutu finds its dancing legs again soon, or else this 2nd cour will fall short.

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Princess Tutu – 13/14 – Throwback Thursday

Welcome all to the end of the first season of Princess Tutu and the start of the second! A lot happened this week. Fakir confronted his fears, Kraehe competed for Mytho’s heart and Tutu made her feelings known. The only question is: Was it any good? The answer is yes, it was very good, and I really want to talk about it. So lets dive in!

Right off the bat we have episode 13, Swan Lake, the finale of Princess Tutu’s first season. And I have to say, I loved it. Princess Tutu managed to not necessarily resolve, but bring all of its character arcs to a head at once. Mytho made his own decision, choosing both Tutu and to face his emotions. Fakir faced his fears, fought through them, and in the end broke the sword he once broke Mytho’s heart with. Ahiru managed to make her feelings known and come to terms that she and Tutu are one and the same. Even Edel got a culminating arc, as she was responsible for saving them all in the end. It really impressed me how Princess Tutu managed to bring all of this together without any character feeling neglected. So strap in because we have a lot to talk about after the break.

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Princess Tutu – 11/12 – Throwback Thursday

Welcome to the halfway point of Princess Tutu! It’s hard to believe, considering how this has all the makings of a finale. But considering Kraehe’s arc, Drosselmeyer’s position as the true villain and recent developments, it only makes sense. So let’s jump right into it!

Immediately, I want to talk music, because I love Princess Tutu’s. Yes, I know it primarily uses existing classical pieces that weren’t originally made for the show. But in my mind that makes it all the more impressive. Because Princess Tutu is able to take these hundreds of year old pieces, with their own histories and meanings, and make them work. Every time I recognize a piece, it fits. Every time I look one up I didn’t know, and read up on the work, it fits. An example of that this week is episode 12’s usage of “The Story of the Kalendar Prince” by Nikolai Rimsky-Korsakov. Focusing on and using the inherent adventure of the piece and ascribing it to Fakir and Ahiru’s journey through the underground. I could go on, referencing pieces such as “Dance of the Sugar Plum Fairy” by Tchaikovsky, but I think you get the point.

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Princess Tutu – 9/10 – Throwback Thursday

Hello once again to week 5 of Throwback Thursday with Princess Tutu! I hope everyone is doing well, what with all this Corona Virus business floating around. I’d like to say if the world has you down, a cheerful little magical girl show could fix that. But what Princess Tutu covers this week, focusing in on Fakir and Rue, doesn’t really fit that bill. Still, thanks for reading, and lets jump right in!

Now, I want to talk about the structure of these two episodes, because we are doing something different this week. Instead of going through each episode independently, instead I want to focus on Fakir and Rue. Deep diving into them, who they are, where they where, etc. Because my initial impressions of these episodes were… not necessarily filler, but hardly plot focused. Very little in regards to the greater plot was really advanced. Instead Princess Tutu focused in on these two, for better or worse. I say that because some segments were fantastic, Fakir and Rue getting some growth is well deserved at this point. But there were also some rather dull or outright annoying segments such as the extended marriage jokes. And even if some of these elements tied back in at the end, it made for a less enjoyable experience. So with that done, lets talk about Rue!

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