Some quick first impressions: Druaga no Tou ~The Aegis of Uruk~, Amatsuki and Itazura na Kiss

Druaga no Tou ~The Aegis of Uruk

Well, this episode turned out to be something entirely different than expected. You can say a lot about Gonzo, but I don’t think that anyone can say that they don’t know how to create a bad game-adaptation, and they use this perfectly to their advantage for this episode to create a hilarious RPG-parody that also takes the Mick out of popular series as Haruhi and Gurren Lagann. I was throwing all kinds of curses at Gonzo before I found out. 😛 On the other hand, however, this series still has a 16-year old male protagonist, so there’s still enough room for screwing this up. Still, it’s a good thing that Gonzo knows how not to do this series; now let’s hope that they do know how to do it properly. One hint that points in a positive direction is that none of the characters we saw in this episode, apart from the main guy and his rival, seems to be a major character. Are they going to get killed off or something? Now that would be a great opportunity for character-development.

Amatsuki

Seriously, why do so many series suddenly have first episodes of this quality!? I’ve been used to the fact that nearly every series starts out mediocre, and here series after series suddenly sparkles with potential. Really, apart from To Love-Ru and Kyou Kara Maou, I have yet to see a series this season that didn’t deliver for its first episode! In any case, Amatsuki turned out like I hoped it would: a wolf in sheep’s clothing. On one side, it’s reminiscent of a Kyou Kara Maou-clone without any sexual innuendo, and then suddenly the main character sees a huge beast slaughtered in front of him. Don’t make the mistake that this will be an ultra cheerful series, because this series isn’t afraid to deal with the darker topics.

Itazura na Kiss

The past Autumn- and Winter-season featured an unexpected wave of good shounen-romance series, though this really seems to be the turn for the shoujo-romances to shine again. It’s felt like ages since a good one popped up, after the disappointing Shugo Chara and all. For Itazura na Kiss, the character-designs look very simple, but that’s the beauty of it: neither the males nor the females feel exceptionally beautiful, like you see in so many other series. Heck, our main female lead is befriended with a couple of punks. The story for this series isn’t anything special, and it’s just meant to get another boy and girl in one house, but what really shines in this series is its lovable cast of characters. It’s just been one episode, and already the characters feel diverse and have shown the viewer multiple sides. Now all that’s left is to hope that this series won’t delve into useless fillers, but I’m pretty confident with the director and the music composer of Toward the Terra and the animation-company of Kaze no Shoujo Emily.

Gunslinger Girl – Il Teatrino Review – 90/100


Before I start with the usual review, I’d like to point out that this is the 250th review I’ve written for my blog. Yay!

In any case, if you’ve watched the original Gunslinger Girl and plan to watch Il Teatrino, there’s one thing that you need to take into account: a lot of changes have been made. The soundtrack has changed, but most importantly the character-designs have been redrawn completely in a totally different style and the animation-budget has suffered a great loss. The bad news: the fight scenes will look fake, and there will be speed-lines. The good news: this is about the only thing that’s wrong with this series.

The change in art style is something you’ll either love or hate with passion. Not considering this though, they do look gorgeous, and even though the animations in the fights looks fake, the animators have tried to make up for it with some awesome fight-choreography. With this, fights are much more than just brainless gunfights, and are much more based on tactics.

In addition, the storyline has developed into something amazing. The most notable thing is that there is NO main character whatsoever. Even though the girls are the centre of this series, do not make the mistake into thinking that they’re the one with the most screen-time. The creators have made sure not to give any character special attention, and because of this, this is one of the very few series where the “good guys” are just as developed and fleshed out as the “bad guys”. And yes, I put the quotations there on purpose, because sometimes it really feels that the girls are the bad guys. Especially Rico can be really scary at times.

Gunslinger Girl is also one of these series that delivers with every single episode. Introductions, climaxes and aftermaths follow each other in a rapid succession, and there’s so much going on in each episode. The cast of characters may be amazing, but it’s the storyline that pushes them forwards. This is one series that knows how to wrap up all of its storylines at the end, and provides a very satisfying climax.

It may be that I just don’t care about the changes that were made, but Gunslinger Girl has turned into one of the best series to air during the past winter-season, along with Porfy’s Long Journey and Hakaba Kitarou. At first sight, the characters may look “moe-ified”, but this series cleverly shows that the girls are much more than just a bunch of cute angels. Really, the adults end up stealing the show in this series much more than they do.

Gunslinger Girl – Il Teatrino – 13


Haha! I couldn’t have expected a better finale than this one! Seriously, it’s so great to see that this has been a series where everything went right, apart from the smaller budget, perhaps. This is really why it was such a good thing that the original mangaka had been assigned to do the Screenplay and Series Composition. Sure, some changes may be forced, but in this way you can be sure that the vision of the original writer will be translated perfectly. Seriously, more series should do this.

And here I thought that this episode would primarily be about the fight between Pinocchio and Triela. Sure, it takes up a large part, but yet again Franca came and stole the show’s best moments. She and Franco originally came to rescue Pinocchio, and yet they only managed to rescue Christiano, while leaving Pinocchio behind. Very impressively, they manage to pass two of the girls, though Franca has been hurt too much, and drives off a cliff, taking Christiano and Franco with her.

Looking back, I must say that this series made best out of its limited budget. On one hand you can say that it does look cheap at times (this episode again featured some speed-lines), but if there’s no budged there’s not much you can do. From that viewpoint, I’d much rather see a series that at least tries to showcase some great fights with some great coordination, than a series that just chooses the easy way around with lots of still frames and no animation at all. Shion no Ou really has been the series to show this: the show clearly received a small budget, and yet the animation-department went all out.

That line of Pinocchio was also right on the spot: “who’s the monster now?” Especially since afterwards, we saw Rico mercilessly banging the head of a guy against the window of a car. She and Jan were most definitely the closest things resembling monsters in this series, and that’s the beauty of it, because at the same time Rico is also the most cheerful member of the cast.

Thankfully, there are still two DVD-only episodes left. I wonder what they’ll be about, though I’d guess that they’ll develop the girls some more. I’ll be blogging them when they show up, though for now I consider this series finished. Let’s hope for a third season to get announced soon, because this is one manga that deserves to be fully animated!

Arusu the Adventure – 05


Ah, finally I had the chance to watch another episode. This episode can basically be called “Eva the Adventure”, as Alice basically didn’t make any appearance in it at all. Instead, it tells about the origin of the dragon-house, and why Sheila started living with Eva in the first place.

It was quite a surprise to find out that the dragon house originally belonged to Eva, and not Sheila. It started as a pet dragon she took care off, and during one incident it got hit by some kind of laser-beam and grew many times its size. Like the other episodes of this OVA, it was a bit rough around the edges, but I’ve long since understood that for Arusu the Adventure, it’s the big picture that matters, and not the small one, because this episode does give quite some interesting background to Eva.

And as it turns out, Sheila actually started living with Sheila for not that deep of a reason. She just wanted to be near Eva due to the fact that she got a flying dragon house from out of nowhere, and she saw the potential in Eva to grow. That also explains why she was so cold to Eva, even though they lived together. They weren’t good friends at all, and I can understand how Eva would grow on Sheila’s nerves because of her uncertainty.

Studio 4C seriously needs to start working on another tv-series. These guys are really talented at storytelling, though they spend most of their times on just short stories and movies. Mahou Shoujotai showed that they are very well able to deliver a full-length anime. Now that they’ve finished working on Tekkon Kinkreet, Arusu the Adventure and Genius Party, they should be already working on their next unannounced projects. Please let it be a tv-series!

Wellber no Monogatari ~ Sisters of Wellber Review – 82/100


Ah, Wellber no Monogatari. The show that scared away almost all its viewers in the first episode due to the talking tank. Still, this is another gem from Production IG, although it’s way rougher than series as Seirei no Moribito and Chevalier.

The biggest problem with this series is definitely that the first couple of episodes reek of useless filler, and at first sight, they give away nothing of the incredible increase in quality that would happen afterwards. In the end, though, this is one series that knows what its doing, and the first four episodes were just meant to flesh out the story and most especially: the characters.

And what amazing characters they are. Nearly every main and important side-character gets background and development early on as they push the storyline forwards. They’re really the driving force behind this series, and especially once it hits its second half they really start to shine. This is one series that isn’t afraid to kill off a major character, and the creators know exactly what it takes to give the characters depth

The writers may be very talented, but they’re unfortunately also a bit sloppy. Most of the climaxes border on heart-wrenching, but there are a few that border a bit on cheesy. A few plot twists also are just included to keep the story going. Take for example a princess who is on the run and has to travel undercover, and yet she travels along with a huge unique tank. The aftermath of this series is also way too rushed and just wants to do a few things too many.

Still, Wellber no Monogatari is a very enjoyable series that seriously doesn’t deserve the negligence that it’s currently getting. It’ll keep you entertained with its dynamic characters and storyline, and not to mention that it’s got some pretty impressive production-values. Both the music, but especially the visuals are very pleasing to the senses, so if you can excuse a storytelling error once in a while, then you could give this one a chance.

Wellber no Monogatari ~ Sisters of Wellber – 26


Ah, that’s what I like to see: an excellent climax. The fight against Greedam is well wrapped up, with all the deaths that happened in the previous episode. Obviously, spoilers will follow after this paragraph. Let me just say before I start that the climax was awesome, though I’m afraid that the ending itself left things to be desired.

But first, Loden’s final moments were awesome. He basically sacrificed his own life to save Tina. After all, he was prepared to die anyway, to make up for the things he did all those years ago. What better way to go than to sacrifice yourself for the one whose life you ruined? The king of Wellber and the king of Greedam also settled their fight in a pretty interesting way, with Rita coming as a surprise saviour who actually makes sense. I was also shocked to find out that Tina nearly drowned on her way out of the ship, though thankfully she turned out to be just unconscious.

Well then, at this point, I was really happy with how things worked out. If the series ended like this, I would have been perfectly fine with it. Unfortunately, the aftermath left a lot to be desired. It’s jumbled mess of ideas that just came way too late in way too little time. Okay, I can understand that Tina would leave Rita. But apparently, the creators wanted to get the two of them back together a little too badly. It’s a shame that such a great series had to end un such a low note.

Gunslinger Girl – Il Teatrino – 12


Even though it hasn’t officially ended yet, I’m pretty sure about my top-3 series for the winter-season: Wellber no Monogatari, Porfy no Nagai Tabi and Gunslinger Girl, though I’m not sure about the order yet. Everything is very close in terms of quality for this season, and Shigofumi, True Tears and Hakaba Kitarou have also been quite amazing as well. Who said that the winter-season sucked anyway?

In any case, this episode rocked in so many ways. There are two major fights, one of which gets continued in the final episode (oh, and there will be 2 DVD-only episodes after that). The camera still got shaken a bit, but the speed-lines were completely gone. In any case, the great thing about that fight was that I ACTUALLY SAW HENRIETTA AS A VILLAIN. I know that Pinocchio is with the bad side and all, and yet I couldn’t care less about Henrietta, and just hoped for Pinocchio, Franco and Franca to survive.
And this is exactly why there are so few good antagonists in anime. Very few series give these guys equal time in terms of not only development, but also fleshing out and screen-time. Pinocchio has received just as much, if not more development than all of the girls, which is a very rare occurrence. After that fight, the development only continues when Christiano is about to get captured and Pinocchio refuses to let him be. The talk that Christiano has afterwards, in which he tells his assistant how Pinocchio has told him that he loved him was such a simple but extremely effective scene.

Also, Pinocchio also failed to kill Henrietta, and that suddenly brought up the same feelings in him that Triela is currently experiencing. I never thought that the two would be so similar. Also note that Triela is still carrying Pinocchio’s necklace. I don’t think that “hate” really is the word to describe the feelings that she has for the guy, at the end of the episode when they finally stand against each other again. She more sees him as a strange kind of rival.

In any case, I’ve long since stopped caring about the bad animation. The choreography of the fights in this episode was more than enough to make up for it.

Wellber no Monogatari ~ Sisters of Wellber – 25


Was that an awesome episode or not? It’s really great to see that the characters haven’t lost their sparks at all, and now that the story has set in, it’s really time for them to show how they’ve developed. Seriously, if you’re looking for a good fantasy-adventure, then Wellber no Monogatari is the way to go. It may start out mundane, but it just gets better and better.

And this episode is exactly the reason why I love strategies so much in anime. Strategies like these really allow the writers to play with their characters. Rita and her father end up together, going after the king of Wellber, Tina and Loden end up together, trying to sabotage the ship. Rita and her father quickly get captured, because their guards quickly die, and they find it too risky to keep fighting. In there, Rita gets separated from her father, but gets saved by Galahad, while her father tries to find out why the king of Greedam started acting so strange.

I must say that the reason was a pretty good one. It turns out that the king of Wellber and Greedam were twins, but Wellber’s king was found to be just a bit older, so he had to be the crown-prince. He always was treated better and more importantly, and didn’t even seem to realize how much this hurt the king of Greedam. Then, however, the king of Greedam was assigned to take care of Greedam, which turned out to be living hell at the time. It must have been extremely hard to get all things back together for the guy, and all this time, the king of Wellber, who never had to experience such hardships.

In the end, he turned out to be a spoiled brat. Not in the way that he acts arrogant to everyone, in fact, he is rather kind, but he’s almost too kind, and way too naive. He’s never really been through hell, to try and survive, which is why Loden would have made a good king.

And yes, I said “would” for a reason. The guy’s dead now, trying to protect Tina! It really seals her hatred towards him in an excellent way. And I must say that it has been developed really well. Right till the end, taking revenge was still on Tina’s mind, even though she knew that he was sorry about the things he did. Usually, anime is a tad too forgiving with revenges, and they’re quite often just forgotten (apart, obviously, from Jigoku Shoujo).

And to think that Galahad kicks the bucket in this episode as well! This really signifies that Wellber no Monogatari ~ Sisters of Wellber is about the “sisters” of Wellber, or Rita and Tina. And really, Galahad died like a man, and he never showed a sign of weakness in front of Rita.

Seriously, this is exactly what a final battle should be. All attention should not be directed to just the main characters; every character should play an important role, and it really helps if the side-characters are well-developed as well, like this series has done magnificently. Now all that’s left off is to end this series off nicely. There’s enough material for a decent climax, but the ending itself is always a whole different story.

Gunslinger Girl – Il Teatrino – 11


Before I start with the episode review, I’d like to share something that Solaris wrote up, about Gunslinger Girl’s connections to the real situations in Italy.

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You all like Gunslinger girl story don’t you? Let’s take a closer look on the social picture the show feature to us.
The story is setted up in Italy some years in the future and it depict a country on the verge of a civil war. National government is weak and corruption spreads in public affairs. Army are divided and corrupted as well.
There are independist movements in the country, expecially plaved in the Northern Regions. The south is quite lost an the real government there is Mafia now. The national government has quite no power at all there. Sicily is now an independent state itself.
But in the surface everything is ok, and the government doesn’t show any effort in taking any remedy to the situation.
So being the central governmente unable, people is tired and sides up mostly with those who are ruining the country that is independists movement most of all.
The only way to keep back some order and fight back crime is to act over legal and in the dark. And so The Social Wellfare Agency was created and our story begins.
Well, you can never imagine how close to the reality this situation is. Of course there is no civil war in Italy, but all the problems Italy really has, are depicted and emphatized in the fiction.
Italy is nowadays divided in three macro regions that are economically very different. Northern Territories are the richest ones. There are industries that produce services and goods. North is the economical engine of the country.
The center regions are under the influence of Rome, where the governemnt is. So much of the job there is managing the public affairs. Central regions are wealthly and there is turism, industry as well.
Southern countries are a little problem. They’re back economically, and are more rural countries. People usually leaves ang go northside for working.
But the tax income isn’t decided on a regional base. Ecomomical politics is one for all regions. There’s a constant flow of money from the northern countries to the south to develop a part of the italy that wouldn’t grow for some reason. Northern people looks at the south like a burden thus denying that many people from the south are actually working in the north and contributed that way to Italian richness.
Why does South didn’t reach Northern regions developement degree? There are many reason, but mostly two are important. The first is that back a long time ago, after the war it was chosen to spend money for industries in the north mainly, and the other is mafia in the south.

Mafia isn’t just something that reminds you of gangster stories. It’s something ancient, an old relic of what it was South Italy long before Italian Unification (XIX century). When there still was the King of Naples, there were noble families that took care of local government. They were the hands that administrated and protected the people before the king. Here, “mafia” means something like pride, honour, or even social responsibility: an attitude, not an organization. Where the government changed and the state cared less or nothing for the population, there Mafia flourished.
But Mafia in the 20th century dwelled with mostly illegal activities and crimes. They are no longer the protectors of people but became oppressors themselves. Still he old fashoned idea of strong and righteous didn’t vanish even before the crimes. Nowadays Mafia has gain so much power that has no longer need of illecit activities like prostitution or drugs to go on. These low level crimes are now matter of new criminal groups like Albanians. They use illecit activities to force and hold power over the normal socioechonomical substrate of entire cities and regions. They now take money from extorsions and public contracts and invest it. Mafia controls the money nowadays and controls peple with the means of money. Entire cities and quarters are under their rule and also it’s infiltrating in that government, at a local level that once it used to fight with.
So South Italy remained frozen undeveloped, in the hands of these people that rather strangled it. And all the money the central government gave for the South did never reach the population. It disappeared before in nothing. Think that there’s still people living in barracks aftrer the Irpinian Earthquake wich happened 30 yars ago. Read here how much money was given to aid http://en.wikipedia.org/wiki/Italy_Earthquake_of_1980.
Of course Central Government is the first blame from the population for the lack of social wellfare. No work, no money. Many are forced to immigrate to north to gain a job, or are better employed in mafia itself. So still Mafia, taking care of the people is well accepted. That is quite ironical.
Som emore info’s about Mafia are here: http://en.wikipedia.org/wiki/Mafia

On the other side Northern Region’s population have the burden to train the whole country and are disenchanted. They see their money wasted in the southern black hole and in the burocratic and unefficient public administration. So they grew some resentment for the whole country.
Moreover they grew a lot of conceit. The think they’re the only working in Italy and that the government is oppressing them. Nothing more false than this, but it’s 1/3 of the population in the north believes it to some extent. These people is ironically the same who end to skip on taxes, and be proud of dishonesty. they think something like, the government steals me, i steal everybody else. They are also racist against everybody is not from the North taly.
So from the early 80’s several new movement ware born. All of them exploited resentment against the central governmet and made their flag of discrimination against southern Italians. Open racism against illegal immigrants were also exploited. All these movements were joined in The Lega Nord party. Expecially with the large scandals for the corruption in 1992, the Tangentopoli affair, people had the direct confirm that what Lega said was true. The Lega literly gained the larger success from that moment on.
Lega Nord is openly secessionist and claims for Padania independency. Padania isn’t a real region of Italy, it’s something around the big plains of the Po river, at the centre of the northern Italy. Of course to make alies in the parliament Lega had to make a step back o their claims. Now they only clain for a federal reform of Italy, expecially economically speaking. Nowadays the Lega Nord is the mayor ally of Forza Italia, Berlusconi’s party. I won’t speak of him now, as it seems he and his party isn’t mentioned in Gunslinger Girl.
Of course you notice how much the Movement of the five Republics resembles Lega Nord itself.
Here you can find more info about Lega Nord: http://en.wikipedia.org/wiki/Lega_Nord

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After reading this, I’m even more surprised at what an interesting setting was chosen for this series. This is exactly what I mean when series need to look beyond Japanese high-schools for their settings at times.

In any case, this episode sets up for the finale of the Pinocchio arc. At least, I think it does, because Triela doesn’t get sent to the place where Pinocchio is about to do his mission, along with Franco and Franca. Instead, he’s up against Henrietta and Beatrice, while Triela, Angelica and Rico are sent to Milano for another mission.

Oh, and Pinocchio also gets some more background, and I’m surprised at how involved Christiano is with his missions. It turns out that even though he doesn’t do the dirty jobs himself, he does help cleaning things up for the people who work under him. Stereotypical bad guys really need to follow this guy’s example, instead of sitting on their chairs, trying to look evil. In any case, during one of these cleanups, Christiano discovered the young Pinocchio, and took him in. There, one of his subordinates (who is now dead), trained Pinocchio to be the assassin he is now.

One rather technical bit that I’d like to note is that this series is the first I’ve seen that avoids what I’d like to call the “piano-syndrome”. Usually in anime, when someone starts playing a musical instrument, the creators just cue a regular background tune. At the really bad cases, I have no idea whether a character is actually playing, or the background music is actually playing, but this series handled this quite nicely by running a small filter though the sound, that makes it sound much more real and in the background, rather than from a recording-studio. Kudos!

All that’s left now is to hope that some kind of third season will close off this series. It took quite some time for the second season to arrive, but I think that that was mostly because Madhouse had no intention to make a second season (if they had, they would have done so much earlier), so if I had to guess, then things will go easier for the third season, especially with the original mangaka behind things.

Wellber no Monogatari ~ Sisters of Wellber – 24


So, this basically was the “oh god we’re under attack and we will be screwed unless we do something RIGHT now”-episode. At the moment, I’m worrying about nearly every series that I’m watching whether or not it’ll be able to pull off a good ending or not, and Wellber no Monogatari has been the first series to remove these doubts. This episode was really good, and I’m pumped to see the finale!

Oh, and by the way: those who were put off by “the tank” will rejoice with this episode: Voljurac dies! Or he gets blown to unrepairable pieces, in any case. This again shows that this series isn’t afraid to kill off its characters, which really makes me wonder whether Loden will survive this series or not. Voljurac’s death wasn’t really extraordinarily sad, but it did serve as the perfect wake-up call for the other characters.

It’s an interesting royal family, by the way. Instead of hiding and retreating, they aim to infiltrate Greedam’s big battleship. Rita’s father does this to find out what the heck happened to the king of Greedom (hinting that we’ll indeed be seeing enough of the guy’s background in the final two episodes of this series), and Rita and Loden are both doing it to protect their kingdom.

I remember how the first season ended rather interestingly. It may not have been the most believable (two people taking down an entire castle), but it was fun nonetheless. That same kind of fun I detected in this episode, so I’ve got my hopes high for this ending.