Spring Season Preview

Incidentally, this is my 1600th post, so I thought that it would a good time for the upcoming spring-season preview, and the line-up is looking quite interesting. There are a lot of science-fiction series, and no hentai-game adaptations at all. That’s probably the first since years now. Apart from that, Gonzo and Production IG both have three series to come out, and there are relatively few garbage-looking series. I can’t wait till April starts. 🙂

+ Not Really Looking Forward To +
Kanokon

Summary: Kanokon`s story revolves around Kouta Oyamada, a young first-year high school student who moves from the country to the city and thus transfers to Kunpo High School. On his first day at his new school, a beautiful second-year female student named Chizuru Minamoto asks him to meet her alone in the music room. When he arrives, she reveals her that she is in fact a fox deity and from that day on the two hang out together. Nozomu is a first year female student at Kouta`s school, she is in fact a wolf deity and in love with Kouta, and a rival of Chizuru for Kouta`s affections. – (Taken from AniDB)
Thoughts: The promo-art features the main guy who has his head stuck in the well-endowed bosom of the lead girl. That can’t be a good sign, can it? A fox deity in love with the main character? Come on, please.

To Love-Ru

Summary: The story is about Yuuki Rito, a high-school boy who cannot confess to the girl of his dreams, Sairenji Haruna. One day when coming home and sulking in the bath-tub a mysterious, nude girl, appears out of nowhere. Her name is Lala and she comes from the planet Deviluke, where she is the heir to the throne. Her father wants her to return to her home planet so she can marry one of the husband candidates, but she decides that she wants to marry Rito in order to stay on Earth. Commander Zastin has been ordered to bring Lala back and has already battled Rito. He reports to the emperor that Rito would be suited to marry Lala, after hearing Rito say that marriage is impossible unless it is with the person you love (Rito was actually defending himself but Zastin and Lala thought he was defending Lala). With this speech, Lala truly falls in love with Rito and decides that she wants to marry Rito. Her father decides that, if Rito is able to protect Lala from her fiances, then he can be her fiance, but if Rito cannot protect Lala from her other fiances, Lala`s father will kill Rito and destroy Earth. – (Taken from AniDB)
Thoughts: Well, this is going to be interesting. [/sarcasm] How many series where the main guy gets to be the boyfriend of a princess of a princess of a country do we have anyway? The director also probably won’t be of any help, seeing as he’s behind the numerous Rockman-series and Busou Renkin, although he did direct Overdrive as well.

Zettai Karen Children – (new)

Summary: It’s the 21st century, and the number of ESPers continues to increase. They are active in the military, diplomacy, politics, and in other places. They hold the key for global competition. A country that controls ESP can control the world! However individuals who posses higher that Level 4 are less than 3% of the population. There are only three Level 7 people who have government contracts. These three are Kaoru, Aoi, and Shiho, ten-year old girls, who work for B.A.B.E.L. With the guidance of Kouichi, a twenty-year old genius, they catch criminals and evil ESPers.
– (Taken from Manga-updates)
Thoughts: At first look, this may hold potential, but upon further inspection it quickly becomes clear that this is a rather pointless series, which yet again gives a bunch of kids superpowers to bust up bad guys. The director will be the guy from Moetan and Getsumen to Heiki Mina, so I don’t see this one having any chance of success.

Monochrome Factor

Summary: Akira Nikaido is a typical slacker high school student who thinks he has a normal life–until a mysterious man called Shirogane appears and tells him to meet him at the school that night. He is sceptical but goes anyway…and gets attacked by a shadow monster! Shirogane convinces him that the balance between the human world and the shadow world has been distorted, and that Akira must become a shin–a creature of the shadow world–in order to help restore the balance. – (Taken from Baka-updates)
Thoughts: Well, nothing special here, just your ordinary shounen-premise from the creators of Loveless and Robby to Kerobby. The only interesting series in their repertoire seems to be Chrono Crusade, but I’ve never seen that one.

Nabari no Ou

Summary: Rokujou Miharu was a seemly reluctant junior high student living in his own world. However, within him, lurked the ultimate power of Nabari, “Omnipotent”. To possess such supreme weapon, the Wolf Pack of Iga swore to bring Miharu back to Iga village. On the other hand, Miharu’s English teacher, Kumohira sensei, and classmate, Kouichi, were the Banten ninjas whose mission was to protect Miharu. A war waged over the ownership of “Omnipotent” thus started. To survive, Miharu must enter the hidden world Nabari, to become the king. – (Taken from AniDB)
Thoughts: Well, the title is a bit less subtle than Shion no Ou. In this case, the main girl just wants to become the ‘king’ of Nabari. It also doesn’t help that she’s voiced by the ever-squeaky Rie Kugimiya and directed by none other than the director of Yugioh. Seriously, setting all of the other cast-members aside, can something good really come from him?

Neo Angelique Abyss

Summary: See below
Thoughts: Oh god… not another one. XD For those who don’t know, there have been two Angelique tv-series before, in 2006 and 2007. Their premise was basically take a girl, and let her meet a bishie for every different episode. I can’t believe that the premise has been so popular that a third season had to be made. I mean, the personality of the girl was fine, but the guys were stereotyped as hell, and now the creators are planning to add nine more of them (totalling up to 27 bishies in three seasons… oh god…).

Kyouran Kazoku Nikki

Summary: ???
Thoughts: No real story synopsis is known yet, but I’ve got a strange feeling that it’ll be about a certain family called Kyouran (kazoku = family, nikki = diary), with in the lead part the blue-haired girl. I’m not yet convinced, though. Comedies like this one often stay just funny for a bunch of episodes, without really standing out. The director did Chokkoto Sister and Myself; Yourself before, which neither were that funny.

+ Shows With Small Potential +
Code Geass – Lelouch of the Rebellion II

Summary: Well, the second season of the currently infamous Lelouch. It seems that he’s going to be taking on the world this time, against Suzaku after a previously unmentioned plot-twist probably saves both of them after the cliff-hanger ending of the first season.
Thoughts: One thing that’s interesting is Code Geass’s time-slot. It’s not going to be taking over that of Gundam 00, and instead it’s reallocated to five O’clock, where mostly kid’s shows take place. I hope that this’ll stimulate the creators to go for an actual plot that makes sense, instead creating an as big sensation as possible.

Golgo 13 – (new)

Summary: Duke Togo, or as he is more widely known, “Golgo 13”, is a M16 bearing assassin who will take on any job for the right price. Anyone can hire him, including private citizens and world governments. If he’s not bedding women he’s infiltrating a hostile country, waiting hours for the perfect shot in the most extreme conditions. Golgo 13 is just as adept in the urban jungle. Those who deal with him must make sure not to cross the Duke or they might find themselves the target of his rifle. – (Taken from Anime News Network)
Thoughts: I’m not really sure what to think of this one… apparently, it’s the attempt to recreate a classic manga named Golgo 13, which sounds more like a cheesy mecha-show than a show about an assassin. In any case, there will probably be lots of explosions in this series, but will there be any other substance?

Blassreiter – (updated)

Summary: Set in the near-future, in a town in Germany. There have been incidents of dead people coming back to life, transforming into “grotesque shadows”, and attacking people. Living people show up who can transform themselves into demons whenever they want. They used to be regular humans, but when they gained this power to transform, people rejected them and called them demons. But they still use their powers, each for his own reason. However, they cannot deny their fate: to fight in a deadly battle royal with others who have turned into demons. – (Taken from Anime News Network)
Thoughts: This one seems to be more like bad Gonzo, instead of the good one. So far, I didn’t see any sign to point to the opposite, and this again seems to prioritize flashy action above a nice plot and characters. Especially considering that it’s directed by the notorious director of Gantz. Ah well, at least it’ll look pretty.

Kamen no Maid Guy

Summary: Fujiwara Naeka is a typical 17 year-old high school student. Or so we thought. She`s really one of two surviving heirs of a tycoon who has the right to inherit his mass fortune when she turns 18 in half a year. Fubuki, a young and beautiful maid, and Kogarashi, a big burly maid guy with a mask, have been assigned to keep Naeka and her brother Kousuke safe from those who would plot their demise, and to steal the fortune she would inherit. – (Taken from AniDB)
Thoughts: The premise sounds crazy enough to actually work, provided that the creators don’t delve into fanservice whenever they get the chance. Unfortunately, the director doesn’t look too good, as he directed Princess Resurrection, Strawberry Panic and Saint Beast before this one. Pleaaase… don’t screw this one up.

Hoshi no Umi no Amuri – (new)

Summary: Solar wind causes an increase in skin cancer in the future, but a new race of “adapters” is born — all of whom appear to be exotically-dressed young girls, for some reason. – (Summary by Hashihime)
Thoughts: So, this is a three-episode OVA, done completely in 3D CG. It seems to be a project, mainly by the director of two shows I’ve never seen: GaoGaiGar and Brigadoon. The graphics so far look pretty interesting, but there’s also a very big chance that this will turn out to be one of those lazy moe-shows.

Wagaya no Oinarisama – (updated)

Summary: Tenko Kuugen, the thousand year old demon/yokai fox that served as their guardian god for hundred of years, able to use all sort of spells, but has a extremely mischievious personality, playing all sort of pranks, until finally the Mitsuji family sealed it up, until present day, when a situation forced them to free it, after the crisis, it quit it’s job and became the guardian god of the Takamichi family, extremely smart and curious, it was able to figure out modern world technology, and learn to blend in, but has a personalty of doing as it pleases, it’s too old to remember it’s original gender, so it has both male and female form. but doesn’t hate the Mitsuiji for sealing it up. likes the Takamichi brother and will protect them at all cost.

Thoughts: What? Another Spice and Wolf? Apparently, Wagaya no Oinarisama is translated to Our Home’s fox Deity. It’s based on a series of seven light novels, but looking at the synopsis, I can’t really say I’m eager to see this. The director isn’t really anything special. His works vary from Sky Girls and Bottle Fairy to Love Hina and Zero no Tsukaima. The series composition is done by Reiko Yoshida, who thankfully does have a lot of experience. My prediction is that this will be a nice series, but it’ll never stand out.

+ Interesting-Looking Series +
Soul Eater

Summary: Based on a shounen manga by Ookubo Atsushi serialised in Shounen Gangan. Set in the Shinigami technical school for weapon technicians, the series revolves around 3 groups of each a weapon technician and a human weapon. Trying to make the latter a “Death Scythe” and thus fit for use by the Shinigami, they must collect the souls of 99 evil humans and 1 witch. – (Taken from AniDB)
Thoughts: While the premise doesn’t really sound that exciting, do note that this is going to be animated by Bones, and the director of Ouran High School Host Club and Ashita no Nadja. Let’s hope the guy won’t make the same mistakes as he did with Ouran. Thankfully, he’s backed up by the guy behind the series composition, who worked on Gintama, Ooedo Rocket, Simoun and Full Metal Alchemist, and the art-director of Zombie Loan. Yeah… this can go both ways.

Macross Frontier

Summary: Macross F is set in around 2070A.D.. F denotes “Frontier”; “Frontier” stands for the migration fleet which is the setting of the story. The story is about the fleet`s encounters with space monsters (or things to that effect) while on its course. It is planned to be a TV series with Kanno Youko handling music, Kikuchi Kouji as director and Kawamori Shouji as general director. – (Taken from AniDB)
Thoughts: Well, the first episode aired a bunch of months ago. The graphics looked really pretty, but I remember being a little disappointed by the story so far. Let’s hope that the rest of this series will fix this.

Amatsuki

Summary: Based on the shoujo manga by Takayama Shinobu, serialised in Comic Zero-Sum. History isn`t Tokidoki`s strong subject. He`s even forced to do make-up work at a high-tech history museum to bring up his failing grades. After losing an eye to a virtual reality monster in an Edo-period simulation, he finds himself unable to leave the game. Could it be real? – (Taken from AniDB)
Thoughts: After all the serious samurai-dramas of 2007, it’s time for a more light-hearted one. Still, the director of Chevalier will be animating it, which makes two series for him in one season. It also turns out that Studio Deen will be the animation-company, so perhaps they can find something interesting with such a rather weak premise.

Nijuu-Mensou no Musume

Summary: The story revolves around a female thief named Chico, who is the spiritual successor to the Kaijin Niju-Menso (The Fiend with 20 Faces) thief character created by famed suspense and detective novelist Ranpo Edogawa. (Edogawa is a pen name for Taro Hirai; when written in Japanese family-name-first order, it spells out a Japanese pun for the name of the American suspense and detective author “Edgar Allen Poe”). – (Taken from AniDB)
Thoughts: This is one of these series where I have no idea what to expect. The director directed two shows before: Futakoi and Muteki Kanbanmusume. The promo-art looks very nice, but on the other hand I’ve never really been into phantom-thief-anime. On yet another hand, Natsuko Takahashi and Reiko Yoshida are working on the screenplay, and both are two very talented and experienced writers.

Druaga no Tou – The Aegis of Uruk – (updated)

Summary: It is said that every few years, there is what’s known as the “Summer of Anu.” During that summer, thanks to the divine protection of the sky-god Anu, all of the demons in the tower lose their power. The country of Uruk has begun an invasion of the tower in order to suppress the demons. They’ve built up positions inside the tower, with their sights set on getting to the upper levels. The Uruk army knows that this is the third Summer of Anu-a perfect time to launch a mission to suppress the monster Druaga once and for all. The army soldiers aren’t the only ones in the tower, though. An enitre city called Meskia has formed inside the tower’s first floor. It plays host not just to soldiers, but also to adventurers who have heard rumors about a legendary treasure called the Blue Crystal Rod, which is said to rest at the very top of the tower. With all these different groups in the mix, each with its own agenda, one can only guess how things will play out during this unusual summer. – (Taken from Hikari no Shiawase)
Thoughts: Now this is more like it. It’s been a while since I watched a good fantasy-adventure, and this might very well be it. Looking at the promo art, this doesn’t look uninspired, and the backgrounds look like a lot of attention was spent on it. Interesting fact: the director of Last Exile will be behind it, and even though I’ve yet to see that series, I’ve heard nothing but raves about it. But then again, he also worked on Gatekeepers and Brave Story, so perhaps I’m cheering too soon. Still, now that I’ve seen the premise, I must say that it looks very interesting.

S.A

Summary: Hikari Hanazono, the main character, has always been second to Kei Takishima. While Hikari considers Kei a rival and somewhat of a friend, Kei loves Hikari. Everyone knows this, but she is too dense to notice. Their wrestling loving fathers first introduced them to one another when they were 6 years old. Assuming that she was the best in wrestling, young Hikari challenged Kei to a wrestling match only to be thoroughly defeated by him. Ever since that fateful incident, Hikari swore to beat Kei in school grades, a sporting event – anything. To do this she has enrolled in the same school as Kei since elementary. Now she attends Hakusenkan, an ultra elite school, that costs her carpenter father a lot of money. Hikari and Kei are the top two students in the school, with Kei holding firmly to that number one position. – (Taken from Anime News Network)
Thoughts: I must say, that for a high-school drama, this seems like a solid one. But then again, Gonzo is going to be animating it, which means that the series has a high chance to be rewritten from its original manga. Let’s hope that the director is up to the task, because his only directing-experience was as assistant director of Tenpou Ibun Ayakashi Ayashi. The other people behind the screenplay and series composition are a bunch of random names, who worked on both good and bad series.

Allison to Lillia

Summary: The series will be a compilation of the two manga “Alison” and “Lillia and Treize,” both original works by Shigusawa Keiichi (Kino no Tabi). The series will take place in a country split into two factions in a 1940’s-like world, that have been repeatedly warring with each other for over 100 years. The first half will involved Alison and her male friend Treize who will set out from an orphanage in order to search for a “treasure” to end the war. The second half will take place after Alison and Will find the “treasure,” and the war ends, in an era where a united state is possible. Lilia, a mother of two daughters, as well as Treize’s girlfriend, will play an active roll in the second half. – (Taken from Myanimelist)
Thoughts: Finally another period-anime. I’ve missed them, and this one looks to be quite interesting, combining two manga together that were produced by the mangaka of Kino no Tabi. The only problem is that Madhouse will be animating them, as they’ve been quite notorious lately with their adaptations (in my opinion, much more than Gonzo), but at least the animation will look great. It also helps that the director of Mokke will be behind this series.

Kure-nai

Summary: 16-year-old Shintaro Kurenai is a Mediator – a specialist in settling squabbles between people. Despite his youth and easygoing nature, he is a man of some skills when it comes to protecting both his clients and his client’s interests. And then one day, he is approached by the daughter of a rich and powerful family asking him to be her bodyguard, which somehow ends up with him having a seven-year-old fan, landlord and self-proclaimed fiancĂ©. Shintaro Kurenai finds himself living in run-down tenement with Murasaki Kuhouin (his new 7-year-old apprentice and landlord) and several other eccentric ladies. His childhood friend (Ginko) acts as his Mediator booking agent. Then there is his (adopted) older sister and martial arts teacher, Yuuno, who does not like to see her Kurenai troubled by any of the difficulties of his Mediator assignments. And Yuuno’s younger (7-year-old) sister, Chi-chan (Houdsuki Chidzuru) also seems to take a troubling worry when her ‘onii-chan’ gets beaten up by Yuuno or his assignments. – (Taken from AniDB)
Thoughts: My first reaction when I read the premise: “what?!” Still, on further inspection I do have to say that this weird of a premise does have potential. It’s animated by Brains Base (the ones who did Baccano!), and directed by the director of Red Garden, who also did a bunch of random episodes for Ergo Proxy, Bakumatsu Kikansetsu Irohanihoheto, Freedom, Master Keaton, sola and Zegapain and he produced Millenium Actress. What the creators need to pay attention to is to not market this series for the paedophiles, but instead just go with regular storytelling. In that case, this could become very interesting.

Junjo Romantica – (updated)

Summary: Misaki is suddenly having some unexpected and odd problems. What started as a need for some college entrance exam tutoring has somehow led him to being romanced by a suave older man who also happens to be his big brother’s best friend. Confused by all of his brand new emotions, Misaki struggles to deal with his suddenly very odd life. And if that wasn’t enough, his suitor, Usami, has plenty of issues of his own. A man-child who decorates his room in giant teddy bears and toys, Usami is a famous novelist who also writes steamy boys’ love novels on the side. When Misaki cracks open one of these books and reads sentences like “Misaki licks every inch of Usami’s hot body”
well, let’s just say that all hell breaks loose. And if one couple isn’t enough for you, Junjo Romantica focuses on three different sets of lovers, each with their own compelling stories. – (Taken from Anime News Network)
Thoughts: Okay, after hearing the horrible things about the manga, I’m forced to adjust my opinion a bit. This series still looks interesting, but actual YAOI may be a bit too much. Especially considering how the director of Higurashi will be working on this one…

Chi’s Sweet Home

Summary: The story centers around a kitten who gets lost after walking out into the real world for the first time. A boy named Yohei Yamada discovers her, but the Yamada family’s apartment building prohibits pets. After failing to find a new home, the Yamadas decide to defy the rules and raise Chi themselves. Most of Chi’s coming-of-age stories revolve around the Yamadas or the cats, dogs, and the occasional rabbit that live in the neighborhood. – (Taken from Anime News Network)
Thoughts: At first, this may seem like an ordinary kiddie-show, but take a look at the people who’ll be animating it. The director was the episode director of Death Note, Gungrave, Beck and Paradise Kiss, and to make matters even weirder, he was the assistant director on Tokyo Tribe 2 and Shigurui. What the heck is such a manly director doing with a series that revolves around a lost kitten? This is just making me really curious to see whether he’ll combine the gore of Shigurui with the cuteness of this concept. 😛

+ Definitely Looking Forward To +
Vampire Knight

Summary: Yuki`s earliest memory is of a stormy night in winter, wherein she was attacked by a vampire… And then rescued by another. Now 10 years later, Yuki Cross, the adapted daughter of the headmaster of Cross Academy, has grown up and become a guardian of the vampire race, protecting her saviour, Kaname, from discovery as he leads a group of vampires at the elite boarding school. But also at her side is Zero Kiryu, a childhood friend who’s hatred for the creatures that destroyed everything he held dear, is now determined never to trust them. This coexisting arrangement seems all well and good, but have the vampires truly renounced their murderous ways, or is there a darker truth behind their actions. Is Kaname`s infatuation with Yuki the beginning of a forbidden romance, or is it something in her forgotten past that draws him to her. Because in this world of secrets, nothing is as it seems. And the price of misplaced trust may even be worse than death. – (Taken from AniDB)
Thoughts: Well, the premise sounds less interesting than Zombie Loan, the first series that came to my mind when I saw the promo-art. Still, it does hint at an interesting plot to follow, if handled well. The director of Pretear has been assigned as the director here, and he’s up for an interesting task to bring this manga to live. At least the series composition will be good, as it’s handled by someone who worked did the screenplay for Popolocrois, Red Garden, Aria, the series composition for True Tears, Sasami Mahou Shoujo Clup and the script for a lot of episodes of Simoun.

Kaiba – (new)

Summary: A sci-fi love story set in a world where digitization of memory made physical death obsolete. A world where memories can be stolen and altered, and replaced in a new human body. Kaiba wakes up in a room without knowing who he is. He has a pendant with the photograph of a woman he does not remember. After being attacked all of a sudden, he has to flee to space, meet various people, and rediscover the world. “Even without my memories, I love you…”. – (Taken from AniDB)
Thoughts: Oh god, I almost mistook this for a children’s show, but this turns out to be quite a capable, if not unconventional science-fiction series, in the same vein as Himitsu – Top Secret and Real Drive. The director will be the one from Mind Game and Kemonozume. Both indeed were flawed, but still very entertaining indeed.

Bus Gamer

Summary: Bus Gamer was a short-lived manga series, created by Kazuya Minekura. It currently only exists as a single volume ‘Pilot Edition’ due to difficulties in serialization. It follows the story of three young men hired by a mysterious company to participate in a business game, a way for companies to gamble against each other for corporate secrets. An illegal dog-fight conducted in strict secrecy, the Bus Game is a battle simulation game where gamers are selected by various corporations to compete three-on-three on a battleground which is usually inside Tokyo. The teams are divided into “HOME” and “AWAY”. The “HOME” team is given a disk containing their corporation’s secret files to protect while the “AWAY” team attempts to steal the disk. The “AWAY” team wins if they are able to steal the disk within the given time limit where the “HOME” team wins if they are able to keep their disk safe. – (Taken from Wikipedia)
Thoughts: Bus Gamer sounds to be like the better version of Gambling Apocalypse Kaiji. While the latter disappointed, I must say that a game like this has quite a bit of potential for entertainment, if the characters who participate in it have been chosen right (and not just a bunch of superhumans). The director is a relative newcomer, and this is the first time he’s taken up the director’s seat. The only thing that I’ve seen about him is the storyboard he did for xxxHolic episode 4, which was the one about the fortune-tellers. I must say that that was quite a thought-provoking instalment, so I’m interested to see what he can do on a full series.

Itazura na Kiss

Summary: It was love at first sight for Aihara Kotoko as top student Irie Naoki delivers a speech on the first day of high school. After 2 years of secret admiration, “I don’t want it” is the rejection she gets when she plucks up enough courage to hand him a love letter. Dejected, Kotoko vows to give him up. By a twist of fate, Kotoko’s house collapses; her dad and her put up at a friend’s place, who happens to be Naoki’s father. And thus, life with Naoki begins and Kotoko’s love for Naoki rekindles again. Much laughter ensues when scatterbrain Kotoko makes her countless advances (supported by Naoki’s wacky mum) on ice-cold Naoki who hates girls and is a genius at practically everything from studies to sports. The story spans >10 years where we see their relationship slowly development despite their many differences and romantic hurdles. This series was such a hit that it was made into a 9-episode Japanese live-action dorama. – (Taken from Anime News Network)
Thoughts: I must say that the shoujo-series are a bit more creative to get a guy and a girl in one house than the shounen-series. A collapsing house, I must admit that I didn’t see that one before. One major plus for this series is that it takes up ten years. That is a REALLY good way for some quality character-development, as demonstrated by Kaze no Shoujo Emily. To make matters even better, the director of Toward the Terra has taken up the director’s seat for this series. I really like how the guy has been animating rather old mangas that never got the series-treatment they deserve. The music will also be done by the guy behind Mononoke, Jigoku Shoujo, Toward the Terra and Yamato Nadeshiko Shichi henge. In other words: quite a solid shoujo-series.

+ Top-5 Looking Forward To +
Himitsu – Top Secret

Summary: The story takes place five decades from now, when brain scanners have been perfected to the point that the government can retrieve up to five years’ worth of memories from people’s minds — even if they are dead. The investigators of the National Research Institute of Police Science’s 9th Forensics Laboratory must weigh the ethical choices in the ultimate invasion of privacy as they delve into people’s minds to solve crimes. – (Taken from Anime News Network)
Thoughts: Now this is an interesting premise! This is going to be a pretty thought-provoking ride if handled well. Unfortunately, the director doesn’t have that much experience, and he’s only done Rocket Girls before, and a few episodes of Master Keaton. Let’s hope he learned from his past experiences, because this is one premise that shouldn’t be wasted.

Library Wars

Summary: Based on a light novel series. In the year 2019, the explosion of information and misinformation became a direct threat to society. In a daring decision, it was decided to create a new government agency dedicated solely to information management. Now some thirty years later, the government still monitors and controls information, suppressing anything they find undesirable, but standing against their abuses of power are the libraries, with their special agents called ‘the book soldiers.’ – (Taken from AniDB)
Thoughts: I must say that this is one interesting and daring premise. It’s another series by production IG, so I’ll definitely be looking forward to this one. The director behind it is also currently working on Wellber no Monogatari, one of my favourite series of the shows that currently air. Here’s one potential underdog.

Crystal Blaze

Summary: A corner of near-future Asia. A world where through the manipulations of national governments, freedom and eqality have been established as mere pretenses. “The Trash City” Lags Town, an assemblage of all peoples composed of those whose lives have burned out. This tale, playing out in the symbol of false glory, Lags Town, is a near-future detective story shown through gun action and sexy action. The Lags Town Jack-of-all-trades “S&A Detective Agency”. Its members are Shu, who stands against the powers that be through pulse-pounding incidents even though it’s forced him out of society, and Akira, a complicated, beautiful young man. And the young detectives-in-training, high school girls Manami and Ayaka. Unfulfilled, Shu lives day-to-day as a detective, when he meets the amnesiac heroine Sara. Investigating an incident which rocks Lags Town, he takes new steps forward with friends who accept his past. That drama plays out in a hard-boiled and stylish detective story, symbolised by the Smith and Wesson model 29 and the ’80 Trans Am. – (Summary by Mandoric)
Thoughts: Anime News Network labelled this one as mystery, so how could I ignore it? It’s been a while since a pure mystery-series showed up, and I’m hungry for more of my favourite genre. The director has been around for a long time, and he assisted in the directing of They were 11, and his latest work was Saikano. He also did a bunch of episodes of Mahou Tsukai Tai, which should give enough experience to work with this series. The animation-company did Soukou no Strain before, and while the cast behind it is not stellar, they give me enough reason to look forward to this premise.

Real Drive

Summary: The story takes place in 2061, 50 years after humanity developed the “Net society” that depended on information networks despite their security issues. To improve security, a new network called Meta Real Network — or “Metal” for short — was developed. People`s personal memories are reduced to information and placed within “protected virtual stand-alone organic cyber enclaves called bubble shells” online. The result was a virtual “explosion” of creative freedom as people felt safe enough explore instincts and desires on Metal that they would not otherwise explore in real life. This “friction” between the Metal`s alluring lack of restrictions and rules-bound reality led to trouble and incidents that investigators known as “cyber divers” must handle. Masamichi Haru is one such cyber diver. – (Taken from AniDB)
Thoughts: Ah, the new potential epic by Production IG. The director of Chevalier is behind it, animating another manga by Masamune Shirou. I’m not saying that nothing can go wrong, but the potential is incredibly high for this one.

xxxHolic: Tsugi

Summary: Yuuko is a witch who grants people’s wishes, but in return the person has to give up something precious. Watanuki Kimihiro, a man who has visions, encounters Yuuko and she promises to get rid of the spirits that torment him. In return Watanuki must work in Yuuko’s shop and help her grant other people’s wishes.
– (Taken from AniDB)
Thoughts: Now this is what I’ve been waiting for! Production IG is on fire for this season, with three major series planned. Of course I’m looking forward to the second instalment of xxxHolic, as the first one was absolutely terrific. I can’t wait to see Watanuki’s antics again.

Piano no Mori Review – 82/100


Piano no Mori can easily be considered as the brother-movie of Miyori no Mori. Both got originally released around the same time, both are slice-of-life movies, both place a lot of emphasis on a forest, and both have a kid of about 11 years old as their main character. In Miyori no Mori, the forest was filled with spirits, in Piano no Mori, the forest has a piano in it.

Both movies have their own strengths and weaknesses. The main characters for Piano no Mori just don’t match up to Miyori, but in exchange Piano no Mori doesn’t have any cardboard-box villain that plagued Miyori. And even though the main characters aren’t as likable as Miyori, this doesn’t mean that they’re bad. This movie portrays quite an interesting rivalry between two polar opposites. Along with the side-characters, they turn into quite an interesting smörgĂ„sbord of a cast.

The major problem with Piano no Mori is the direction. It really felt to me like the creators were going down a checklist of some sorts, to get the necessary developments set up right for the finale. Whenever the creators had to choose between a flowing story and this checklist, they went with the checklist. What’s strange about this is that the director for this movie is top-notch: he’s been behind the critically acclaimed series of Monster and Master Keaton, and his work on the first half of A Spirit of The Sun was terrific as well. While I haven’t seen the first two, I just can’t say that Piano no Mori has been his best work.

Nevertheless, Piano no Mori is a very capable movie, which provided the satisfying ending that I missed with Miyori no Mori. Both movies (or tv-specials in Miyori no Mori’s case) are greatly recommended if you’re looking for a relaxed slice-of-life movie, just don’t expect to be blown away. The tournament at the end of the movie was nicely done, although it would have been better to see more different contestants (some who actually weren’t some kind of reincarnation of Beethoven). Still, this movie did what it set out to do, and that’s enough to make up for two hours that won’t disappoint.

Alien Nine Review – 86/100


What a charming little OVA. Alien Nine gives the term “Alien Invasion” a whole new dimension. Here, aliens can come in lots of different sizes and shapes, and most of them have no real intention to take over the Earth at all. Instead, they cause small amounts of trouble here and there, especially around schools apparently. Because of that, random students get allocated for each school to be the local alien fighters. Alien Nine is about the three alien fighters for one particular grade school.

The beauty of this anime is that it’s a character-study, and it knows it. Every single scene is dedicated to flesh out the three main characters, and develop them through the short airtime of four episodes. There’s a lot of angst, but the creators never delve into pointless melodrama, and they know exactly when to time the big climaxes for this OVA. There’s no cheesy love-story that gets in the way of what’s really important either, and all in all, the creators made the optimum use of the short time that they had to work with.

The thing about the characters is that they would have failed horribly if they weren’t developed as well as this series did. There’s a cry-baby, a strong girl and a perfect girl. They’re all pretty clichĂ©d when you first see them, but the storytelling is so refreshing that you hardly even notice this while watching. Do note that the cry-baby can get on people’s nerves at times, so that may be potentially off-putting. Her interaction with the other main characters is excellent, though. 😉

Unfortunately, and I’m afraid to say it, but Alien Nine does suffer from the “TOO SHORT!!”-syndrome, which I’ve seen on many other movies and OVAs. Some anime try to solve this by omitting important character-backgrounds, others don’t bother to explain their storylines properly, though Alien Nine manages to avoid this. Instead, it just stops. I assume that it’s based on a manga, and only the first X chapters of this manga made it into the OVA. It’s a darn shame, because I feel that yet again this series deserves so much more episodes.

Thankfully, this flaw never got in the way of the characters, and they make sure to keep this OVA interesting till the end. The creators know how to build up properly, and try their best with such a limited amount of time. You’d be surprised at how intense the drama can get at times, considering that we’re just dealing with ordinary grade-schoolers.

January Summary

We’ve now passed one third of the Winter-season. I must say that it’s been one of the best winter-seasons we’ve had in years. There are so many potentially awesome series, and there have been hardly any disappointments so far.

#31 (new) – H20 ~ Footprints in the Sand – (5/10) – I find it strange to think that this is one of the most blogged-series of the new winter-season. Are people expecting some kind of spectacular trainreck ending, just like with School Days, or was could there really come something good from the crappy first episode?
#30 (new) – Rosario to Vampire – (5,2/10) – A lot of people seem to believe that Gonzo ruined this series, but I’ve got enough reasons to think that the manga was bad in the first place. Gonzo just made it worse.
#29 (new) – They are my Noble Masters – (6,8/10) – Yes, it’s filled with harem-cliches, but it’s also one thing: it’s fun to watch. There’s nothing ground-breaking, but I’d choose to watch this series above Lucky Star at any time.
#28 (24) – Dragonaut The Resonance – (6,9/10) – Yes, the story for this series is as bad as ever. Still, I unfortunately have to admit that it did catch my interest, and I’m actually curious to find out what’s going to happen next.
#27 (new) – Minami-ke Okawari – (7/10) – Just like its predecessor, I just couldn’t get myself interested to watch beyond episode 1, so I dropped it.
#26 (new) – Hatenkou Yuugi – (7,2/10) – The only disappointment for this season. Alas, so many great things could have come from this series, but the storytelling feels dull and uninspired. The creators don’t even seem to care to try and let everything make sense, and the only thing that wasn’t screwed up by the creators seems to be the dialogue.
#25 (19) – Shugo Chara – (7,3/10) – 51 episodes is a terrific format, but you have to use it. There’s no use in putting up 26 filler-episodes to try and make it longer. Let’s hope for now that this series knows what it’s doing for its final quarter, but right now there’s a good chance that I’m going to drop this series and marathon it if it turns out to be good in the end.
#24 (20) – Bamboo Blade – (7,4/10) – Every time I have the urge to drop this series, it drags me back in. Bamboo Blade definitely didn’t catch my interest as much as I’d hoped to, and there are so many better series out there, but it’s moderately entertaining at least.
#23 (new) – Noramimi – (7,6/10) – So, here I am as probably the only one who still watches this. It’s quite cute, and a relaxing series. Still, even though it’s enjoyable, I do have to say that Tetsuko no Tabi was better.
#22 (12) – Kekkaishi – (7,8/10) – Unfortunately, only one episode got released this month. It was just a regular building-up episode, though I did notice how the humour of this series, especially when compared to the first half of the series, has gone down a lot.
#21 (16) – Gambling Apocalypse Kaiji – (8,1/10) – With the beam-arc, I felt like Kaiji lost sight of its original purpose a bit: gambling. I went into this series, expecting people, trying to outsmart each other. Not a bunch of people, being scared to death for episodes. Luckily, it feels like the next arc will breathe some new life into this series.
#20 (new) – Spice and Wolf – (8,2/10) – I admit: I’m impressed by the work that Imagin has done for this series. The mood is quiet, and yet enough things are going on to keep you interested, and the storytelling has been quite good so far.
#19 (new) – Persona Trinity Soul – (8,2/10) – I’m still not sure what to think of this series, but I mean that in a good way. So far, it’s carefully building up its storyline, and the climaxes so far have been quite interesting. Now let’s hope that this series can keep this up.
#18 (17) – Gundam 00 – (8,2/10) – So far, so good. Gundam 00 is really turning into an enjoyable series. I have a few problems with it here and there, but the characters and politics work, and thank god that it hasn’t turned into a cheap emo-fest.
#17 (23) – Suteki Tantei Labyrinth – (8,3/10) – So, basically this series turned from moderately entertaining to just plain weird. It’s very strange, it’s either incredibly good or incredibly bad. If you want to watch this, be aware of one thing: you don’t want to take this series seriously.
#16 (15) – Power Puff Girls Z – (8,4/10) – The fight against Him was awesome. The creators knew exactly what to do to keep the fight interesting, and much, much more than what you’d see in any random shounen-series *coughbleachcough*. The love-love-beam episode was also brilliant. Professor Utonium rocks! Unfortunately, the other episodes that got released this month were a bit disappointing, and too dramatic for their own good. Don’t get me wrong, this series actually gets away with its sappy drama, but it’s in no way as fun as the other aspects of the series.
#15 (21) – Clannad – (8,4/10) – Instead of really sad, I’ve found the past number of episodes from Clannad to be really relaxing. I must congratulate Kyoto Animation: they finally churned out a series that I liked.
#14 (new) – Hakaba Kitarou – (8,4/10) – The surprise of the season. This series has brought forth really entertaining horror-series that combines drama, horror and comedy perfectly. A definite recommendation; Noitamina rocks.
#13 (new) – True Tears – (8,4/10) – Like expected from the director of Simoun. True Tears has shown enough signs that it knows what it’s doing, despite the clichĂ©d characters it has do work with. The pacing may be slow, but so far this series has done a very good job to develop its major characters.
#12 (22) – Kimikiss Pure Rouge – (8,5/10) – Kimikiss has gone into the right direction this month, and the love-triangles really work so far. I’m quite impressed with this series, and how carefully it manages to build up the different relationships between the characters.
#11 (10) – Saiunkoku Monogatari – (8,5/10) – Just when the pacing begins to pick up again, this series is plagued with random hiatuses that break it. Let’s hope that the final episodes will all air without any interruption.

#10 (5) – Gintama – (8,5/10)

Episode 46 was the first time where I caught Gintama, milking out its own jokes. Thankfully, episode 47 made more than up for it with what what’s definitely its best introduction to an episode so far. You just have to see that one for yourself to believe it, and I really admire the fantastic job that the voice-actor did on it.

#9 (new) – Gunslinger Girl – Il Teatrino – (8,5/10)

I don’t seem to mind the bad graphics as much as most others, but the fact remains that the animation has gone down a lot. Thankfully, the art itself is still nice to look at, and the story simply rocks so far.

#8 (new) – Porfy no Nagai Tabi – (8,6/10)

The first four episodes have been excellent in terms of building up. Sure, it’s slow, but Porfy and his sister have already developed into terrific three-dimensional characters.

#7 (new) – Shigofumi – (8,8/10)

The only problem with this series is that it likes to put in random plot-devices to increase dramatic tension. Apart from that, the stories so far have been excellent in terms of both storytelling and characters. On top of that, the art looks terrific and the soundtrack fits the series perfectly. Okay, apart from the OP, perhaps.

#6 (6) – Perrine Monogatari – (8,8/10)

Oh god… I’ve read the summaries for this series, so I know what’s about to happen. Seriously, Perrine’s mother is too awesome for such a thing.. 🙁

#5 (3) – Sayonara Zetsubou-Sensei – (8,9/10)

The big fear would of course be that the second season would run out of jokes, but thankfully, the opposite turned out to be true. For the second season, it seems that the creators decided to let go of all the brakes and go all out.

#4 (8) – Mokke – (9/10)

Have I already mentioned that the background-music for this series is amazing? In any case, for January, Mokke increased the dramatic tension for its episodes a bit, and it really works. The stories are simple, but I’m warming up more and more to the different characters. MadHouse did another terrific job on this adaptation.

#3 (4) – Ghost Hound – (9,1/10)

I really like to see that Ghost Hound has turned into an excellent series, which stands apart from all the others. The characters feel really natural, the storytelling has progressed in a really nice way and the story itself has also become more interesting with every episode.

#2 (new) – Wellber no Monogatari – (9,2/10)

Seriously, with the second season, Wellber no Monogatari has become so much better. Every episode works, and the characters have been absolutely amazing. And to think that there still are enough episodes left for this series to work with.

#1 (2) – Shion no Ou – (9,2/10)

This series just keeps and delivers consistently awesome episodes. Tournament-arcs often fail, but this series has managed to do so many great things with it.

Jin Roh – The Wolf Brigade Review – 89/100


Mamoru Oshii may have his problems, but I like how the guy has continued to produce adult-movies through the decades, away from all the teenagers that we see in 90% of all other anime. His movies are always very well-written; heck, the guy has an absolutely terrific sense of dialogue, rivalled by only a handful of people. It’s a shame that none of his movies so far came out perfectly flawless, though. He often gets too enthusiastic with his dialogue, which makes many of his works memorable, but missing that edge to truly become a great movie. Thankfully, after watching Jin Roh, I’m glad to say that this doesn’t count for all of his movies.

It’s here where Oshii throws away all his pretentiousness, and he deliberately keeps the pacing slow for the entire run, and for once he doesn’t mean to confuse his viewer with tons of dialogue. Instead, we get the character-study of a member of a special division of the police. Expect lots of realism here, this isn’t a story where a heroic warrior will save the world from terrorists. The plot is much deeper than that, despite what you might think. This movie was especially refreshing after watching A Tree of Palme. Nothing feels forced. Nothing feels out of place.

The real star of this movie is the main character, though. He’s so far away from your standard hero, and the depth of his character is immense, especially considering the limited length that this movie has to work with. This makes it a pity when the movie switches to the side-characters. They’re by no means bad, but they’re just not as interesting as the main one. This is just a minor flaw, though.

I’m really glad to see that Oshii did manage to produce one movie that doesn’t have any major problems, and the result is absolutely terrific. I can’t say this enough times, but a movie has a limited amount of time to work with. If it wants to be something memorable, it needs to know how to build up properly. Mamoru Oshii does know this, but he often gets ahead of himself. Thankfully, this isn’t the case for Jin Roh. Jin Roh is a definite recommendation if you’re looking for a slow and serious movie.

A Tree of Palme Review – 80/100


A Tree of Palme is from the same director as Fantastic Children, so yes, I was eager to watch this movie. Don’t be fooled by the childish character-designs, because just like Fantastic Children, A Tree of Palme is a dark and twisted story. Unfortunately, I’m missing the same brilliance.

Don’t get me wrong, A Tree of Palme is a good movie. The first half is absolutely stunning and imaginative. Seeing the nervous wrecks of the two main characters was a delight, and both of them are fleshed out really well. Palme’s desires become gut-wrenching at one point. But yeah, I wish I could say the same about the second half…

In the end, this just turned into one of these movies which are just too short for their own stories, and this becomes all too apparent in the second half. The biggest problem is that the character-development feels really awkward. Okay, I know that Palme is a puppet and there were actually some reasons given for his strange behaviour, but even that was really pushing my suspense of disbelief, and I haven’t started talking about the other characters yet. One time, a character scared to death, and a moment later she’s happy and acts like nothing ever happened. The plot also has its issues, and huge holes start to appear as the movie goes on that are never cleared up. It feels like entire scenes have been lost on the cutting-room floor.

It’s a shame, A Tree of Palme definitely had the potential, as shown by the first half. But the creators really needed to put some of the subtlety of Arete Hime in this movie. It’s like I said in my Mahou Tsukai Tai-review: a movie has a very limited amount of time to tell its story, but if it knows how to build up properly, it’ll turn into something memorable. A Tree of Palme just didn’t have what it takes to really stand out from all the other movies. It’s a good watch, but not a great one.

Mahou Tsukai Tai OVA Review – 87/100


Romantic comedies and I haven’t had the best relationship. Sure, there have been a few gems among them (for example Yamato Nadeshiko Shichi Henge and Code-E), but there is just so much crap amongst the genre. For me, the gags are often lazy, the characters uninspired and they rely way too much on moe stereotypes. The few series that do put a bit of effort into their storytelling also have a large chance of not knowing how to balance the romance and the comedy properly (Magikano, anyone?)

The cream of the crop in the romantic-comedy-genre has to be Mahou Tsukai Tai for me. The television-series made the mistake in going on and on about the major villain, but none of these problems return in the OVA. This is really what a romantic comedy should be. There is no minute wasted, every single character is meaningful and the story manages to fully utilize the format of six episodes. Basically, if you liked the television-series, you just have to check out the OVA.

The strength of Mahou Tsukai Tai is that it takes a cast of characters who would have been incredibly clichĂ© on their own, and turns them into something memorable. Unlike series as Kanon and basically 90% of all other series, the characters don’t feel randomly thrown together. They all have their own strengths and weaknesses, and they use their strengths to make up for the weaknesses of the others. The cast just fits perfectly. Unlike the television-series, this is also one OVA that keeps an excellent balance between comedy and drama. The final episode manages to close off the OVA very nicely due to the build-up of the first five ones.

I’ve seen a lot of movies and OVAs now that don’t know how to build up properly, but those who do understand this have turned into really memorable watches, and this is exactly what makes the difference between a memorable OVA and just a forgettable one. The time that movies and OVAs have to work with is considerably smaller than compared with television-series, but if it’s used well, then the results are awesome.

Some quick first impressions: Spice and Wolf, Noramimi and Hakaba Kitarou

Spice and Wolf

So… this is what you get if you hand an award-winning novel to an animation-company like Imagin: an authentic atmosphere, interesting characters, and a main female lead who spends nearly the entire episode without any clothes whatsoever and basically ruins the entire series. Still, I do admit that this series turned out better than I originally expected. I can see the potential here in this series, and this episode also took its time in telling the story. At times, I’m just not sure whether the creators’ minds were on storytelling or cheap fanservice, and seeing their reputation (Love Love, Cosmopolitan Prayers, Smash Hit…) there is enough reason to worry about this one to fall into a fanservice-fest.

Noramimi

Ooh, this reminds me so much of Tetsuko no Tabi! Not in terms of story, but in terms of execution. The graphics again are simple and again there’s great chemistry between the characters. Basically, in this series people live together with things called mascots. Noramimi is about a sort-of dating-service company, which basically matches people and mascots so they can live together. It works quite well, but yet again, I don’t see this one getting any chance of being subbed. Still, any series that features a hamster smoking a cigarette deserves to be watched.

Hakaba Kitarou

Oh my god! Oh my god! Oh my god! I can’t believe I was wrong in my entry about Shigofumi! The best first episode of the season definitely belongs to Hakaba Kitarou, and yes, I’m serious about it. Gegege no Kitarou, which aired last year, got dull quite fast, but Hakaba Kitarou turned into a really well-done and freakish horror-series. Whether it can keep up with the same quality for the rest of the series remains another question, but still the fact remains that this episode absolutely ROCKED. If you’re tired of all the moe-shows, you should definitely give this one a chance. I LOVE what noitaminA has been doing for anime for the past few years!!!

The Wings of Honneamise Review – 88/100


Oh, the irony. The wonderful irony. The Wings of Honneamise is Gainax first major production. While I haven’t seen all of their works, I have seen quite a few, and I must say that Wings of Honneamise is Gainax’s only production without any reliance on moe-stereotypes, there’s hardly any useless or stupid fanservice, and it also has a pretty good chance to be one of their most down-to-earth work. I’m not certain whether one thing comes from the other, but for me, it also was among the best that the studio has ever shown me. Oh, the irony.

Basically, The Wings of Honneamse is about space-travel. Sending the first man into orbit, to be exact. The main character feels real and likable and not overly GAR for his own good. He’s pretty stupid at times as well, but make no mistake: the script is very clever at times. There’s lots of symbolism, and this is one movie that makes you think without trying to shove its message down your throat.

While it isn’t a comedy, there’s plenty enough to laugh at, and especially for major part of its airtime, this movie knows exactly when to be funny and when to be serious. The side-characters also do a wonderful job in supporting the main character. For a movie, there’s also a relatively large amount of character-development. Regarding the bad points, well, the creators seemed a bit too keen on making the climax as perfect as possible, and didn’t quite get it right. The result feels a bit weird, but by no means bad.

One thing that should be noted is that you do not want to go into this movie, expecting standard Gainax. This is absolutely nothing like their other works. The pacing is slow, the characters are nearly all adults and none feels out of place. There’s no outrageous animation and everything feels much more life-like. It’s a shame that Gainax went into such a different direction after making The Wings of Honneamise, as this movie is a pretty damn good one!

Sky Girls Review – 82/100


The original Sky Girls OVA was just a tasteless fanservice-fest. Needless to say that I wasn’t that keen on checking out the full-length-series for the concept. Imagine my surprise when I found out that the creators had no intention to make this end up as the failure that was the OVA. Sky Girls is definitely one of the surprises of 2007.

The show does have its issues in the beginning, though. In the first half, it just doesn’t succeed in making its setting believable. A giant war against invaders called WORMs in the past caused a lot of deaths, especially for adults, so because of that under-aged children have been allowed to join the military as well. Fair enough, though at the same time you see enough fully grown males parade the screen as mechanics and other similar jobs. You’d wonder why they didn’t do the piloting as well, as the bodies of young girls just can’t take that much strain when compared to fully grown adults.

The world was also supposed to have been nuked years ago, in an attempt to get rid of the WORMs, and again we hardly see any of the damages of these nuclear attacks. The first half of the series also consists out of a string of random episodes without much coherence; at one point, the characters also have nothing else to do besides comparing breast-sizes.

Still, as the series went on, it becomes clear that the creators knew fully well what they wanted with this series. Sky Girls isn’t about seeing cute girls in questionable outfits pilot mechas against giant invaders. It’s about living in the military, and how people deal with the relatives and loved ones that they leave behind. The main characters all have family, and they all have different relationships, and this anime does a very fine job of portraying this.

The series really picks up its pacing once the second half starts, and the characters start boarding a ship that was specifically designed to take care of the WORMs. With every character far away from home, and without much contact to the outside world, there are quite a few episodes dedicated to the characters, trying to brighten up their situation and trying to forget about the loneliness. What surprised me the most about this series is the final quarter, though, when the plot starts to kick in. Believe it or not, but the entire setting gets satisfactory explained and developed.

Overall, the pacing may be quiet, but this is one series that’s a pretty good recommendation if you want something light, yet engaging and thought-provoking. The first few episodes may not seem that much, but they’re building up pretty well for the second half of this series. It may not be the best, but it’s a great example of how you don’t need to have the hugest storyline in order to be good.