Shingeki no Bahamut: Virgin Soul Review 80/100

“Dance!”

I have been a  reader of this blog for a long time. Indeed it would not be wrong to say that psgels and the current crop of writers have helped maintain my interest in anime for the last decade. So now here is my chance to give something back to this excellent blog. Shingeki no Bahamut: Virgin Soul /Rage of Bahamut: Virgin Soul, was one of the series the writers watched but did not review. With an exceptional year in anime (with shows like Made in Abyss, ACCA 13, and others) there is never enough time to cover everything. And while Virgin Soul was in no way a bad show, it was a conventional show. However, it was a well-executed conventional show.

Virgin Soul is the sequel of Shingeki no Bahamut:Genesis , aired back in 2014. Both are created by Studio Mappa, and both are based on a card game by Cygames. Now most shows based on games tend to be bad to mediocre, being nothing more than vessels to increase sales. For some reason the creators of Genesis and Virgin Soul avoided that. Indeed even the few references to the card game in Genesis are completely gone from Virgin Soul. To be frank, if the show was supposed to get you to go and buy the card game, it largely failed. But conversely you do not need to know anything about the game to enjoy the show.

“Arrgh, I want to play the card game too!”

The story of Virgin Soul takes place in the shadow of the aftermath of Genesis. In the end of Genesis, the heroes- flamboyant desperado Favoro, moody knight Kaisar, zombie-girl Rita- were able to stop the plans of the villain. It wanted to use the powerful monster Bahamut to destroy the balance between humans, daemons, and gods. But the price of victory was terrible as it demanded a heavy sacrifice. Between Genesis and Virgin Soul Mappa produced two short episodes that fleshed out a bit Favoro, Kaisar, and the secondary character of Jeanne, a knight who used to be favored by the gods. Even though the villain of Genesis failed to attain his version of the breakdown of the balance of the world, the effect of Bahamut’s Rage brought about change, nevertheless.

Virgin Soul takes place in this changed world. The new king of the humans, Charioce, in reaction to the destruction of Bahamut, decided that humanity could only find security in its own power. Using forbidden powers he went to war with both the gods and daemons and won. The gods were largely banished to their heavenly realm to sulk, while the daemons were enslaved to serve humanity, including being pitted in death matches for the entertainment of the populace(disgusting). On the slave labor of daemons, Charioce has built a prosperous human kingdom, though through tools like the Onyx Soldiers he represses any dissent. It is in this world that our protagonist Nina enters. Nina is an excitable teenage girl full of pluck and optimism. She is also a virgin. And, she is also a half dragon, and will turn into a powerful red dragon if approached or touched by a good looking man.

“Nina does a lot of running. You gotta expend that teenage energy somehow!”

When you think of the title, and of the condition of the protagonist, you could easily see how this show could go wrong. And yet like Marie the Virgin Witch, the show plays Nina’s virginity and condition straight, with little turn to vulgar humor. Now, the show does have its fan service, but it never felt creepy or leery. Instead what we get is a show that in general has a conventional plot, which is enlivened by the interaction of the characters. Virgin Soul is not a show you watch for the plot. It is a show you watch to see some interesting characters interact. In this sense it is similar to the live-action sci-fi show Killjoys, which has a conventional, indeed boring plot, but great characters interacting. Another thing that is similar is that in both cases the characters in general are what we might call good looking by fashion industry standards.

Those characters and their interactions are developed by secondary plot points, which in a way are worth more than the central plot. Nina is developed through a great and touching depiction of first love, rejection, and redemption. Kaisar by his struggle between his personal sense of justice, offended by the actions of the king his serves, and his duty to that king. The daemon Azazel, an obnoxious villain in Genesis, here is developed through his brotherly relationship with one of the new characters, his passionate and desperate fight to restore the freedom of daemons, and the inner struggle about whether he is driven by personal spite or a true need to make things right. Jeanne, the fallen servant of the gods, gets development through a touching depiction of mother-hood. Favoro by his struggles with the consequences of the events of Genesis and mentoring of Nina. Thus in general the main characters of Virgin Soul tend to be given interesting stories that make them interesting and sympathetic (Rita unfortunately not us much as they could had done ). Most of the time these are well done, though the show never really integrated these character developing sub-plots to the central plot. It also failed to resolve many of them.

“Here we see a friendly chat on the nature of liberty and duty”

The exception to these generally good secondary plots is King Charioce. Introduced to us like a cruel, ruthless, but efficient ruler, the show then makes him a major love interest of another protagonist. His two personas, lover and king, are very incongruous. This has led many reviewers to castigate the show. That is a bit unfair. The problem is not that Charioce the King and Chris the Lover are too different. Just read “Eichman in Jerusalem” to see that this is often the case in reality with these types of people. The issue is that the directors and writers did not really do a good job at balancing this. Chris the Lover and Charioce the King are never brought in direct conflict in the character himself. We only see the conflict through the eyes of other characters. Sadly that makes Charioce more of an object than a character. It is not grating, but it is a lost chance.

“But I played soccer with the street urchins!”

These characters, their interactions, and their adventures are rendered with animation and art that is generally excellent. Action scenes are fluid, and character facial and body expressions emanate personality (except for Charioce-though this might be more of character trait). As a result the show does a good job of giving its comedy, action, and tragedy depth. In both Genesis and Virgin Soul the animators of studio Mappa really like to show off their skills with elaborate dance scenes, and they do a good job of encapsulating what this show can give to the eye. Backgrounds are well done and lush. The only negative mark is the use of CGI with some of the creatures, including the titular Bahamut. This did seem a bit out of place next to the fluid animation of characters.

The music was in generally serviceable. The first opening was excellent, with the second one being more conventional. Both endings were quirky and cute. In the show, the best music scores were during poignant moments of tragedy, while during battles sometimes the music would try too hard and lose me.

“I, Charioce offer this light show as proof of my good party spirit”

Despite the conventional character of the plot I must give kudos to the writers for taking some decisions with characters that would make George RR Martin (of Game of Thrones fame) happy. But they also had some plots lines that were sloppy and not really useful (for example Nina’s fight with the dragon-hunter).
In the end Shigneki no Bahamut: Virgin Soul is a conventional show well executed. It has a cast of interesting and exciting characters that carry a rather mundane plot. The artistry of animation helps greatly the characters come to life. It is just a pity they are not used to their best. A solid 80 out of 100 (or B).

“Ahh, the ship that never shipped”

Characters: 90/100 (most of the central characters are interesting and receive development. But the blind spots are egregious)

Plot: 70/100 (conventional central plot,  but with some points of ruthless brilliance)

Art: 90/100 (animation and design is in general great, but CGI at points was not integrated as well as it could be)

Sound-Music: 80/100 (some good pieces and good music direction, a good first OP and EDs, but at other points it tries too hard)

Fall Season 2017 Preview

Yet again we are here in a new season of anime even though it feels just a moment ago the summer season had started. Seasons come and go, stupid controversies rise and fall and yet life goes on as it has always gone on. Well then enough with the sloppy rhetoric and let’s just get to what you are all here for. I must say that this season is looking very promising indeed as while we don’t have the abundance of shows present in the summer season, we do have quite a number of shows with the potential to be something real special. Depending on how this turns out I may be dropping less shows than I usually do and end up watching a majority of the season.

Same values as usual apply as I check out the source material of everything in the season along with the staff to give a better idea of what might turn out well. Below is a poll which can influence what we writers pick up to cover for this season so vote for as many shows as you want. Truth be told a lot of us have already decided on what we will cover for this season, but should we change our minds we will certainly take the poll results into account when choosing a new show.

This poll is no longer accepting votes

What will you be watching this spring?

Once again thanks to Mario for gathering the images and helping with the format. And thanks to Wooper and Lenlo for helping with editing. Let’s get rocking.

The sequels/Shorts I don’t care about

Shokugeki no Souma: San no Sara
Himouto! Umaru-chan R
Yuuki Yuuna wa Yuusha de Aru: Yuusha no Shou
Love Live! Sunshine!! 2
Hoozuki no Reitetsu 2
Osomatsu-san 2
ClassicaLoid 2
Cardfight!! Vanguard G: Z
Itsudatte Bokura no Koi wa 10cm datta
Time Bokan: Gyakushuu no San-Okunin
Wake Up, Girls! Shin Shou

Series I don’t care about

Anime Gataris


Studio: WAO World
Director:: Kenshiro Morii
Script/Series composer: Mitsutaka Hirota
Source: Original
The anime centers on Minoa Asagaya, a new high school student in Sakaneko Private High School. Despite being a novice to anime, Minoa’s classmate Arisu Kamiigusa invites her to make an “anime research club” at school. Through conversations with her classmate Miko Kouenji, as well as various anime-loving upperclassmen, Minoa gradually gets hooked on anime. While they stand against the student council’s continuous efforts to disband their club, and they ignore the impending end of the world, they talk about anime, whether in Akiba, or in real-life “sacred place” anime settings, or the hot springs.

I am very ready to write this off as a rather uninteresting show as all signs point to this being a cute girls doing cute things show. This appears to be an adaption of what was originally a short animation screened during intermission at TOHO cinemas. The PV points to this being just cute girls in a club as well. But there is one thing here that throws me off and that is that tiny detail in the description: “and they ignore the impending end of the world”. My interest in this show depends on how literal that statement is. That is the make or break point for this show for me, because an anime club by itself isn’t going to sell this show (I would be better off watching Genshiken). But an anime club at the end of the world? There’s something to get me interested. Director really hasn’t worked on anything of note and the same goes for the series composer unless you liked the anime X-men adaption or the New Prince of Tennis. Despite this I don’t have very high hopes for this as it likely won’t be anything of note even if it goes for the impending apocalypse scenario.

Continue reading “Fall Season 2017 Preview”

Katsugeki Touken Ranbu Review – 45/100

Every Anime season we the viewers are shown a number of adaptations, often made after Light or Visual Novels. It’s an already written story with an established base, a smart business decision. In recent years studios have also begun pulling from the Video Game market for their shows. Pieces like the Idolmaster series, Kantai Collection and Akibas Trip. I bring this up not because this is a new event, but because the anime I want to talk about today, Katsugeki/Touken Ranbu, is one such anime.

Ranbu is based off of the online video game Touken Ranbu, along the same lines as Kantai Collection. It focuses on a group of warriors who are the human personification of famous weapons, sent back in time. Their task? To protect history from the forces of the Time Retrograde Army, who seek to change history for an unknown reason. Ranbu focuses in on the 2nd Unit, newly minted and formed from a group who have never worked together before. Together they will face the hordes of the Retrograde Army and defend the past from the future!

Let’s jump in.

Continue reading “Katsugeki Touken Ranbu Review – 45/100”

Kakegurui Review – 61/100

This show is one that makes conventional reviewing difficult as your enjoyment of your series will likely determine on highly subjective factors. For if I was to put this under scrutiny on matters of f-plot, setting and characters then it will end up lacking in all categories. The plot is just watching Yumeko face members of the student council in a series of gambling games. The setting is absolutely ridiculous with a unnecessary school setting that makes no sense whatever considering what happens in the series. The cast is made up of people whose main trait is being crazy in some form or another and go over the top with facial expressions. Yes to judge this show on these qualities would have it fall low indeed but that is not what makes a show enjoyable. I believe that style over substance is what I am getting at here as Kakegurui works mainly due to it’s presentation.

While gambling is the focus of this anime, the games themselves don’t really amount to much as we never really get a chance to look inside Yumeko’s head and see her work out plans or countermeasures. If you have just finished Kaiji and walk into Kakegurui expecting something similar then you will be undoubtably disappointed. For the common factor here is to see how smug the opponent is in how they rigged the game and having Yumeko eventually unveil that she knows about it and manages to win. Often putting her previous smug opponent down a peg.

Thus the satisfaction is in seeing the over exaggerated fashion at which this all goes down. The music, animation and art are often as over the top as possible with the soundtrack sporting trumpets and jazz like music while the characters faces distort into vile contortions be it in victory or defeat. Every character is crazy and none are crazier than our lead who often elapses into sexual excitement over the idea of risk. This aspect can get admittedly too much as it’s used to push fanservice as characters essentially orgasm over gambling and there are quite a few times where in female characters seem to be visually seducing each other in what would be otherwise a normal conversation. Yuri undertones are apparent here quite blatantly despite none of the character being made clear to be homosexual nor interesting in anything besides gambling and their own ambitions.

As such this is a series that I can’t really provide value through words, instead I say if you show interest then check out the first episode as that acts as an example of what you will receive for the entire series. However I would warn you to not expect something more than that as Kakegurui is only good at one thing and it will not move far from that one thing. This is a series about a crazy gambling girl showing smug assholes their place. That’s all you are going to get. But if you are fine with that then this is the show for you. Personally while i enjoyed it at first, I began to grow tired of it in the final episodes of the shows run so my rating for it’s that it’s a decent distraction but not one I will return to.

Re:Creators – 22 [Re:CREATORS] – 75/100

There was never going to be a epic fight with every creation squaring off against the overpowered and invincible Altair. That possibility died when the creators threw the copycat of Blank at her only to have that plan backfire horribly. Besides, it wouldn’t have been a satisfying conclusion to Altair’s story to have her be brought down by the remaining supporting characters given that Selecia disappeared in the blue ether beforehand. Predictably, it comes down to Altair convincing herself that the world is worth saving and the conversation between Altair and Setsuna was really well done with both voice actresses going back and forth with their arguments about placing the blame on the world that was so cruel to Setsuna. There is a parallel between those two and how Bltiz choose to switch side when confronted with the opportunity to gain back the very reason for their motivation to end the world. As well, the transformation from the PPSh-41 machine gun to an actual violin is a visual symbolism of her ultimate choice to create and not destroy. As the far as the main plot goes, Re:Creators is finished as its antagonist goes happily off into sunset with her creator into their own world of adventure and fun. It’s not the best twist ending but I’m perfectly satisfied with how the series build itself up to that point and concluded it.

After everything’s said and done, the final episode wraps up with everyone having a celebratory meal, saying their goodbyes and reflecting on past sacrifices. The creations go back to their own fictional world but Meteora, due to the untimely death of her creator, which begs the question of what happened to Magane. Curiously absent from the final episode, I would infer that she would have lost her powers just like Meteora and go on to become a regular trolling schoolgirl. It’s not quite the ending for those who wanted to see justice be served for the murder of the shopkeeper and her own creator but I think it better to see her leave quietly than having a upbeat epilogue scene for her. The ending summarizes the points of the series in that creators will keep on creating even to the point where a creation, like Meteora comes full circle and end off the series with her own work of Re:Creators.

Re:Creators marks the third series that Studio TROYCA have made with Aldnoah.Zero and Sakurako-san no Ashimoto ni wa Shitai ga Umatteiru being the first two. While their original mecha show was a wild ride of disappointment that really needs more time to flesh out its characters and concepts and the episodic nature of its investigative show took away from the overarching narrative, I felt that they succeed in having and executing an interesting premise while having a few flaws. The biggest glaring issue I had was the uneven pacing in regards to the infrequency of actions scene and mid-series lull of dealing with Sota’s underlying guilt and laying of the foundation for the Elimination Chamber Festival. Also, as Rei Ham (Writer of Re:Creators) regretfully mentioned in an interview, Mamika exited far too early in the show as she was probably one of the best characters arc by growing out of her naive magical girl persona. Her replacement of Hikayu wasn’t all that great despite the creators having fun with her backstory and power-ups. Finally, the 3D stilted animation of the mecha hasn’t been improved over their effort of Aldnoah.Zero and just cements the reality that 3D and mechs don’t mix (Knight of Sidonia is an exception). Aside from those quibbles, I enjoyed my time with Re:Creators over the past half year and looked forward to watching it every week. It looked nice, had that sweet sweet Sawano soundtrack and always had something interesting to say about the nature of artistic creation.

7.5/10

Sakura Quest (Summer 2017) Review – 79/100

Conceived as a third installment in a loose P.A Works trilogy about young adult girls in working environment, Sakura Quest both knows its target audience well, and has some big shoes to fill. After all, many have considered Shirobako an install classic for good reasons. As it turns out, Sakura Quest is more on the level of Iroha than Shirobako, and it still has some of the same issues from its predecessors, namely it’s still too optimistic, hence comes off as sometimes unrealistic outlook to its subject matters; and it tends to rely on sitcom slice of life format (mainly in the first half) that feels unfocused and inconsistent at times. Despite these issues, the truth remains that Sakura Quest had never been bad. The show has some snappy, realistic dialogues, easy humors and it never treats their characters lightly. The show is at its best when it creates problems that force the main cast to reflect on their own issues, then learn and grow from their own issues.

Sakura Quest’s structure is split into two distinct halves. The first half focuses on several mini-arcs, where the Tourism Boards undergo many events that attract more tourists visiting Manoyama, at the same time give each of the main girl a character arc to flesh out who they are. Many events, from assisting filming production, matchmaking tours, to the TV programs about our girls and hosting a popular rock band to town, are exciting and at first glance, it gives an illusion that the Tourist Board has achieved its success. In part, yes, as the number of visitors consistently goes up, but when all is said and done, the town remains a ghost town with no lasting impact whatsoever (I love this image: the next morning, all the tourists are gone, only trash and coupons flying around). The decision to concentrate on main leads’ own problems and their dynamic together in the first cour, now in retrospect, actually serves its purpose since we come to care and root for them well before the second cour pushes forward its main storyline.

If you consider the first cour as “inward approach” (forgive me for the lack of more academic term), which is attracting tourists to visit Manoyama town, the latter half can be seen as “outward approach”, as the Tourism Board reaches to the local needs, goes to rural mountain where a small elderly community lives, reviving an abandoned school for public use, and strengthen Shopping District’s business. For me, it’s a much more realistic approach and the journeys along the way are all worth spending time for. You can compare two festivals – the Manoyama Founding festival and the revival Mizuchi festival for their differences in approach. The Mizuchi festival is made for the locals, by the local and achieving that level of enthusiasm from the villagers is something worth rewarding. While there are still some unnecessary plot points (here looking at you the merger of Manoyama town), Sakura Quest did indeed end on a satisfying note. This might be the end of the Queen’s run and all other girls, but it’s clear that it’s just a beginning for the Manoyama’s local to grow stronger.

Our five girls: Yoshino, Sanae, Maki, Ririko and Shiori play a big part of adding Sakura Quest’s identity. All these girls have their own charms, play off well with each other, and most of own develop greatly at the end of the show. Sakura Quest’s biggest strength lies in its ability to address the insecurity of young adults regarding their jobs, their place to belong, and their choices of life. Many issues it touches (most notably Maki’s unsuccessful acting job) feel achingly true and honest. The supporting cast, from Kadota, Chitose, to that kid Erika, add their own marks to the show’s big picture and it’s a joy to watch such a huge cast coming together for a big project. I bet Sandal-san will enjoy a great fan following as he steals the scene every time he appears onscreen. Thanks Alexandre Cena Davis Celibidache for compiling such a fantastic artbook about Sakura Quest.

P.A Works does a pretty decent job production-wise for Sakura Quest, although in some episodes (especially the final episode) the character models are a bit off. The soundtrack and the voice acting are all pretty spot on. Only a year has passed in this Manoyama town but it has been quite a journey. Every girl has their own dream to follow now, and life continues to go on and I know there will be a time that the five of them will meet again under that sakura tree they planted together. As a conclusion, allow me to quote the final preview speech from Sandal-san because it sums what I feel so well: “It was a long, long trip, and we’re coming finally to the end of the journey. Thank you, Manoyama and Chupacabra. And thank you, 5 EURO”

Castlevania Season 1 Review – 70/100

Upon hearing that Castlevania would be getting an animated TV series my first reaction was that of unpleasant surprise. Part of the reason was because of the video games infamous history with adapting their stories to other mediums but my main reason was that being familiar with the Castlevania games, I knew the story was by far the weakest aspect. I have played a number of Castlevania titles though my main experience is with the so called “Igavania” titles which helped birth the Metroidvania genre. Let me say that story was not the reason I came to love the franchise, as a matter of fact the story rather went beyond “Dracula has revived, go kill him again.” However against all odds this series has managed to pull a rather enjoyable story out of the bare bones that was present in the game it was based on, Castlevania 3. I believe the main reason behind this story turning out to be a good video game adaption has to do with the writer being a famous comic writer by the name of Warren Ellis. Not being much of a comic fan I have only read a couple of his works like Planetary, Transmetropolitan and Crecy but based on those I can tell he has skill.

The story of this series isn’t anything to gush over but does serve well in using the little story in the games and fleshing it out to a better degree. It reminds me a lot of old anime ova’s from the 80s with its high level of violence and gore while sticking to a simplistic but enjoyable story. Make no mistake this animation isn’t for children with swearing and corpses abound. I admit that with the large amount of anime I watch it is rather refreshing to experience something that doesn’t have the usual Japanese tropes. Our main character Trevor Belmont is the one to get the most screentime in this short hour and a half season and he certainly makes for a fun main character. Starting your introduction with a drunken brawl is certainly a plus in my book and he is a good mix of playful and skilled without delving into overpowered territory. Other characters didn’t quite get as much screen time to really get a grasp on their characters but they were believable enough to get invested in.

The main cast only really assembled in the final minutes of the last episode. The villains on the other hand were on the weak side with the demons being sidelined by the church who really get treated as ignorant and greedy as all hell. Not saying it’s an inaccurate depiction but they do come off as rather one dimensional when any priest is automatically a murdering scummy psychopath. I hope that with this there role in the story is more or less finished with the end of the season as the first episode does nicely make Dracula’s motives much more compelling. He sadly didn’t get much of a role in this season but clearly the story wanted to focus on a minor villain first before taking on the main one. Our main villain for this season happens to be a bishop and I can pretty much sum him up as the same character as Frollo from Disney’s the Hunchback of Notre Dame. Religious, insane and so mistakenly sickeningly self righteous that he makes you want bash his head in with a sledgehammer.

This “Season” is only four episodes long and feels more like a hour and a half pilot episode. If I had to guess I would say that these four episodes were to gauge interest in the series due to the negative view of video game adaptions and considering just how quickly a second season of eight episodes was greenlit it looks like the response was quite positive indeed. In the continuation of the series I hope they keep up this level of quality but I also hope that they have much more monster variety as the enemies were primarily variants of demon creatures. Part of what makes Castlevania great is the huge cast of enemies from monster movie and myth. You didn’t just fight demons in Castlevania but ghosts, goblins, fishmen, werewolves and a whole host of monsters including Death himself. It would be a massive shame for the series to not capitalise on that and instead keep the monsters as dull demon creatures.

Animation for the most part is excellent with some occasional stumbles but excelling when it needs to. Music overall was fine but I do wish for a rendition of the iconic Bloody Tears or Vampire Killer songs. For fans of the games there is details sure to make you smile such as platforming on clock gears which I am sure any Castlevania fan is familiar with. However this doesn’t require knowledge of the games to be enjoyed either as the story very much stands on it’s own. Overall I would consider this to be one of the strongest Video Game adaptions to date though that may not be high praise considering it’s competition. If you happen to be burned out on anime or just looking for a nice change of pace then I do recommend checking this show out as it’s short and sweet.

Some Quick First Impressions: Mahoujin Guru Guru, Hajimete no Gal, Youkoso Jitsuryoku Shijou Shugi no Kyoushitsu e and Gamers!

Mahoujin Guru Guru

Short Synopsis: A JRPG hero and mage sets off to defeat the demon king

From what I see it seems that those familiar with the original show that this opening episode was a bit fast and not as funny. However even if it was funny, to me anime comedy rarely works. There are exceptions of course. For one I think that the ongoing manga “Grand Blue” or “Kaguya wants to be confessed to” would be a hilarious anime. This however seems like the comedy is well…dad jokes. For example when the girl receives money and then tries to equip it like armour. Alright the JRPG visual aesthetic is neat and I do find it charming. However I was stone faced throughout this episode, not even a smile. The isekai genre has abused the standard dragon quest setup to the degree that it’s no longer novel. Personally I think something like Konosuba has surpassed what this is trying to achieve. However it does have it’s enjoyable points and could be a good watch for some.

Potential: 30%

Mario: Colour me surprise. This is the one title that I nearly skipped since it’s a reboot of what appeared to be an adventurous children show. Well, at heart it is but Guru Guru also provides a non-stop slapstick fun from start to finish. There are rapid fire jokes that come at us like corns popping, and the humor is on silly and irrelevant side, so you know… lowbrow humor. But most of the time the jokes land well because they embrace their goofiness to heart, making the show an absurd endless fun. Not only the silly banters, but the animation also converts to reflect the humor: at time 8-bit, then like cut-out animation… and they’re actually creative and on-point. And I can’t deny I’m thoroughly entertained watching this and in one moment I laughed out hard. Can’t believe it before checking it out but it might be one of my favorite comedy show of this year. I won’t blog it but I am sure follow them to see what hijinks the two leads gonna end up with.

Potential: 40%

 

Hajimete no Gal

Short Synopsis: A guy begs a girl to be his girlfriend and surprisingly succeeds

Ah yes that’s right. We haven’t had our fanservice harem yet in this season. Boy, we nearly went through a anime season without gravity defying tits, panty shots and flat chest jokes. Now this may be a shock to some but despite media commonly depicting this, men actually don’t think about sex 24/7. Hell even when reminiscing over my teenage years I don’t think I put that much thought into it. Not saying I never did but if you were going to spend every waking moment considering how much you want to copulate then anyone would get bored of it. So when I see these strange creatures who consider getting laid their lives ambition I can’t help but think that they might be disappointed if they ever managed to do it. It’s just sex lads. Anyway we have another one of those strange abominations of a girl whose breast size doesn’t correlate with the rest of her body making her look like some weird beanie baby. Plus fanservice galore as our protagonist keeps imaging how he’s gonna cross the final line before he’s even entered the race. Sorry to break it to you protag but you are in a harem so that means you are damned to be cockblocked for eternity. Lastly any time this guys friends were on screen made me want to quit the episode then and there. So if you want anime that’s not quite but almost porn then this has you covered.

Potential: 0%

Mario: Gosh, I stepped into someone’s wet dream yet again, but this one is even more mean-spirited. At least Smartphone doesn’t offend anyone, this on stoops so low begging on the ground that I can’t help but feel appalling and disgusting. First off, that main guy is pure one-dimensional pervert with the only goal in mind is to bang. It’s already low bar but he manages to make it into cringeworthy level when begging the girl so that he could see her panties. Creepy as fuck. Second, high school girls who have boobs that defy gravity have no personality and somehow all fall for that pervert. And guess what, he gets away with it because… girls are hormonal creatures too. All that and I haven’t mentioned the awfulness of his wet fantasies, panty shots, hair-raising voice over. The show wants to make our hearts feel dokidoki with its fanservice, but painful is what I get instead.

Potential: 0%

 

Youkoso Jitsuryoku Shijou Shugi no Kyoushitsu e

Short Synopsis: New students get a nasty discoverly when they find out that the high class school they entered has a totalitarian rules.

Got to say that with the pacing sped up and time outside of the mains head to minimum that this series benefits greatly. In truth the actually story only came out in the last few minutes but I much prefer this to the light novels which spent half the first volume building up to this point. Got to say that watching it is a much better experience as it looks like this will be less the false ideal high school life presented in anime and more along the lines of Snafu’s cynical overlook. Our protagonist certainly shares Hachiman’s outlook of interpersonal relationships and I find his rather deadpan voice and exterior to be rather refreshing when compared to mister average blush on command. I actually enjoyed this more than thought I would and perhaps this could turn into something interesting after all. Not expecting a masterpiece but maybe like SukaSuka it could prove to be an intriguing watch. Might even blog it if the second episode continues to engage me.

Potential: 60%

Mario: Youkoso is a show that has strong, interesting premise but dang it’s way too slow to get into that. Doesn’t need a whole episode for setting up to be honest and I suspect it’s the next episode that they reveal their true nature. I certainly feel a SNAFU vibe around this cast, most notably our main guy, like Hachiman, is an observant social outcast and the other girls so far fall neatly into SNAFU’s counterparts, but the similarity isn’t too jarring to write them off. The argument on the bus, while address boldly to the overall theme of “equality” – whether or not unequally action need to be made to assist those who are already disadvantaged – but sadly they overplay that scene so it comes off as forced development. Judging by this episode alone, it comes as just merely passable, but it does have potential and I guess when the plot kicks in, we will have a real treat from this one. People who unconvinced by this first episode need to check out the second one because the real meat will be there.

Potential: 40%

 

Gamers!

Short Synopsis: A boy is invited to a gaming club by the most popular girl in school.

Points to the MC for going against the grain and turning her down. It is rather nice when you see things moving in a predictable pattern only for it to get turned on it’s head. However I have read on in this story and found that the gaming aspect just gets overshadowed by romance nonsense. Really weird to see the show throw out spoilers like nothing but it was rather clever. This first episode was decent and had some good comedic moments. however I really dislike how gaming is portrayed here. Why are they treating it like playing games for fun is weird? Like the MC is special because he just wants to enjoy video games? I am a heavy gamer myself and I never really felt the need to master a online shooter or fighting games. I just find the idea of devoting myself to just one game to be dull. Variety is the spice of life and I would rather be good at many games than the master of one. There are those of us that value single player experiences over online competitive ones. Anyway my point is that videogames are my domain and I don’t like a story half assing it with its representation. Lastly, the main character got tired after only two hours of gaming? Filthy casual.

Potential: 10%

Mario: Gamers runs like your typical school club anime: we have main character get dragged into one specific school club, he’s being a “perfect one”, get introduced into the most attractive part of said club, and make friends with eccentric club-mates in the process; you know, all that dandy. Except this one builds those up for some twist – he rejects the club, not once, but twice. It does feel like he decided not to join in is how the show’s messing with us, but get into his reason and you see the moment of truth. They are both game maniacs, but they approach games differently and that main guy feels like he doesn’t belong to the competitiveness gameplay by the club. It happens all the time in other sports or media as people who share the same love for some medium doesn’t mean that they approach them the same. Apart from that, I like the way the show gives some witty foreshadowing texts and the animation sometimes resembles that of game to hide its constraint budget. Still, the romance or whatever isn’t that good and the main concept of gaming doesn’t really catch me. Could be interesting to see how it goes from here but I admit this isn’t my cup of tea.

Potential: 20%

Some Quick First Impressions: Chronos Rulers, Tenshi no 3P! and Isekai wa Smartphone to Tomo ni

Chronos Rulers

Short Synopsis: Two people fight demons which prey on those who wish to undo mistakes or turn back time

This is a show with a very interesting concept and up until the introduction of the main character it was decent enough. Though that girl’s tragic past with her brother was dramatically uncut by the stupid way in which he died. It’s bad enough for her to run across the street without looking, even worse for her to run across halfway and turn around on the goddamn road. I don’t know brother, maybe you should have let the truck hit her. After all it seems like natural selection to me. But I was willing to overlook that to an extent. But then the main came along with some truly awful comedy. The comedy kept going and my goodwill began to vanish. The we have an action scene where the characters stop fighting and basically spout exposition to the girl. Got to say it was nice of mister monster to wait patiently for them to finish filling her in on the details. Funny enough this girl isn’t even a main character so I don’t see why they should give her a runthrough of who they are and what they do. Other than that we got some pretty standard shounen action. I reiterate that the premise is indeed quite interesting and the reveal at the end does make for some interesting story material. But with execution like this I am afraid it’s just won’t turn out well.

Potential: 0%

Mario: I will let this out first, Chronos Rulers has some pretty neat ideas. After all, the time travel motif, the grief over losing someone dear, and the slight twist right at the end have their merits. But the actual execution place the series among the worst thing I’ve watched for this season. This one is the first one of this season so far that started with a battle out of nowhere that we have no idea who fighting who for whatever reason (I thank anime God for this sudden drop this season). The production is cheaply made with many still images and uninspiring designs. The characters are one-dimensional and loud and I’ve seen those characters many times before. And come on, the girl loses her brother from one of the most silly, cliche and forced way possible (they don’t show it but I bet the brother died in one piece, but imagine when a truck comes at you at full speed like that, you’d end up in pieces with blood and guts everywhere, but I’ll spare you that graphic details). A cliche plot, lazy writing and poor execution anime. Avoid it at all cost.

Potential: 0%

 

Tenshi no 3P!

Short Synopsis: A hikikomori meets up with three ten year old girls who want his help to stage a concert.

To be fair the last line of this episode appears to be some sort translation double meaning or something in which the girl means “If you help us, I can let you touch my guitar” but considering how it’s supposed to be misinterpreted this shows clearly where this show is going. Who wants loli fanservice? Not me, that’s for goddamn certain. So three loli’s that live in an orphanage which just so happens to have a secret room with rare instruments which they just so happened to learn how to play without any outside help? These ten year olds don’t act like ten year olds and the entire premise is pretty dumb. They want to hold a concert to get people to come to a church hall? Seems rather counterproductive and I am fairly certain there are easier way to accomplish this. Our hikikomori friend also seems to somehow have a harem with three loli’s and two other girls who are interested in him. Oh and a little sister because of course he bloody has one. I at least liked the aspect with the Hikikomori working with audio software but the minute those three loli’s stepped into the show is where it all came crashing down. This show is trash.

Potential: 0%

Mario: “If you help us, I can let you touch me a little”, says the primary school girl to the main lead. So that’s how you played your cards huh? And with that single line all my little interest of following it has vanished. Not that what come before has been bright, mind you. This show asks us to suspend our disbelief too glaringly that I have a hard time buying any of its premise. I can’t look over the fact that those girls are primary students who happened to be really good at playing music, and happened to “inherit” the original, famous instruments. I can’t look over the fact that the main guy happened to be a shut in who for some reasons staying alone despite being a minor, and happened to be really into composing music (well, actually the last part was fine). No, no, no. Worse, while I consider the first part fairly alright, when the girls come in the picture, the show collapses. The girls add cute humors that bring the show down. In the end, this show fails to leave any impact on me whatsoever.

Potential: 0%

 

Isekai wa Smartphone to Tomo ni

Short Synopsis: A boy is sent to another world by god with a fully functional smartphone

How to win at life, get accidentally smited by god. So unfortunately despite the completely utterly ridiculous premise this show takes it far too seriously. But the big problem here is that right off the bat our main character is far too overpowered. On top of god giving him a working smartphone with all the knowledge of the internet at his fingertips, he also throws in physical super strength and large aptitude for all magic elements. So right now there is absolutely nothing that could pose even the smallest threat to our protagonist and all the women love him cause he can make ice cream and is super special awesome despite having no personality at all. Really…what is even the point in watching further? Comedy seems to be the main thing this show wants to carry itself on but it’s all really weak. For one there are these awkward scene transitions which I suppose are for comedic effect but just are jarring and sudden. This is a dull boring show that will likely be forgotten by seasons end. Truly why is the translator of Dies Irae officially translating the light novels of this garbage? What a waste of talent.

Potential: 0%

Mario: My, my, I entered someone’s wet dream again. This show is as bad as its title suggests. You would think from that absurd title that this show is a parody of isekai genre but no, it plays the genre completely straight. The main guy has done absolutely nothing but gains immensely popularity by girls, God and other people alike; has absolutely zero difficulty to adapt in that new life; has smartphone so he can checks news from his world, and already way too overpowered despite doing nothing to achieve it. Lazy writing. Now I feel I was way to harsh from the above two shows because this one is so bad it deserves to stay under the ground, alone. I know at the end he will save the world and girls will surround him like bees surround waps or like girls surround ice-cream (their jokes. Not mine). Watch this show if you have to do a PhD degree with a thesis of “The Common Tropes of Isekai genre in Anime” because this one is chock-full of those, or if you’re bored and want to piss on some shows to make you feel better (which I don’t recommend either), otherwise this show is a waste of your time.

Potential: 0%

Some Quick First Impressions: Princess Principal, Centaur no Nayami and Hitorijime My Hero

Princess Principal

Short Synopsis: A group of little girl spies help a man defect from his country.

To put it in purely objective terms, this was a relatively strong episode. The premise is absurd but it’s clear you really shouldn’t think that much about it. After all our protagonists announce themselves as spies but I think they have gravely misunderstood what it is that a spy actually does. Point is that being a spy is not getting into massive gunfights and taking down enemy camps That’s more a small army squad. Point is that if you are discovered then you failed as a spy, avoiding detection is kinda the whole point. So this was a good first episode and I really liked the final moment with the female lead and her lies. This is also the first time I didn’t recognise Kajiura’s music immediately and I like that it’s different from her usual repertoire. However when watching this I feel something in my bones. I felt the exact same thing when I watched Kabanaris first episode. Somehow I know this is going to go wrong, I know this will drop drastically in quality. I don’t know how or when but I am certain it’s going to happen. Maybe it the fact that I see elements of the writer’s previous works here like the mysterious magical disease. But I call it now that when the series ends people will not be looking fondly on it. By all means I could be wrong and maybe Kajiura and the studio can stop the writer before he gets stupid. So I say for now you can give this a shot as the steampunk not spy spies antics could be fun.

Potential: 45%

Mario: Here come my own most anticipated show of this season. Does it really deliver and sell me on its ridiculous premise? Well yes and no. I can still see some issues here and there, but overall this premiere has become one of my personal favorite first impression so far. For the negative side, the most glaring issue is that sometimes, it embraces its premise wholeheartedly and takes itself too seriously. I have a lifelong history with heavy-handedness so this might be a make or break point for me. Second issue is that sometimes the setting and plot just go too silly. You know, spies don’t spell out that they’re spies, ever. Having a princess working as a spy to blend in with other students is a pretty stupid idea, since everyone would recognize her face immediately. On the plus side though, I am at least intrigued with this setting: I like the spy concept, I like steampunk technology, I like the five girls so far and at least I don’t mind putting them into an (unnecessary) high school setting. Function as a standalone episode, the pacing is just about right, both establishing the stakes of their mission, and they make a decent job of giving a deeper side from the main girl. I won’t lie, she shoots him while repeatedly says no, hit me hard.  Lies and double-crossing are the main backbone of this show, I even suspect one of the main girls might be a double agent here. Whatever the case, yeah you bet I’m gonna follow it to the end.

Potential: 75%

 

Centaur no Nayami

Short Synopsis: The slice of life adventures of various demihuman friends

It’s nice to see that the lesser tier studio didn’t drag down the quality of the series. Still it happens to be a genre that puts me to sleep on lazy days. There is an intriguing history and setting for this show but it’s clear that this won’t be some societal exploration on the themes of demi human coexistence. Nope just the daily life of a centaur and other friends. Though the first scene did remind me that I saw a lot of yuri in my reading of the manga. Might not be a straight couple in this thing at all(Aside from parents). Odd but hey, whatever floats people’s boats. This is definitely for slice of life fans or those with a weakness for monster girls.

Potential: 55%

Mario: I like the idea that this show has no real beginning, with all the relationship have already been established so we can cut down an unnecessary introduction. I’m also digging the way it billed itself as a slice of life, but it starts quite literally with a kiss, between 2 girls no less, but as far as I see there’s no yuri undertones here, which I greatly appreciate. I also like (see, I find many positive things in this series, it’s just my type of show) how they jabbed at our own racial issues caused just by the skin-difference, because they obviously have a much more glaring racial issues here. The three main leads are from different background so there will be a lot to explore in that regard and production-wise it does a decent job. Centaur is a solid entry in cute monster girl doing cute things show, but can barely break out from it, thus people who don’t interest in slice of life might watch it with caution.

Potential: 60%

 

Hitorijime My Hero

Short Synopsis: A kid tries to break away from the wrong crowd after meeting a infamous delinquent.

Boys will love boys as some may say and here we have the fujoshi show of the season. As I am completely out of the main demographic I am afraid I can’t really give this fair judgement but from the aspects that can be viewed from a mostly objective standpoint it seems serviceable. Can’t really say I find the characters interesting and the only thing that had an impact was those two annoying girls who were forcing a kid to ask if hotty mc transfer student had a girlfriend. Ask him yourself you annoying troglodytes and don’t act like this kid is obligated to do what you want. So basically being someone with no interest whatsoever in this genre I can say at least the first episode was watchable.

Potential: 0%

Mario: Already a boy love series, this show has to do a heavy lifting in order to appeal more than its target viewers, unfortunately I don’t see anything worth coming back to after this first episode. I’m not al dismissal guy though, as one thing I do appreciate from boy love’s stories is sometimes they tell a really solid romance story here. But not in this case. This episode build a foundation of 2 love stories, one of them is contrived to the bare bone (in what universe the guy who goes out beating up gangsters can become a math teacher?) and the other is clumsy at best. I don’t have much else to say because I don’t feel I gain much after watching this first episode. After all, I still honest don’t know if the main guy believing in hero or not, nor do I give a damn.

Potential: 10%