Category: Other:

Summer 2021 Weekly Summary – Week 8

by Amunchet, posted in Weekly Summary

Kaizoku Oujo – 1-2

Wooper: Kazuto Nakazawa’s new TV anime, a pre-industrial pirate/ninja mashup, is off to what I’d call a decent start. Its design sensibilities remind me of his last series, the overambitious B: The Beginning – thankfully, the similarities are merely stylistic in nature. Kaizoku Oujo is an honest-to-goodness adventure show, the likes of which we haven’t gotten from anime in some time, and its cast is full of colorful characters (as all good adventure casts should be). Fena Houtman is a serviceable protagonist, handling the transition from captive princess to Campbellian hero with a mix of grit and introspection, but it’s her band of boisterous Japanese pirates that commanded my attention during the double-length premiere. I can see them getting on my nerves before long, but assuming the show has plans to slow down and dig into their personal histories, I’ll eventually be free to enjoy their antics alongside strong character designs and fighting styles. The story hasn’t taken shape yet, so I’m hoping for some good standalone episodes in the coming weeks to take advantage of studio Bamboo’s varied backgrounds. “Hoping for” is the key phrase there, as confidence in a modern Nakazawa work requires plenty of hope, but I’m willing to follow along for now.

Shinigami Bocchan – 08

Amun: Shinigami Bocchan has been my dark horse of the season. With many of the other shows faltering, this adorable quiet romance has kept plugging away at the admittedly difficult problem of getting our Count Death a girlfriend. I’ve been very pleased with the witches developing into actual characters, and we’re starting to see the edges of the family structure. Episode 8 is probably the best outing yet, with a flashback to what our sad boi was like before Alice arrived. Two key lines from this episode also imply that Mother isn’t the cruel parent the OP makes her out to be: his younger brother (with a hilarious second complex) says that their mother hasn’t given up yet, and Rob says Alice was sent by the lady of the house. Why would an uncaring mother send in the only known “friend” to her son? Who also seems to have witch connections through her own mother? Methinks there’s more than meets the eye here – seems like Mother has plans of her own to solve this problem. Which likely will turn out to be the power of love (“He’s cursed to never love or be loved”) – a bit predictable, but it’ll be a pleasant journey nonetheless.

Continue reading “Summer 2021 Weekly Summary – Week 8” →

State of the Season – Summer 2021

by SuperWooper, posted in State of the Season

Mario: This surely is one of the sparest seasons in recent memory. Ironically, with the current lockdown in my city, I managed to touch base with all the goods of this season in the last few days and truly attained the life of a shut-in (hey, it’s not that bad). There’s only one show that I consider a standout of the season so far, and even that show is divisive amongst the writers. On the whole, I’d say that this season serves as a perfect opportunity for all of us to slow down and catch up with our backlogs. Read on to find out what we think about the summer season at the halfway mark (and be sure to check out the new release of Fena: Pirate Princess, which is rolling out at the time of this writing).

What show are you enjoying that you’re not reviewing?

Wooper: Heion Sedai no Idaten-tachi. Its stylized violence and daring use of color combine to create a one-of-a-kind viewing experience. Even if the story is unlikely to go anywhere interesting, the episodes themselves are never boring, since the show restlessly experiments with its own presentation.

Lenlo: I’m rewatching Hajime no Ippo and that’s been a good time, but that’s about it. Nothing this season is really popping out or inspiring me, and with old favorites like MHA getting screwed over for their movies it’s just not a good time to be me.

Mario: It’s Sonny Boy & Heion Sedai no Idaten-tachi vs. the rest for me so far. We will talk more about Sonny Boy below, so allow me to sing Heion Sedai’s praises. For me, it’s a perfect marriage between the old style and the new. The slapstick nature, the simple character designs and even its premise bring you the feel of old Dragon Ball adventures, but the show updates it with vibrant colors and fast-forward tweaks when it comes to info-dumping. All that makes it a fun and memorable watch.

Amun: Mairimashita! Iruma-kun, Hamefura, and Slime Isekai are carrying this season for me.

Continue reading “State of the Season – Summer 2021” →

Summer 2021 Weekly Summary – Week 6

by Amunchet, posted in Weekly Summary

Love Live! Superstar!! – 1

Wooper: After holding out for a good eight years, this was my first time viewing a Love Live anime, and wouldn’t you know it, my cognitive functions are none the worse for wear. It did feel a bit like watching a commercial, but I’m so old and grumpy that the majority of anime gives me that same feeling. It was a well-made commercial at least, with some of the prettier backgrounds I’ve seen this season, full of springy greens and sakura pinks that somehow managed to coordinate themselves with main character Kanon’s orange hair. Kanon is the main reason I enjoyed the episode as much as I did – she’s occasionally moody and defiant, as befits her age, but she overcomes those emotions to help a new friend whose idol ambitions might otherwise be crushed. There was a real connection between the song of the week and Kanon, who authored it years ago but wasn’t able to perform it until now due to stage fright. The episode’s direction highlighted both her fear and her brash personality by mixing up its framing, putting her off to the side in some shots and front and center in others. Visuals, music, emotions – they all worked harmoniously in this premiere, so I’ll hope for the best and pick up Superstar as soon as it returns from its Olympic hiatus.

Heion Sedai no Idaten-tachi – 4

Wooper: Hot damn, this series is on a roll, at least in aesthetic terms. Background characters are still well-drawn, fight scenes are stuffed with flurried fists and elemental beams, and color design pushes the envelope but always manages to create a few standout moments per episode. This week my favorite sight was the shot of demigods Ysley and Paula walking on the seafloor to avoid detection from enemy submarines. Would a trip to the bottom of the ocean be as colorful as Idaten made it out to be? No way, but stylish exaggeration is the show’s bread and butter, and I’m all for it. The story is starting to take shape, as well, with the demons moving humans about the Earth like pawns on a chess board, and Ysley doing a fair bit of manipulation himself. The series’ primary concerns are still carnage and mayhem, as evidenced by the three showdowns promised in this week’s cliffhanger, but with Prontea’s introduction and Maou-sama receiving a new body, the cast is slowly getting beefed up in preparation for something bigger. If that future looks anything like the show’s present, I’ll gladly stick around to see it realized.

Re-Main – 5

Wooper: Re-Main is turning out to be the little sports anime that could, sort of like last year’s Taiso Samurai. That one ended up belly flopping in the second half, and there’s a very real chance that Re-Main could do the same, since they’re similarly mediocre at depicting their chosen sports. But they have the same strength, as well: telling offbeat stories to further our understanding of their characters. This episode’s oddity was the reveal that Eitarou had fabricated his past friendship with Minato, whose missing memories made it impossible for him to spot the other boy’s lies. Re-Main has continually surprised me by keeping Minato’s amnesia relevant from week to week, rather than using it as a one-and-done reset button, and this was one of its best applications yet. Frankly, I wish this story had been a little gayer than it was on the page – Eitarou strikes me as the type, and the methods he used to befriend his water polo idol seemed more than athletically driven, at least to me. In any case, their confrontation at the shrine featured some strong layouts, and their subsequent reconciliation was solidly written. Having cleared the landmine of Eitarou’s potential resignation, the team is still together – let’s hope their next match goes better than their recent 18-0 defeat.

Great Jahy – 02 [DROPPED]

Amun: My enthusiasm for the great Jahy proved short-lived. Truthfully, I haven’t even finished this episode – I gave up about halfway through. My issues: all the wrong lessons were learned from the spiritual predecessors of this show. Basically, the central character needs to be a demon in name only – there needs to be redeeming qualities and humanity present. Jahy is completely missing that – I do not like any of these characters, even remotely. This introduction of the previously abused underling, now living the high life does nothing for me. At least Dropkick my Devil was funny (and not really mean-spirited). Jahy is just…lacking an identity. It can’t even decide if the service should be type A or B…I’m done.

Summer 2021 Weekly Summary – Week 5

by Amunchet, posted in Weekly Summary

Vanitas – 05

Amun: (Sorry, sorry, I know I’m not Armi). Vanitas this week was worth talking about – and how it’s faring as a vampire show overall. Vampires are a genre I’d love to see a resurgence after quite a few uneven showings in the last few years. The genre’s cornerstone – Hellsing – is unlikely to be replicated as the successors, like inferior offspring, fall into several traps: excessive brain-dead gore (Hellsing Ultimate), failed humour (Blood Lad), a confused zombie show (Shiki), or a monsters ensemble – which is not actually a vampire show at all (Kekkai Sensen, Monogatari series). Proper vampire shows are still around – Mars Red from last season was a decent attempt that tripped on its own feet halfway through. Vanitas so far has a great setup and a superlative twist – vampire and vampire hunter team up to defeat the threat…only it’s not a vampire hunter, it’s actually a vampire doctor. The bloodsuckers, so often the perpetrators, are the victims here – this isn’t human vs vampire, it’s a complicated world of humans helping/hurting vampires who are helping/hurting each other. That’s an excellent premise. How’s the execution? 5 episodes in, my verdict is: good! Noe is a surprisingly interesting viewer vehicle – he clearly has his own demons and is certainly marching to his own beat. Vanitas is what anti-heroes should be: not complete scum without a single redeeming quality, but a flawed person with good intentions and complicated motivations. The villain is sufficiently spooky and the supporting cast fleshes out well enough – I’m really quite pleased so far. I think this episode also had a great use of violence for a purpose instead of just for shock-value – you really feel Noe’s personal involvement with curse-bearers. Vampire shows are going to be a bit rough on the viewer, but that’s the nature of the genre, and I think so far – Vanitas has handled it excellently.

Continue reading “Summer 2021 Weekly Summary – Week 5” →

Summer 2021 Weekly Summary – Week 4

by Amunchet, posted in Weekly Summary

My Hero Academia – 105

Amun: (Side note: reactions are too hard – I might do them again at some point). It has been a while since I wrote about My Hero Academia, so I thought I’d check in on Midoriya and the boys (no, that’s not a figure of speech, it’s pretty much just Midoriya, Todoroki, and Bakugo this season representing UA). Episode 105 – “The Hellish Todorki Family” – is an example of what I’m calling “sledgehammer precision painting.” What I mean by that – in any 13 episode anime, Todoroki Shoto’s character would have the subtlety of well…a sledgehammer. Over-talented, rich kid with daddy issues – wow, so brave. However, even a sledgehammer can paint fine lines if the canvas is the size of a skyscraper – MHA with its seemingly unlimited seasons has developed first-glance straightforward characters (Endeavour, you’re in there too) into an interesting story that grapples with real problems. I’m not saying it’s subtle – but it works given the huge body of work this anime’s produced. I think these depth-giving stories for the supporting cast is also important, since Midoriya’s quest to get stronger and fight worse villains isn’t going to keep us going for another hundred episodes. Also, props to Bakugo for getting Mapo Tofu – I love that stuff!

Continue reading “Summer 2021 Weekly Summary – Week 4” →

Summer 2021 Weekly Summary – Week 3

by Amunchet, posted in Weekly Summary

Amun: Hello! I’m your new weekly summary host, Amun. I’m going to be trying a little something slightly new: adding reactions to each episode we watch for the week. So without further ado, how’s the season going so far?

Re-Main – 2

👏Wooper’s welcoming!👏

Wooper: There was no third episode of Re-Main yesterday due to a scheduling conflict with the British Open, though I doubt too many Western fans were put out by the change. This series is years behind modern hits like Haikyuu in terms of its obvious character types and occasionally jarring comedy. It’s still out here dangling a cute girl in front of its male lead for motivation like a 90s sports anime, for crying out loud. Re-Main doesn’t know that we’re living in 2021, but I wish I didn’t either, which might explain why I’m somewhat fond of it. The amnesiac protagonist trick might be an obvious ploy to create an audience surrogate, but Minato has a great attitude nonetheless. His fun-loving personality and desire to help others are balanced by self-doubt and resentment that people expect so much of him in the wake of his accident, creating a character (and a storyline) that are enjoyable to follow. The other water polo boys are much shallower by comparison, but the quick montage of their histories near the end of the episode read like the show’s promise to explore each of their motivations in turn. I doubt any of those explorations will match Minato’s, but as long as the attempt is wholehearted, it’ll fall nicely in line with Re-Main’s scrappy retro spirit.

Continue reading “Summer 2021 Weekly Summary – Week 3” →

Summer 2021 First Impressions: D_Cide Traumerei, Deatte 5-byou de Battle, Night Head 2041

by SuperWooper, posted in Some Quick First Impressions

D_Cide Traumerei the Animation

Short Synopsis: Handsome fighter fights some hands.

Mario: I’m most forgiving of fully-3D shows compared to the rest of the writers here, so I tend to be in favor of Sanzigen’s products, no matter how off-putting they look. D_Cide looks solid as I’m in tune with its aesthetic, and occasionally its use of color looks impressive to me. What I’m not sold on at all is the story, as so far it’s nothing to speak of. The main character jumps between dreams and reality – an intriguing plot in its own right – but sadly the show uses it more as a plot device to bring him to battle with CG monsters. The only storytelling beat where I feel the show gets it right is when our protagonist practices kick-boxing before all this happens. That scene speaks to me as I can see his personality right there, making his grief for his brother’s passing part of his routine, while at the same time foreshadowing his ability at the end. His war cry of “KNOCKER UP” kills the vibe a tad bit, but as things stand I am willing to give the show a few more episodes.

Potential: 30%

Wooper: Of all the stupid battle-oriented CG anime I’ve sampled over the years, D_Cide is among the stupidest. To provide a bit of context, I can’t decide whether it’s better or worse than this season’s Scarlet Nexus, which was terrible in its own right. Everything from the main character’s scalene triangle earring to the female characters’ overwrought designs to the good guys’ combat titles (Knocker-ups) are dumb with a capital “D”. The only thing I liked about the story was the main character’s martial artistry, which provides some insight into how he processed his brother’s passing – taking his departed sibling’s passion and making it his own. That fighting style is carried into his Knocker-up form, allowing him to punch giant hand monsters right in their smug zipper mouths. Those scenes are about as nonsensical as they sound, and the show’s flirtation with dreams and portals will surely muddy the waters as D_Cide progresses. Between its strange mishmash of visual ideas and its relative lack of interest in character building, there’s not a lot here to hope for. When the best thing about an anime is the ten second piano/guitar lick at the start of the OP, you know it’s a skippable experience.

Potential: 10%

Deatte 5-byou de Battle

Short Synopsis: A lone gamer dies and is summoned to a Gantz-like world for a battle royale (I made it sound more interesting than it really is).

Lenlo: I don’t know if I like Deatte or if it’s just one of the least-bad things I’ve seen so far this season. Visually it’s a mess. Deatte can’t seem to figure out how people move, how objects interact with each other or that desks don’t just fall through people. Meanwhile the characters are about as shallow as you would expect from a “death battle with super powers” style anime. Maybe some fun will be had with our borderline autistic MC who has no emotions and can’t view the world as anything other than a game, but I doubt it. No, the only value in Deatte will come from how interesting it can make its battles. The MC’s power is actually rather clever and I think if utilized well it can lead to some fun mind games. There issue there though is that I have 0 faith in Deatte to be able to avoid bullshiting its own system. For now though I can at least give it the benefit of the doubt in this drought of a season, and listen to some… interesting (?) cat girl voicework along the way.

Potential: 10%

Mario: If there’s ever been a subgenre that I don’t give a damn about, it’s Death Games. The premise for these kinds of shows is simple: you need to clear several missions, or you’re dead. While they provide many fun twists and turns, they suffer in almost every other arena. The characters are cardboard cutouts. The story runs on game logic, and has plot holes and inconsistencies all over the place. The lead boy is charmless and even unlikeable. The same extends to the whole cast and even the cat girl who pushes the boundaries of annoying voicework. Deatte 5-byou is a good example of all the ways this subgenre can screw up. It’s a silly premise with an empty cast and mediocre production. No reason to revisit this one.

Potential: 5%

Night Head 2041

Short Synopsis: Psychics time travel to a futuristic post-WW3 city and go up against a team of cyberpunk super soldiers.

Armitage: Apart from having a title that can be easily mistaken for a hentai doujin, this show doesn’t do a whole lot more to stand out. Still, it’s just the absolute mediocrity of this season that had me getting some sort of enjoyment out of its runtime. The premise is right out of a 12-year-old’s fever dream but apparently the writer who came up with that storyline forgot to think about any characters who would carry said story. That’s why most of the characters end up feeling stiff CGI caricatures simply present to list out names and motivations of other characters, most of whom never even get introduced during the premiere. The writing in general is very obtuse and expository and might very well alienate its target audience. The one positive is definitely the setting. “That’s cool and all, but make it cyberpunk” seems to be the new narrative model of late when it comes to entertainment media but thankfully Night Head 2041 does seem to get the environmental ambiance right most of the time. The CGI while still very noticeable doesn’t look nearly as bad as Ex-Arm. So that’s… good. I guess?

Potential: 35%

Lenlo: Night Head is a weird show. Visually it’s all over the place. The CGI characters, as CGI does in Japan, look stiff and lifeless 90% of the time. Meanwhile the backgrounds and general aesthetic of the show look quite nice! The lighting and diffusion, backgrounds, some fun camera shots/movements that can’t easily be done in 2D. Night Head was clearly envisioned as 3D from the beginning and makes use of that but is limited by the CGI anime pipeline. On the story side of things I think it’s… fine? It’s basically the X-Men, which I’m down for. But I’m unfamiliar with author George Iida’s other works, so I don’t know how it will pan out. For now though I’m curious enough to give it a shot, if only to see what the director can do in his debut.

Potential: 20%

Summer 2021 First Impressions: Shiroi Suna no Aquatope, Tsuki ga Michibiku Isekai Douchuu, Meikyuu Black Company

by SuperMario, posted in Some Quick First Impressions

Shiroi Suna no Aquatope

Short Synopsis: A failed idol and an overworked highschooler collide in a quiet, mystical…aquarium?

Mario: Ahh P.A. Works, how conflicted my love for you. Watching Aquatope, I have two conflicting trains of thoughts toward it: as the quality of the episode itself, and as an input towards the studio’s canon. As far as the former goes, they deliver an overall excellent episode. There’s an air of melancholy from the way the main character navigates this new world, or to be more exact, runs away from her own that I found believable, and the two main girls’ interaction so far sparkles with great chemistry. On top of that, it’s these side characters (don’t know if they reappear) that the main girl interacts with steal the scene they are in – special shoutout to the cheeky fortune teller. On the flip side, however, Aquatope has the same “feel” as P.A. Works other works, and the fact that most of their works start out strong, then crumble in the last half (last year’s Kamisama, the director’s last effort’s Irozuku just to name a few) doesn’t bring me much confidence in this. I’m afraid this is gonna be another case where there’s little plot to move forward, so the characters retreat to the variations of the same themes. Time will tell on that front, but my point remains that I keep my expectation reasonably medium so that it won’t let me down, hard, like their previous efforts.

Potential: 60%

Amun: I like most P.A. Works projects – well, more accurately, most of each P.A. Works project – and Aquatope is a welcome sight for sore isekai eyes this season.  This episode looked great – wonderful settings, great atmosphere, just a wholly enticing package.  I would be incredibly hopeful….except we just had Kamisama ni Natta Hi start exactly like this.  However, I’m seeing parallels to the more successful projects with the characters here – so far, it’s a pretty tight crew.  That’s good.  There’s also some mystical nonsense taking place – that’s bad.  Director Shinohara worked a good amount on Hanasaku Iroha, and I feel a very similar vibe from this opening, so there’s some real potential here.  Plus I’m enough Japanese to feel spiritually connected to fish and the ocean, so I’m really this show’s to lose here.  Come on Aquatope, you can do it!

Potential: 75%

Tsuki ga Michibiku Isekai Douchuu

Short Synopsis: Highschooler gets reincarnated into another world in Isekai’s latest shallow attempt at humorous meta-commentary on the genre.

Lenlo: Let’s be honest: This is just a crappy Konosuba/Cautious Hero/”Insert Isekai Deconstruction here”. Like these other shows Tsuki wants us to believe it’s different. That it’s aware of the tropes, that we are all in on the joke and that by acknowledging that fact we can all laugh at the meta-humor that is Tsuki’s main shtick. But like the rest of these Isekai Tsuki fails to realize that acknowledging the tropes and the jokes is not the same as deconstructing them. There are still levels, the MC is still powerful, there’s still a harem/waifu’s, etc etc. Tsuki falls into all the same traps on purpose but fails to do anything remotely interesting with them. Instead it approaches all of them with an on the nose and obvious sense of humor. And if you ask me? The humor sucks. There is nothing in Tsuki that you haven’t seen done better before. I don’t even like the other shows I listed here but at least they had the novelty of trying to do it first.

Potential: Watch anything else instead.

Mario: There are two contraction ideas that run through Tsuki isekai’s first episode that kind of negate each other’s power: that the show is meant to be a parody of the genre so it has the main boy character who can predict what will happen to him (mostly off the mark though), but at the same time, it sticks by the rules conveniently (as much as he proclaims otherwise, he’s still OPed as heck). The fact that despite all these it remains funny kind of speaks to its strengths. The satire humor is present there, where our man serves as a straight man that serves as good foil against his mean Goddess, the Dragon and the situation he ends up with. Should he remain helpless and have no clue how the new world works, it would bring something more interesting to the table. The ability he acquired – that he can speak other races’ languages – is interesting but yet to reach full potential. It’s a better isekai (which admittedly a low bar to begin with), and potentially a better show out of this underwhelmed season.

Potential: 30%

Meikyuu Black Company

Short Synopsis: Financial-bro gets reincarnated and has to do manual labor.  

Amun: So this is a strange trend I’ve noticed gaining some traction: anti-heroes.  Not like “shades of grey” – no, these are just terrible human beings who we have to follow around for a story.  Sometimes, it’s funny.  Last season was Sentouin, Hakenshimasu! which had a few bright spots.  No such luck with Meikyuu Black Company – this is a drab 20 minutes.  Animators’ wrists were worn for the creation of this.  Can you believe that?  They could have done another season of Heaven’s Memo Pad (never going to give that up), but nope – we get this instead.

Potential: Please make it stop.

Armitage: Okay, yeah. This is bad. This is Isekai satire done so black that its stains never wash off. Or at least I think it’s a satire? Though I might very well be giving the show too much credit because on face value, this is a story focusing on a downright hateable character. The protagonist, a self-made, high-functioning, multi-billionaire NEET feels like he’s always looking down on everyone including the audience. Instead of trying to make him stand out as much as possible the show goes so over the top with his mannerisms and monologues that it makes you want to quit watching this premiere after 5 minutes of maniacal screaming. But I am a professional who does her job judiciously, so I stuck with it to the bitter end. See, lovely reader? This is the kind of thing we put ourselves through so you don’t have to.

Potential: Advil needed.

Summer 2021 First Impressions: Kobayashi-san’s Dragon Maid S, Seirei Gensouki, Isekai ni Tsukurou Drugstore

by SuperWooper, posted in Some Quick First Impressions

Kobayashi-san Chi no Maidragon S

Short Synopsis: A programmer and her live-in maid are threatened by a bizarrely proportioned interloper (who gives Kobayashi-san an unexpected package).

Wooper: You can’t keep a good studio down, and with all the dirt we’ve learned about the anime industry in recent years, Kyoto Animation might be the only good studio left in the game. Their TV comeback would be worth celebrating no matter what form it took, but thankfully it took Dragon Maid form – the sequel to my favorite recent show of theirs. The changes in series and art directors didn’t stop this episode from looking fabulous, from well-timed comedic gestures to meticulous background design to the effects-heavy dragon duel during the second act. My favorite part of this premiere had to be Tohru’s employment at a maid cafe, as it made excellent use of her personal pride and high-energy temperament. Everything to do with newcomer Ilulu is where I’m more mixed, and not just because her aggressive attitude threatens the series’ trademark domesticity. It’s more that her tire-sized tits and pubic pranks mark her as an obvious conduit for the author’s fetishes, which aren’t exactly up my alley. I have faith that her interest in Miss Kobayashi will eventually exit the sexual realm, but it’s hard to get too hyped for the rest of this season when a prominent new character seems intent on perverting as much of it as she can.

Potential: 70%

Amun: If you’re not cheering for KyoAni to get back on their feet, then you’re not an anime fan. Period. And what better show to do it with than the warm and fuzzy, feel-good story of Miss Kobayashi’s Dragon Maid? A wholesome show of the everyday-life interactions between a powerless human and her ridiculously overpowered, but platonically playful, live-in dragon maid. Well….that was the plan anyways until a busty, pants-less loli shows up and causes our heroine to grow a new member. I’m sorry, what?! Everything else was fine – this first episode looked gorgeous, the fight scene was great, nice reintroduction to all the dragons around town….but yeah. I just foresee this going down an oddly specific route, and that’s not necessary – service didn’t make the first season succeed. Honestly, I’m a little upset – there’s just no need to do that and ruin a perfectly good thing (that’s what Miss Kobayashi said ^_^). I’d even say this was the best slice of life setup currently airing. Most seasonal watchers are counting on Kobayashi-san to carry as one of the few tent poles this season, but suddenly I’m concerned about the only show I thought was a guaranteed win.

Potential: I don’t even know.

Seirei Gensouki

Short Synopsis: I forgot so I had to google it – some generic isekai, childhood friend, magic, torture, revenge crap.

Amun: Man, Wooper had his old man rant in the last post – at that point, this season had still not broken me. After watching Seirei Gensouki, that all changes. It’s as if the creator thought “if I pour every component of every isekai into one, surely it will have a soul.” Friend, that’s actually a homunculus, and FMA – an actually good show – discussed how that all turns out. Seirei Gensouki is just regurgitated garbage with new characters, old plotlines that we’re supposed to care about – despite seeing these tropes many, many times – in fact, there are better versions this season. Despite that, there’s at least one fan – and they’ve written a tremendous character summary on Wikipedia. Not that it entices me to watch the show, but wow, someone cared enough to type all that out. Maybe I should take up golf as my hobby instead…

Potential: Get off my lawn

Armitage: See, there’s ‘MC getting into an accident and waking up in a fantasy world’ and then there’s ‘a whole moving bus being side-rammed by a ZOOMING FREIGHT TRAIN and the MC still waking up in a fantasy world’. And since the latter does happen in Seirei Gensouki, it’s one of the first signs that just mayyybe, this isn’t a very subtle show. But you know, first impressions can be deceptive. Let’s give it a fair shot. So, our protagonist needs to protect the female lead who was his childhood friend? Well, sure. We need to give the audience something to relate to, obviously. What’s that? He also needs to take revenge for his mother?? Oh, uh, okay. Guess he’s a savior-of-all-women type. Sure… Huh? What’s that you say? He’s also an immigrant (a term defined in the MC’s own words as someone who “lives in slums and wears dirty, tattered clothes”) and named after the most famous city in South America?! Um, just try and be somewhat careful of the ground you’re treading on her— and we now have the immigrants massacred. So, the boy gotta take revenge for that too. Brilliant. Remind me when the aliens show up to teach our MC time travel, will ya?

Potential: Generic isekai trash: Model #242

Cheat Kusushi no Slow Life: Isekai ni Tsukurou Drugstore

Short Synopsis: Unnecessary isekai about a drug store.

Amun: Ah, instead of Isekai Restaurant simulator, we get Isekai drugstore simulator. Oh, so it’s going to be like that Monster Musume Doctor show? Wait, there’s only 3 characters? And they were designed in Microsoft Paint? Also, what’s up with the love of energy drinks? Last season’s second slime isekai (no, not the good one) had an energy drink vendor there too. Oh there’s a dog-girl…I feel as if those have supplanted cat-girls. I also really enjoy watching like 5 minute meltdowns of characters I just met. You know, this show isn’t funny – this is some uncomfortable emotional trauma. By the way, these are actually a bunch of shorts bundled into a full time slot. Hey look, it’s over. I hope reading this meandering paragraph convinced you never to watch this show.

Potential: 0%

Mario: Some would argue that Drugstore Isekai is unassumed and relaxed, for me it’s just lazy. And it’s funny how watching the entire first episode I still don’t get where the “Cheat” in the title came from, guess I’ll never find that out anymore (they missed their chance to call it Drugstore Cowboy!!!). Like any generic isekai, our transported protagonist has it a bit too easy – by the time the episode begins, he’s already famous to the point that every villager compliments his products as “delicious” – weird considering it’s medicine he’s selling. Then there’s the shameless fan-service as he already has cute animal girls working for him, causing me to shrug when I saw half a dozen other girls lining up in the OP. The show tries hard to please people – to put audiences into their comfort zone, but it’s just too broad to leave any lasting impact. It might put viewers to sleep, though, and if that’s the goal, it does its job miraculously (or is it his “delicious” potions at play?).

Potential: zzz

Summer 2021 First Impressions: Getter Robo Arc, Tantei wa Mou Shindeiru, Genjitsu Shugi Yuusha

by SuperWooper, posted in Some Quick First Impressions

Getter Robo Arc

Short Synopsis: An irradiated human being teams up with a part-dinosaur pilot to defend Earth from an alien invasion.

Wooper: Arc is the fifth installment in Ken Ishikawa’s Getter Robo series, starring the son of a major character and a pilot from the original series who now plays the role of brilliant scientist. You need some prior Getter knowledge to make these connections, but they aren’t vital to understanding what’s going on, because what’s going on is simple: aliens are attacking, and they have to be stopped. There’s a crudeness to the art in this new series that makes it look like a cheap Saturday morning cartoon, but it’s synergistic in a way – most of the characters are the rough-and-tumble sort (especially Takuma), and the ruined future where the series takes place doesn’t exactly require a polished rendering. The biker gangs and junkyard mafias who populate this new Earth might have some facial features out of place, but since their faces exist to get punched, that’s no big loss. Even the CG used for the Getter mechs is a step up from what we saw in the original PV. It’s weird to see Ryoma’s son say that something looks “jank as hell,” but liberties in translation aside, Arc is still the Getter you remember – for better and for worse.

Potential: 50%

Mario: I honestly wasn’t aware of the Getter Robo franchise before watching this, but the old-school artstyle and designs and its epic battles remind me a good deal of Giant Robo. Had it stuck to the “old-school” all the way, the episode would fare much better than this. One of the first issues with Getter Robo Arc is that the obvious CG alien design doesn’t mesh very well with the rest of the story. It feels as if we are watching two different shows altogether. The second issue lies in its pacing. The show assumes the audience has basic knowledge of the characters and their abilities beforehand (I presume?), because it proceeds almost incomprehensibly. Many things are unclear: the main characters’ relationship is unexplained, the reason why they have to fight the aliens is never explained, and what the heck is the mecha that they pilot? All these make it a premiere that is epic in concept, occasionally interesting to watch, and totally unattached when it comes to emotional connection. Too bad!

Potential: Too bad!

Tantei wa mou, Shindeiru

Short Synopsis: An extremely unlucky middle schooler is conscripted into being a now-deceased detective’s assistant.

Armitage: I must really be losing my ability to overlook how juvenile LN writing can be at times because I lost count of the number of times I rolled my eyes at the screen in this premiere. The fact that it was an hour long special didn’t help its case either as so much of it felt like needless padding. The show tries to make its lead into a “quirky” detective with deadpan quips like she’s the anime embodiment of RDJ from those sub-standard Sherlock movies, but it just doesn’t work. The very few times I laughed during most of the runtime, I was left wondering if it was a joke that the characters played off as or were they being deadly serious?? And most of the time, they are being deadly serious. This is a show that makes you feel dumb by pretending to be wayyy smarter than it is. While in reality, it’s kind of a poor-man’s Elementary with almost none of the charm. Either way, I personally would not be watching any more of it.

Potential: 15%

Amun: Ah. This is familiar ENGI studio fare. If you’re worried about the opening quality – you should be, it’s a bad sign. I see all the hallmarks of animation overambition and shortcuts to try and make it work. The result is an almost passable episode that I have no faith in going forward. I will say that the premiere itself was handled pretty well in terms of direction and adapting sub-par source material. The dialogue didn’t drag on like in the manga and the banter was halfway decent. The problem is the chemistry between the leads will be entirely gone next episode as, well, the detective is already dead. I’m normally pretty optimistic, but this is a sinking ship, no two ways about it.

Potential: 30%

Genjitsu Shugi Yuusha no Oukoku Saikenki

Short Synopsis: High Schooler who read half of “The Prince” is better at ruling a country than a 13th generation monarch.

Amun: (I will not mention Amagi Brilliant Park, I will not mention Amagi Brilliant Park…). So I have actually read some of the source material here…and truthfully, it was better than this premiere. I mean, it didn’t really make sense in paper form, and it sure doesn’t make a lot of sense in moving pictures (what on earth does finding a family have to do with running a country?). That said, this should be pretty hard to screw up – a studious, overly serious Japanese man brings order to a bunch of idiots and accidentally gets a harem on the way. You won’t win any points for originality, but there are worse ideas for a show (like, this season. There are worse ideas this season). It doesn’t look that bad either – some of the character designs have some rough moments, but overall I think this level of quality should be doable for thirteen episodes. The bar is just set so low, that I think if it can manage this level of animation and maybe a slightly more interesting plot (just throw new characters at it, it’ll be fine), then I’ll see this one through. Goodness, this season is terrible.

Potential: 60% (any other season would be 20%)

Wooper: Do you all ever stop and think about the consequences of all these isekai adaptations for anime fandom as a whole? Most people who still read text blogs are on the older side, meaning we formed an image of what anime was in our youth, but there are thousands of kids coming to anime every day without any such preconceptions. They’re not going through the Toonami gauntlet or watching whatever gets dubbed in their native language – they’re typing “watch anime” into Google, settling on the most operable pirate site they can find, and clicking on whatever looks cool. And really, what’s cooler than a thumbnail of a normal-looking guy surrounded by cute girls in appealing fantasy outfits? What choice could be safer than a show whose title makes it sound like a gamer’s dream? For some of these teenage newcomers, this subgenre is not just a corner of the anime market; it’s the cornerstone of their pop culture diet. Ask them what anime is, and once you get past its country of origin and general aesthetic, words like “reincarnation” and “summoning” are likely to crop up. There’s a potential future out there where isekai supplants shounen as top dog, which would result in a lot more Genjitsu Shugi Yuushas – and given how unspeakably dull this one was, I’m not eager to see that future realized.

Potential: None for me