Heike Monogatari – 11 (END)

Heike Monogatari’s TV finale contained just its second substantial portrayal of armed conflict, following episode 5’s Battle of Uji Bridge. One might think it a bit strange that a military epic would be so light on big battle scenes, but then, Heike Monogatari was never really about action or strategy. It was about family – a family doomed to extinction by its patriarch’s pride, but which still experienced closeness during its brief time on earth. It was about fate, and one girl’s journey to accept that although she could see it, she could not change it. It was about death, and the ways that humanity grapples with its inevitability: succession, spirituality, storytelling. It was a series with some structural problems, but which occasionally rose above those problems to deliver transcendent moments, with the greatest moment of all arriving during its final minutes.

It was a fine animated series – one of my favorites of the year. But before we discuss how fine or favorable it was, we’ve got to talk about how mightily it struggled to depict naval combat.

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Fall 2021 Summary – Week 8

Super Crooks – 1-2

Wooper: I went into Super Crooks completely blind, so I had no idea it was a superhero – or more accurately, supervillain – series. Turns out it’s a “mature” take on the genre in the same vein as The Boys or Invincible, which in this case means comically large-scale violence and implied sex. The violence showed up in episode 1, a high school origin story for newbie hero Johnny “Electro Boy” Bolt, with all the Spiderman theft that entails (the “hero” even has a crush on his bully’s girlfriend). Compulsory scenes of Johnny confiding in his nerdy best friend and trying on his first costume had my eyelids drooping, but the over-the-top carnage of his superhero debut (which ended with a bunch of dead pigs in a public swimming pool) managed to wake me up. Cut to episode 2, set in the present day, where an adult Johnny is released from prison and the exposition begins to flow. Tales of powerful enemies and a shadowy villain organization were all over the second script, but they were neither illuminating nor tantalizing enough to hook me. For all the show’s clunkiness, it’s amusing to see Bones tackle this material, even if its stiff visuals tell us it was hardly a priority. The substudio that produced it is also working on Mob Psycho 100’s upcoming third season, but hey, I doubt anyone would protest that Super Crooks was sacrificed at the altar of Mob’s wondrous animation.

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Fall 2021 Summary – Weeks 6-7

Blade Runner: Black Lotus – 1-2

Wooper: Black Lotus is yet another of Sola Digital Arts’ CG reimaginings of classic sci-fi properties. Kenji Kamiyama (who also directed the Star Wars: Visions episode discussed below) and Shinji Aramaki have been pumping these out for a few years, and now it’s Blade Runner’s turn to get the Barbie treatment. So what’s the verdict, setting aside my distaste for the primitive 3D art style? After two episodes, I’d call it a passable replication; the rainy neon streets, murky lighting, and Vangelis-inspired soundtrack evoke the original film, but only superficially. (I haven’t seen 2049, so it may be that Black Lotus’s vacant streets are a more accurate reflection of Villeneuve’s sequel, but they certainly can’t hold a candle to the bustling exteriors of Ridley Scott’s version.) The story is a wisp of a thing with an amnesiac protagonist (Elle) and a handful of fight scenes to mask the absence of atmosphere. Most of the characters lean too far in one direction or another – the friendly black market trader is too helpful, while the corrupt senator is too evil. Episode 2’s final moments served as a pretty good hook, though – the show skillfully cut between Elle being hunted in both the past and the present, leading to a cliffhanger that honestly surprised me. I wouldn’t recommend this series to many people, but Blade Runner superfans can rest easy knowing it’s got a shade of promise.

Continue reading “Fall 2021 Summary – Weeks 6-7” →

State of the Season: Fall 2021

Lenlo: It’s that time of the season again everyone! The time when we get all the writers together to fight about the best show of the season and complain about the worst. From Ousama Ranking and Heike to Taisho Otome Fairy Tail and Komi-san, we have quite the list of topics ahead of us. So without further ado, read on! And I hope you have a happy Thanksgiving and Christmas season.

P.S. I will be out this weekend attending ANYC so Eighty Six and Kimetsu no Yaiba will no doubt be late.

What show are you enjoying that you’re not reviewing?

Mario: Ousama Ranking and Komi-san. As we talk about the little prince and his shadow down below, I’ll say more about the latter. Komi-san’s adept direction elevates this gag-based material greatly. It knows when to amp up with the jokes but still allows the emotions to slip in. The comic timing and the text bubbles that explain the situation are spot on. It makes fun of the characters but never makes light of them.

Lenlo: Apart from older shows outside the season? Probably Sakugan and Doukichan. One of those because I like underground mystery adventures as much as the next guy. The other because office ladies.

Armitage: Ousama Ranking is the obvious answer here. I am ready to wax poetic about this show at any moment you let me but I am given an official opportunity to do so down under and so, guess you scroll over to the end to read that. Apart from our smol king, I would say Senpai ga Uzai has been especially charming week in, week out.

Amun: Annoying Senpai has been pretty good so far; World’s Best Assassin Isekai went all-in, which makes it better than expected; Kicked Out of the Brave Man’s party I praise below. And I love World Trigger irrationally.

Wooper: Ousama Ranking! It’s got a fantastical setting, an adventurous plot, lovable characters and powerful fight scenes – what’s not to love?

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Fall 2021 Summary – Week 5

Wooper: Just me again this week. Our State of the Season post will replace this column next Tuesday, and it’s looking like a heated one – lots of conflicting opinions on the fall’s anime so far. I’ll be back on the 23rd with impressions of one or two new things, hopefully with a friend or two in tow.

PokeToon – 6-7

PokeToon is an anthology project consisting of short pieces set within different regions in the Pokemon universe. There’s tremendous variety between each episode’s art and animation styles, which is the sort of thing I love – all the more so when the perennially underrated Studio Colorido is involved. Their work on last year’s Twilight Wings established them as the go-to group for vignettes in this world, and they’ve only improved their batting average here, handling four of PokeToon’s seven episodes thus far. That includes episode 6, an adorably spooky tale about a girl who turns into a Gengar while exploring her school after dark. I found the story’s climax to be genuinely suspenseful, and then surprisingly emotional once the tension had been resolved, thanks to the age-old ‘character steps from darkness into light’ trick (bolstered by Colorido’s standout lighting, which is second only to KyoAni’s). Here’s a link to [I Became a Gengar?!] as part of a playlist with the earlier episodes. Be advised that it doesn’t contain the most recent one, a less impactful but still attractive story about a trio of boys who rescue an abandoned Snorunt. Its shorter runtime and limited animation make it one of the series’ minor offerings, but its art design, which borrows from felt and paper cutout animation, is worth seeking out if you like those styles.

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Haibane Renmei Anime Review – 86/100 – Throwback Thursday

Yoshitoshi ABe is, or at least should be, a pretty recognizable name. You’ve no doubt seen his work and influence across many series while watching anime. From the illustrations for the original novels of Welcome to the N.H.K. and All You Need Is Kill to providing original character designs for the technological horror series Texhnolyze and Serial Experiments Lain. ABe’s art has a distinctive, gritty quality to it that you don’t often see in modern Moe-fied anime. And for me that begs the question: What kind of stories is he trying to tell with this art? Well it seems we have our answer. Directed by Tomokazu Tokoro, animated by the now defunct studio Radix and created/storyboarded by Yoshitoshi ABe I give to you Haibane Renmei. So without further ado let’s talk about some cute angel girls within a not-so-cute story.
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Fall 2021 Summary – Week 4

Wooper: It’s a solo recap post for your boy this week, which I’m fearing may happen more than once this season (despite my practice of pestering my co-writers). I’m trying to give my impressions on at least one unique anime each week, so titles like PokeToon, Blade Runner: Black Lotus, Super Crooks, and Aggretsuko S4 will likely appear in this column as the fall season stretches on. Even if there’s something new to talk about every Tuesday, though, it helps to have some-one new to talk with me. Know what I’m saying, fellow authors?

Deji Meets Girl – 1-5

There are dozens of full-length anime series, particularly comedies, whose airy senses of humor would work better in short form. On the other hand, most shorts wouldn’t benefit from longer runtimes, as their premises are bite-sized to begin with. Deji Meets Girl is a notable exception to that second rule, because it’s trying to build a legitimate relationship between its main characters – an Okinawan part-time worker and a teen idol on vacation – but it keeps running up against the restrictions of its format. It’s unfortunate that this clash keeps occurring, because I like a lot of things about this show. The thick linework grounds the characters in reality even as they experience supernatural happenings (plus it reminds me of Gal & Dino, which I love to the moon and back). The animation is strong (especially in the premiere), the color palette shifts to match the new phenomena introduced in each episode, and all the teasing in the script is executed in good fun. At just 90 seconds per episode, though, it’s too chopped up to build anything substantial between its two leads. That’s too bad, because if Deji had gotten five minutes to work with each week, it could have fought for a spot on my year-end list.

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Fall 2021 Summary – Week 3

Lupin III Part 6 – 2

Mario: Sherlock goes full Kingsman mode in this second episode (they missed their chance of using an umbrella instead of Sherlock’s walking stick but that’s just me) and yes, he manages to kick all the Lupin team’s asses. This episode is light on plot as it concentrates heavily on action set pieces. Lily is indeed the daughter of poor dead Watson and the last thing she remembers is that Lupin killed her father. Of course this is a red-herring but that is enough for Sherlock to confront Lupin and get his former partner’s daughter out of danger for good. The set pieces are fun and awesome and for that I’m looking forward to more Lupin to come.

Kaguya-sama S3 – PV

Wooper: Most anime PVs are pretty barebones, featuring a few bits of animation and a bunch of character intro stills matched with voicework from their respective seiyuu. A handful of PVs each season are fully-fledged trailers, pulling impressive cuts from a show’s first few episodes and smartly stringing them together to create a picture of how the anime will look and feel. And then there’s Kaguya-sama wa Kokurasetai, which just dropped an entire ten-minute episode to promote its upcoming third season. As if that weren’t enough, its story revolved around Ishigami and Shirogane’s excitement at their favorite manga adaptation getting a third season; I don’t know what the most self-referential anime comedy of all time is (Gintama? Osomatsu-san?), but Kaguya-sama just gave it a run for its money. This PV was a big surprise, and a very welcome one, given its hilariously authentic look at concealing your love of anime to escape the judgment of your non-otaku friends. The resolution, in which Shirogane proclaimed all people who have ever seen a single anime to be otaku, had a great handle on the sort of comedic hyperbole necessary to sell that sort of breakdown. Kaguya even made a reference to the classic WMT series Anne of Green Gables, confirming her Best Girl status once and for all. Great stuff all around – looking forward to season 3 in April of next year!

Continue reading “Fall 2021 Summary – Week 3” →

Fall 2021 Summary – Week 2

Wooper: New fall season, same old column recapping the last seven days in anime. I’m glad to be joined by Mario and Lenlo for the weekly summary’s return – join us as we express our pleasure and disappointment (mostly the second one) with a bunch of second episodes, plus a handful of summer leftovers.

Sakugan – 2

Mario: While in the premiere I complained about Sakugan’s rushed pacing, in this second outing it suffers from the exact opposite problem: it just wastes way too much time on the battle between father-daughter mecha and the kaijus. As a result, many better elements from last week were omitted – the backgrounds are blurred, the world-building is non-existent. To its defense, the CG models and fights aren’t too distracting, and Gagumber and Memenpu (what bad sounding names) make up for an unlikely but energetic duo to watch. There’s an implication that these kaijus target them specifically, which suggests that they might consider Gagumber as a threat to them. Now, it marks the end of the introduction arc as the duo leaves their town and embarks on new adventures. And hopefully it still engages me so I can follow along.

Love Live! Superstar!! – 9-12

Wooper: Well, I did it. I finished my first Love Live anime – and perhaps my last. It finished on a high note, with a series-best performance in “Starlight Prologue” (those piano chords during the final chorus had me jamming), and I loved that the final ED featured the whole group singing all the way through, rather than as individuals. After a nailbiting loss at the Tokyo tournament, the girls’ resolution to win next year opened the door for a potential sequel – but I don’t know if I can handle another string of episodes like the ones that led up to the finale. The comedy took a big hit for me over the last month, going from fun showcases of group dynamics to disasters like episode 9’s embarrassing livestream. A lot of the drama surrounding Sumire and Kanon’s lack of confidence was driven by scripts that had nothing else on their mind, leading to scenes like Sumire leaping into some bushes to catch a tiara (a symbol of Keke’s confidence in her) which had been blown away by the wind. If you read that sentence without raising an eyebrow in disbelief, you’re much more suited to this show than I am. There are lots of things to enjoy about Love Live – fun characters, creative storyboarding, smart fusions of 2D and 3D choreography – but its emotional logic is beyond me.

Continue reading “Fall 2021 Summary – Week 2” →

Fall 2021 First Impressions: Ousama Ranking, Gyakuten Sekai no Denchi Shoujo, Deep Insanity: The Lost Child

Ousama Ranking

Short Synopsis: Studio Wit’s The Little Prince.

Armitage: Recently, Studio Wit made public the accounts of their financial struggles that came both as a surprise and a terrible premonition of the future of this animation studio as a whole. Which is a damn shame, really. As for my money, Wit have been the most consistent studio in the industry for quite some years. Lately, they have tried to shed their reputation of just being the AoT studio by branching out into more artistically brave properties like The Great Pretender and Vivy. Still, with their backs pushed against the wall, you’d expect them to maybe return to basics and make something “safe”. But what did they choose to do instead? Make a show like Ousama Ranking.

The kind of show that you simply cannot find in today’s anime landscape. A tribute to the classics that came out of the World Masterpiece Theatre from the 70s – a time when creators used to tell stories through anime just for the love of it all – while having the production qualities only possible with the technological advancements of modern animation. A revelrous marriage of whimsical art with honest storytelling – a picture-book brought to life. A kind of work that’s so authentic and uncommercial that it could be described as nothing but a labour of love. This is hands down my favorite premiere of the year and it would be a tragedy to have a show like this go underseen. If you care even a little about the medium of anime, please don’t let that happen.

Potential: 100%

Lenlo: If I’m being totally honest Ousama Ranking has an uphill battle for me. Visually it’s gorgeous, one of the best (if not the best) shows of the season. I give Wit a lot of crap, deservedly so I think. But the storybook presentation of Ousama Ranking along with the bright colors and fluid movement really is a treat. Narratively however I remain unconvinced. The first half of the episode was a lesson in patience because I found the entire segment between Bojji and Kage to be dull and uninteresting. The only thing that kept me going was the aforementioned visuals. Luckily the second half made up for that by putting everything established in the first to good use. Combine that with mentions of this being a Seinen rather than a children’s story and I’m really interested to see where it goes. Just give me more of Bojji interacting with his family/people and less of being pushed around by Kage and we will be good.

Potential: 70%

Gyakuten Sekai no Denchi Shoujo

Short Synopsis: Guy who doesn’t like wearing specs gets into an UwU robot.

Wooper: I thought I detected a whiff of promise from Gyakuten’s PV back in September, but my nasal passages must have been clogged, because this thing stinks. It’s not completely devoid of appeal, since the concept of a parallel Japan conquering the original could have gone in a variety of interesting directions, but the one we got here was a boring mess. Rather than giving us a multifaceted look at how life in this alternate future had changed, the episode hyper-focused on an unlikeable host who stumbled his way into a mech. The second part of that setup is familiar, at least, but it’s usually a kid you can root for doing the stumbling, not a grouchy fraud who has nothing to do with the overarching story. He links up with a partner inside his VR cockpit and, after spending far too long talking about fighting spirit, they team up to…escape from their opponent? I’m all for misdirection, but when you dedicate something like eight minutes to a drain-circling conversation about doing battle, you need to deliver some sort of payoff. The last-second reveal of his VR partner’s real life form was probably the best part of this premiere, if only for her cute character design. The rest of the episode? Not worth the time it took to get there.

Potential: 10%

Armitage: In the same vein of iconic Mecha shows with meaningless two-word titles when taken out of context (see: Gurren Lagann, Code Geass), we have Rumble Garanndoll. But that’s just about where the similarities between these shows end because this one is just an incomprehensible mess of generic plot devices (some all-powerful thing to be found in a particular city), a generic MC and worse than generic character models which the animation team doesn’t even bother to draw faces on, half the time. I don’t know why the twee mascot character is there but honestly, I don’t care. Same goes for this show as a whole.

Potential: 5%

Deep Insanity: The Lost Child

Short Synopsis: New recruit is tricked into fighting underneath Antarctica by his favorite voice actor.

Mario: Despite its bold title, Deep Insanity isn’t that deep or that insane yet. It has a fun concept: a near future where a mysterious disease claims the lives of many, and where a lost underground world surfaces in Antarctica. Where the show suffers is everything else. Just look at the first 90 seconds before the credits roll where it spills things just for the sake of exposition. Its main character is bland, serving more as the viewer’s POV than an actual character. And the show looks a tad bit too grim and dull for my liking. What this first episode focuses on – apart from giving us first-hand experience of the MC’s job – is its attitude towards the fear of death and, in turn, accepting it. Although the show did undercut its message with a simple “dangerous mission”, it also hinted at other characters’ traumatic pasts and why they fight, creating my favorite moment of the episode. Don’t expect a hit out of this, it belongs more towards the middling “sci-fi / mecha” pack this season (Shikizakura, Kyoukai Senki, Rumble Garanndoll, Tesla Note…). Pick one that you fancy, you don’t need the rest.

Potential: 30%

Amun: The only anime based on a mobile game that I’ve enjoyed is Mysteria Friends (although I was confused the entire season) – Deep Insanity doesn’t seem likely to add to the list. There are some interesting points: I liked the current events tie-in with masks and perpetual understaffed complaints. The introduction of our audience-vehicle certainly could have been worse; his “heroic” antics seemed a bit unlikely, but who knows – survival bias I guess (kill enough newbies and maybe one of them is a genius, sure). The premise is at least trying to be interesting, but I’m with Mario – this seems pretty grim. I’ll probably end up dropping it around the middle of the season, like I did with Scarlet Nexus from a few seasons back.

Potential: 30%