Some Quick First Impressions: Dive!!, Saiyuuki Reload Blast and Konbini Kareshi

Dive!!

Short Synopsis: A boy’s local diving club is given a chance to aim for the Olympics.

This series has a very…happy vibe. Not sure how to put it but something about the dialogue has an artificial positivity to it. Still I appreciate the effort to have a story here as opposed to just having 13 episodes of manservice. Though the manservice is here, have no doubt about that. In fact I am not normally one to normally point this out but the protagonists interest in his senpai seems to border on homosexual here. Thing is I don’t quite know if it’s intentional or not. I mean they spend time showing his complete disinterest in his girlfriend and being bothered that his senpai found out about his girlfriend. The signals here make it seem to be going in that direction. If so i say go for it and don’t try to back out by dressing it up as camaraderie. Also I am not fond of the way they add a water effect to the character’s skin. Makes it look like the protagonists are made out of water and it’s off putting. I can’t say I have much interest in this as don’t really care about diving and the story so far just doesn’t really catch me.

Potential: 30%

Mario: One thing that really irks me about this series is how they set a very unrealistic and over the top goal here. Aim for Tokyo Olympics? Gosh. Remember those guys train in a local club? I mean, the whole prospect isn’t entirely impossible; but as a fellow who studied sports in uni, I can’t let it slide easily. High-performance sport is something they have to work hard, sweat, tears and blood to gain it, not some opportunity that open to them, thus I feel that the show so far is way too easy on its characters; although I’ll wait until next week to hear what the female coach has to propose. Other than that, although I’m fairly alright with the whole diving sports treatment, the main guy’s idol is wayyyy too perfect to feel like a normal human. The animation for those divings is overall solid, but characters as a whole still leave a lot to be desired. Not the best show for this noitaminA slot, but well it’s passable.

Potential: 40%

 

Saiyuuki Reload Blast

Short Synopsis:  A group of men travel across the country fighting demons.

I don’t know what it is but this is also an anime with a source from a bygone era. In this case it’s a sequel to a series that originally aired in 2004 which in turn was a sequel to a show that aired in 2003 which in turn was a sequel to an anime which aired in 2000. Can’t really say why it seemed to deserve a fourth sequel now as there was nothing in this episode that really sold me on it. In fact if this is the fourth sequel to the series it must be rather disheartening to see the characters be such one note stereotypes. Normally when your anime reaches the one hundred episode mark it’s time to get the endgame started but this seems no closer to a conclusion than from where it started. Now I am a fan of seeing demons get shot in that face, I play doom after all. But this just seems to have nothing really to offer. It’s clear the story is going nowhere and the plot is already rather dated. I don’t think many will be willing to check this one out seeing as you need to get through 3 prequels first.

Potential: 10%

 

Mario: Inspired obviously from Journey to the West with updated, throw-up overdesigned “cool” characters, who fight demons with “cool” weapons and mutters ridiculously “cool” lines. Yeah so right in the beginning the quartet doesn’t impress me at all. And it’s going to be a hard sell for me since the series is about their journey quest to fight demons so I have to care about those four. Furthermore, the actions feel so disorienting, I don’t get all the quick panning shots and blood splattering to the camera at all. As far as this first story goes it’s functional but it also leaves a lot to be desired. All the side characters are one-note for once, and I have a problem with how they treat the poor insane woman (not in term how they physically treat her, but more about her roles in this story since they’re all over the place). Make no mistake, this an action-packed road trip style-over substance one, so if you’re a fan of action, or you like the endless banters from those four then by all mean keep watching it. I will go back to my usual slice of life fix.

Potential: 10%

 

Konbini Kareshi

Short Synopsis: Young love around a convenience store.

Man, I suddenly have an inexplicable craving to get on a plane to Japan and shop in a Japanese convenience store…is likely what the creators of this anime want you to think. Pretty blatant product placement here but that aside this unfortunately is one of those anime that is completely outside my interests. The more anime mirrors reality then the less I want to watch it. Speaking purely objectively I don’t think there’s anything I would consider bad though the character designs seem on the bland side. Particularly the male character designs as they have the stereotypical tall long necked bishi look. As for personality I can’t say I find anyone here particularly unique or likeable. On top of that this feels like a shoujo romance story with all the “will they won’t they” and generally unwillingness to commit. From my standpoint it feels like a very dull show but once again this isn’t my kind of show.

Potential: 20%

Mario:  This show ends up being a mixed bag for me. On one hand, it has many elements that I greatly enjoy, but then other factors just actively push me away from the show. Since what this show loves to do most is to pair up, I will pair its pros and cons to strengthen my point. First, the character designs are attractive all around, but they are just way too perfect, moreover look much older than their age that most of the time I have an impression that I was looking at some fake models than actual characters. The music has some memorable moments, but other aural parts like dialogues feel unnatural. I find myself mildly care to the main’s romance, but when there’s going to be 4 or 5 pairs like that (revolving around a convenience store no less) my mind just stop caring. And, one thing that I love the most from this series; when two characters have a conversation but they don’t show the characters conversing, they show montages of their activities instead – great visual storytelling that focus on small, observant details, but then it all goes to waste since the show cares much more about romance and hooking up than developing their characters. Frankly, if the character designs are more “humble” I would give it another chance, but since they already look like supermodels AKA THE PERFECT HUMAN SPECIES that most of the time stare blankly and smile creepily, I believe I’ve reached my limits.

Potential: 40%

Some Quick First Impressions: Nana Maru San Batsu, Youkai Apartment no Yuuga na Nichijou and Tsurezure Children

Nana Maru San Batsu

Short Synopsis: A boy is scouted to join his school’s quiz club.

At this point I think the anime sports formula could work for practically everything. Though what makes it work here is that competitive quizzing is actually an interesting topic. I previously thought that all you needed to succeed in a quiz was a high knowledge base but it seems that being able to predict the questions is something of a higher priority. The quiz aspects of this episode made good entertainment but as for everything else it was rather typical. We really didn’t need that recurring panty joke. Overall the subject material could make it a decent watchable show though it does have the same problem every sports anime does. The fact that we are only going to get barely stated by the time the ending comes around to throw in a life goes on ending that’s never to be continued. So it could be fun while it lasts.

Potential: 40%

 

Mario: Man, whatever this show tries to sell me, it sure has succeeded. Function like a sport series, they have to sell the unique appealing of fast-buzz quiz and now I WANT MORE. Not only you need to know the answer, you have to predict the question and respond it before anyone else. So the stake is there, and I’m digging how the show depicts even a millisecond could make a difference. Apart from the quiz itself, everything else is just below par. Most cringe-worthy is that panty recurring jokes. No reason to be there, no reason to be repeated at all. The animation is quite limited and the character designs are simple, too simple. The plot does hint that they will play in some sort of competition and honestly I’m looking forward for it. Could be a good in-between watch between big shows.

Potential: 30%

 

Youkai Apartment no Yuuga na Nichijou

Short Synopsis: A student moves into an apartment which is filled with Youkai.

As a adaption of a novel that started in 2003 it’s no wonder that this series feels a bit old fashioned.  To some that might be a benefit that it harkens back to the days of old anime but it does feel a little dated. Having read further on in the manga adaption I can say that I found the story more engaging in that format. Something here feels rather lifeless and it lacks the story weight of the manga adaption, though I have yet to read the original novels. I am hoping that in later episodes it could do something to remedy that as I do think that the source story was actually rather interesting. Though the comedy was rather flat in both adaptations. For those that like shows like Natsume or crave a more classic style of anime storytelling this could your thing.

Potential: 40%

 

Mario: I think I get the main appeal of Youkai Apartment; it’s a throwback anime that reminisce the older style anime with simple character designs and even simpler plot; like how this show reminds me a great deal of Maison Ikkoku with a supernatural youkai twist on top, but compare this show with that giant classic would do it a disservice. So apart from that, how do I feel about this premiere? Well, mixed. The premise has some potential here as I can see the main guy learn and become acquainted to the Youkai monsters in his everyday life, and an ongoing romance with the girl (for how there happened to be a girl his age that attractive live under the same roof with him, I just… shake my head). But other factors fall flat: Comedy falls flat. Horror/ thriller falls flat. The friendship between him and his best friend falls flat. I don’t really hate what I saw here but it doesn’t have any lasting impact for me at all, sadly.

Potential: 20%

 

Tsurezure Children

Short Synopsis: A series of shorts about various romantic couples.

Tsurezure Children likely broke a world record here as the first episode has not one, not two but four successful confessions of love in one 12 minute episode. Boy is that satisfying to watch. This is pretty great as the shorts are quick enough to not overstay their welcome. There is a good mixture of romance and comedy with the romance being delightfully fluffy while the comedy is witty. Personal favorite of this episode was the student council president and the delinquent girl. Harem protagonists, take notes for this guy is a master alpha. I don’t often recommend short series but in this case if you happen to need some healing after a long day then this would be perfect for you.

Potential: 80%

Mario: Can’t believe the first real hit of this season for me is a romance short anime takes place in high school with 4-koma format; but it is and it makes me feel glad that I give every show a chance for this first impressions. The first episode hits right off the mark with 4 confessions from different pairs and they manage to make all of them compelling. And funny. And heartfelt. Witty dialogues everywhere but they manage to make them much deeper than their apparent traits. Usually the biggest problem with 4-koma adaptation in general is the skits doesn’t connect to one another, yet in Tsurezure Children this is its biggest strength. Furthermore, this show isn’t your typical sweet romance either, it isn’t afraid to get weird or extreme and boy do I love its guts. As far as short series go this one has my highest recommendation.

Potential: 70%

Some Quick First Impressions: Knight’s & Magic, Koi to Uso and Isekai Shokudou

Knight’s & Magic

Short Synopsis: A programer dies and is reincarnated into another world with robots and magic.

Wow this is a pretty terrible adaption. I mean I don’t really care because I wasn’t fond of the source material in the first place but they really are not approaching this in the right way. This episode burned through 9 manga chapters and about half the novel at my estimate and it really hurts the story. The side characters had some development in the novel and manga but here they are pure side dressing to make the main character look good. But yeah, consider this the playbook of every Isekai cliche you can think of. Might be fine for some but stories like this lose their appeal quick once the protagonist becomes an unbeatable god that no villain can possible even threaten. Thus a story where a self insert character steamrolls over enemies while having every woman in the vicinity fall madly in love with them is just weak power fantasy. Pass on this.

Potential: 0%

 

Mario: Well, Knight’s & Magic is much more functional than I initially give credits too, as the pacing maintains its beat and there could be a decent story out of this. But it has many issues too, the main character, beside his enthusiasm for Silhouette Knight (a mecha robot), has very very bland personality. It embraces all its isekai cliché so far, like how he took advantage of knowledge from his previous life to make a magic gun. The characters are nothing stand out, but we aren’t for characters, we’re here for some (magic) action and as far as that goes, it does a decent job. This show will have nothing deep to say but it will give you some reasonably entertaining action, although I suspect the plot will get dull later on.

Potential: 30%

 

Koi to Uso

Short Synopsis: A boy decides to confess to his crush before the government assigns him a marriage partner.

I get that the theme of this show is to point out the artificiality and lovelessness of having an authority figure decide who you will spend the rest of your life with. After all doesn’t a marriage of convenience pale in comparison with true love? Oh I get it alright. It’s just that I have a hard time siding with our doomed lovers here. For one these two just sat on their feelings for over ten years until it was too late. And another, they feel in love because the boy lent her half his eraser in kindergarten. That’s all it took huh? Oh and wow you both kept the eraser because it was such a precious memory and…I’m sorry. I am having a hard time buying this as true love here. Well this show is a good bit trite and contrived as the writing tries to make the situation as tragic as possible. The protagonists phone glitches out and somehow shows his crush as his arranged marriage partner(Um…somehow.) Right then the government lackeys show up to hand him the form for his real marriage partner. Delivering it to the park…wait how did they know he was there? Also why go out of their way to send two people to deliver an envelope? At the stroke of midnight? Yes, I figure we aren’t supposed to think about it too much. Oh tragic love, torn apart by the evils of society and our protagonist chained to a women he does not love. Forever to never follow his heart…up until she lends him a pen or something and then everything will be fine and dandy.

Potential: 20%

 

Mario: Forbidden fruits are always the sweetest huh? I’m glad that I watched Tsurezure Children before this because we have another confession episode here, albeit drags longer and with overblown melodrama tone. The plot feels really contrived and forced when you get down to it: the guy confesses his crush the day before his 16th birthday, which also a day he will have a government’s assigned partner. Wait for 5 hours for a girl, until the minute he decided to leave, she appears. The girl happens to love him all along, and of course fate can’t allow them to be together. When the time comes that they have to separate, tears awaited. The main guy isn’t interesting at all, make me question how any girl would fall for him, let alone this attractive one. This show’s central theme is right on your face: a love triangle between true love and lust/physical/ whatever, but I do enjoy my time here. The triangle will become more apparent as the next episode will feature the other girl, so I’m still sold to watch the next one to check her character out. Scum’s Wish probably is the king about melodrama dark triangle love and while I don’t think Koi to Uso can reach that level, fans of romance will have something to shout at here in this series.

Potential: 30%

 

Isekai Shokudou

Short Synopsis: A restaurant in our modern world serves meals to beings from a fantasy land.

It’s an alright watch. I appreciate the animes efforts to give this anime more of a story as the original source material was basically people ending up at the restaurant and being amazed over the food. Judging from the second episode preview however it looks like thats whats coming in later episodes. It is a better take on Isekai than most but I really wish the other worlds wasn’t so uninspired and stereotypical. I do appreciate that this show didn’t going for the so called “Foodgasm” much like other food porn shows like Shokugeki no Soma. But story wise I don’t see it offering more than it already has. A fantasy outlander comes in for a meal, gasps over how good it is and thus thinks it’s some mythical meal of outstanding quality. When really it’s just an ordinary restaurant in our world. Where can it really go from here? Still the characters are likable and the first episode was entertaining enough to keep my attention for twenty five minutes. Plus the girl with the goat horns is rather adorable. At the moment this is a good inbetween show to pass the time. Though how it fairs from this point will determine just how memorable this will be.

Potential: 60%

Mario: This is so nerve-wrecking… you know, the suspenseful feeling in Master Chief or My Kitchen Rules when the judge tastes the food and contemplates – the foods that we never have a chance to taste to begin with – thus why should we care. There’s so much foods in this show that it borders on the level of your regular cooking show. The fantasy mix is another catch, so far it’s a miss and hit as they never really explore the people from other worlds’ origins, save for the main girl. On the other hand, I absolutely love the designs of the two leads and the restaurant. They’re so attractive that I can’t get my damn eyes off. The girl’s backstory though, told in a flashback fashion, isn’t great to be honest. Just a few lines of explanatory would be sufficient enough but they decide to drag them out. One more questionable factor I noticed while watching this show is despite (or maybe because of) its premise, there are a fan-service undertone here: the customers’ “satisfied” face, the girl taking showers… They’re not blatant so I can let it pass for now. Lastly, the chemistry between the leads are quite good so far. So in the end we have a show with solid main components: (great) food-porn, likable cast that have good chemistry together, and a hint of fantasy on top. Not all of them work well together but it’s good enough for me.

Potential: 50%

Some Quick First Impressions: Kakegurui, Hina Logi – From Luck & Logic and Katsugeki Touken Ranbu

Kakegurui

Short Synopsis: A girl transfers to a school where students engage in high stakes gambling.

This series has one of the worst cases of unnecessary school setting that i have ever seen. By all accounts it makes no sense whatsoever for a school to approve itself turning into a gambling den as soon as classes are over or that anyone would tolerate kids gambling real money and getting reduced to a slave. It’s honestly funny that when a gamble is declared they pretty much transform the room to match. Still this isn’t supposed to make any real sense and the ridiculous nature is part of the overall fun. The death note director was perfect for this show really, he can bump even the most mundane actions right up to 11. I must ask though, why is there so much fanservice in the opening and ending? I may be mistaken but I don’t remember the manga being all that fanservice heavy. Well anyway if you happen to like shows with mind games then this is most certainly your jam. However I will say that what you see here is the only thing you are going to get for the rest of it’s run. That could be fine for some but let me say not to expect much else from this show. This is the only trick it’s got so it’s lucky that it’s a damn good trick.

Potential: 75%

 

Mario: “Ridiculous” is a word of the day. Kakegurui embraces its premise of gambling wholeheartedly that I don’t think you’d have hard time figuring out if this series is your thing or not. To add more dark effects to the topic of gambling and how characters lose themselves for the game: creepy smiles, red eyes, deranged faces are all featured frequently here, coupling with cheating, game manipulating and slavery and you have quite a no-hold-bar, cynical beast of anime about the thrilling of gambling – play with the devil as they say. I did notice there are more still frames than necessary so I hope the animation quality won’t drop too jarring on coming episodes. Characters here are decidedly love it or hate it so don’t expect any real development from the cast save maybe the love interest between the two leads. We’re here for gambling and whatever bets and games they come up with so if you find those intriguing then it’s your thing. I certainly expected more than “Rock-scissor-paper” variations but as an introduction it did its job. Take it or leave it Kakegurui sure leaves its mark boldly.

Potential: 60%

 

Hina Logi – From Luck & Logic

Short Synopsis:  The daily cute adventures of magical girls in school

You know maybe I should make a special test like the bechdel test wherein if a anime throws it’s female characters in a hot spring in the first episode when it doesn’t have a hot spring setting that it will automatically be terrible. Off the top of my head I can’t think of shows that could be the exception. So I am still wondering why this exists, for I don’t remember luck & logic being smash success but apparently now it’s magical girls doing cute things and stuff. Oh joy. Full disclosure, I did start skimming through the episode when I found my attention span ebbing away. I don’t normally do that but it was getting late and I will be damned if i lose shut eye over this show. So what I could summarize of the appeal of this show is yuri undertones, girls talking about stuff I really couldn’t care less about and some girl with plant powers trying to assault one of the main heroines. I admit that maybe I should have given this a fairer shot but let’s be blunt, it doesn’t deserve it.

Potential: 0%

 

Mario:  Well, Hina Logi is a magical girl slash cute girl doing cute things anime, so right off the bat you know what you’re getting into. The show details the everyday school day of those girls before graduating into a magical girl, and there’s some hints that they will have to fight off monsters at the end of the season. Although based on its cheering tone I’d think the monsters are your typical bad guy, no grey moral here. Other thing I did notice from those kinds of shows is where all the male gone? Even that mascot is a female for Peter sake. I like the design of the academy though, and I think they know it as well as they show the academy multiple times from different views. Girls are your typical character stocks here so there’s nothing to write home about. I believe if you skip this one you won’t miss out much.

Potential: 0%

 

Katsugeki Touken Ranbu

Short Synopsis: Time traveling samurai in the edo period try to stop monsters from altering history

Why would you invent a story with time travel and then restrict to just one time period? What a waste. So this story feels familiar as I certainly remember an anime about a bunch of samurai protecting time. Though this is more likely the original story based on the quality. My first impression of it was correct. It’s pretty but not much in terms of substance. I thought we might get something interesting when one of our two leads starts lecturing his partner on how they cannot alter historic events. However that is really undercut when literally minutes later they save a child and brush it off easily. I also wonder why no one in the past is questioning the giant weird fox thing that’s following our main characters. Also on that front why are they using swords instead of guns? I originally thought it was due to some prohibited law or something up until another character arrives with a gun. So I just don’t get why they are making their job more difficult. Action scenes are great, frankly the production is more than this series deserves. Character though are very bland and the cast feels like Bishi bait. Overall it’s a fairly watchable piece but the story lacks anything to truly grip the viewer.

Potential: 40%

 

Mario: The animation here is seriously great, you can’t go wrong with ufotable huh. Story-wise, I must compare this show to Touken Ranbu: Hamanaru few seasons back to see how this one works while the other didn’t. Hanamaru starts off with introducing most of the main cast (about dozen of them) before picking some for the battle; as a result we don’t remember most of them and the light tone doesn’t mesh well at all with the battle in latter half. Here in Katsugeki it’s the opposite, we focus on 2 guys with various missions before other swordmen showing up. Doing it this way allow us to know more about these 2 main characters (although the moping guy is a dead weight), their chemistry and the difficult level their jobs are. Honestly I prefer it this way, and this show also back up by some truly outstanding animation and mostly great character designs. They say it’s a shame that ufotable choose this project rather than Fate franchise but maybe doing it this way we gonna have 2 solid shows in our hands. Definitely recommended.

Potential: 50%

Announcement Time – Writers Recruitment Results

Ladies and gentlemen it is I, your resident anime blogger AidanAK47 and I bring with me news. As those of you who visit our little abode might know, we have been running a recruitment drive to get more writers so that we can cover more shows each season. Thank you to all that applied for the position. It is great to see those who wish to contribute to this site and help keep it strong. But alas you could not all be chosen. The results are in and we have decided to take on two new writers: Lenlo and Superwooper.

Lenlo:

Hello everyone! I want to take this chance to quickly introduce myself and tell you afew things about me, so lets get started. I am a recent University Graduate with a degree in Computer Science, my personal focus being Machine Learning. I currently live in Texas in the United States but expect that to change soon. My hobbies include Fencing at the regional level, gaming with my current addition being Final Fantasy 14, and now writing. As far as anime goes, my tastes are pretty simple. I enjoy drama’s, things with a meaty story, and darker pieces with no guarnteed happy ending, things such as Monster, Mushishi, Sword of the Stranger and more recently Rakugo. I also enjoy a good romance such as Ore Monogatari and Your Lie in April, though those are harder to come by. Finallly, for this season I will be covering Stan Lees The Reflection and Katsugeki Touken Ranbu. Im looking forward to writing for you all!

Superwooper:

Hey there! I’m Superwooper, a 27 year old Education student and recently-minted anime blogger. When I’m not at school or working as a tutor to pay the bills, I’m usually attending Smash Bros Melee or Pokemon TCG tournaments. My list of favorite anime includes Cross Game, Mushishi, Seirei no Moribito, and Usagi Drop. I’ll be writing about Ballroom e Youkoso and Shoukoku no Altair this season, along with Space Battleship Yamato 2202 if the next few episodes appear online soon. I’m grateful to be writing for a blog that’s been a personal resource for years now. Thanks for having me!

So what does that mean for you? Well it means that more shows will get covered each season and this site will be significantly more active with content. Now I must ask for you readers to be kind to our new writers. Constructive criticism is welcome but blatant abuse will be met with the reception it deserves from yours truly. Now I doubt such a scenario will come to pass as I like to believe our little reader community has a little more class than others…well, mostly. Thus I hope this change will result in a more positive direction for this site. Our two new writers will be starting with us in this new summer season so we will be covering quite a lot from this point forward. May you enjoy reading our written musings on anime to come.

Some Quick First Impressions: Fate/ Apocrypha, Battle Girl High School and Keppeki Danshi! Aoyama-kun

Fate/ Apocrypha

Short Synopsis: Masters gather to fight in a great holy grail war.

You know sometimes I think I will not get into a new Fate franchise when I start it, only to get deeply invested by the first few minutes. I was worried about A-1’s animation here and while the character designs are not the best, the animation was great. Now Apocrypha is more of a standalone though some Fate knowledge would be preferable. I say anyone watching this likely knows the deal by this point and the anime does fast forward through the usual basic info dumps. Seven Masters, Seven servants, holy grail, go nuts. This episode has me very hyped for the rest of the series and it’s confirmed to be two cours which means the light novel will be covered to completion. I hope A-1 can keep the quality consistent throughout it’s run. Loving the new servants, love the setup, love the Waver and Flat cameo(Strange Fake adaption foreshadowing?) and well…I love it all. Anyway I am following this journey right to the end so let’s hope Apocrypha manages to live up to the Fate monikar.

Potential: 100% (Yes,it’s Bias. But I don’t care)

 

Mario: Unlike that Fate fanatic up there, I am unfamiliar with the Fate franchise in general so I can only talk from what I saw in this episode. It was a setup episode which info-dumps everywhere, but they manage to propose the main conflict really quickly. The great Holy Grail War? Sounds good to me. Many Servants and Masters are introduced, yet we only reach about one third of them, I guess? Anyway, the animation is solid and I’m already intrigued in the red Master and his servant. This gonna be epic battles so if you’re already a Fate fan you know what to expect and I know there will be a lot to talk about later on as the plot thickens. I will give this series a 3-episode rule.

Potential: 50%

 

Battle Girl High School

Short Synopsis: Watch our anime! Buy our songs! Play our mobile game! Give us money!

A wise man once said and several hundred thousand people repeated that the definition of insanity is doing the same thing over and over again and expecting different results. Not too long ago, an anime aired that promoted a mobile game and tried to capitalise on the popularity of love live, kantai collection and Symphogear. That anime was called Schoolgirl Strikers. It made about as much impact as a cotton ball thrown at a steel drum. Thus here we are again, with an anime promoting a mobile game which is trying to capitalise on the popularity of love live, kantai collection and Symphogear again. Which is going to fail, again. After all, it’s a derivative of a derivative of likely another derivative. So what’s the problem? Too many characters who all have such stock personalities that they could be literal body swaps of other characters from other series. Pointless idol inclusion which is clearly there to sell songs. Lackluster battle animation and music. A plot so phoned in that you most likely have literally seen it all before. Do yourself a favor and just save yourself 25 minutes. We go through this pain so you don’t have to.

Potential: 0%

 

Mario:  Anime industry, I know you will find a way to cash out as much as possible, but this is just way too blatant. Battle Girl High School shoots in every direction in hope that some of its bullets can land, but none works. In essence, this show is another magical show of good girls fight bad monsters, then they dress it up with high school, outdoor activities, idols and everything is all over the place. The action and the slice of life doesn’t work well at all for example. Then we have about dozen girls and each time the show switches to different girl’s groups they all seem just the same to me. I don’t even know what kind of show we are looking forward to the next episode since they end with the appearance with the new girl, but I’m sure that no one really care about this world or the characters or anything going on. An easy skip.

Potential: 0%

 

Keppeki Danshi! Aoyama-kun

Short Synopsis: A talented football player is also an obsessive germaphobe

There is an inherent problem with a comedy series when you base the entirely of your comedy around one joke. In this case each character introduced has there one gimmick which grows tiresome fast. Aoyama is a clean freak, another footballer is the straight man and the enemy footballer likes to show his abs randomly. Plus I don’t really like the concept of mocking someone for a personal phobia though in this case that phobia somehow has him be really popular? I mean girls are fawning over him washing his hands in the sink. Comedy I guess? The animation is also very limited as while the opening scene displayed so rather good animation, the rest of the episode had a number of animation shortcuts and artstyle deforming to try to emboss the comedy. I never liked that. It didn’t work in Drifters, it doesn’t work in shoujo anime and not even fullmetal alchemist brotherhood pulled it off. I originally thought this might be a pretty watchable show and there are those that might get a kick out of it. As for me though, I pass.

Potential: 10%

 

Mario:  Like Tanaka-kun is always Listless or Haven’t You Heard, I’m Sakamoto before, Aoyama-kun show has only one main joke: this guy is a clean freak who happen to be genius at football. Everything revolves around that joke and its humor already wears thin at the end of this episode. I know that this is supposed to be ironic: because he’s a clean freak he won’t let anyone near him, hence his super-fast move that no one can touch. But here’s the thing: football is teamwork sport, having one great guy in a team can’t make the team excellent. This episode does reflect some of that but when the main guy is overpowered it’s rather boring to see. The animation is not great with too many still-frames and the characters so far aren’t memorable at all. I don’t see this joke funny in the first place so I’m pretty sure I’m not an audience target for this one.

Potential: 10%

Tsuki ga Kirei (Spring 2017) Review – 88/100

It’s hard for me not to go overboard on Tsuki ga Kirei: out of all the show I’ve followed this season, I resonated the most to this one; but even when I’m judging this show objectively, Tsuki ga Kirei is one of the most perfect one, in a way that it achieved exactly what it set out to do, and achieve it flawlessly most of the time. The story that they tell – detailing the first love relationship of our young Kotarou and Akane – is decidedly simple, mundane but honest that it feels more like a love story taken from young best mates. It has that “sincere” quality, something that the anime medium often cranks it up to the max with “moe” and exaggeration everywhere. Not here. Tsuki ga Kirei has great flair of visual storytelling (something that benefited from being an original show, they don’t tie up to your usual LN and manga visual cliché), using show-don’t-tell approach that often focus on small moments and little gestures than big emotional melodramatic scenes. The characters never play off their roles, they’re the most natural group of kids that feel exactly kids their age: naïve, inexperience and pure. This show ends up at top of its genre as I consider it the most effective romance anime out there. In short, I freaking love almost everything about this show.

What Tsuki ga Kirei will be remembered the most for lie in real depiction of first love relationship. The more you watch romance anime, the more you surprise at how simple, yet distinctive achingly honest this show aim for. Ordinary romance anime would spend its entire time on how boy gets girl, throw in some other love interests that make them realize how much they mean for each other, and if we’re lucky we might actually see they confess to each other in the end. Tsuki ga Kirei is an entirely different beast, we got the confession right at the end of episode 3, and from there we follow every stage of that relationship and see their love progressing. Moments like Kotarou had to search the internet on what people do when they’re dating, finding a way to spend time alone together, or thinking how to continue their love after graduation – all feels so real and progresses so naturally that I suspect anyone who have been in relationship will find a thing or two from this show that speak directly to their experience.

Moreover, they understand that in order to make this relationship work, we have to relate to Akane and Kotarou and they did a damn fine job at that. Both have their own lives and their own troubles to deal with, so we can see them as characters who have distinctive personality, with well-defined goals and struggles. In one of the episode, they both reach a new low in their personal dreams, as Akane underperformed her track competition and Kotarou got a call from a real publisher just to receive an advice that he had no talent in serious writing. Then in small moments when those characters act without much thinking, it’s a treat to see how their personality plays out: I love how every time Kotarou get excited he will punch the light’s chord in his room, or Akane whenever she gets nervous she will press that pushie hard. Their circle of friends also adds to the naturalism of the story and although they aren’t developed much, they clearly belong to this universe.

The visual storytelling is another great strength of the show. As both Kotarou and Akane are introverts and tend to keep their feelings inside without saying out loud, it’s showing their subtle gestures, their glances that we get to know a lot about them. As a result, this show is decidedly quiet, there’s not much monologue going on but that is the reason why this show feels just like in real life. The designs are simple, again emphasizing on subtle over excessive details. Great shot compositions everywhere. This is one of the rare show where I can argue that the visual components play as an important part of the show and they achieved it almost exactly what they’re aiming for.

Another factor that feel like a character itself that I feel the need to acknowledge, it’s LINE. Just like kids their age, Kotarou and Akane’s main communication is through LINE and we witness a huge chunk of amount that they exchanged through LINE, as they are, no shortcut. It’s just like how real kiads would do and to achieve this effortlessly is no small feat at all, so congrats to Tsuki ga Kirei for its respectful use of social chatting. The shorts in the end also a part of this show’s identity, as they depict the love relationships from Kotarou and Akane’s friends with more bawdy and comedic tones, which in turn made that world so inviting to watch.

Although the show succeeds most of the time in term of production values, I can still see some production troubles from the show and the delay in airing in later half further reflected that. Tsuki ga Kirei does suffer from that as in one of the episode the production values just fall apart. But I’m genuinely surprised that after that disaster episode they managed to keep up a consistent quality and the more I know about their trouble backstage, the more I’m in awe about their efforts. It’s obviously a product of many sleepless nights from the production team so I thank studio Feel for their outstanding performance.

And all of what I was written above was just how I access the show objectively and that kinda demerit one of Tsuki ga Kirei’s most appealing factor: it’s right down charming that touch the hearts of viewers with its bright and delightful portrayal of pure love – I don’t deny I fall under its spell, actively care for the couple and goddamnit I just want them to be happy together. Tsuki ga Kirei is breathtakingly intimate in narrative scope and I know I will remember the show and its characters very fondly. Arigatou.

Seikaisuru Kado Review 51/100

Seikaisuru Kado was a title which caught my attention for a number of reasons. For one it’s visuals showed not a single teenager in sight and a cast mainly consisting of working adults. Another is that it deals with a premise not often tackled in anime, Philosophical Science Fiction. The story features an alien being who lands on earth and gifts humanity with revolutionary devices which could throw the economic, social and political climate into pure chaos. Our main characters are a Japanese Negotiator by the name of Shindo and an Alien being from something known as the anisotropic who refers to himself as ZaShunina. While I wouldn’t call the cast great, I do say they perform the needs of the plot well and are interesting enough to engage the viewer. Well up until the point where there characters are forced to change due to the direction of the story. There are examples of anime tropes which only cheapen the serious atmosphere of the stories tone such as a scientist girl who eccentricity is at a far too unbelieveable level. Though sadly anime tropes show up in other parts of the show as well, mainly in the rather rushed romance of the second half.

A positive aspect of this series is that it has some of the best CGI integration I have seen to date in a anime. In most series CGI is jarring and breaks immersion but here the CGI is included well enough to keep things looking natural. It does use a combination of 2D and 3D visuals and it is noticeable when it changes between the two. However I never had a moment watching this series where I was just taken out of the experience completely by shaky 3D work. The CGI also works wonders in displaying ZaShunina’s alien nature as his cube structure is a pure prism of visual marvel. The music likewise processes a grandiose and majestic feel which illustrates how this is the turning point of mankind. On the technical side of things I would consider Kado to be a success.

But when it comes to a storytelling standpoint this is where Kado fails. At first things look good as there is a focus on the diplomatic systems reaction to the sudden arrival of an Alien entity, while the Alien itself is slowly growing accustomed to human ways and learning about human culture. From the outset it feels like Kado is revving up to really dive into some deep topics but as the series continues you will find that these topics continue to get pushed into the background and not addressed. The series focuses more on ZaShunina introducing the amazing device and then implementing it. But when it comes to the long term ramifications to integration of such advanced technology, then this series instead decides to ignore it and move on to the next gift. You see the introduction and integration of the device, but never the conclusion. It appears as though the writer was never interested in these ramifications but instead in pushing some generic themes of humanity instead.

In the end Kado is a story that starts with a lot of potential and looks to bank on that potential within its first six episodes. However it moves away from a multifaceted issue to have a more black and white conflict instead. The story and characters suffer for it and it concludes in an ending that’s nonsensical, disappointing and terrible. As a result Kado is a series which most would likely regret watching as you see great ideas tossed aside to portray a stereotypical good vs evil conflict. Ultimately Seikaisuru Kado is evidence that just because someone is writing the story does not mean they know the best road to take it and in the future I hope there are those who see just what this series could have been so that they can fulfil its lost imaginable value.

ID-0 (Spring 2017) Review – 81/100

Here comes one of the most under-appreciated anime of this Spring season. ID-0 has many hassles that keeps viewers away from watching it: Netflix exclusive, full CG animation and a plot that just plain weird and a bit incomprehensive at first view. I originally took it as nothing more than fun spooky little-seen show until I realized that ID-0 is a well-crafted one. Both in terms of productions, worldbuilding storytelling or characters’ development, they’re all above par. ID-0 also succeeds on introducing their main concepts that not only plausible on the surface, it hints on deeper implications regarding those concepts and the show handles those issues competently. The discovery of the Orichalt – the red crystalline mineral that floating in space – has allowed humanity to travel through space and live outside other planets. In order to look out for more Orichalt, human creates “I-Machines”, the giant robot that is functioned by transferring human consciousness into robot’s operating systems – a robot body with human mind. It’s important to remember those two details since the show explores its theme from there.

The first implication from the show’s concept, which perfectly aligned with the lead Ido’s main character arc – is how much of this I-Machines version independent from its host? Are they the same identity with the host body, or are they their own selves? Normally, it shouldn’t be a problem since human uses I-Machines as a means to perform work in harsh environments. Loose the I-Machines and they will trance their mind back to their original body. No big deal. The Escavate team, a team of Orichalt-pirate, contain many exceptions to that rules. They lost their physical body forms due to different circumstances, thus the I-Machine bodies are their owns now, called Evertrancers. Ido has no recollection of his past, and his ID was erased (hence ID-0). Throughout the series, it’s his personal journey of finding out who he was, and whether or not he’s still Ido the Excavator or the embodiment of his past real self. Another member of the group, Rick – another Evertrancer, adds some more layers regarding this “self-existent” theme as well. His current soul is a copied version of his original consciousness, meaning he has no “real” body and no “real” soul, he’s Rick yet he isn’t Rick. He carries the same personal traits as the original Rick, has the same memory but he’s ultimately his own individual now. Their current I-Machine versions are who they are now, with the consciousness that run totally independent from their former host.

And I just barely touched the ice-tip of ID-0 themes, so let’s dig in further. Now looking back, I really love the concept that Orichalt is already something irreplaceable and invaluable for the humanity from Day 1. Everyone keeps talking about it, all their activities aim to get more of those Orichalt to begin with. It just shows how humanity has taken Orichalt for granted, so that when the Rajeev (the wandering planets) appear, we can sense the high stake of the situation. I also enjoy the philosophy behind this Rajeev. Just like how Joker was inspired to challenge the very concept that Batman has built, for everything that too good to be true for our human race, there will be some sort of drawback, a kryptonite that attack directly to the advancement that we gained. These wandering planets’ main purpose is to consume Orichalt, and they have developed their own intelligence on top of that – a worthy enemy to destroy the human kind. Although the solution come a bit far-fetch as best: teaching them the love of humanity so that they can learn about humanity and leave us alone (Yes, you heard it right), I still firmly believe this is a well thought-out main conflict for this series.

ID-0 also suggests a far darker implication to this Mind-Trance system, albeit a bit under-developed as they don’t have time to progress that angle. It’s the “immortality” theme. A secret organization, using the techniques as a mean to transport their mind to their younger clone to archive living immortally. For me, this actually sounds very intriguing because it’s entirely possible. If there is a second season of ID-0 I would love if the show goes darker and focus on these themes like this. Seriously, there is many interesting variables to the concept that I really want to explore more. All of that jut to highlight how well-crafted the world settings are. Well done, ID-0.

Now, I realize that I have delved too much on its themes without giving you an actual critique, so I will do just that below. ID-0 is a prime example of having a great pacing. The story almost never drags, while still allowing many of space for the characters to breathe and all the developments progress quite naturally. In other words, top-notch. The cast’s overall chemistry is another highlight for me. They have easy chemistry and they bounce off each other extremely well. It helps that each of them has their own voices so when the show putting them altogether, their diverse voices are more than enough to shine through. They’re not the deepest bunch by any mean but nearly all of them have enough development to work with. I’m a bit sad that Maya isn’t given enough spotlight in the end (this is, after all, Ido’s story), she serves more as our lenses to that brand-new world more than a flesh-out or deep character, but I am fine with that. In other spectrum, the main antagonist of the show, Adams, unfortunately is one of the worst character that brings the show down a note. Apart from his obvious inferior-complex to Kane and his eight-grade symptom of the world has to revolve around him, he has no real personality to speak of and he terribly overacts all the time that it’s hard to take him seriously. The sequence where Adams reveals Ido’s past is a kind of convenient and way to-your-face approach that personally turned me off, but other than that obvious misstep ID-0 manages to maintain its beat thoroughly.

The CG animation does feel stiffs at times and it takes some time to familiar with the animation, due to its mecha robots that floating in air- premise, but this is one of the few series that not only the CG animation is done right, it has its purpose; as robots and space, and spaceships are all components that CG can be used the most effective. In addition, the character designs are attractive, characters look their ages and even the I-Machines versions have so much personality for each member of the team. Sanzigen continues to be a studio that has its firm grasp on making convincing CG anime so thumb ups for the studio for this amazing anime. This is a solid anime offering, a firm 8/10 rating for me. Definitely the best show that no one watch this season. Now, I just hope that Netflix knows what to do with this little gem.

Grimoire of Zero (Spring 2017) Review – 77/100

I remember, back in our first impression of this series, Aidan remarked that Grimoire of Zero isn’t your typical LN-adaptations, but he didn’t know what to make of it. To be honest, after watching an entire cour, I’m still unsure what to make of it myself. This show has some serious flaws, yet despite all that I never find myself losing interest in it. I guess the biggest strength this show offers is the rock-solid chemistry between Zero and the beastfallen Mercenary, and in the end, I do get out of it wanting more of these two’s adventures. They also put some serious thought into its sorcery world building and overall while Grimoire of Zero can never raise above exceptional level, I have quite a good time watching it.

One of the first head-scratching factor about this anime is the decision to adapt the whole full season for a single first volume. I watched a fair bit amount of Light Novels-adaptations anime so I know that usually it’d take between 6 to 8 episodes for one volume AT MOST. Here they intentionally stretch out to 12 episodes, meaning some of the time the plot has too stretch a bit thin; and for my money with all the developments, they could condense the story into 6 episodes – half of its actual length. For example, Grimoire of Zero took quite a bit of time until we get to meet Thirteen (episode 5), then it took 3 whole episodes for Mercenary and Zero to finally reconcile. On the other hand, stretching the story enhances the slice-of-life feel in the first few episodes, and making the show much more room to breathe. That decision of adapting only first volume, to sum it up, has a fair share of good and bad points, but that was one of the reason that made Grimoire of Zero different from its LN fantasy offerings.

Second factor that baffled me is the show’s tones. I don’t know how to explain this clearly, but I always feel this series is mono-tone. When they try to mix with other tones, it’s embarrassing. They failed miserably at comedy because of that mono-tone. For the most glorious example, the sequence where Zero and Thirteen stopped in the middle of the fight for lunch break was so off-putting it was actually (unintentionally) hilarious. Or when it wants to tackle seriously about the dark, cynical side of human (part when the girl using the Mercenary to protect herself from other beastfallens) or the true flesh-lust nature of beastfallen, it didn’t leave much of an impact. Other times, when the show tries to amp up the romance (“what is Kisssss?), it falls completely flat. Yet, despite all that, the tone the show usually goes for – not quite slow, methodically but not action-packed either – is always strong and engaging that it still holds my interest till the end. Weird, since I can’t still put my finger on what exactly the show’s general tone is.

Then the characters, which are decidedly a mixed bag all around. All the main players are developed smoothly throughout its run. Apart from the amazing chemistry between Mercenary and Zero (which for me light up the screen every single time), Albus, Holdem, Thirteen and most notably Sorena all have their time to shine. Other characters, unfortunately, are quite plain and sometimes quite offensive (I’m looking at the guy who has a fetish for Zero’s clothes) and this is unforgivable considered that the show has so much time to develop those characters if they really want to, but they just didn’t give a damn. There are inconsistencies at the end for example: the Sorcerers of Zero attack the kingdom to kill Thirteen, and the guards fight back. After Zero negates the use of magic, you expect them shaking hands in peace immediately? *you might say I’m a dreamer – but I’m not the only one lala*. Albus and Holdem are a good addition to this arc, strong enough for me to care about them, but just about enough so that when they gone I don’t miss them much. This, after all, is the adventures of Zero and the Mercenary.

The sorcerer and witch backdrop is an intrigued world building itself and at first I enjoyed seeing there are many races from completely different backgrounds that live independently in this world. Not sure if this is just this arc, but later on the show goes heavily on those sorcerer’s themes which detail the division amongst the witch’s world: the Sorcerers of Zero, the Rouge witch and Sorcerer of the State; it doesn’t bring much impact. Moreover, I do feel that the final reveal revolving Thirteen’s role is a bit of a convenient one, and despite the whole witches’ war just don’t do much to me, I still find it provides some great details regarding its world settings. So, great details, but shaky development.

In term of production, this show is slightly above-average. There nothing exceptional to speak of, although the animation quality is rather consistent. In the end, one thing for sure that Grimoire of Zero never fails to be intriguing, whether or not it is intentional is up for debate. Despite its uneven approach, I’m still looking forward for its sequel, as the main catch of the series, the chemistry between Zero and Mercenary, will become more prominent in later volumes. And honestly that is more than enough to get me on board.