Star Driver – 07




Ah, so with this episode it becomes clear what the creators were going for: a plot twist that when used well can turn out great, yet is very, very, very easy to screw up. Many series have fallen because they simply could not control the cheese that comes with such a plot twist: the best friends turned enemies.

Overall, the show has a potential wall-banger, but this episode did well in introducing it: beyond being very well written and breaking some more of the formula it carefully set up, it used the strange powers of the Crux brigade well, as it had already been established that the pink haired girl’s kisses have some strange influence on her partners.

The only question I’m stuck with right now is about the history of this island: if it was this easy to wake someone who owns the King’s Cybuddy, then why was he the first one to get accidentally hit in Zero Time? What did the island look like in previous generations? Was the Crux Brigade always active? With this episode, the creators pretty much obligated themselves to really delve into the history of the island, otherwise we’re left with a pretty nasty plothole.

In any case though, this series did some pretty neat stuff with its characters over the past seven episodes. At this point, the cast is already setting itself apart, and it’s really getting more interesting with each episode and it’s also that every episode so far has been different in tone and setting, despite these formulas.
Rating: ** (Excellent)

Winter Season Preview – Movie and OVA Edition

As usual, with every seasonal preview I also realize a preview that discusses the upcoming movies and OVAs (the ones who are slated for December, January and February in this case). Note that it usually takes nine months for the movies to actually get released, but this seems like a good place to look forward to them. Most of the interesting stuff this season consists out of TV-based movies and OVAs, but in that department there really is a lot of neat stuff. Here is a list of everything you can find on this preview:

This list will NOT cover:
– Live-action (so no Gantz Movie)
– Simple episodes of series of OVAs or Movies that have already debuted (I do not want to repeat myself about Queen’s Blade’s OVAs over and over again). This also includes Tales of Symphonia and Break Blade. Exception to this is when the distance between the different instalments of these episodes is really big or significant (like with the Macross Frontier movies for example) or when they’re completely different from each other like the Votoms Trilogy.

Satelight, Xebec, Sunrise and Madhouse also have some great ambitions in terms of the movies and OVAs here. The season isn’t as full with movies as the current Autumn season, but there still are quite a number of interesting ones to check out.

Isshoni Training 026: Bathtime With Hinako and Hiyoko

Summary: Do you really want me to write this down?
Type: OVA
Director: Shinichiro Kimura
The Positives: The pain will stop once you turn your media player off.
The Negatives: I’ve just lost my faith in people ever stopping to release crap OVAs.
First-Glance Potential: 0%

Dreams C Club Pure Songs Clips

Summary: It’s based on an XBox 360 Dating sim: The anime will recreate the heroines of the game with two-dimensional graphics for the Dream C Club Pure Songs Clips, a two-volume DVD/CD collection of character songs and music videos. – (Taken from ANN)
Type: A bunch of animated music videos.
Director: Sasa Fujisawa
Other Notable Staff: Mayumi Watanabe
The Positives: I’m blank.
The Negatives: The sample that they put on their main website looks and sounds utterly terrible. Is this entire project going to be full with that crap? What a cheap cash-in!
First-Glance Potential: 0%

Goulart Knights

Summary: The story begins after mysterious creatures named “Archons” suddenly appear in the world. Humanity faces the threat of annihilation from these creatures. Only the “Chalice,” the source of humanity, can defeat the powerful Archons. So, the humans assemble an Archon-slaying unit from fighters who have the ability to bring forth the Chalice to fight. The ones chosen to fight the Archons with the Chalice as their weapon are called Goulart Knghts. – (Taken from ANN)
Type: OVA to promote a newly formed boy-band.
The Positives: It’s a completely original story, so it could possibly go anywhere with the right writers.
The Negatives: But ah, who am I kidding here: it’s just there to promote four random guys as a cheap cash-in. Their music sounds completely generic and the premise sounds as if it were written by a twelve-year old, there is no way that this is going to work.
First-Glance Potential: 0%

Ah Megami-Sama

Summary: Keiichi Morisato is looking forward to university life. But in reality, he has no luck in anything, and he has trouble with clubs, love, etc. The truth is that he has an unlucky star above his head. One day, Keiichi is stuck watching the dorm while his sempai are away, and has a mountain of chores to do to boot. But Keiichi is a good-natured person, and is set about doing his duties. As he is about to finish his final chore, he makes a phone call to his sempai. But the words that came through the receiver are, ‘Goddess Help Line.’ Shortly afterwards, a beautiful goddess named Belldandy appears in front of him from the mirror of his room. – (Taken from ANN)
Type: OVA, Shipped with a Manga Volume
Director: Hiroaki Gouda
The Positives: Is this one still going on?! Ah well, it’s got the same director and likely also the same staff behind it, so if you liked Ah Megami-sama’s previous anime instalments then you’ll like this one.
The Negatives: How much can you squeeze out of a premise like that anyway? At the moment, there are already 42 different volumes of Ah Megami-sama’s manga. Is it really that good of a story that it warrants such a long running time?
First-Glance Potential: 20%

Fortune Arterial OAD

Summary: – (Taken from )
Type: Original Anime DVD, bundled by manga volume
The Positives: Thankfully Fortune Arterial’s story turned out to be pretty good…
The Negatives: ..but what can they do with just one episode, meant to “commemorate the fact that it got made into an anime”? Most of the useless fluff of Fortune Arterial’s anime was hard to watch anyway, so are they really planning to make an entire episode with just nothing but that or something?
First-Glance Potential: 30%

Bleach – Jigoku-hen

Summary: The Jigoku-Hen subtitle signifies that the story takes place in a place unvisited by Tite Kubo’s original manga, which will celebrate its 10th anniversary next year. – (Taken from ANN)
Type: Movie
Director: Noriyuki Abe
Other Notable Staff: Kubo Tite (original creator, supervision)
The Positives: It’s only a movie, so the battles can’t drag on for as long as they did in the series. Kubo Tite is actually supervising the production of the movie, so it’ll probably be adding something to the world of Bleach, rather than being a pointless random side-story.
The Negatives: There really is a good and a bad Pierrot. The bad Pierrot is what I consider to be Naruto and Bleach, and Naruto at least has some good character-development. Bleach started off as a hilarious series, but after thirty episodes it started to drag on its fights on and on. After ninety episodes, I finally gave up on it. Furthermore, just look at the promo art here: all of the characters look like they’re incredibly constipated!
First-Glance Potential: 30%

Yuri Seijin Naoko-san

Summary: The surreal gag manga follows a quiet, timid girl named Misuzu whose older sister Naoko is returning from studying aboard. However, when she hurries home to meet her sister, Misuzu instead encounters Naoko-san, the strange alien from Yuri-sei (Yuri Planet) who loves eroticism, yuri, and girls. – (Taken from ANN)
Type: OVA Included with Manga Volume
Notable Staff: All we know is that Ufotable will be producing it.
The Positives: The manga has been running for five years, so that must mean that there’s at least enough material for such a premise, right?
The Negatives: But really: are people running out of ideas or something? The “Yuri planet”… there is so much wrong with that and I can only hope that the creators realize this as well…
First-Glance Potential: 30%

Princess Resurrection OAD

Summary: Hiro Hiyorimi is a boy who has just moved to the city to meet his sister. While walking down the sidewalk, he is suddenly hit by a car (crushed by construction beams in the anime). On the verge of death, he is seen by a young woman clad in gothic clothes. She then resurrects him, leaving him alive in the hospital morgue. He wakes up confused over what happened, only to encounter the woman again as she eliminates some wolf creatures. She addresses Hiro as “her servant” and introduces herself as “Hime” (Japanese for Princess). The story then follows Hiro as he assists Hime in killing creatures that have been sent by her siblings to attack her. – (Taken from ANN)
Type: An Original Anime DVD
Director: Keiichiro Kawaguchi
Storyboard: Keiichiro Kawaguchi
Other Notable Staff: Kukido Sadakata (Character-designs, Animation Director)
The Positives: The original TV series was completely generic (or at least the first two episodes were, before I gave up on it), but the staff behind the OVA is completely different here. The visuals seem a lot more interesting with the same character-designer from Shikabane Hime.
The Negatives: The director is really generic, with his only good work Zettai Karen Children (and perhaps also Hayate the Combat Butler, but I didn’t really like that one either). His other works include Yutori-chan, Moetan, Kowarekake no Orgol, Nyan Koi and Getsumen to Heiki Mina. I really don’t think that he can make this story any less generic than its anime counterpart.
First-Glance Potential: 40%

Baka to Test to Shoukanjuu OVA

Summary: Advanced placement into a school of higher grade proof-reading is determined by the results of the Promotion Test strictly for class type. Ranging from A class with the best facilities anyone can offer all the way down to F Class which is composed of low dining tables, rotten tatami mats and other worn out facilities. Students can change classes by competing using the Examination Summons Battle system or ESB. Students summon characters with their equivalent test mark scores and use them to compete with other classes. – (Taken from ANN)
Type: 2 Episode OVA
Director: Shin Oonuma
Series Composition: Katsuhiko Takayama
Other Notable Staff: Kouji Azuma (Art Director)
The Positives: Katsuhiko Takayama’s work on Soredemo Machi wa Mawatteiru, Ga-Rei Zero, Hantsuki and the first seasons of ef and Natsu no Arashi was very solid. Same goes for Shin Oonuma on Pani Poni Dash and Natsu no Arashi and ef’s first seasons, and finally he can do something without Shinbo.
The Negatives: I didn’t like the TV-series of Baka to Test much, though. It felt like it wasted all of its best jokes in its first episode, and quickly got repetitive and annoying afterwards.
First-Glance Potential: 40%

Inazuma Eleven: Saikyō Gundan Ogre Shūrai

Summary: The main character, Endou Mamoru, is a very talented goalkeeper and the grandson of one of the strongest goalkeepers in Japan, who died before he was born. Even though his skills are incredible his school lacks a real soccer club as the 6 other members don’t appear very interested even in training. But as soon as a mysterious forward called Gouenji moves to Endou’s town, the young goalkeeper sets out to find and recruit members for his soccer team. – (Taken from ANN)
Type: Movie
Director: Yoshikazu Miyao
Series Composition: Atsuhiro Tomioka
Other Notable Staff: Akihiro Hino (Original Creator)
The Positives: I didn’t watch Inazuma Eleven (heck, it’s been going on for two years now and there’s still no end in sight), but I can really see this work as a movie here: it’s basically just an incredible cheese-fest in which a bunch of kids use the most ridiculous powers while playing football: this can really work as an over the top brainless action movie.
The Negatives: Atsuhiro Tomioka has no sense of pacing! Just look at Good Witch of the West, Makai Senki Disgaia and Zombie Loan: all of them could have been so much better if they were actually paced properly.
First-Glance Potential: 40%

T.P. Sakura ~Time Paladin Sakura~ Jikuu Boueisen

Summary: The project is a spinoff from the developer’s D.C. ~Da Capo~ franchise and features the Sakura Yoshino character as a seemingly ordinary third grader with secret special powers. – (Taken from ANN)
Type: OVA
Director: Takehiro Nakayama
Series Composition: Naoki Tozuka
Other Notable Staff: Makoto Koga (Character designs, Animation Director)
The Positives: They did get a pretty experienced guy as the animation director. His works include Aria the Animation, Sola and a bunch of Cardcaptor Sakura episodes. The director has also never directed an anime before, so this could be interesting, as he worked on quite a number of interesting projects. The scriptwriter meanwhile did write a bunch of episodes of Yoku Wakaru Gendai Mahou, so perhaps he’ll be able to put the same charms into this OVA.
The Negatives: I’m getting a bit tired of the milking of that Da Capo franchise, though. And if you’re going to start with a spin-off, please to an imaginative one instead of such an uninspired mahou shoujo knock-off.
First-Glance Potential: 50%

Morita-san wa Mukuchi

Summary: The four-panel manga follows the everyday life of a high school girl named Mayu Morita who is exceedingly gentle and thoughtful, to the point that she does not say much of anything to anyone. – (Taken from ANN)
Type: OVA (2 episodes have been confirmed), bundled with Manga Volume
The Positives: Nothing is really known about who is going to adapt this manga or anything, but the premise could turn into a gentle slice of life series.
The Negatives: I’m not exactly sure what’s up with the promo images, by the way. They just were there on the main website of this OVA, but I hope that they look a bit more… detailed than just that…
First-Glance Potential: 50%

Mirai Nikki

Summary: High school 2nd year, Amano Yukiteru, is a boy who has problem making friends. He thinks of himself as a bystander and will always write down everything he sees in a cell phone diary. Tormented by solitude, Yukiteru began to imagine things like a friend called Deus X Makina who is apparently the Lord of Time & Space. Seeing Yukiteru’s miserable state, Deus gives him a new ability. His diary will now record events that will happen in the near future. Yukiteru is then forced to participate in a game which the winner will become Deus’s successor. – (Taken from ANN)
Type: Pilot OVA bundled with Manga Volume
Director: Naoto Hosoda
Script: Katsuhiko Takayama
Other Notable Staff: Eiji Hirayama (Character-designs)
The Positives: Everything is pointing to the fact that this is a pilot, meant to test whether or not Mirai Nikki will work as an anime. The premise of a diary that predicts the future does have a lot of potential in the right hands. Katsuhiko Takayama is a pretty good adapter, considering his works on Soredemo Machi wa Mawatteiru, Natsu no Arashi and ef.
The Negatives: The director and character-designer of Shuffle worry me a bit, though.
First-Glance Potential: 60%

Mai no Mahou to Katei ni

Summary: In the story, eight-year-old second-grader Mai Tatsumi uses magic to understand her family’s feelings. – (Taken from ANN)
Type: 30 Minute OVA
The Positives: This one isn’t listed on Moonphase yet, but I decided to include it anyway. An OVA either for kids or nostalgic adults, it seems promising anyway, especially since it’s from PA Works.
The Negatives: But then again, the exact adaptation staff is not known yet, so it could really be a flop as well.
First-Glance Potential: 70%

Kara no kyoukai Final Chapter

Summary: Mikiya Kokuto finds himself intrigued by two things. The first is by Shiki Ryougi a beautiful, yet rather unsociable, girl and the other is the strange series of violent deaths that start occurring in his town. As he attempts to get closer to Shiki, he soon learns that the two are connected and that there are many supernatural forces at work which could very likely get him killed as well. – (Taken from ANN)
Type: 30 Minute BD OVA
Director: ???
Script: ???
Other Notable Staff: Kinoko Nasu (Original Creator)
The Positives: More Kara no Kyoukai is of course always welcome, even though I have absolutely no idea what it’ll be about.
The Negatives: I mean, the movies were fairly conclusive, weren’t they? This Final Chapter isn’t even a movie, but an OVA, and it is shipped along with a 60-minute recap of the first seven Kara no Kyoukai movies.
First-Glance Potential: 80%

Macross Frontier – Sayonara no Tsubasa

Summary: Macross Frontier marks the 25th anniversary of the Macross anime franchise. It is a direct sequel to the first Macross series and Macross 7 and follows the lives of Alto Saotome, Ranka Lee and a pop idol named Sheryl Nome on board the Macross Frontier colonization fleet. After the war against the Zentradi aliens, Humankind has spread across the universe in order to ensure its survival. The Macross Frontier fleet is part of a effort to spread and maintain the culture of humanity. – (Taken from ANN)
Type: Movie (Part 2 of a Do You Remember Love-esque remake)
Director: Shoji Kawamori (Yes, he’s actually directing on his own this time)
Screenplay: Shoji Kawamori, Hiroyuki Yoshino
Other Notable Staff: Yoko Kanno (Music)
The Positives: The first Macross Frontier Movie was a really big surprise: it was much shorter than the TV-series, but actually much better: it was much more streamlined, the graphics were even better, the characters were nowhere as annoying. It’s now up to Sayonara no Tsubasa to continue this trend to make it really work and not give us the cop-out ending that the TV-series treated us with.
The Negatives: Hiroyuki Yoshino wrote the scripts and scenarios of Mai Hime and Mai Otome, Gundam Seed and Gundam Seed Destiny, Sora no Oto, Seikon no Qwaser, Denpa-Teki na Kanojo, Dance in the Vampire Bund and assisted in the series composition of Code Geass R1 and R2. Holy crap: when this guy is good, he really is great; when he’s bad, things become a trainwreck!
First-Glance Potential: 80%

Votoms Finder

Summary: Votoms Finder will center around Aki Tesuno, a guard for scrap salvagers and a pilot of a robotic mecha called an At or Altro (as opposed to VOTOMS’ trademark Armored Trooper mecha). – (Taken from ANN)
Type: Movie (second of a trilogy)
Director: Atsushi Shigeta
Script: Mayori Sekijima
Other Notable Staff: Junichi Hayama (Character designs, animation and art director)
The Positives: The fun part of the three Votoms movies of course is the fact that they’re going to be completely different. The Votoms Franchise has really gotten itself a unique conclusion when it already was a unique series, and this movie will detail more of a side story in the universe of Votoms. The director also has his first shot at directing something, and before this production he only worked as an animator and animation director before. I’m really interested what he’s able to do with this franchise. Mayori Sekijima meanwhile also wrote the Soultaker, Zegapain and Gad Guard and adopted Skip Beat, Pandora Hearts and le Portrait de Petit Cosette, so this should prove to be really interesting.
The Negatives: But yeah, the thing remains that Ryousuke Takahashi isn’t going to be involved with this one, while he was the big reason that Votoms became so good. Junichi Hayama behind the visuals doesn’t seem like the most solid choice, and you can see that in the rather cheesy promo art. Mayori Sekijima also did adapt a bunch of flops.
First-Glance Potential: 80%

Fafner: Dead Agressor: Heaven and Earth

Summary: – (Taken from )
Type: Movie
Screenplay: Tow Ubukata
Other Notable Staff: Angela (Theme Song Performance)
The Positives: I have not watched the original Fafner in the Azure, but I’m really looking forward to watching it, as it sounds like an awesome action series. The same goes with this movie, and I’m very interested in what Xebec can do to it. Especially because Tow Ubakata also wrote the original stories of Mardock Scramble and Le Chevalier d’Eon.
The Negatives: Okay, so he also was the one who wrote the series composition of Heroic Age. That’s about the only reason why I’m a bit cautious about it, but as soon as I get the chance to watch the series of Fafner, I’m going to track this one down.
First-Glance Potential: 90%

Tailenders

Summary: The destiny of Tomoe Shiro, a formidable racer with a very promising career, experiments an U-turn when a serious accident puts his life at stake. He recovers miraculously, though, when his heart is replaced with the engine of his own racing car. However, because of that very reason, race regulations demote him to the category of a mere mechanical part of the vehicle and is deprived from the right to participate as a pilot in regular races. Only in a far away colonial planet, along with a multitude of other charismatic pilots also vetoed from participating in regular competitions, he will be given the opportunity to race for his pride and the money of the prize. And so this exciting rally starts!! – (Taken from ANN)
Type: 28-Minute Movie
Director: Picograph
Producers: Anime Innovations Tokyo
The Positives: Oh god, I love Anime Innovatitons Tokyo already: this premise sounds even better than Cencoroll’s. Here’s hoping that they’ll be able to do many more projects after this.
The Negatives: They’re like Studio 4C, though: very creative and innovative, but their projects are often really short. This one is just going to be 28 minutes, and I’d love to see them sponsor some actual TV-series.
First-Glance Potential: 90%

Supernatural the Animation

Summary: Two brothers, Sam and Dean Winchester, team up to find their father, John, who went missing on a hunting trip. However, their father isn’t a typical hunter: he hunts supernatural creatures like ghosts, vampires, and various demons and he’s trained his sons to do the same. Along the way, Sam and Dean save innocent people, fight creatures and ghosts, and collect clues to their father’s whereabouts. – (Taken from Wikipedia)
Type: 22 Episode OVA
Director: Atsuko Ishizuka, Shigeyuki Miya
Script: Sumino Kawashima, Akemi Moriyama
Other Notable Staff: Shusei Murai (music), Takahiro Yoshimatsu (character-designs, animation director),
The Positives: Holy crap! Where to start: Shusei Murai was the one who composed Mouryou no Hako’s haunting soundtrack, there are a ton of people who worked on Aoi Bungaku who are going to return for this one, including the directors of Kokoro and Hell Screen and the Spider’s Thread, Sumino Kawashima did some amazing work on the screenplay of Hashire Melos and a bunch of Himitsu the Revelation episodes and to top things off we have the character designer of Trigun and Ooedo Rocket in charge of the animation. On top of that, with 22 episodes this is promising to become the longest OVA since Legend of Galactic Heroes or something, and the creators will be animating the best episodes of the TV-series, along with some completely new ones. This really is one to look out for.
The Negatives: I have not watched anything of the Supernatural series. Would that be a disadvantage, or an advantage? Do the creators plan to create a standalone story here, or are they just going to end up animating a bunch of random episodes?
First-Glance Potential: 90%

Armored Trooper Votoms: Koei Futatabi

Summary: At an oasis, Chirico (the main character of the VOTOMS series) will reunite with his old friend Gotho and other characters after 32 years. – (Taken from ANN)
Type: Movie
Director: Kazuyoshi Takeuchi, Ryousuke Takahashi
Script/Storyboard: Masashi Ikeda
Other Notable Staff: Masanobu Nomura (Art Direction)
The Positives: Hell yeah, I’m a big Votoms fan here, and based on the way that the Gen-ei hen is playing out, the creators are intending this to be the movie to conclude the entire franchise. Unlike the first two movies of the trilogy, this is one that Ryousuke Takahashi will be involved in as the director, which only makes things even better.
The Negatives: Why the heck is the director of Cluster Edge writing the script?
First-Glance Potential: 90%

Heartcatch Precure – 39



In the previous episode, Dune sent a huge monster to the Precures, which took all of their powers to take out. In this episode… his weakest goons threaten two children and take their toys. Okay,yeah this was a bit of a step back: an intermezzo before the final arc happens, meant to lighten the mood.

A filler this was not, though. It was more like a side-story which could have been omitted, or aired earlier on in the series preferably. It mostly was hilarious because of the banter between Erika and Coffret, which really was perfect to lighten up the mood. The entire premise of the episode was based on”yeah we’re fighting but after a bit of a fight with the bad guys and each other we make up again”. Don’t get me wrong, this still was a very enjoyable episode, but it’s not within the standards that this series has set before.

Yeah, it’s a bit of a shallow episode, but it had plenty of stuff to redeem itself with. This was the best episode yet for the Snackies (or whatever they’re spelled), especially their “maintenance squad” was hilarious, but their visual comedy in this episode was also priceless, now that they finally got the chance to be the main bad guys. Coffret’s voice actress also was really good in this episode, and she prevented what could have been an annoying whiny episode into quite an enjoyable one.
Rating: * (Good)

Letter Bee – 32




So finally, after thirty episode we learn what happened to Gauche, as he lost his heart. The question still remains how it happened, but this episode detailed the time right after it happened, which gave quite a bit of depth to his character. I really like the twists in which he was actually responsible for casting off his name, and how he actually visited some of the people closet to him, consciously deciding not to get back to them.

This episode also did a great job of showing how the One who couldn’t become a Spirit brainwashed Gauche: the only magic that was used was in the way that Gauche’s memories were lost, and instead he just showed Gauche the hypocrisy of the government. This episode showed that the government is also experimenting with combining humans to various life forms, and note how that mermaid had the same kinds of scars that the One who couldn’t become a Spirit had. What’s also interesting is that Noir keeps announcing his name whenever he shows up now: it’s like, he wants to be found or something.

Next episode should prove to be even more interesting: we’re finally getting to Nichi’s background. But to think that she’s already 200 years old. Apart from that though, it’s still a complete mystery of what she is, especially considering how old she already is, which should deny any links between her and the Marauders.
Rating: ** (Excellent)

Yumeiro Patissiere – 57



This week, I’d like to apologize for not sticking with Yumeiro Patissiere’s first season. I originally stuck with it for five episodes before giving up, but here’s why:

The things I appreciated about this series back then was that even though this was a show in which people are accompanied by strange sweets fairies, it didn’t pull a la Corda d’Oro and suddenly make their characters incredibly talented: they still had to work really hard for it. The thing that turned me off however was that it was already getting dull and repetitive after five episodes. I especially didn’t like the cheesy drama around the arrogant rivals that appeared in front of the lead characters, and on top of that I was also bothered by a lack of creativity…

…so why did the drama in this series suddenly become so good? Where did the inspiration come from for the Professional arc? This second season acts like the two main gripes I had with the first season never existed. The current episode marks the end of the Sweets Kingdom arc, which really shows that better than ever.

The sweets kingdom is… bizarre. What mind came up with that and what kind of state was it in? For the past three episodes, the characters have travelled to various places to collect some conveniently located sweets ingredients. An entire forest made out of baumkuchen? What the heck? This episode went even further by explaining how Sweets Spirits are born. That was without a doubt the weirdest explanation of the “birds and the bees” that I’ve ever heard.

Just about everything about the Sweets Kingdom makes no sense, but that probably was the intention of the creators: to just make this very imaginative fantasy world. It definitely gave me a lot to laugh about for the past three episodes, not to mention Kashino walking around in a pink teddy bear outfit for the entire time. I’m really suspecting that the creators did that in order to avoid confusion with the Kasshi fairy, since the two look so similar. I have not watched the first season, but is there a reason why these three fairies look like Kasshi and the two others look so much like Kashino?

And regarding the drama… why did it suddenly turn this good? I mean, compared to the first season, the characters are much less obnoxious, it’s much less forced and actually quite genuine. Of course, you need to like the childish kind of series in order to enjoy Yumeiro Patissiere. I don’t think that I’m going to end up watching the first season anytime soon (50 episodes is looooong), but the new season definitely surprised me.
Rating: ** (Excellent)

Bakuman – 07



Most of the episode was dedicated to the romance, so I first want to nitpick a bit: in what year is this series set in anyway? I ask this, because people know mobile phones and email addresses, yet haven’t heard of instant messaging software or computers at all. Is it common for Japanese households to not have a computer? And are instant messengers like MSN a lot less popular in Japan than what they are in the rest of the world?

Regarding the portrayal of the actual romance, it was actually starting to get pretty good, though I did not like how Miho suddenly started crying from out of nowhere: it lacked build-up and was a bit too much for that particular scene. But really: I’m now at the point at which I’m nitpicking at these tiny details: there’s a lot of stuff that this series did right. With the usual romance series I’m not even able to pick those details like that apart. This episode really served its purpose of developing the relationship between Moritaka and Miho, and I especially liked how this episode talked about their future and how they keep in contact after they graduate. The next step should be to de-wimpify them: give either of them some guts to actually talk to each other.

The end of the episode also properly introduced the new genius high school manga author. Standalone he’s pretty much what you’d expect, but the thing I’m interested in the most is how he will clash with Moritaka and Akito.

This episode also reminded me how completely pointless these copyright aversions are: Shounen Jump is censored to Shounen Jack, and yet the manga openly talks about Dragonball Z and One Piece. Is it okay for someone to use products of a company, but the name of the company itself is taboo or something? It’s still a comppletely ridiculous practice: these copyright laws are enforced because the companies in question don’t want their names dirtied, yet the way in which their names are modified (Shounen Jack, Deegle, WC Donalds) makes no attempt to hide what they’re referring to. Bloody legal system.
Rating: ** (Excellent)

Winter Season Preview

The upcoming Winter Season will suck? Hell no! In fact, I see no way in which it isn’t going to be able to be better than the Winter of 2010. I’m actually very much looking forward to it.

I’d like to call it the season of mysteries: there are a ton of series that really can go anywhere, from bad to awesome. There are a lot of question marks in this season, but at the same time there are very few series that are completely hopeless at first sight. There are also 21 series, which is the highest of a small season since Winter 2009. What really intrigues me about this season how just about every series has the potential to become something really interesting.

It’s most of all a season for teenagers and romance, but there is a wide variety of different genres with action, science fiction, slice of life, mystery, historical, comedy and mahou shoujo. There also are a ton of different animation producers involved with just one series, ranging from the old veterans like JC Staff, Madhouse and Production IG to a lot of newcomers like David Production, Bridge and 8-Bit. Busiest will be Studio Deen (3 series) and Studio Pierrot (if you include shows carrying over from previous season, they’ll be working on a whopping six different series). The studios who impressed me the most while composing this preview were David Production, Pierrot, Shaft, 8-Bit and Xebec, the studios who impressed me the least were Zexcs, Studio Deen and Madhouse. Surprisingly absent are still Satelight and Sunrise.

The biggest problem with this season is that there are A TON of teenagers: only two series revolve around adults, and one of them is Wolverine. It’s also a season of rather generic character-designs, but instead there are a ton of interesting art directors, plus some of my favourite music composers are also involved here.

As usual, I tried to collect the information about each of the airing series, followed by a number of personal impressions. I don’t claim to be right with any of these impressions, especially considering how I have not read the source material of any of them. I can only comment on what I’m familiar with, which is the people who are going to adapt these stories, animate them and give life to their characters. If you want an impression of the source material of these series, I suggest you to find some sort of blog whose owner does read manga/games and light novels.

Oniichan no Koto Zenzen Suki Janain Dakara Ne—!!!

Summary: I refuse to write this down.
Director: Keitarou Motonage
Series Composition: Koyuri Ouba
The Positives: The director is mostly crap, but he is currently directing Katanagatari, which shows that he can really adapt a good story.
The Negatives: Just… no.
First-Glance Potential: 0%

Cardfight!! Vanguard

Summary: It’s a series based on a children’s card game.
Other Notable Staff: Jam Project (OP)
The Positives: At least we’ll be getting an energetic and hot blooded OP.
The Negatives: Seriously, how long are they going produce these cheap Yugioh rip-offs?
First-Glance Potential: 0%

Starry Sky

Summary: The heroine, Tsukiko, enrolled to a school that was recently changed from all-boys school to co-ed. Since the area where the school is conveniently rural and the rather exclusive curriculums the school has, up until now the heroine is the only one female who enrolled to the school. – (Taken from ANN)
Director: Nobuhiro Takamoto
Series Composition: Makoto Nakamura
The Positives: Um, the series composition guy worked on at least a bunch of good series (the Air and Clannad movies, the Snow Queen)
The Negatives: OH GOD NO! Not Nobuhiro Takamoto! How many more series must he ruin after Hatenkou Yuugi, Ookami Kakushi and 07-Ghost? I liked his work on Sasami Mahou Shoujo Club, but after that this guy completely lost it. How does he still get work? And in fact, why does Studio Deen still go with this stupid of a premise?
First-Glance Potential: 0%

Haiyoru! Nyaruani: Remember My Mr. Lovecraft

Summary: The story centers around Nyarlathotep, a formless Cthulhu deity who can take on the shape of anyone it wishes, but particularly the shape of a seemingly ordinary silver-haired girl. Mahiro Yasaka is a normal high school student who is chased by aliens one night, until “Nyaruko” saves him. – (Taken from ANN)
Director: Azuma Tan
The Positives: A couple of months ago, they made an OVA about this one. Apparently it was popular enough to warrant an actual TV-series. It’s also entirely done in flash.
The Negatives: I have not watched those OVAs, but with flash they do sound rather cheap. The producers also haven’t really worked on anything notable, and their only other experience is from a bunch of forgettably dull children’s comedies.
First-Glance Potential: 20%

Wolverine

Summary: Born as James Howlett and commonly known as Logan, Wolverine is a mutant, possessing animal-keen senses, enhanced physical capabilities, three retracting bone claws on each hand and a healing factor that allows him to recover from virtually any wound, disease or toxin at an accelerated rate. – (Taken from Wikipedia)
Director: All we know is that Rintaro directed the pilot.
The Positives: The trailer, indeed, looks amazing. Why can’t Rintaro direct the entire series?
The Negatives: Usually, I’d be really looking forward to this series. But yeah: Iron Man. Both Iron Man and Wolverine were made in a time in which Madhouse concentrated just about all of its talent on finishing the movie Redline. All I’m asking for now is for this show to at least not have the same sloppy script that Iron Man has. Is that too much to ask?
First-Glance Potential: 30%

Beelzebub

Summary: The story follows the “strongest juvenile delinquent”, Oga Tatsumi, a first year in “Ishiyama High” the school for delinquents. One day while sleeping next to a river he sees a man floating down it, he pulls him to shore and the man splits in half revealing a baby boy. This boy is the son of the demon king and he has been chosen as the one to raise it with the baby’s demon maid Hilda. The story follows his life with the child and at the delinquent school. – (Taken from ANN)
Director: Nobuhiro Takamoto
Series Composition: Masahiro Yokotani
The Positives: I really like that Studio Pierrot is finally doing a lot of other projects again aside from Naruto and Bleach. The manga is also supposed to be hilarious, so I’m intrigued.
The Negatives: But dear god, could they perhaps have chosen a bit of a better staff to do it? Nobuhiro Takamoto has no idea how to correctly adapt a source material (that was at least my impression from watching his adaptations) and why is he doing two shows this season? Masahiro Yokotani isn’t really much better with his work on World Destruction, Maria Holic and Reideen (though granted his smaller works are a bit more interesting).
First-Glance Potential: 30%

Kore wa Zombie Desu ka?

Summary: The story centers around a lazy high school boy named Ayumu Aikawa who gets killed during a spate of mysterious serial killings. However, Ayumu is resurrected as a zombie by a necromancer girl named “Yuu” (Eucliwood Hellscythe), who Ayumu had just met before dying. Ayumu reawakens in a world surrounded by “masou shoujo” (magically equipped girls) and vampire ninja. Ayumu is assigned the duties of a masou shoujo by a magical warrior girl named Haruna. – (Taken from ANN)
Director: Takaomi Kanesaki
Series Composition: Makoto Uezu
Other Notable Staff: Shigeru Morita (script), Machida Touko
The Positives: This show has a pretty interesting scriptwriter: he did research on the settings of various mecha series (what the heck he’s doing at a mahou shounen/shoujo like this I don’t know, though).
The Negatives: The rest of the staff is a bit of a mess, though: the director only directed Macademi Wasshoi before, the series composition is written by a guy whose works range from Katanagatari and Tentai Senshi Sunred to Akane-Iro ni Somaru Saka, Amaenaideyo, School Days, Seikon no Qwaser and Tayutama, while Machida Touko worked on series ranging from GA Geijutsuka Art Design Class and Muteki Kanbanmusume to Allison to Lillia, Ookami Kakushi and Lucky Star. Sure, it’s not a complete recipe for disaster… but it’s quite close.
First-Glance Potential: 40%

Suite Precure

Summary: The Eighth Precure Series.
The Positives: Nothing is really known yet, so all we can do is wait until they announce the staff. If it is as good as Heartcatch Precure though, then we’re in for something awesome.
The Negatives: Toei is getting notorious for its sequels, though: a good example of this is Marie & Gali 2.0 and Digimon Xros Wars: the fact that they made one great series says nothing about its sequel.
First-Glance Potential: 50%

Houkago no Pleiades

Summary: By Gainax and Subaru – The Pleiades is the English name for the star cluster that the Japanese call “Subaru” — the origin of the car maker’s name and six-star logo. – (Taken from ANN)
Director: Shouji Saeki
Other Notable Staff: Hiroshi Kato (Art Director)
The Positives: I really am not sure why a famous car brand is targeting otaku of all people. Still, it holds potential. The director did direct some of the best parts of FLCL, plus the art director is an incredibly experienced guy. That also really helps.
The Negatives: I have not seen “This Ugly Yet Beautiful World” and “He is My Master”, but I’m a bit concerned here, as they’re considered the two worst things that Gainax produced.
First-Glance Potential: 50%

Dragon Crisis

Summary: Kizaki’s story begins when a high school boy named Ryūji is dragged by his cousin Eriko to rescue a girl from black-market dealers. The blue-eyed “girl” turns out to be a dragon who is inexplicably fixated on Ryūji — following him even when he is bathing and sleeping. Ryūji has to protect the girl from the black-market dealers and others. – (Taken from ANN)
Director: Hideki Tachibana
Series Composition: Hideyuki Kurata
Other Notable Staff: Masashi Ishihama (character-designs, animation director)
The Positives: We’re getting a pretty interesting animation director here paired up with Studio Deen: Masashi Ishihama previously directed the animation of Read or Die and the Girl who Leapt Through Time, along with a ton of other interesting stuff. Hideyuki Kurata also still intrigues me, even though his works from the current season (Ore no Imouto and TWGOK) failed to live up to his standards. He did write Now and Then, Here and There, Brigadoon, Kamichu and Sasameki Koto, after all.
The Negatives: I do fear that Hideyuki Kurata is putting too much on his plate, though. And as with The World God Only Knows, he’s again stuck with a mediocre director, as Hideki Tachibana’s only other direction experience was H2O…
First-Glance Potential: 50%

GOSICK

Summary: The novels are set in 1924 in the small Alpine country of Sauville, where Kazuya Kujo studies abroad at the Saint Marguerite Academy. Kazuya joins forces with Victorique, a girl with deductive powers that rival Sherlock Holmes’, to solve mysteries. – (Taken from ANN)
Director: Hitoshi Nanba
Series Composition: Mari Okada
Other Notable Staff: Kotaro Nakagawa (will do the music)
The Positives: Mari Okada is an excellent scriptwriter: she’s got guts, she’s solid and is overall pretty dynamic…
The Negatives: …but Holy Hell is she busy this season. I mean, if Otome Youkai Zakuro goes on for two seasons she’ll be working on four series at the same time. What the heck? I’m also not really fond of the whole premise and the punny title (Gosick, Gothic, har har). Plus, we’re getting the director of Heroman. Yeah.
First-Glance Potential: 50%

Kimi ni Todoke Second Season

Summary: Kuronuma Sawako is nicknamed Sadako due to her resemblance to the girl from the Japanese horror movies “The Ring”. Shunned by her classmates, her life starts to change after she befriends Shōta Kazehaya, a very popular boy in her class. Kuronuma Sawako’s one wish in life is to make friends. That’s a difficult proposition when everyone who meets her cowers in terror. She admires her classmate, Kazehaya-kun, a popular, easygoing and 100% refreshing guy who is nice with everyone, even with her. – (Taken from ANN)
Director: Hiro Kaburaki
Series Composition: Tomoko Konparu
The Positives: Granted, Kimi ni Todoke is a very pretty shoujo series: Production IG really put in effort to make the first season look as crisp as possible, and this trend will likely continue onto the second. The script itself will also be pretty good, becuase Tomoko Konparu has a ton of experience as a writer on series as Les Miserables, Kodocha, Nodame Cantabile, Genji Monogatari Sennenki and Ashita no Nadja.
The Negatives: The problem though is the whole set-up of this series: it’s just such a cheesy shoujo flick where hardly anything out of the ordinary happens. It could be much worse, though. I’m definitely looking forward to this series more than Starry Sky.
First-Glance Potential: 50%

Freezing

Summary: The story revolves around Kazuya, a boy who lost his sister in humankind’s fight against beings from another dimension. He enrolls in Genetics, a military academy for combat training against the dimensional beings. There, a group of girls known as “Pandora” prepare to fight the unknown enemy. – (Taken from ANN)
Director: Takashi Watanabe
Series Composition: Masanao Akahoshi
Other Notable Staff: Satoru Kuwabara (Art Director), Seiichi Morishita (Director of Photography)
The Positives: I’m intrigued by that art director: his style is the complete opposite of what you’d expect for such a generic-sounding fanservice fighting series. Same goes for the director of photography. In fact, everything about the staff here is intriguing: the direction and the series composition guy have both made series that range from awesome to incredibly dull: Takashi Watanabe directed Boogiepop Phantom, Starship Operators and Ichiban Ushiro no Daimaou, Masanao Akahoshi adapted Letter Bee, Soukou no Strain, and co-wrote Zone of the Enders.
The Negatives: But yeah, Takashi Watanabe also directed Shana, Lost Universe, Ikkitousen and Slayers Revolution, while Masanao Akahoshi also was behind the adaptations of Railgun, Viper’s Creed and Ikkitousen Great Guardians. Add to that that ACGT is just about the most generic you can get in terms of graphics, and you’ve got yourself a series that really can go anywhere.
First-Glance Potential: 50%

Hourou Musuko

Summary: Shuichi Nitori appears to be a shy and quiet preteen boy, when he transfers to a new school he quickly makes friends with the tomboyish Yoshino Takatsuki who sits next to him. It soon becomes apparent that both Shucihi and Yoshino are more than simply a sensitive boy and masculine girl, they both are transgendered. Together they decide to take the first steps toward becoming the people they want to be. – (Taken from ANN)
Director: Ei Aoki
Series Composition: Mari Okada
Other Notable Staff: Takako Shimura (original creator), Akira Ito (Art Director)
The Positives: The source material which was written by he author of Aoi Hana really makes such a dull sounding premise worth watching. The art director of Baccano and Durarara also promises a lot of interesting things here. Mari Okada as the scriptwriter should really be able to get the best out of that source material…
The Negatives: …if she wasn’t so goddam busy. I’m also not sure whether the director of Girls Bravo is good on a cross-dressing series, but his work on Ga-Rei Zero shows that he can do much more than blatant fanservice.
First-Glance Potential: 50%

Mitsudomoe 2nd Season

Summary: Newly hired elementary school teacher Satoshi Yabe is assigned to class 6-3, room of the extremely problematic Marui triplets: Futaba, Mitsuba, and Hitoha. Newly hired teacher Satoshi Yabe is terrorized by his new students the Marui triplets. Satoshi Yabe alias Yabe-cchi is just starting his new life as an elementary school teacher. On his first day of work he falls in love immediately with the natural airhead School Nurse, little does he know that in his assigned class the law is made by the Marui triplets. Can Yabe-cchi survive this ordeal or will the three sisters get the best of him … – (Taken from ANN)
Director: Masahiko Outa
Series Composition: Takashi Aoshima
The Positives: 8 episodes! That means that they have really put some thought into how much material they still have left. The whole staff of the first season will also be working on the second season. It had its flaws, but when it was funny, it really was hilarious.
The Negatives: Still, there are very few comedy sequels that actually manage to be as good as their predecessors. The first season was already getting repetitive, so how will the second season solve this?
First-Glance Potential: 60%

Infinite Stratos

Summary: Infinite Stratos (IS), a weaponized exoskeleton system, has become the dominant tool of warfare and conflict. Unfortunately for the men in society, only women are able to operate Infinite Stratos… with very few exceptions. One of those exceptions is ORIMURA Ichika, an orphan raised by his older sister who is herself a famous IS pilot. When his compatibility with IS is discovered after he accidentally touches an IS at the age of 15, he’s given a scholarship and enrolled in a school that specializes in training IS pilots. Which of course means an… interesting life surrounded by girls for this shy, unassuming boy. – (Taken from ANN)
Director: Yasuhito Kikuchi
Series Composition: Fumihiko Shimo
Other Notable Staff: Hikaru Nanase (Music), Chinatsu Houjo (script/screenplay), Shunichiro Yoshihara
The Positives: Fresh blood: 8-Bit finally decided to adapt their own series, which is always nice. The character-designs are terrible, but the background art is going to be gorgeous, not to mention that Hikaru Nanase is one of my favourite composers. The director of Macross Frontier needs to pay attention to not dabble into romance too much, but I’m very interested in what he can do without Shoji Kawamori’s influence. Plus, we have the guy who wrote the adaptations of Air and Clannad.
The Negatives: Though granted, Fumihiko Shimo did write a bunch of stories I did not like, like Burst Angel and Gravion… Not to mention that the premise at first sight reeks of those two. I’m willing to give this one the benefit of doubt at this point, though. It seems ambitious enough for that.
First-Glance Potential: 60%

Mahou Shoujo Madoka Magica

Summary: Madoka is an kind, friendly, but ordinary second-year middle school girl. She wonders aloud what she should do if she can grant whatever you may wish through magic. – (Taken from ANN)
Director: Akiyuki Shinbo
Series Composition: Gen Urobuchi
Other Notable Staff: Yuki Kujiura (Music), Takashiro Kishida
The Positives: Shinbo again, but really: for the first time since bloody ages he’s actually directing again, instead of slapping his name on top of an already existing director again. Plus, the character-designer of Noein? Yuki Kajiura behind the music? I’m definitely intrigued here. On top of that, we’ve got the series that is written by the original creator of Phantom, who also wrote the series Blassreiter. This might just well be the series to really remove the bias I currently have about Shinbo.
The Negatives: So really, don’t screw this one up, Shinbo. It’s a mahou shoujo, but this feels like it’s going to be the most unique Shaft-series since ef (it’s certainly is the first Shaft series that I’m actually looking forward to since a LONG time). Don’t ruin this by making it a flimsy Tsukuyomi Moon Phase clone or something.
First-Glance Potential: 70%

Fractale

Summary: The story is set on an island at the far reaches of a continent where the “Fractale System” is on the brink of collapse. A boy named Kurain embarks on a journey to search for Furyune — a girl who disappeared, leaving behind only a pendant. Kurain will eventually learn the secrets of the “System.” – (Taken from ANN)
Director: Yutaka Mamamoto
Series Composition: Mari Okada
Other Notable Staff: Isao Hayashi (Mechanical Designs), Yuusuke Tanaka
The Positives: Very interesting people behind the designs, and I must admit that this is one of the more interesting premises of the season. Mari Okada also really helps…
The Negatives: …but again, she’s so incredibly busy this season. The director of Kannagi has potential here, though he does have a tendency to focus too much on moe. But then again, the story here seems a lot more interesting than with Kannagi.
First-Glance Potential: 70%

Yumekui Merry

Summary: It’s about a high school boy named Yumeji Fujiwara who has the mysterious power to see other people’s dreams or nightmares. One day, he meets Merry, a beautiful girl who came from the world of dreams. – (Taken from ANN)
Director: Shigeyasu Yamauchi
Series Composition: Hideki Shirane
Other Notable Staff: Masahiro Fujii (Character Designer)
The Positives: When I first read the premise, I didn’t think much behind it. But SHIGEYASU YAMAUCHI!? The director of Casshern Sins? This guy can even make crap like Kyou, Koi wo Hajimemasu be good.
The Negatives: The scriptwriter is… mediocre. He neither wrote really bad nor really good series. We’ve also got the character-designs of Zero no Tsukaima…
First-Glance Potential: 70%

Rio – Rainbow Gate!

Summary: It’s a Pachinko Game Adaptation from Xebec.
Director: Takao Kato
Series Composition: Mayori Sekijima
The Positives: Mayori Sekijima also wrote Zegapain, the Soultaker, Gad Guard, Petit Cosette and adapted Pandora Hearts, Skip Beat and the Samurai Pizza Cats. The director meanwhile also adapted Pandora Hearts. Who says that Pachinko adaptations can’t be awesome?!
The Negatives: Though granted, the director also did To Love-Ru, Megaman and Buso Renkin while Mayori Sekijima also wrote Hero Tales and Kaze no Stigma. Ah, but who cares, this really looks like another one of those rare Good Xebec series.
First-Glance Potential: 80%

Level E

Summary: Tsutsui Yukitaka is a freshman who has finally convinced his parents that he is ready to live on his own. When he arrives at his new apartment, he is surprised to find that someone has arrived before him; A young man who claims that he is an alien and that he is suffering from amnesia. A series of short stories involving aliens on Earth. – (Taken from ANN)
Director: Toshiyuki Kato
Series Composition: Yukki Hanada
Other Notable Staff: Yoshihiro Togashi (Original Creator), Kunihiko Ryo (Music), Itsuko Takeda, Yasufumi Soejima (3D Director, Visual Concept).
The Positives: This is BY FAR going to have the most interesting production values of the entire season. I mean, the creators composed an entire dream team here: we have Studio Pierrot and David Production animating a manga with art looking completely unlike what you’d expect from the mainstream, the character-designer designed for Blue Drop, Ristorante Paradiso, Mirage of Blaze and the Galaxy Railways, all of which are completely different. Not to mention that the guy behind the visual concept was also the guy behind the textures of Gankutsuou, along with the CG of Last Exile, the Book of Bantorra and the background art of Ritsorante Paradiso. If that isn’t going to be stylish then I don’t know anymore. Add to that, the director of Full Moon wo Sagashite and Maria-Sama ga Miteru’s fourth season (he also storyboarded a bunch of Simoun, Bantorra and Hunter x Hunter episodes which included some of the best episodes of those series), while Yukki Hanada wrote and adapted Kuragehime, Red Garden, Sola, Chobits and Rozen Maiden, and this becomes definitely the series I’m looking forward to the most this season.
The Negatives: Yukki Hanada, granted, did also write a bunch of mediocre series, like Idol Master Xenoglossia, H2O, the Girl who Leapt Through Space SA and Yozakura Quartet. Oh, and this is from a part of the creators of Mission E.
First-Glance Potential: 90%

Densetsu no Yuusha no Densetsu – 19



Well, I guess it was to be expected, but this episode reverted back to Denyuuden’s original art style, and it really seems like the previous arc was the work of one particular animator who was in charge of it. Really, people like those need to be in charge of the animation of a whole series: that would really make for some eye candy. A great example of that was Shion no Ou: its budget was small, but its graphics were non-stop powerful.

Anyway, this episode still was really good in the way that it kept juggling its moral scale: Tiia suddenly turns out to have a very noble goal, and the people of Gastark are horrible bastards who murder innocent children on one side, yet compassionate towards each other on the other. I have to admit, nobody in this series is pure good or pure evil, and I appreciate that a lot in this kind of a fantasy series.

On top of that, the drama also really worked. Ryner is suddenly thrust into an environment completely different from the one he grew up in: a warm and inviting one. Half of the episode also was a bit of an aftermath, but I especially loved how Shion reflected upon what happened in the previous episode.

I’m really glad to see that this series is like Kobato, in the way that it’s finally getting really good here. However, Kobato managed to close itself off perfectly, and it was really well planned out. Is the same the case for Denyuuden? I definitely hope so, and this episode definitely gave me hope.
Rating: ** (Excellent)

Shiki – 15



So, we’ve waited a number of episodes, so finally it’s time: the entire episode was pretty much building up for it to happen at the end: Natsuno’s return, and probably the start of a serious counterattack to the vampires.

It’s not outright stated, but my guess is that Natsuno’s father somehow managed to hide his body out of the reach of the vampires, telling everyone that he was going to be cremated outside of the town. This episode also showed me that Natsuno is the real main character of this series. Of course, Toshio did something amazing in the last episode, and that guy can indeed do some outrageous things, but it took fourteen episodes for him to get there. This episode too just shows Toshio wandering around randomly, looking for allies, whereas Natsuno would have immediately started doing something concrete. The only thing that really stopped him during the series was the fact that he couldn’t move due to his blood loss.

Speaking of which, Seishin suffers from this even more: he was introduced as one of the main characters of this series, and yet he didn’t really do anything: he’s capable, but again he really needs Natsuno to push him forward, and unfortunately the two haven’t even met yet.

Most of this episode was building up, though there was a lot of interesting stuff that happens: we’re shown a bit of the prejudice of Toshio’s mother, along with Isaki (one of the nurses) finally quitting, along with a bit of a strange turn of events with a really flamboyant undertaker who… does just about everything you shouldn’t do in order to remain unsuspicious. It’s a… strange twist, especially for this series.
Rating: * (Good)

Kuragehime – 04



It’s a bit of a shame that this series does use a number of cliches, like nosebleeds, dead mothers and shallow jealousy. Still, its high energy makes up for it, though that only appeared at the end of this episode. It made for a great episode ending, though most of the other airtime this week was put into building up.

There are basically two main plot-lines in this series: Tsukimi’s relationship with Kuranosuke and the adventures of the sisterhood. The former deals with Tsukimi coming out of her shell, exploring love and getting over her trauma about her dead mother. The latter will most likely end up with the sisterhood being forced to face reality when the apartment gets torn down. That all needs build up, and that’s what this episode was for.

The big danger right now for this series is that it’s going to devote too many episodes to building up: there are only eleven episodes; we’ve pretty much established right now that there is a love triangle between the Koibuchi siblings and Tsukimi (though granted, Kuranosuke seemed more jealous of the innocence between two virgins rather than that he actually feels romantically interested in Tsukimi) and that the sisterhood will probably refuse to accept the fact that the apartment will be torn down until the last possible minute. I WANT the next episode to really push this forward. Noitamina is too short to goof off.
Rating: * (Good)