Densetsu no Yuusha no Densetsu – 20



Again: a really good episode. I mean, it really took a while for this series to get going, but it’s quite excellent at this point with very few weaknesses left. Ryner’s angst ten episodes ago was still rather annoying. Right now though, with an entire episode dedicated to it, it really shined again: this was such a bittersweet episode for such a seemingly jolly fantasy series.

There is no real good and evil in this series, but the biggest asshole is without a doubt that short-haired Gastark guy. The things that he does in this episode were just… depressing beyond belief, especially after how often this series has reminded us how much the people with the Alpha Stigma have been suffering in the past.

The parts that really made this episode for me was when Ferris got in the picture, though. After 20 episodes, she finally got the chance to yell something other at Ryner than her usual random insults. It’s about time that the relationship between these two developed, and the past episode did a wonderful job there.
Rating: ** (Excellent)

Shiki – 16



This series… every time I think that the turning point is about to arrive, the Shiki prove me wrong by only nibbling away even more lives. I mean, how many characters at this point are still un-bitten by the vampires? I can only tihnk of Toshio, Toshio’s mother, the three remaining nurses, Seishin and his parents, the awesome beard guy and his wife and Kaori. That’s only eleven characters left, out of who knows how many this show started with.

This series makes excellent use of this hopelessness: this episode was mainly meant to give the Shiki some background, and yet at the same time it went back to the despair when Tatsumi trashed all hopes of Akira of being able to fight back. Just one shot of him was enough for that.

The background of course was very appreciated as well. It’s interesting that Sunako, and not the two vampires I thought to be her parents, turned out to be the mastermind behind everything. Up till now, the biggest potential pitfall for Shiki was shallow main villains, because of the relatively little time that has been spent on this threesome, so I’m glad that at least Sunako has gotten a bit more depth here.

This episode also provided a great view into what Shiki think like: they mostly retain their personality, but what changes them the most is their thirst for blood and attacking people. This leads them to attack their loved ones, in the hope of getting them to the other side. Now, the question remains: what makes special vampires? Why did Natsuno and Tatsumi rise up as vampires who have no problems with Sunlight? Is that random, or do certain conditions have to be met? And if that’s the latter, did the Shiki avoid meeting those conditions in order to have something to manipulate their subordinates with?
Rating: ** (Excellent)

Kuragehime – 05



This episode did exactly what I hoped to: instead of goofing off, it wasted no time in pushing the plot forward. Instead of waiting until the penultimate episode for the Sisterhood to actually stand up and do something, it brings in the news that Chieko’s mother is planning to sell the place. That was exactly what this series needed to prevent it from getting stale.

This episode itself was also a complete chaos with the amount of things that happened at the same time: Tsukimi was too busy being love-sick, the sisterhood made a failed attempt to speak up at a council meeting, a newly introduced woman starts hitting on Shuu and Kuranosuke starts his attempts on giving the entire sisterhood a huge make-over. Every part of this was just full of energy, and I especially liked the parts of the episode that tried to mix all of these together, which made this episode juggle all kinds of emotions. It’s one of the rare points at which you can really see that this is from the same director as Baccano and Durarara, as Takehiro may be one of the most versatile directors out there: it feels like his style changes with every series he’s working on.

Unlike the previous episode we didn’t get to see into Shuu’s mind this time, which probably was a build-up for the next number of episodes, because we don’t know exactly what kind of impact the previous episode made on him. This episode portrayed him as relatively normal, but at the same time we also don’t really know what kind of impact that woman made on him (who by the way is quite a character: the personalities she creates for the people she manipulates sound so fake when you consider her real character): was she meant as a character to develop him, Tsukimi or both?
Rating: *** (Awesome)

OVA Impressions: Licca-chan – Fushigi na Fushigi na Yunia Monogatari




Licca-chan was a franchise back in the nineties. I’m not sure how popular it was back then, but over the course of ten years, it got four OVAs (two of two episodes and two of one episodes), a 52-Episode TV-series and a movie, so it must have done something right. Don’t expect me to check all of them out, but the very first installment, a two-episode OVA called the Wondrous Yunia Story, piqued my interest because of Tomomi Mochizuki’s involvement with it. It also had a really famous character-designer of its time: Akemi Takada, who also designed the characters of iconic series as Maison Ikkoku, Kimagure Orange Road, Urusai Yatsura and Patlabor.

In the end, this turned out to be quite a charming Alice in Wonderland-esque story. It is about this regular girl who suddenly ends up in a fantasy world, but it’s surprisingly creative and well produced: the animation is smooth, and the different designs of the places she ends up in are really creative. There are fish and whales swimming in the air, a talking dodo plushie, stacked boxes of trees and floating castles. It makes no sense whatsoever, but all of the ideas that were put into just these 50 minutes make this one worth watching.

The parts at which Licca is still in her own world at home are also surprisingly realistic: Licca’s family just feels like a real family, perhaps with more children than usual (she has a twins and triplets as younger sisters), which really gives it an advantage over the usual shows that feature a kid transported to another world.

Now, as for the disadvantages… you really want to watch this one for its creativity, because the plot is just a vehicle for that. It’s childish, the main villain is stupid and it just makes no sense. In the end, this feels more like a field trip than that something serious is going on, because of how easy the creators make it for the heroine. The heroine also has her charms as a lead character, and it’s not like there are any annoying characters in this series, but that’s also all that can be said about the characters.

I liked it a lot, though. The whole fantasy atmosphere of the story worked well with me. This is an OVA that really set out to create a dream-like world that just runs on your imagination and did so quite well without dragging on (which is why I’m not going to check out the TV-series for Licca Chan) This is an OVA that mostly has been forgotten, but it did not deserve so. It’s especially great to show your kids if you have them.
OVA Episode Rating: 8/10

OVA Impressions: Hiyokoi – 01



If you’re wondering: I am NOT going to make a post about Koe de Oshigoto: that one was so bad and pointless that I couldn’t even finish the first ten minutes, and when I can’t get through a first episode, that has to say something. Instead though, I do want to say a few things about this really cheesy shoujo OVA named Hiyokoi.

So, the story is about this girl who is really shy. She is a really big outcast because she spent a year away from school due to an accident. There’s a lot of tension between her and her fellow students because she’s scared of them, but she’s actually really cute. She then comes to sit next to this really popular guy and they immediately fall in love as the girl tries to get over her own shyness and… wait? Isn’t this just Kimi ni Todoke?

So, yeah. Hiyokoi pretty much is a shallow version of Kimi ni Todoke: the main difference is that Hiyo actually gets admired by the whole class and that her love interest is an asshole with a heart of gold, rather than someone who is nice all the time. It really amounts to the same kind of plot, though with a ton of more cheese added. Especially near the end when Hiyo runs away out of embarrassment, the two have this really cheesy discussion in an attempt to cheer the female lead up. Apparently the love interest was unhappy because nobody ever sat next to him…. which just makes no sense.

I really wonder when the shoujo genre realizes that it’s just been regurgitating the same show over and over again. Hiyokoi is just a cheap cash-in on Kimi ni Todoke’s popularity, and it’s not even a good one. Stay away from this one.
OVA Episode Rating: 6,5/10

Marie & Gali – 63



This week I want to rant a bit again, even though I’m probably still the only one left who still watches this series. Still, I do want to write a bit about the strange and horrible decisions that were made for this second season. I’ll try to explain my thoughts on this series so that they also become a bit understandable for people who have never seen anything from Marie&Gali.

The first season of Marie&Gali was awesome: it was a fantastic comedy that showed how fun science can be; every episode was full of hilarity and came with completely new material and jokes, never running old or repetitive. The characters started out as stereotypes, but they really grew on you as the over the top quirky personifications of famous scientists that they were. Everything was set to also close off perfectly after forty episodes.

And then, out of nowhere, a second season suddenly got announced.

Obviously I was delighted back then, but after watching more than 20 episodes of this second season, I get more and more the impression that the second season announcement was as much a surprise for me as it was for the creators. I’m betting my hat that they only learned of it, after fully planning out the entire first season. This meant that they had to create a completely new set of forty episodes from scratch, even though they already put their best material and inspiration in the first season.

There are many reasons why I believe this to be the case. The most notable are the following:
– They inserted a freaking Scrappy. Norika, a strange whiny princess-like little girl, just comes out of nowhere and completely takes over the show as the lead character.
– The first season never repeated itself. The second season does, devoting several episodes in a row on the same concept.
– The comedy in the first season felt natural. In the second season, it feels forced. And this didn’t happen gradually, it immediately turned from good to bad at the start of the second season. But more on that below.

I’m not really sure why Toei found it a good idea to give this of all series a continuation, because it really wasn’t their most successful series by far. Especially considering how they closed off their viewer ratings cannon of Kaidan Restaurant abruptly after only 23 episodes. This season just serves no purpose.

You can also see how the creators are having trouble to fill this season through the execution. The biggest problem is Norika: her whining gets old really fast, and because of her the entire nature of this series changed because the creators included the rule that Norika can’t leave the world she’s cast in until she gets to appreciate science. What followed were 23 episodes of Norika running and screaming around, refusing to accept science and blowing everyone away with her giant teddy bear.

The first season felt so fun because it basically was about a bunch of quirky scientists who loved to show off their accomplishments to Marika (the lead character of the first season). Nothing was forced, you just had the adventures of a bunch of eccentric people who really loved what they were doing. The scientific explanations really blended in well with the storytelling. The second season, however, just turned into a series that explains science for the sake of explaining science. By trying to force Norika to accept science, they also try to force the viewers to sit through it. It loses all spontaneity.

On top of that, a bunch of characters derailed as well: the first season featured some stereotypes, but the characters were more than that: Gali was this dirty old man, but at the same time you had those scenes that showed that he was quite the brilliant scientist. The second season however reduces these characters, back to their stereotypes. You can really blame that to the acting: balanced in the first season, but the second season contains way too much yelling, especially considering how everyone in every single episode, likes to introduce him or herself in this overenthusiastic way for some strange reason.

The show at this point is still mildly funny, but it’s nowhere near as good as the first season. It’s at its best when it at least tries to do something new, but even those episodes are rare. The current episode for example featured a contest between Gali and Leonardo Da Vinci: who can build the fastest flying machine.The show so far has had a ton of these kinds of episodes. Especially in the second season, whenever Leonardo comes into the picture the creators can only seem to focus on how he pwns everything about Gali.

Oh, and the “scientific” explanation on how airplanes fly in this episode… it was actually wrong. Read some xkcd dammit!
Rating: — (Lacking)

Nurarihyon no Mago – 20



So, this pretty much was a build-up episode, mostly meant to show Inugami’s background and where his hatred to humans comes from. It’s not fairly special, with my biggest gripe being a rather average fight scene. It’s a bit of a shame that the fight ended with just everyone retreating, but then again: the deaths in this series are unexpected; it’s never the guy you think that gets killed, and that definitely has some merit, compared to other series who devote entire episodes who keep hinting and pointing at the guy who’s going to be the next to kick the bucket.

The thing that bothered me about the fight scene was that it felt sloppy. I mean, Studio Deen are definitely not the best animators, but they’ve shown plenty of excellent action scenes in the past with their limited graphics, but this was just… rushed. The biggest issue was when that Inugami grabbed Rikuo and punched him into a wall: suddenly it gets dark really fast in order for Rikuo to conveniently transform into his Youkai version. That’s just something that worked against the tension that the previous episode built up for me.

With this kind of pacing, I expect that the creators are probably planning to end the current arc at episode 24, which poses a bit of a problem considering the rumours that this show will go on past that episode number. At this stage, the production of the must have already started, and yet Amazon still only lists 8 DVDs, with 3 episodes per DVD. The second DVD meanwhile has sold at at around 3000 copies, which is less than what Pandora Hearts got, which in the end did not end up with a sequel.

So yeah, I’m a bit worried. There are the kinds of series of which I don’t mind at all if they suddenly cut off in the middle, but this unfortunately isn’t the case with Nurarihyon no Mago: it really NEEDS a second season. On top of that, as a shounen series it’s currently getting more and more overshadowed by Letter Bee, while as a Youkai series it’s more and more falling in the shadows of Otome Youkai Zakuro. I really like the work of Junji Nishimura on this series, but even for him this is far from his best series.
Rating: (Enjoyable)

Shinryaku! Ika-Musume – 07



This episode was about the scared girl, the scientist woman and the owner of that other beach restaurant. It both revisited old premises, but brought enough new stuff to the table.

The first part looked like it was going to develop the scared girl a bit, only for it to reset itself at the end. It’s her story that’s currently in the most danger of being milked out, although it was very funny to see her discover Squid Girl playing video games at night.

The second part of the episode was mostly fun because it introduced a bunch of goofball scientists who clearly have been working too long on their jobs at finding alien life. Squid Girl herself also had a lot of neat antics in her quest to gather subordinates: the banter between the different characters was really great in this part, even though it was completely stupid at times.

The third segment: I really liked that scene in which Squid Girl was put in that room with a drum-set: you could just bet your hat that she’d eventually use her hair on it (which was awesome, by the way). I also have to praise the creators for not dragging out the hot shy girl joke. At all, especially when any regular moe show would have overstated/ the jokes around her and her boobs way too much. Apart from that, this was a typical part which just let Squid Girl alone, and instead of relying on banter it just relied on her own random antics. Worked well.

But still, this episode again wasn’t as good as some of the other Squid Girl episodes: it had its funny moments, but it wasn’t as funny as the first five episodes, and neither was it as creative. Now, the interesting thing is going to be whether this show will pick itself up again, or whether it really ran out of steam. Everything is still possible at this point, especially since this episode looked like it was building up quite a few things for future episodes.

As for the animation… that one also took a bit of a nose dive, unfortunately. Again, it’s nowhere near bad, but it’s not as god as it used to be. In the previous episodes Squid Girl was really well animated, with a ton of frames spent on her movement, but unfortunately this episode didn’t have that. Again, the question remains whether or not the creators are saving their budget, or they blew it all on the first five episodes…
Rating: * (Good)

Katanagatari – 11



And so, we’ve finally reached the penultimate episode of Katanagatari. It pretty much was the episode to wrap up all of the background behind this series by showing more about Shikizaki Kiki, along with finally putting an end to the Maniwa corps. It wasn’t my favourite episodes of the series so far, but I still liked it quite a bit.

The big difference between this episode and the other one so far is that there was surprisingly little focus on strategies: the main match was just a fight between Shichika and Houou until one of them went down, and it also lacked the build-up that made some of the other fights in the series so great. In the meantime though, it was a neat opportunity to look a bit into the mind of Shikizaki Kiki, and how he managed to forge all those weird swords anyway. It’s an interesting tiwst that because of his influence, these people with supernatural powers like the Maniwa corps started walking around.

As for the ending… yeah. It’s a common twist to pull on a penultimate episode, to put a main character on the verge of death with no apparent save. Remember the golden rule of anime, though: no character is dead unless confirmed. I’ve seen people in anime recover from wounds much more serious than Togame’s, and especially considering the incredible speed at which Maniwa Pengin recovered from his wounds, I really have no doubts that Togame is going walk out of this series alive.

If there’s one thing that has been bothering me for the past number of episodes, then it’s the pretty one-sided way in which Emonzaemon has been murdering off the Maniwa corps.His fights in this episode especially weren’t really that spectacular, with his fight against Houou becoming Dragon Ball Z-esque at times (“let me turn into a beam of light to show how fast I am!”), and in his fight against Pengin he just got lucky that Pengin was stupid enough to explain the exact details of his powers.

At this point, I’m not really sure what to expect of the final episode: one of the big reasons why this series was so good was because of the light-hearted banter between the different characters, the addictive style of storytelling and the way in which it took its time to analyze the different martial arts that Togame and Shichika ran into. I really fear that with that princess, those charms will disappear in favour of a more epic ending.
Rating: * (Good)

Shinrei Tantei Yakumo – 07



Holy crap, that was awesome! What the hell happened here? This show suddenly starts building up its main story, and then it delivers by far the bets episode it ever had. I wasn’t really expecting much from this series other than its great music, style and atmosphere, but damn: this episode pushed a ton of right buttons. Not to mention that the soundtrack surpassed itself. Yet again.

The biggest part of why this episode was so awesome was because it introduced us to the two most bad-ass women of the entire season. I mean, I was aware that Bee-Train had something for strong female characters and all, but even for those standards, Nanase Miyuki and Miya both were awesome in this episode in completely different ways, though their similarity is their professionalism. Miya is just… I love her voice actress: the way that she’s just so serious, and yet she doesn’t try to add in anything more. Nanase Miyuki meanwhile was who most of this episode focused on. We had never really seen that much about her: she just kept standing next to Yakumo’s father, but that’s all she did. In this episode she finally comes into action, and she’s just crazy, yet hardly wastes any movement in order to get what she wants. (Also, take that, Sailor Moon! Even I didn’t recognize her in that disguise and yet Gotou nearly noticed it).

And oh, the character-development. In particular Yakumo and Yuutarou got hit hard: the phone call Yakumo made to Haruka was definitely not one he would have made a few episodes back. Yuutarou meanwhile also was a bit of a klutz, but the creators used that one surprisingly well near the end, when he really got pounded by Miya for not doing anything while Gotou got captured.

Now, it IS going to be really hard for this show to keep this momentum, I realize that very well: this episode ended with all of the main characters kidnapped all in different ways. It’s the reason Miyuki was so awesome, but how the heck are the creators going to write themselves out of that? There really has to be something within Yakumo’s father’s plans that specifically includes not to kill them, otherwise things could get a bit nasty with Deus ex Machina…

Oh, and the music. Dear god, the music! at first I wasn’t the most impressed it (having heard far better from Bee-Train in the past), but seriously, when it just keeps introducing new tracks that just get better and better then I’m really anticipating the tracks that they’re still saving for the last parts…
Rating: *** (Awesome)