Inuyashiki Review – 65/100

Do you know what the average age of an anime protagonist is? Neither do I, but I’d wager its in the upper teens. For obvious reasons, most anime focus on high school and have high school aged protagonists with similarly aged problems. Its not often that we get a good older main character, who has to deal with more adult issues such as MonsterGreat Teacher Onizuka and Rakugo. Well, this season we can add another to this list. Even with its faults, Inuyashiki‘s characters remain strong and worth watching just for them.

Lets jump in!

To start, a quick synopsis. Inuyashiki focuses on well, Inuyashiki, a middle aged salaryman who feels useless and unloved by his family. One night, he heads to the park where he and a young man named Hiro Shishigami end up in an extra terrestrial hit and run. To cover their tracks the aliens rebuild them as cyborgs! These new bodies destroy their sense of humanity, and in the ensuing weeks the two must rediscover what it means to be human! Watch as their ideals clash and Japan pays the price! Onto the review!
Continue reading “Inuyashiki Review – 65/100”

Juuni Taisen (Fall 2017) Review – 72/100

With a battle royale concept about 12 Chinese Zodiac warriors fighting against each other for a grand wish and penned by Nisio Isin, Junni Taisen had a lot of high expectation from the anime fandom. We’re pretty much guaranteed to have colorful larger-than-life characters, creative killings, cool lines and exciting battle sequences. The involvement of Nisio suggested that the show might be a tad bit talkier, focus more on characters instead of the overall battle and it could be a deconstruction to the battle royale premise. Well, in the end, Juuni Taisen isn’t what you expect it would be, but not for good reasons. What we have instead is a half-baked story that never quite spend enough time for its cast, a plot that has too much flashback and too little present plot-progress and a production that falls apart like a mutilated zombie.

In order to understand how Juuni Taisen structured the way it was, it’s best to look into their own backstory. Juuni Taisen is an adaptation of a Light Novel that served as a prequel to an one-shot manga about granting one’s wish (my thanks to the commenter who pointed it out), as a result, with the winner pretty much known and the basic groundwork about the Zodiac Wars already established, Nisio decided to narrate the Zodiac War in the reserve-order of the Zodiac signs, as well as its death order. Which comes to straight to the first issue of Juuni Taisen, it becomes predictable that kill half the fun of the battle royale concept. “Predictable” isn’t the same as bad, I must add. But my issues lie in the fact that this tournament doesn’t need to be predictable. Unless you have a sound reason to kill the Zodiac Warriors in that order (which the show doesn’t), it makes no sense whatsoever to rely on such arrangement.

Which also comes to my second point, if viewers come to Juuni Taisen expect a spectacular, brainless action show, they will bound to be disappointed. The fight sequences are decided short and anticlimactic. The pacing doesn’t flow very well because sometimes it spends too much time on flashbacks. There is a significant chunk in the middle part where the present-day moves so little it adds nothing to advance the plot. The huge amount of flashback, its talky nature and the decision to focus on one character per episode mean that Juuni Taisen is more a character-driven piece than action-oriented.

In fact, memorable and colorful characters are Juuni Taisen’s greatest assets. They are not particular deep but they all stand out in their own ways and fit to the narrative of this show like a glove. At its best, Juuni Taisen can develop characters with heart and soul, characters who we can identify and root for. The female cast, in particular, all are developed just about enough for us to care and still want more from them. Chicken, Monkey and Tiger’s stories all have their tragic side that make them utterly relatable. At its worst, Juuni Taisen can ponder too long to the flashbacks that halt the story progression, and worse add next to nothing on what we already know about the characters (hello Snake and Dragon) or too short that we don’t have time to learn more about them (Horse’s flashback is entirely about him trying to enhance his physical body. Dog’s flashback, likewise, is all about his strategy). In the last episode when the show spends some more time to flesh out the entire cast by having Rat asked them about their wishes, it hits home again because those characters are vibrant enough to lighten up the show.

Judging Juuni Taisen in a story department, in the end I consider this story branch fairy weak and uninteresting. Since this is a story about Rat as a protagonist it comes as a given, but I would love to see the retake of other possibilities as I still believe many characters still aren’t developed to their full potential. Not only the characters, but the settings and the implication that powerful people use the Zodiac War as a real-world proxy war are under-explored. For example, the tournaments that occur every 12 years sound nice in concept but inadequate in practice, because it suggests that the tournaments only happen in one animal sign only. Running through the series I still don’t know for sure how popular the Zodiac War is to the common people. If this War is supposed to be a Warrior’s pride then the show fails to develop it properly too.

Aside from the plot progress of the current tournament, the Warriors’ flashbacks usually fall neatly into 2 extreme settings: their mundane normal lives (Monkey, Sheep, Tiger, Rat) as a way to show those Warriors as normal people, and the battlefield (Boar, Chicken, Sheep, Horse, the twins, Tiger, Bull) where it serves to underline our characters as Warriors. Juuni Taisen seems to have a cynical attitude towards the war. War does affect badly to some of our warriors, and the violence of war is sudden and cruel, but that’s the world they live in so they have to accept and make the most out of it. You see, its central message isn’t really profound, or plausible, but I suggest don’t delve too deep into that because Juuni Taisen doesn’t seriously care about it either. All the show cares is to displaying those characters with different viewpoints and attitudes about war and the violence it brings.

Graphinica studio is mostly known as a CG anime studio, and with Juuni Taisen as their first full hand drawn project, it does hint us something about the production values of this show. For the first few episodes, the production was solid with some dynamic fight sequences, but as the show goes on it starts to fall apart with off-model characters, clunky animation and overall unattractive aesthetic. The character designs, on the other spectrum, is so outrageously ridiculous and over the top they stand out as one of the most memorable feature in the series. I would never forget a character with stripper suit, a bunny tail and a high heel. As a whole, Juuni Taisen is decidedly not an action campy show it allures people to be, and that’s not often for its benefits. But still, I would recommend Juuni Taisen to other viewers, since it can provide many deliciously striking sequences, memorable dialogues with its memorable cast. You will have a delicious – if a bit uneven – time, just don’t expect a full-blown action show or a solid show with deep message.

Winter Season 2018 Preview

We reach years’ end and looking over it we got a pretty good year of anime. Quite a lot that I actually need to catch up on and this winter season might give me a chance to do so. I don’t mean to say this upcoming season is bad, but rather it’s just looking to be a season full of shows that don’t appeal to me personally. There is a large portion of slice of life feel-good anime here which isn’t really to my tastes. Even without that, we just came off what I consider to be a pretty great season of anime so anything after that is going to be a step down no matter what you do.

Anyway let’s lay down the ground rules. Naturally I checked out all the source material I could so I can give you all an idea of what we are in for. Vote for as many shows you like in the poll below and the writers will use that as a guide for what shows to cover.

This poll is no longer accepting votes

What will you be watching this summer?

Let the games begin.

The sequels/Shorts I don’t care about

25-sai no Joshikousei (short)

Ashita wa Doyoubi

Basilisk: Ouka Ninpou Chou

Dagashi Kashi 2nd Season

gdgd men’s party (short)

Gin no Guardian 2nd Season

Gintama. Gin no Tamashii-hen

Hataraku Onii-san!

Kaijuu Girls 2nd Season

Mameneko

Overlord 2nd Season

Pochitto Hatsumei: Pikachin-Kit

Saiki Kusuo no Ψ Nan

Takunomi. (short)

Yowamushi Pedal: Glory Line

Zoku Touken Ranbu: Hanamaru

Series I don’t care about

Dame x Prince Anime Caravan


Studio: Studio Flad
Director: Makoto Hoshino
Script/Series composer: Naruaki Kobayashi
Source: Video Game
The story of the game follows Ani, a princess from the minor nation of Inako. Ani is sent to the signing ceremony that will bring peace to the rival nations of Mildonia, a mighty military country, and Selenfaren, a powerful theocracy. Ani is supposed to help steer the signing ceremony along, but she runs into trouble when she encounters a handful of obstinate princes.

It’s an otome game adaption, therefore it’s terrible. Now I wouldn’t be judging a book on the cover here normally but frankly I have yet to see a good otome adaption. Maybe it’s a fault with the source material or something but these anime adaptions just end up pretty bad. This most certainly looks to be falling into the same pitfalls as its predecessors. Director of Uta no Prince-sama and Series composer did Nanoha Vivid. Sorry but I really don’t see this changing my opinion on Otome adaptations.

Death March kara Hajimaru Isekai Kyousoukyoku


Studio: Silver Link.
Director: Shin Oonuna
Script/Series composer: N/A
Source: Light Novel
29-year-old programmer Suzuki Ichirou finds himself transported into a fantasy RPG. Within the game, he’s a 15-year-old named Satou. At first he thinks he’s dreaming, but his experiences seem very real. Due to a powerful ability he possesses with limited use, he ends up wiping out an army of lizard men and becomes a high leveled adventurer. Satou decides to hide his level, and plans to live peacefully and meet new people. However, developments in the game’s story, such as the return of a demon king, may cause a nuisance to Satou’s plans.

And the Isekai quota for the season is filled. Yep, this is an Isekai anime alright. Everything you would expect from one. Protagonist is transported to another world, this time no real explanation as he falls asleep at the job and bam! Isekai-ed. WIthin minutes in the world he becomes a overpowered god. Enter harem and from there it’s the escapist fantasy adventures of everyone bowing before the protagonist’s glory. I read a bit far in this one but I certainly got bored fast. The big problem with this Isekai besides the usual stuff is that it lacks any sort of direction. It’s never really made clear what the protagonist’s objective is in this world, and as the story goes along it becomes clear that there wasn’t much thought put into what the protagonist should even do in the fantasy world. Also fair warning, if the slavery aspect of Magus Bride rubbed you the wrong way then this will most definitely condemn this series. For out of the harem of girls the protagonist acquires, five of them are his literal slaves. The story goes out to say he has no intent of sleeping with them but this aspect is rather sleazy nonetheless. We got the director of Baka no test, Prisma Illya, A sister’s all you need, Watamote and Ef. Certainly a divisive portfolio. Unless you happen to like Isekai no matter what I wouldn’t recommend this, and even then I am sure your Isekai fix is satisfied with Overlord 2.

Continue reading “Winter Season 2018 Preview”

2010 Anime Retrospective

Do you ever wonder how your tastes change over time? How you remember loving one show to death but now it doesn’t hold up very well, or the shows that you hated stick with you after all this time? Well, that’s the idea behind this retrospective: a look back at the year 2010 in anime, and to those shows from yesteryears. For me though, it’s more of a way for me to play catch up with these 2010’s offerings, since I only watched about a handful of shows from that year; many of them were years ago and my sweet memory just fails me sometimes. I hope this retro review serves as a reminder for long-time fans and as a recommendation for those who want to check out shows in the starting year of this decade.

I have heard many people complain that 2010 was a low point for anime, with a significant decline in both quality and quantity of shows produced. Shows were mostly reduced to 1 cour in length (a trend that continues to this day). Moe anime – cute girls doing very cute things – took the anime fandom by storm with the likes of K-On!! and OreImo. The terrible trend of incest onii-chan love flourished, as many popular shows like Yosuga no Sora, OreImo, B Gata H Kei and KissXsis embraced it at full force. On the other end of the spectrum, fanservice anime and crude, vulgar comedy anime had an unexpectedly great showing, lead by B Gata H Kei and Panty & Stocking with Garterbelt with the former and Mitsumodoe, Seitokai Yakuindomo with the latter. It was a year with great loss too, as Satoshi Kon, one of my favorite directors EVER (animated or not) passed away unexpectedly, leaving a big wound that still hasn’t healed. Even now I still visit The Dreaming Machine’s website from time to time. Just an old habit.

On a brighter side of things, noitaminA remained as relevant as ever, with 4 shows (5 if you count Katanagatari which re-aired in later years) ending up in my top 10. Makes me really sad to see how they have struggled in recent years. What is wrong with you, mate? We also witnessed the short-lived but ambitious Anime no Chikara – a project that tried encouraging more original anime produced by A-1 Pictures and Aniplex. As much as I love noitaminA for its focus on mature themes for a mature audience, it was projects like Chikara that I would support wholeheartedly; original, fresh and new ideas that aren’t based on mainstream sources should receive more attention. Whatever happened to the project, I would love to see it alive again.

On a personal note, despite everyone complaining about 2010, with all the shows I sampled, especially with the top 10, I found that this year wasn’t bad at all. The top 10 could be a solid lineup for any given year. And come on, in a year where the top 10 is so diverse it consists of a sports show, a horror show and an incest show (*achoo), it wouldn’t be that bad, right? RIGHT?

To make this list more consistent (and I’m intending to do more retro reviews in the future), here are some basic rules:
– There are 30 shows this year that I decided to sample. I will rate, rank and give short reviews on those shows. Shows are eligible in their year of airing. Shows with split-cour in different years will be eligible for both years (for example, Fate/Zero will be eligible for both 2011 and 2012). Shows that have 2 cour but run in two years will be eligible on the year they start airing (for example, the holy quartet From the New World, Blast of Tempest, Psycho-Pass and Jojo’s Bizarre Adventure will be considered as 2012 anime); likewise for long-running shows (meaning Cross Game will be 2009, Hunter x Hunter will be 2011).
– For movies, I will pick exactly 5 movies that air in each year and then choose the best one. Think of it like having a nomination round and then picking out the winner. Short movies that are longer than 30 minutes are eligible in the Movie slot, as are short-form OVAs (meaning Time of Eve or FLCL are eligible here). Multi-part movies will be considered as one entity (like Kizumonogatari Trilogy and Garden of Sinners. Evangelion movies however, due to their separate releases, will be considered as different nominees).
– For rating, I will use psgels’ 100 score system, but beware that my barometer might be different than his. For instance, I consider 60/100 (not 50) as a line between medicroce and passable shows. 75/100 to 89/100 are recommended shows and from 90/100 upward are the cream of the crop. In some rare occasions, I will include plus (+) and minus (-) but remember that they don’t have anything to do with the quality of the shows. (+) is awarded for shows that have strong feminine message, or shows that portray female characters in a positive, sensitive or realistic angle. (-) is casted for shows at the opposite end of the spectrum.

There will be mild spoilers. It’s worth mentioning that this list is highly subjective. For instance, you will see me talking a lot about how female characters are portrayed in some shows (I hesitate to use the term “feminist” here). And don’t get furious when you see shows like Yosuga no Sora make a top list (there. I said it) because that’s just how subjectivity works. With all the groundwork established let’s hit the road before it gets dark, starting with #30:

Continue reading “2010 Anime Retrospective”

Fall 2017 Anime Coverage

Well, we don’t normally do this, but considering that now we have 5 active writers for the site, I think it’s fair to make a formal post about who covering what for the new season. This should be a normal practice from now on and traditionally (because traditions have to start somewhere), this post will come after our last “First Impressions” post. Without further ado, here’s our schedule for the 2017 Fall season:

AidanAK47: Kino no Tabi, Dies Irae, Fate/Apocrypha (carry-over)

Mario: Houseki no Kuni, Girls’ Last Tour, Juuni Taisen

Lenlo: Mahoutsukai no Yome, Inuyashiki, (Shokugeki no Souma 3) (note: Lenlo might do a bi-weekly post on Souma. Or not)

Wooper: 3-gatsu no Lion 2, Ballroom e Youkoso (carry-over), Space Battleship Yamato 2202 (OVA)

Helghast Killzone: TBA

We’re all delighted with our choices here. The only show that I regret to not blogging is Children of the Whales, but that further demonstrate how this Fall season is an embarrassment of riches. Another note is that Wooper will take over my coverage of 3-gatsu, consider he’s even a bigger fan of the series than mine. Not that I think you guys will miss my 3-gatsu coverage that much but rest assured that the show will be in good hands coming forward. As for me, I am working on a project right now so make sure to check back in few weeks. I guarantee that you won’t be disappointed.

Here’s hoping for a new great season of anime. Thank you, folks.

Some Quick First Impressions: EVIL OR LIVE, Boku no Kanojo ga Majime Sugiru Shobitch na Ken and Inuyashiki

EVIL OR LIVE

Short Synopsis: An Internet addict is thrown into a shady re-education academy.

Wooper’s review

How am I supposed to feel after having seen this dumpster fire? Should I sympathize with the MMO and FPS junkies trapped in their new prison, or should I pity them instead? Is the purple-haired inmate supposed to be viewed as a badass or a manipulative prick? There’s no way to know for sure, because Evil or Live is too amateurish a production to transmit a point of view. It struggles just to fill 22 minutes, stitching together on-screen text, live action scenes, and a creepy children’s song in the vain hope that the end result might be slightly entertaining. None of those things are show-killers on their own, but when combined with choppy animation, a senseless premise, and some of the worst voice acting I’ve ever heard, they certainly don’t do the show any favors. The only way this series could possibly cultivate an audience is by preying on the fears of real life Internet addicts, and to its credit, that’s precisely what Evil or Live does. Its chief villain is a physically imposing, verbally abusive, beatstick-wielding brute of a man, and he’s probably the most likable character in the show. In fact, his only flaw is that he didn’t emerge from my computer screen and beat *me* senseless so I wouldn’t have to watch this entire episode.

Potential: 0%

Mario’s review

Hello Chinese anime, my old friend. I’ve come to talk about you again. It’s funny that you can track how Haoliners progresses as an anime studio by following their seasonal offerings. This time, for example, they expand their artistic ground by including brief live-action and stop motion montages in the opening sequences that feel right at home with Shaft’s impressionist art, which for me is a welcomed experiments. But watching Evil or Live, I have a strong feeling of being manipulated by the show. There are two main themes this show wants to convey: first, the addictiveness from playing games online, which do have its social relevance but they make it way too serious here; and second, the abusive treatments that feel more like a jail than an institution. Those two themes conflicts each other in terms of direction, so to resolve this issue, the show decides to… get the main male lead hooking up with his crush from secondary school? Yeah, you heard it right. The male lead is a punchable dude who sobs and wets all the time and his motive is so trashy that he belongs right where this show is. Apart from those interesting visuals I mentioned above, the animation is on the lackluster side, the humor is depressingly awkward and I swear I see dozen of other characters who look like the main character here. Still not a good enough effort Haoliners, but keep trying by all means.

Potential: 0%

 

Boku no Kanojo ga Majime Sugiru Shobitch na Ken

Short Synopsis: A boys new girlfriend keeps relating everything in their relationship to excessively sexual matters.

Aidan’s review

If anyone knows me, then they know I don’t find anime comedy to be very funny but this is even worse when a comedy anime is centered around a single joke. Boy wants a pure relationship but his girlfriend keeps misinterpreting all his desires as excessively sexual. Isn’t that hilarious? Not really. If you ask me a girl with a sex drive isn’t something to be shamed but rather I think it’s what most of us would want. My main problem here is that like that show we had last season about a sexually aggressive character they make it that the character is actually just a pure little snowflake and the whole desire for sex is actually some misunderstanding or front. I really hate that because I find this “purity” thing to be absolutely hypocritical and stupid. My guess is that this childhood friend of his that someone manages to make every line of dialogue into a double entendre actually gets all “Hazukashi” when it comes to getting down to be business. So what this show has to offer is sex jokes with some filler romance, fanservice and harem aspects in between. Despite not knowing how this series will turn out, I am nearly one hundred percent certain the romance will go nowhere. Because it’s a romance in anime comedy. It never goes anywhere.

Potential: 0%

Mario’s review

Oh anime about a bunch of teens who can’t control their hormones, just about what we need. You must have one of those to complete the season. How many times do we see the confession right off the bat between characters who we have no idea who they are? The premise sounds like a clone of Mysterious Girlfriend X but at least the latter had its own charm, this one is boring and filled with tropes. Already this guy has a harem who are physically closer to him than his own girlfriend. The plot is driven by hormones so there’s of course boob-bouncing, boob-grabbing and isn’t it great that the person who drives the plot isn’t our main characters but some random girl? Even I don’t get what Sho-bitch really mean so it’s clear that I’m not an audience target for this. Anime was indeed a mistake. Next.

Potential: 0%

 

Inuyashiki

Short Synopsis: An elderly man is turned into a cyborg after an alien encounter.

Wooper’s review

The series I was most reminded of as I watched this episode was Parasyte. The main characters of each show may differ quite a bit in age, but they both receive extraordinary powers after coming into contact with aliens, and are forced to battle at least one other person with the same abilities. Parasyte dealt mostly with questions of naturality, but Inuyashiki is more likely to tackle social issues, given the loneliness and age-based discrimination its hero is saddled with. That’s an exciting prospect in an anime landscape full of dumb teenagers, but it’s up to MAPPA to deliver a watchable product. So far I’d say the show looks… passable. The hybrid 2D/CG style is a necessity, given the main character’s robotic frame, but the show creates a jarring effect whenever it uses a 3D model for his human form. Even during traditionally-animated scenes, there are a lot of moments where characters ought to look anguished or furious, and they’re flat-faced instead. Still, the show looks clean and its events are well laid-out, which isn’t something that can be said about every series. I’m picking this one up for at least three episodes, but I’m not ready to drink the whole pitcher of Kool-Aid just yet.

Potential: 65%

Lenlo’s Review

I had no idea what I was getting into with Inuyashiki, and this first episode blew me away. I was interested from start to finish. First and foremost, the age of the main character. In a market where characters in their 20’s are a rarity, we are given a 58 year old salaryman with an unloving family and a bad back. Everything about his character, from his problems to his attitude, just feels like a breathe of fresh air. There are some issues however. As Wooper said, most characters are flat faced, but I would like to think that was done on purpose to show what the Main Character’s life was like. Based on his own expressions, they can clearly do emotion. The CG is also hit or miss. Normal scenes, with just humans, look wonky. Yet any scene involving the robotic parts look fantastic. Lots of effort clearly went into the Robot Model, as it should since it’s a centerpiece, and anytime that robot is doing something just looks great. I am concerned this is going to turn into some shounen affair, with the young man who was also hit. But assuming they can keep the old man interesting and really tackle the problems of his age I think Inuyashiki will be a treat.

Potential: 85%

AidanAK47’s review

As the others have said, the art for the faces comes off as rather stiff and the CGI can be a bit jarring. I will also say that it may be hammering home the point a little too hard. I like that it is showing the social issue of people being apathetic towards an senor generation but it goes a little too far with the doctor nonchalantly declaring a death sentence and the teenagers gunning for blood at the end. It’s not outside the realm of plausibility but I feel that, in particular the teenagers, they went too far to vilify them. Regardless this is a unique concept and I really like the execution of it so far. Whats better is that the Inuyashiki manga has been completed and from the looks of things this series could in fact be a complete adaption. Which has bumped this series up a few points in my eyes.

Potential: 75%

Some Quick First Impressions: Kujira no Kora wa Sajou ni Utau, Animegataris and Imouto sae Ireba Ii.

Kujira no Kora wa Sajou ni Utau

Short Synopsis: A mysterious girl is found and brought on board a vessel called a mud whale which sails on a sea of sand.
AidanAK47’s review
It really is nice to see a fantasy series which doesn’t use the template of Tolkien and instead tries to make a world vastly different from our own. That is the biggest draw of this series so far, the world of this story is very fascinating. For a first episode this is quite good at setting up the culture and livelihood of these people. There are some hiccups however in it’s presentation. One is that the series has the main character narrator constantly to give exposition and allude to future events. While he can have interesting things to say, his narration can be unnecessary at times and this is a world where showing would be better than telling. The second issue is that occasionally the characters have rather “anime” like interactions. What I mean is that there are bits of comedy and dialogue which have the designs go more chibi and exaggerated mannerisms. Considering the serious mature tone of the series it’s odd to have these small moments which just serve to take you out of the show. Another minor thing has to do with the backgrounds and character designs. The backgrounds of this series are magnificent, it appears they got a real anime veteran in to pull out these marvels but sadly they are a bit too good. For the characters have a more simplistic design so it makes them feel very disconnected from these backdrops. Nonetheless this is another strong first episode in a season with great potential so far. So provided that you haven’t met your max setting on your plan to watch list then this most certainly is another to consider adding.
Potential: 70%

Mario’s review
Like one of our commenters pointed out, I get the “From the New World” vibe while watching this show. Their world is a close-knit society filled with rich and fascinating history, carry out many rituals and customs that completely their own. The children in those worlds possess a magic power (whatever terms they use: saimai, cantus – it’s magic). It helps that the main character of this story is an archivist, so the info-dumping about the place doesn’t feel out of place and we will get to know more about its worldbuilding as time goes on. That come to one of my main issue with Children of the Whales right now, we haven’t spent enough time to this world to fully grasp the impact of new change about to come. Without a proper build-up can we, as an audience, care enough about the danger to this society? Another issue that I have is that I notice a tone-changing most of the time the male lead appears. This light-hearted cutesy tone unfortunately doesn’t quite fit with the rest of the episode. Apart from those, we have one of the strongest premiere here. The arts, for example, really stand out with its watercolor aesthetic and detailed backgrounds. The same could be said for the beautiful scores and the attention to details of its world-building. Even the characters have a lot of room for a proper development here. Overall, this show has a potential to become something truly special.
Potential: 80%

Animegataris

Short Synopsis: Two girls decide to revive the anime club at their high school.
Wooper’s Review
High school club series aren’t really my thing, but as far as the genre goes, Animegataris is solid. It feels a little like a kid’s show in its presentation, but there’s an undercurrent of self-awareness running through its simple script. Within the first few minutes, the show mocks ridiculous light novel titles like “A Report on the Irresponsible and Depressing Chronicles of Me and a Certain Eccentric Childhood Friend.” It also comments on popular character archetypes like ojou-sama (“I love the way she’s slightly condescending!”), and uses its soundtrack to create a heightened reality where these tropes slot naturally into a real high school classroom. Unlike a lot of anime where the ~most beautiful girl in school~ is into anime or video games, this one pulls it off by properly balancing her enthusiasm for anime and her shame at having such a nerdy hobby. In the end, the enthusiastic part of her wins out, and so she decides (with a little encouragement) to reform her school’s anime club. Unfortunately, that’s where the show loses me, since it’s going to be a matter of formula from episode 2 onward – recruiting new members, figuring out what to do for the cultural festival, etc. I’d say this episode is worth watching on its own, but it wasn’t enough to convince me that the series will deliver the goods every week.
Potential: 35%

AidanAK47’s review
I can’t say I am fond of these school club animes but this one managed to retain my attention thanks to two things. There does seem to be a degree of self awareness and the characters seem stereotypical but at least have enough personality to show that they didn’t come off a conveyor belt. I can relate to this rich girl otaku’s dilemma of thanking to someone who enjoys anime but doesn’t quite delve into it on the depth you do. I felt like this when I got into a conversation with a newbie anime fan. Much like here it does feel like a disconnection in the conversation and it often end up with you recommending them a bunch a titles. I can’t say it’s funny or all that original but it does at least seem watchable. The second thing though is that there is a odd sense of foreboding here. There are supernatural elements present and there were shots with a man sitting on a bench which didn’t quite tonally match with the rest of the episode. I am not expecting a dark turn but there does seem to be more to this than meets the eye. I plan on giving it a few more episodes to see if it develops into something interesting but even if not this could be a decent anime for watching in between shows.
Potential: 40%

Imouto sae Ireba Ii.

Short Synopsis: A group of LN authors get together to drink, flirt, and play games.

Mario’s review
I believe this show is a jab at the “little sister” archetype, and more especially at Tsukasa Fushimi’s works since his career has been milked from writing those crappy novels sibling relationships. But here’s the thing, the show, not unlike its characters, understand next to nothing about writing a female character. Look the way they write those two girls – one is plain, the other one is foul-mouthed who already has a feeling for male lead despite he doesn’t have to lift his finger. The rest of the show runs more like an author get-together with not-so-exciting games and lazy wish-fulfilment (well, a half-brother who not only can cook, but cook very well). So far none of the cast feel like a real person and that main guy in particular is so annoying to watch for his arrogant and his obsession for little sisters – the only 2 traits that he has. A little note for the author, if you have never seen a real girl sniffing at boy’s underwear with your own eyes before, then don’t write this creep down. It rings false, phony and superficial doesn’t matter how I look at it. If you like the works of Eromanga sensei or shows about self-insert successful LN author who know nothing about the real life then this is right up your valley. Sorry if I sound mean but why do these lazy works keep selling like crazy?
Potential: (my head bursts)

Wooper’s Review
The first 90 seconds of this show are a dramatization of the main character’s manuscript, in which his protagonist makes out with his naked little sister, dunks his head in her used bathwater, drinks her breast milk from a cup, and eats an omelet prepared with her “eggs.” The whole segment looked hideous and made me want to die, but then the show pulled back the curtain and revealed… more garbage. Honestly, my opinion of this show couldn’t possibly be lower, even if the entire 23 minutes had been an extended version of its “tricky” opening scene, because what came afterwards was just as stupid and degrading. The main author’s preoccupation with imouto is aimed squarely at the incest division of Japan’s otaku population, who are incapable of realizing this show exists solely to steal their Blu-ray bucks. The MC’s “step-brother” is fooling absolutely nobody (apart from the show’s sub-70 IQ cast). The main female character might as well be replaced with a block of text that reads, “Girls will like you if you keep watching this show.” Dick jokes, leering shower scenes, underwear sniffing – this series has every bottom-of-the-barrel cliche in the incest anime playbook. But hey, maybe that’s your thing. Maybe you just want a show where you can “turn ur brian of” and watch a handful of underage girls fall in love with a non-threatening protagonist. Maybe this premiere was actually a work of art, and I’m just a dumb normie who can’t understand its brilliance. That’s gotta be it, right? Imouto sae Ireba Ii is a masterpiece, and those pesky normies are out to ruin your anime experience! It’s all the normies’ fault!!! HAHAHAHAHA
Potential: Fuck this show

AidanAK47’s review
Everyday we stray further from God’s light.
Alright to be fair it’s the opening two minutes which were painful to watch. Even though I get the intent for it to be a jab at imouto stories, it’s really wasn’t something I needed to see. Plus it’s hard to mock light novel conventions when you rely on those exact same conventions. The rest is just bad jokes with characters who are one dimensional stereotypes. There is at least one moment at the end which looked to be aiming for a deeper plotline in that the main protagonists fan is a far better writer than he ever was and that could have worked had it not been for the character in question. This is the guy who sabotages his own work just to fulfill his own fetish and self insert fantasy so I can’t say I feel for the guy when he gets sad that someone is a better writer than he is.
Potential: (Incoherent screaming)

Some Quick First Impressions: Mahoutsukai no Yome, Blood Blockade Battlefront: Beyond and Dynamic Chord

Mahoutsukai no Yome

Short Synopsis: A girl is bought at a slave auction and ends up becoming a Magician’s apprentice.

Lenlo’s Review:

If I had to describe Mahoutsukai in one word, I would say it’s “Intriguing”. The first half starts off uplifted, going from a dark voluntary slavery deal, to wizards apprentice. Meanwhile the second half shows us hints of what’s to come and gives us an idea of the threats in this world. The entire time we are shown beautifully detailed backgrounds/scenes with interesting but not overdone character designs. Mahoutsukai is very colorful, with even the dark underground having greens and blues scattered about the scene. The only gripe I can find with it so far is the quick pacing of the first episode, at the end you understand why it was like they. Mahoutsukai has a lot to setup and introduce, from its world, its magic and its inhabitants. To get all that done without an info dump requires some speed and I think it was done well. With a full 24 episodes this season, Mahoutsukai has room to tell whatever story it wants and I for one am looking forward to it.

Potential: 90%

AidanAK47’s review

Very good stuff, very good indeed. Mahoutsukai manages to capture the intrigue of magic and the atmosphere of the unknown. There may be some that see the setup to be rather concerning as it does involve a man(?) buying a slave girl at an auction. That said it does seem that this series is aiming for the strange discomfort of the idea. In moralistic standards this situation in itself isn’t acceptable but when taking into account the circumstances of the individuals it becomes more reasonable. Mutual benefit really as the magician gets a new apprentice while Chise, a girl who is abused to the point where she agrees to sell herself just in hopes of finding somewhere to belong, gains a new home with a guardian who treats her with respect and dignity. That said it’s not as if this all sunshine and roses as the world of magic does hold dangers for Chise as shown by the fairies attempting to seduce her into joining their world. So far I am loving the celtic inspiration for the magical creatures and the series looks beautiful with a rather nice opening. Not quite slice of life but not a magical supernatural drama. More a stroll into the weird and wonderful. Highly recommend checking this out.

Potential: 85%

 

Blood Blockade Battlefront: Beyond

Short Synopsis: Leonardo and company return to keep the peace in a supernatural version of New York City.

Mario’s review

Was Kekkai Sensen always this wacky? Not that it’s a bad thing. The first episode of this second season takes the right spirit of the first season, and tone it up a few notches. The whole thing is one crazy fun after another, sometimes with “blink and you miss” moments. The city is a chaos and Kekkai Sensen is extremely good at making things spiral out of control. Leo runs almost entirely in this episode, with a luggage of the Head of the President of US. The rest of the team adds their touch to those wacky adventures and the soundtracks… boy how I’ve missed them. I say that despite the departure of Rie Matsumoto, this show is in good hands here as the direction, the production, and the storytelling scream confident here.  Kekkai Sensen earns a solid commendation from me.

Potential: 60%

 

Wooper’s Review

I remember only two things about the first season: that there was a terrific episode about an alien who loves hamburgers, and that its ending didn’t make a lick of sense. Still, even though my memory of the show is hazy, Kekkai Sensen doesn’t appear to have missed a beat in the handoff from one director to another. The new guy, Shigehito Takayanagi, was an episode director for classic 90’s series like Cardcaptor Sakura and Trigun, and his experience translates well to the frenetic pace of this new project. Hellsalem’s Lot is as beautifully realized as ever, and Leonardo’s fellow Libra agents still have those outsized attacks and personalities. The soundtrack is terrific, boasting a refreshing mix of hip-hop, jazz, and J-rock that fits the show’s half-human, half-alien city like a glove. This is a series that favors style over substance, which is just as well, since it’s easy to get lost in the nonstop mayhem that follows Leo no matter how far he runs. That potential for confusion is the one thing that holds Kekkai Sensen back from greatness, but it’s part of the show’s DNA at this point, so you’re either with it or you’re not. As for me, I’ll be tuning in for the full 12 episodes (and hoping for a better resolution this time).

Potential: 70%

 

Dynamic Chord

Short Synopsis: Bands play songs and a singer quits.

AidanAK47’s review

Dynamic Chord, if you have a point then could you get to to it. This my friends has to be the worst animation I have seen in a anime in recent years. So many panning shots, the absolute bare minimum of movement and just an ugly show to watch. The plot is nearly incoherent as the majority of the time is taken up with these guys staring blankly, panning shots of the environment and “music videos” which are essentially powerpoint slideshows. Nothing happened here, I mean some bands played some songs and there was some dialogue but quite frankly, nothing happened here. I don’t know who these people are, what their names are or even what the story is supposed to be. It just jumps jarringly from scene to scene without context or a clear time frame. My theory of Otome game adaptations always being terrible is sadly being proven but even with the other two in this season, at least they cared enough to animate it. This is just the most soulless and low effort cash grab of a series. No love was put into its creation and I can tell that no one truly cared about it. Save yourself twenty minutes and pass on this.

Potential: 0%

Mario’s review

After suffering watching the three male idols this season (thank god it finally ends), I am confident to say that Dynamic Chord is the worst one out of the pack. I mean, watching this I have a clear feeling that they make this anime to promote those fictional bands and don’t care one iota for the quality of the anime. The plot is so poorly written that they fill huge chunk in the middle part of those bands playing their songs. And even then they don’t have the energy to properly animate them – they just use some recycle scenes over and over. The male lead, for some weird reasons, has different eye colors. I know real people can have different eye colors but I bet no one has something as bizarre as blue/yellow. It just seriously lost me entirely. There’s no plot, except some details about some paparazzi and a drama about a lead singer of some random band – who we literally spend 3 seconds with – drops out of a band for being emo. Even their music isn’t for my taste so I don’t have anything fond to look back here.

Potential: 0%

The Reflection Review – 32/100

The superhero genre has been undergoing a surge in popularity in recent years. From the Marvel movies in the West to anime series like My Hero Academia in the East, super heroes are everywhere.  As such, for good or ill, it was inevitable that we would get a merging of the two. The Reflection is one such result of this union. The Reflection tries to do a lot, succeeding on some and failing terribly at others. The end result is a an inconsistent mess of seemingly stitched together episodes and story moments.

Lets jump in.

Continue reading “The Reflection Review – 32/100”

Some Quick First Impressions: Houseki no Kuni, Two Car and Blend S

Houseki no Kuni

Short Synopsis: Girls made of jewels fight off invaders from the moon who wish to capture them.

AidanAK47’s review

The fact that this anime is fully 3D CGI animation is likely going to put people off but luckily the story does help make it less uncanny. The girls are made of Jewels so them looking glassy and shiny actually works. The animation is still hit and miss but overall I don’t find it quite as distracting as I would in works like Knights of Sidonia. What’s really the highlight here is the story which is definitely out there as far as premises go. I do still have a bit of trouble getting into it but not quite as much as when I sampled the manga. So far I would say that while the setting and plot interest me, the characters I find are coming up rather weak. That said, it’s only the first episode and I am interested in seeing just what is coming from this. It’s a unique idea, so let’s hope it pays off.

Potential: 60%

Mario’s review

Hear me out on this, I’m giving the show this high score knowing full well its stumbling block: the CGI. While the character designs are one of the most brilliant use of CG in recent years (they are gems after all), the CG animation still remains distracting, especially whenever Houseki pans around the characters. For me the weakest part comes from the introduction of Phos where you can see the off-putting of the CGI: fake field of glass, wrong score, clunky animation. Having said all that, I’m overwhelmed by Houseki. A good kind of overwhelming, the feeling I only have for handful of my favorite anime like Flip Flappers or Made in Abyss. Houseki is wildly imaginative and wholly fresh and so far the presentation manages to keep up with its wild ideas. I could go on to say that for what it worth, this is the most visually distinctive anime of the season. It will weird viewers out, I’m sure, but that makes it even more stand out. I like the characters presented so far (Phos for me is improved a lot from the first chapter of the manga) and I am hooked on the relationship between Phos and Cinnabar. And I certainly didn’t expect this emotional resonance this show manages to pull off (they done right with the score there: when Cinnabar said that he wanted to be taken by the enemy, it’s just the sound of the waves presented here). This is a love-it or hate-it show but count me in as the big fan of it.

Potential: 90%

Two Car

Short Synopsis: Two girls participate in Motorcycle sidecar races around an island.

AidanAK47’s review

I’m so bored. May I ask why there’s highschool involvement? I mean why do the commenters have to be high school age? Why does it have to be the annual Motorcycle sidecar race between Highschool clubs? Doesn’t even make sense, why would high schools fork out so much cash for a motorcycle race? Isn’t there serious health and safety concerns? Well anyway this show makes the cardinal sin of trying to introduce the entirely of it’s cast within the first five minutes. By the time they finished I couldn’t even remember who was who and when they put on helmets I really couldn’t tell them apart. The first episode jumps jarringly between the past and present. The present being a motorcycle race and the past showing that these two had a big crush on their literally faceless manager. The racing doesn’t really have any stakes as our protagonists go from last to first within a single lap by the magical power of going faster. It’s remarked that the two main protagonists are alike to which I argee. The are so alike in that they have no real distinct characteristics and are instead a bunch of rather generic traits that could be applied to anybody. In fact all the drivers in this race can be summed up with a single quirk. This isn’t a terrible show but I certainly found my attention span wandering as I watched.

Potential: 0%

Mario’s review

From the land of anime, we have cute girls who into bike… for probably a fourth time this past two years. This time, however, it’s a motorcycle sidecar racing, and it’s an original project created by Silver Link for their 10th year anniversary, so there’s a brim light of optimistic here. This first episode divides into 2 parts: an actual racing exhibition with all the players introduced (14 of them), and a little back story between the two leads (who both have a liking for their sensei who apparently is too high horse that the show doesn’t allow us to see his face). The first part made up some exciting race, although I do have a feeling these races gonna be repetitive. The latter part fare much worse as they explore the chemistry between the girls (look, they have the same personality) and how they train hard to improve themselves through the learning from out-of-nowhere said sensei. The production is on par but I give credits for the sound department who does a very good job of making the race sound exciting. I have a solid time and I’m mildly interested in how the show will go from there so I will give it a 3-episode watch.

Potential: 40%

Blend S

Short Synopsis: A girl gets a job at a cafe where the servers put on different personalities.

Wooper’s Review

Did you like Working!! so much that you’d be willing to watch anything with a similar premise, no matter how dull? Well then, have I got just the thing for you! It’s called Blend S, and it’s got everything you could ever want in a cute girls show: workplace harassment, anime tropes by the truckload, and a chesty blonde gal who wants to add her friend code to your Nintendo 3DS! To be fair, Working!! wasn’t exactly the pinnacle of character writing, but at least its gags weren’t tired after just one episode. I can’t say the same about Blend S, nor can I recommend it for its character or background art, both of which felt too familiar to leave any impact on me. It might be interesting to see the girls switch personality traits every episode, but given the fact that Maika and her “scary eyes” are tailor-made for the sadist role, I doubt that’s the kind of twist the show has in store. If you really like CGDCT, give this one a watch – if not, skip it.

Potential: 10%

Mario’s review

Blend S is mild moe show that lacks bite. First, I actually can get behind the concept that those waitresses have to act contrary to their personality, ala their efforts not to break their own character and/or behave like their assigned character. Some of its jokes, however, wears out its welcome after only one episode, most notably the main character’s creepy eyes or the manager’s obnoxious behaviors that manages to creep me out. I don’t mind the settings in a café either, but it feels drag and aimless when those girls decide to play outside in an arcade. The production is nothing to write home about and the whole cast is easy to spend time with, but also doesn’t leave much impact. A decent but forgettable watch, which frankly isn’t good enough.

Potential: 10%