Star Crossed Anime

It’s strange: you can pretty much predict what’s going to happen in this movie if you watched the TV-series and the OVAs. They just kept building up and up to this bubble, which finally bursts in “I want to return to that day”. But heck, this is one of the closest things you’ll see to a perfect movie: anything more or less and it would only have made the movie less memorable. Kimagure Orange Road already set a number of standards in the romance genre that have not been matched ever since, but this movie really is brilliant: it’s one of the best, if not THE best romance movies I’ve seen.

The TV-series were incredibly annoying: the movie is anything but. Gone are the silly hijinks and the annoying teenaged antics. Instead, this movie fleshes out its cast with some really realistic dialogue. I’m really amazed: I already thought that the TV-series was down to earth when it wasn’t annoying, but the movie just adds in a whole new layer of realism, which really allows the characters to shine.

Most romances tend to get a little cheesy because they want to try to be too dramatic and do too much in too little time, but this movie is completely different from that. The characters act subtly and don’t try to create more drama than what’s necessary. Because of that it has a full hour to develop the relatively simple premise of his movie, and it really results into a wonderful conclusion to the Kimagure Orange Road franchise. It should be noted though that you really need to have watched the TV-series if you want to touch this thing: otherwise you’ll just be left in the dark.

This movie can be compared to Tenchi Muyo In Love 2, but even with that kind of a movie, expect even more realism and less forced drama here. The pacing of this movie is slow, but if you managed to sit through the TV-series, then patience shouldn’t be an issue here. It’s really been a while since I watched a teenaged romance that was this grounded in realism.

Storytelling:	10/10 – Grounded in realism, both the quiet and the dramatic parts. Simple, yet extremely effective, with a wonderful ending.
Characters:	9/10 – Uses the main characters from the tv-series brilliantly, and gives them a very satisfying conclusion that many, many modern romances can learn a lot from.
Production-Values:	8/10 – The best animation from Kimagure Orange Road so far.
Setting:	8/10 – Do note: the telekinesis from the TV-series is completely gone. But then again, it has no point in this movie anyway and would only have ended up as an annoying cock-block.

Suggestions:
– Umi ga Kikoeru
– Anne no Nikki – The Diary of Anne Frank
– Bokura ga Ita

It’s interesting how I decided to watch this right after Aria The Origination: in essence they are very similar series in the way that they both are meant to wrap up and conclude their respective prequels. The big difference is that while Origination had a positive outlook, Honey and Clover II is bleak. Where the first season’s main focus was slice of life and describing its characters, the second season is all about its drama.

And what a great drama it is! It retains the excellent dialogue that flowed through Honey and Clover’s first season and uses that to conclude all of the major plotlines that the first season left hanging. There isn’t really a main character in this season: there are about ten characters who get equal screentime to close off their characters. It’s a bit more rigid than the dynamic first season, but it leaves hardly a moment wasted and even though it only has half of the airtime as its prequel, it still closes off each character satisfyingly.

A lot of people predicted that I’d rate the second season even higher than the first, but in my opinion, I consider the first series to be better. The second season had a lot more drama which really made for strings of powerful episodes (especially the ending), but the first season was also wonderful in how easy it was to relate to it as a slice of life series, along with the way it described its characters.

In the second season, the characters do lose a tad of those charms, mostly because it spends so much time on developing them, rather than fleshing them out. On top of that, I also feel like the second season could have been a bit more dynamic: to me it felt like the creators were running down a bit of a checklist, especially with the big “Hagu twist”. They’re minor details, I know; but for me the way in which the first season both developed and fleshed out its cast at the same time is something for which I just can’t give its sequel the same rating. It remains a brilliant character-study, though.

Storytelling:	9/10 – Trades in the dynamics of the first season to a focused character-study that leaves hardly any scene wasted.
Characters:	9/10 – All of the characters develop here wonderfully, even though they lack a tad of their charms from the first season.
Production-Values:	8/10 – A bit less impressive than the first season, but it still is pretty sweet to look at.
Setting:	9/10 – Still thanks to the first season incredibly solid portrayal of the final years of college.

Suggestions:
– Aria The Origination (after watching the first two seasons of course)
– Asatte no Koukou
– Aoi Hana

The first half of Aria the Origination is pretty much the same as Aria the Natural, perhaps with a bit more focus on the characters and a little less on the setting. It was pretty much as good as it always was, but I still was left wondering why this series was held with such a high regard. Then the second half came, and I understood. Talk about saving the best for last.

The main purpose of Aria the Origination is to take all of the build-up that the previous Aria seasons put into the characters, and make everything come together. It’s here where the character-development really starts to become apparent, and it couldn’t have closed off this franchise in a better way. It’s only thirteen episodes long, and yet it contains some of the best Aria Episodes you’re going to run into.

Oh, and the graphics also got a bit of an upgrade: the animation is quite a bit more detailed and fluid throughout the series and you can easily see that the creators got themselves a bigger budget for this one, although it has to be said that the animators do try a tad too hard during the dramatic scenes. That’s about the only real complaint I have about Aria’s Origination.

Looking back, as a franchise Aria is neither the best slice of life or Sato Junichi series I’ve seen: I still think that I liked Windy Tales (which pretty much did everything Aria did in one fourth of the same time), Kaleido Star and Strange Dawn (both emotional roller-coasters) better. But still it stands out as a really good and charming series with excellent characterization that just gets better as it goes on. Aria the Origination remains a wonderful conclusion that deserves to be watched.

Storytelling:	9/10 – Brings a ton of build-up together wonderfully with morals that tie in really well with the characters.
Characters:	9/10 – Origination is all about the characters, and they give the series a wonderful conclusion.
Production-Values:	8/10 – Even better, though the animators try a tad to hard during a few dramatic scenes.
Setting:	8/10 – Much less of a focus compared to Natural, but still it’s a solid backdrop for the characters.

Suggestions:
– Windy Tales
– Honey and Clover
– Beck – Mongolian Chop Squad

Hayao Miyazaki scares me. Back in the late seventies, when anime wasn’t even twenty years old, it was really starting to evolve and mature, resulting in quite a few early masterpieces. There was one thing however that all of them had notable difficulties with, though: the inbetween and cleanup animation. And here Hayao comes and animates Conan with such a consistent crispness that was completely unheard of at the time. It would take the rest of anime five to seven year to come that kind of refinement. How the heck did this guy accomplish all of that?

I mean, this guy knows like no other how to make something mainstream with his innocent yet exciting storylines. Mirai Shounen Conan is pretty much the base of what every children’s adventure should be: a lead couple, exciting, yet varied action scenes, villains who actually know what they’re doing and aren’t complete pushovers (plus, they use actual gunpowder guns, not those phony laser-guns), a solid story without any plot-holes or cheesy deus ex machina, a balance between action scenes and build-up that can both be playfully childish and able to take itself seriously, never taking itself too far to become unbelievable, yet putting constant tension on the characters. This series is so incredibly solid, it must have made a HUGE impact on 1978, and the way that its formula is still being used today, it must have had an immense influence as it played a major part in Miyazaki’s role in revolutionizing anime.

And yet, I do feel a bit disappointed: I expected more from this. Part of this has to do with the premise being used so often now that it hardly held any surprises. Heck, even Miyazaki himself revisited the general premise here with Castle in the Sky. Out of all of the works I’ve seen from him, this probably is the one that aged the least well.

But even beyond that, I kept feeling like this series was missing something. This show has an incredibly solid base, but beyond that I feel like it did very little to spice itself up. There is surprisingly little character-development, and Conan and Lana as a main couple don’t seem to develop at all, and weren’t really interesting enough to really keep my attention. Conan also has this huge amount of strength in him. I can understand why this was done for the action and to keep the plot going, but it also rather makes this series a bit too predictable for its own good when his only weakness is not being able to be at two places at the same time. When the once smart villains also get completely stupid and arrogant near the end of this series, I do feel like this series could have been much more in terms of its plot and characters.

I am a big fan of both Miyazaki and children’s adventures, but I have to be honest and say that I didn’t enjoy it as some other anime of those genre. If I watched it as a child I have no doubt that I would have loved it, but when you look at the same year in which this series was made: 1978, I just have to admit that I liked Captain Hardlock and Perrine Monogatari’s stories and characters a lot better. Technically speaking, it’s one of the most solid tv-series of its decade though, make no mistake about that.

Storytelling:	8/10 – This series both contains exciting adventures and down to earth drama and they blend quite well. Solid in just about everything it does, but could have taken more risks.
Characters:	7/10 – Could have been better: the lead couple isn’t interesting enough to carry this show, the side characters have their charms but they don’t stand out, and the main villain gets too stereotypical near the end.
Production-Values:	8/10 – For the standards of more than thirty years ago, the animation was fantastic. Today, it still looks good. The soundtrack in contrast is used surprisingly sparingly, if used at all. That could definitely have been used better for a better atmosphere.
Setting:	8/10 – A solid post-apocalyptic back-story, with Miyazaki’s usual pet peeves of airplanes and environmentalism.

Suggestions:
– The Mysterious Cities of Gold
– Laputa: Castle in the Sky
– Romeo’s Blue Skies