Ergo Proxy – 18 – Okay… that was interesting…

by psgels, posted in Ergo Proxy



Honestly… there aren’t few anime who would let their characters make a long journey to some distant place, only in order to discover that the key to solving their problem lies in the place it all began. But for some reason, Ergo Proxy is one of them. And actually, there’s nothing wrong with such a plot twist. It keeps the characters busy, in any case.

But now that I’m looking back, this twist had to come. After all, it was the only way to bring Real, Vincent and Pino back to Raul, Daedalus and Monad. After all, Monad did for a large part of the story but at the same time she was still in Romdeau.

In any case, the episode focuses around Real and Vincent realizing that they have to go back to Romdeau. Remember the rocket from the previous episode? Well, apparently, it hit Moscow. Now nothing’s left of it. While Real and Pino explore the ruins, Vincent seems to be bothered by a nasty headache. In there he has a strange dream. He’s in Proxy-form, somewhere in Moscow. He uses his pendant as a key, to go inside a door, in which an autorave is waiting for him. It seems to be the autorave he left in charge with his lost memories. Apparently, Proxy One let this autorave copy all of the memories he was planning to give to Monad.

The autorave then thinks that Proxy One came back to get his memories. Proxy one, however, kills the autorave and starts crying out of happiness. Vincent then wakes up, back in the Usagi. Real and Pino have returned as well. They then too, somehow find the same room. Vincent then uses his pendant again to open the door. In there, they find the dead autorave, nearly dead. He keeps repeating one sentence, after which he starts uttering the word “Romdeau”. Then, he finally shuts down.

Now, the question remains, when did Proxy One kill the autorave? Was it before he came to Romdeau, or was it in Vincent’s dream? The fact that Real and Pino noticed him sleeping suggests the former, though the fact that the autorave looked just recently destroyed suggests the latter.

Raul, meanwhile, is given his title back. He then pays a visit to Daedalus, who seems to have forgotten about Real, and selected a new one as if nothing happened. This does suggest that Real is replaceable, and it explains why Daedalus said that Real would never betray him. Whenever she does, he’d just create a new one. Still, what do the old Real and the new Real have to do with Monad Proxy? (interesting note: when Raul finds the ball of yarn, he grabs the ball, while the new Real holds the end of the string. Then, she comes running to him, this string is gone and she takes it like nothing happened. Maybe I’m just thinking too much.)

Oh, and Raul still has visions, and has sworn to kill Vincent. It must be convenient for him to know that Vincent’s coming back, isn’t it? Also, who was this person at the beginning of the episode, right next to the explosion? And more importantly, when did it happen? Overall, it was an interesting episode, though it wasn’t extraordinary in any way.

Tsubasa Chronicle – 39 – And we’re halfway through the series

by psgels, posted in Tsubasa Chronicle



Well, that was rather cure, wasn’t it? This was probably one of the first really slow paced arcs of Tsubasa Chronicle. Clearly, the creators couldn’t manage to fit these two episodes into one, so they decided to stretch them a bit. The result is interestingly enjoyable. Still, a lot of strange things happened during this episode.

Remember when Syaoran planned to steal one of the bad guy’s motors during the previous episode? Well, somehow, this plan gets lost and he and Kurogane only manage to chase them away. Then, they board the bus again, as if nothing ever happened. ^^; The silent, long-haired woman also appears to be a former mechanic of the rail bus, now fleeing as well because of the usual things. She worked too hard, lost sight of the important things in her life, broke down and now attempts to take a break.

The true identities of the two eloping lovers? An idol and her manager. This gets found out when a news reporter conveniently mentions the fact that they’re missing. I have no idea why those bad guys are after them, by the way. It seems to be some kind of revenge, or something, but that’s never explained. In any case, the two of them are eloping because they believe that a relation between idol and manager is taboo.

Also, for some reason, either changing tires on a truck takes an awful lot of time, or the truck managed to catch up an interesting distance. Then the cute stuff begins, when Syaoran manages to land on the back of the truck and the bad guys arrive. All of the passengers on the rail bus are cheering for him, and Kurogane, Fye and even Sakura spend their time with attempting to shoot down the bad guys. For some reason, the bad guys keep their attention at Syaoran, and never even aim for the others. All of this is accompanied by an “interesting” background tune.

Despite the obvious flaws, the episode just remains very enjoyable. It’s like I’ve said before. You don’t need to think too much while watching Tsubasa Chronicle. It’s got a story it wants to tell, and it will tell this story no matter what, even if some parts don’t make any sense at all.

Eikyuu Kazoku/Eternal Family Review – 91/100

by psgels, posted in Anime Reviews



Apart from the amazing Mahou Shoujotai, Studio 4C has produced much more material. The Animatrix, for example. And Eikyuu Kazoku. I just saw it, and it only proves the awesomeness of Studio 4C. This movie just is so incredibly nuts, it actually scares me.

Okay, the concept: take several people, mostly dumped by society, brainwash them and make them think they’re each other’s family. Broadcast their actions on TV, and make money. The members of the family range from a sadistic baby equipped with scissors (and who isn’t afraid to use them) to a daughter who gets obsessive over fire and from a silent girl who uses her puppet to speak for her to a son who likes to play with machine guns. There are also two pets, a chicken and a dog, who only become the victims of the sadistic ideas of each of the family members. They especially don’t like the baby. At the halfmark of the movie, the family actually escapes, and splits up. And even then the fun doesn’t stop.

Eikyuu Kazoku consists out of a large number of small clips, all pasted after each other to form 30 minutes. Because these clips are incredibly small, the pacing in this series is enormous. So many things succeed each other in such a fast pacing. But then again, when there is a quiet moment, you really notice it. That’s one of the few bad parts of this anime.

Another major good part of this anime is that the creators can’t seem to run out of their incredible amount of creativity. So many original elements have been put in this series. The characters remain quirky throughout the entire movie, and new situations just kept amazing me. Also, despite its length, each character also got a healthy dose of character development.

The character art looks different from most anime. I can understand what people mean by the special style of Studio 4C. It reminded me of Mahou Shoujotai, which is always a good thing. The characters indeed look really interesting. The way they’re drawn really makes them unique. The animation also is very interesting, not to mention the choreography of the different action scenes.

Overall, I greatly enjoyed this movie. It really confirmed that Studio 4C is my favourite anime studio. It had me laughing at so many times. Especially the characters were something else. If you manage to locate this movie, I certainly recommend you to watch it. It will be a very interesting watch.

Some quick first impressions: Kemono no Zume, Hanoka and Shoujo Yang Geum no Yume

by psgels, posted in Some Quick First Impressions

Aah, finally we get another good batch. It’s good to see that this season does actually have some good series. All of these anime feature something different from normal anime. One is co-produced with Koreans, another is entirely made with flash, while yet another has a very messy art style.

Kemono no Zume

Ah, this is what I’ve been waiting for. A monster hunter falls in love with a monster and vice versa. Quite an interesting premise, and I’m happy to say that the first episode left me with a good feeling. Our main character isn’t invincible after all, as he seems to have an indigestion problem when facing monsters, and our female protagonist/antagonist was actually introduced in quite a funny way. In fact, this anime succesfully managed to produce some very funny moments, while the serious moments were kept sortof light, though full of content. The art style is indeed something which immediately catches the eye. It’s incredibly messy, especially the animation. Still, in the end, it works. It really contributes to the overall style of the anime.

Hanoka

This anime is completely created in flash. While others may find it ugly, I kindof appreciate the fact that people are experimenting with different art styles. And indeed, this anime looks quite unique. With also five minutes per episode, in which 90 seconds of this are occupied by the OP, leaving only 3,5 minutes left, you also can’t say that this anime bores you. But that doesn’t nessecarily mean that it’s good. In this case, however, it does have potential. It’s an anime about a war, which is being fought. Our main characters has special powers, though she’s held captive, only to serve in the war. She was quite sad, and these emotions did surprisingly well. I have no idea what the rest of this anime will be about, though. It can go anywhere, from incredibly bad to incredibly good.

Shoujo Yang Geum no Yume

Okay, why did this show take so ridiculously long to get subbed? It’s quite good. In case you’ve never heard about this series, it aired during the spring season. Now, a massive five months later, it has its first episode subbed. It’s about a very energetic girl, who loves cooking. Her late mother inspired her for this, before she died. She used to say that seeing Yang Geum (our main character) eat her dinner would make her really happy. Yang Geum is now aiming for about the same thing. Meanwhile, a lot of interesting things are going on in the background. It seems that the prince of the country is rather inexperienced, and goes hunting with only one guard. Assasins take advantage of this and actually attack, while Yang Geum and her cousin happen to be near. They actually manage to scare away these assasins in a very creative way, and they also manage to see their faces, which immediately gives this story a good start. Our main characters also are very likable. They’ve got interesting personalities. Another interesting point is that this is one of the first, if not first Japanese-Korean co-productions, hence the Korean names. Overall, if there ever was an unpopular show which deserves way more attention, it’s this one.

Simoun – 21 – Some answers

by psgels, posted in Simoun



A story-driven episode for once, instead of the character-driven ones. I actually like the latter more. that’s really the department in which Simoun shines like no other. Still, that doesn’t mean that this episode wasn’t good. ^^

The most important part of the episode definitely is Onashia explaining the Emerald Ri Maajon. It’s used to travel from one time to another. We also see Dominüra and Limone back. This also gives us suspicions that Amuria is still alive as well, though in yet another time. I’m not sure whether Limone and Dominüra have landed in the future, or in the past. I personally think that they ended up in the past, as the village is filled with ancient Simoun. Still, they’re all overgrown with vines.

In any case, there was a civilization in the past which was much more advanced than the current ones. It’s interesting that Onashia speaks of “civilization” as singular, instead of plural. It’s said that the Simoun came from those days. In the end, countless wars eradicated the civilization, along with the true purpose of the Simoun. At one time, the Simoun just became useless.

Then, from the sky, it seems that a Simoun from another world, or time in this case. It was being driven by children, sent from god. These girls introduced themselves as Simoun Sibylla. Then, they informed everyone of the Emerald Ri Maajon. The Chor Dextra, which was led by Aaeru’s grandfather, by the way, was created just for the completion of the Emerald Ri Maajon. Dominüra is the only living member of it.

Dominüra also reveals something interesting in her thoughts: the reason she freaked out so horribly in episode 14, when seeing the Simoun. Well, it seems that she was one of these children, sent from god, who originally came from the other world. It seems that she forgot this, and seeing the dismantled Simoun forced her to remember again. This is indeed extremely sad, as she was the one who started the entire war for the control of the Simoun.

However, this brings up so many questions. How old is Dominüra anyway? If Aaeru’s grandfather used to pilot a Simoun, then it must mean that that Dominüra arrived in her Simoun quite some years ago. Still, she looks extremely young. I have a theory, though. Nothing has ever been said about what happens to those who refuse to go to the spring for their entire life, right? The fact that nobody speaks about it must mean that every single person went to the shrine, no exceptions. What if Dominüra is this exception? What if she just didn’t go to the spring, which made her body refuse to age for years and years to follow?

Dominüra also starts singing in front of the people who live in the time they arrived in. I think that that’s one of their rituals, they do every day, in order to give these people hope. I have no idea what started it, though I think that the villagers managed to convince them. They’re indeed living very peaceful. Interesting note: the Simoun appear to make a buzzing sound when they’re inactive.

I also noticed that Limone’s hair grew. This really reminded me of a strange pattern I noticed a while ago and which all anime seem to follow. Most anime don’t even know about hair growth. Half a year passes, and each character still has the same length of hair. Nothing grows. There have been a number of anime, though, which do feature characters who grow their hair. The strange thing, however, is that every single one of these anime has only one of these characters. No more. Simoun has Limone. All of the other characters seem to be spending a lot of time at the barber. The Law of Ueki has Rinko and I’ve heard that Haruhi Suzumiya also had this. It’s a pity that so little characters have this, as I like spotting the differences in character design that way. (That’s why I also like characters who like to change hairstyles)

In any case, the fact that this was a story-driven episode doesn’t mean that we didn’t have any character-development. This time, it came from Yun, Limone, Dominüra, Onashia and a bit of Aaeru and Paraietta.

Notice how Paraietta was very determined when the Chor Tempest was scolded for going out unauthorized (eheh, so what? Aaeru used to do this lots of times. :P). Also, notice how Aaeru gets uncomfortable when Neviriru suddenly gets hope of Amuria being alive? I wonder what kind of reasons she has for this. Does she think that she’ll lose an important pair, or an important friend to Amuria?

Both Limone and Dominüra have changed. Limone has told herself never to say “I dunno” anymore. That’s why she tries to find a suitable answer for each question asked to her. Dominüra, on her turn, has become extremely relaxed, cheerful and optimistic. We also see a surprisingly weak side of Onashia. For some reason, she became extremely exhausted on the journey back to the ruins. When she arrived, however, this weakness was gone. She also shredded off some strange, sparkling substance when she walked.

The most interesting one, though was Yun. She goes along with Aaeru and Neviriru in their mission to escort Onashia back to the ruins, as she wants to ask Onashia about her fallen comrades. Onashia told Yun the previous episode that she could hear Mamiina’s voice, so Yun was hoping that this would be the same for her former friends. She wonders whether their souls have been set free. Yun gets a response she doesn’t like. The one who desires to be set free his Yun herself. Not only does this suggest that her comrades have yet to be set free, but it also means that Yun has indeed been keeping all of her feelings inside of her. Onashia reveals that Yun wants to escape to a place far away. She’s been fooling herself all along.

Higurashi no Naku Koro ni – 20 – OMG Rika!

by psgels, posted in Higurashi no Naku Koro ni



I was fearing that this episode would be rather dull, and indeed, everything I predicted happens. We’ve got Shion phoning Keiichi. Then she holds a long, though pointless interrogation with the village elder after which she indeed threatens Rika. During this episode, not a lot of things happened, and the things that did happen were very stretched. When you combine this with the fact that I practically predicted everything which would happen, and the interrogation with the village chief was not only pointless, but featured Shion in her usual emo-mode about Satoshi, and it indeed makes the episode rather dull.

Except for one point!

Rika was amazing during this episode! She really is my favourite character of this anime, and with a good reason. First of all, when Shion threatens her, she claims that entering the shrine doesn’t necessarily mean death. People are kept away from it because of the torture-devices. That’s a different reaction than you’d expect when you take the council members of the previous episode into account. Rika also claims that she can hear Oyashiro-sama’s voice in her head.

Then the awesome thing: Shion never phoned Rika in the first place. Shion decided to use Rika as a means of finding out whether she really was connected to Oyashiro-sama. Rika then noticed that Shion was under influence of the disease. That’s why she came to the Sonozaki-residence. She pretended that she needed some soya, though in fact, she attempted to cure her with the syringe, in the same way Mion and Rena did in the first arc, and Irie in the third arc.

As this method has never worked, it also doesn’t here. Shion then injects the liquid in Rika, and she doesn’t look too good afterwards. She then grabs a knife, when she hears that Shion plans to torture her. Then, she decides to kill herself, to prevent her from being tortured and interrogated. Even though we saw that scene before at the second arc, it still remained so sad for her.

This indeed proves the theory that the syringe is meant to cure the paranoid actions of certain persons. Whether this is a disease or normal paranoia, it still remains unclear, though it isn’t as simple that there’s just a demon inside Shion’s body, as you need more than just a syringe in order to remove a demon. I think Rika was suffering from the nasty side-effects of this medicine. I can imagine that the feeling it gives isn’t pretty. She then begins to have the same delusions as the disease, though I think that that’s supposed to be temporarily. It’s long enough, though to make her conclude that she knows something that nobody else should know, and if Shion just tortures her before she kills her, she’d better put herself out of her misery immediately.

I think that Takano is our major suspect here, like Cos mentioned. She was supposed to be dead, even before the Watanagashi started, so she’s definitely hiding something. Irie, seems to be the one who has developed the antidote. Mion, Rena and Rika seem to have discovered this, and secretly told him that they’d help him.

I’m also wondering why the creators decided to make this episode so incredibly slow. It means that the next episode will have incredibly high pacing. After all, so many things still have to happen. Shion has to torture Mion, kill Satoko, go emo when Keiichi’s on the ladder, phone Keiichi, explain to Keiichi and Rena, take Keiichi to the underground prison, throw a rock on Keiichi, attempt to torture Keiichi, shock Keiichi, flee and kill herself. Still, I’m interested, as each of the arc’s endings revealed some kind of major plot twist. That also has to happen.

Overall, Rika was awesome, but apart from her, this episode was rather dull. Especially Shion and her endless whining about Satoshi.

The Animatrix – Detective’s Story

by psgels, posted in The Animatrix



Yet another style: a film noir. Like any proper film noir, everything’s in black and white. The art style is the most realistic one yet. It isn’t as overly pointy as in Matriculated, or as overexaggerated as in World Record. And certainly not as messy as in Kid’s Story. Everything also seems to have gotten a noise filter.

The story is about a detective who accepts a case to look for Trinity. He gathers a bit of information, and then realizes that there’ve been more detectives on the same case. One killed himself, one went missing and one went crazy. The latter keeps claiming that Trinity isn’t real. The detective then continues to search through chatrooms and cafes, frequented by hackers. At one point, he finds a certain Red Queen, who happens to be Trinity.

Trinity sends the message to him that in order to meet her, he’ll have to jump the first of six brooks. This appears to be a train. Inside the train, he sees Trinity. She reckons that he might be able to make it. The entire assignment seems to have been a test for him, to see whether he would make it. She then puts some kind of machine on him, and extracts something out of his eye. It’s the same thing they tried to poison Neo with in the movie, I think.

Then a couple of men in suits appear, and chase after them. However, the detective himself begins to change into one of these men. Trinity then shoots him. Then the two of them talk a bit, and Trinity escapes.

To be honest, I didn’t really like this one. It felt like a bit too fast, and the references were all lost on me. First of six brooks? He talks about a certain Alice who jumps the second brook to get her into the woods. Alice jumps the first brook and then she boards a train. Who the heck is this Alice, why does she jump brooks, why are a number of streets highlighted on the map? How does he know which train to catch? In fact… what is a brook anyway?

I think that this film was a bit too short for its own good. I think it would be better if it borrowed some time from Matriculated. In the end, the case is interesting, though the other three films were thought-provoking. This one, however, wasn’t. I don’t seem to have any inspiration because of it.

Ayatsuri Sakon – 09 – Curiosity killed the Cat. Or in this case a guy with a ladder and a bit of cheese.

by psgels, posted in Ayatsuri Sakon



Okay, let’s review. What exactly happened?
– Fukami is busy with police interrogations, so he tells Sakon that he’ll speak with him later.
– The next day, Fukami finally gives Ukon back to Sakon. It seems that he really liked Ukon’s design, so he decided to work on it on his own at the final minute. Therefore, Ukon was kept safe for the flames.
– Sakon equips Ukon, and turns back to normal.
– Keiko lost her husband and daughter to a fire ten years ago.
– Ririsu died in the fire as well.
– Ririsu gets blamed for the murder, as a fireman reckons that it was he who snapped off the hose of the gas cooker.
– Ririsu hated Hayami.
– Ukon reckons that the hose was too firm for a cat to remove.
– Keiko behaves entirely different, and warns Sakon not to get involved.
– After Keiko brought Hayase to his building, nobody was there. Afterwards, the doors were locked.
– Inside the gas cooker, there’s a bit of cheese left.
– The windows of the building were very high so a cat couldn’t have climbed in on its own. They’re too small and equipped with bars to prevent humans from sneaking in.
– On the ground in front of the window, marks of a ladder or a chair are visible.
– Sakon reckons that the following must’ve happened: the culprit stuffed the open end with cheese, Ririsu’s favourite food. Then, when Hayase was asleep, Ririsu smelled the cheese, toyed with it and ate it, allowing the gas to escape. The murderer did this in order to make things look like an accident.
– Aoki seems to have lost his daughter in a fire as well. He also seems very friendly with Sayoko.
– Kishikawa is seen, burning Hayase’s paperwork.
– Kishikawa is seen talking to Yoshida. They both suspect each other.
– Hayase suggests to Keiko to leave the place. Keiko declines, as leaving would make other people think they’re weird.
– Hayase tells Aoki that he plans to quit. He also tells him that Aoki’s the only person he told it to.
– Hayase is packing. A person in diciple-clothes walks in, Hayase looks happy.
– Keiko enters Hayase’s room, sees his body hanging on a rope and screams.
– Sakon spots a note. “To resolve this wicked deed, requires this fateful body to become a wretched wisp of smoke.”
– Kishikawa reckons that this must mean that Hayase actually was the one who killed Hayami.

Okay, there are two possibilities:
– There’s one killer. This killer killed both Hayami and Hayase, though the killer used Hayase to make it look like the murder on Hayami was meant in order for him to repent. This, however, would make no sense at all, as the killer would still be the major suspect for the murder on Hayase.
– Hayase did kill Hayami. There’s someone who didn’t like this and went to the extreme measures to kill Hayase because of it.

There are two possible people who could have entered Hayase’s room:
– Aoki. Hayase smiles when he first sees him. However, Aoki is seen in a tuxedo when the murder is discovered.
– Kishikawa. Aoki is seen in a tuxedo when the murder is discovered, while the intruder wore brown pants. However, Hayase smiles when he first sees him, and the two hate each other.

If Aoki was the one, he quickly changed clothes afterwards. If Kishikawa was the one, the two of them were plotting something sinister. The fact that one of these two entered his room right before the murder also isn’t 100% guarantee that the murder happened afterwards. Something else could have happened, after which the person left and another person arrived and killed the guy. Also, why did a glass and a bottle lie on the floor at the scene of the crime?

I don’t think Keiko was the murderer. More like an important side-character. If you just murdered the guy you love, you won’t be telling other people to go away. Not only would this make sure that they’d do the exact opposite, though as a murderer, you’d be more like, scared instead of certain and cocky like she was. She’s got her own problems, definitely. And her warning to Sakon definitely had something to do with these problems.

If Aoki was the murderer, Sayoko probably involves the reason why he did it. I don’t think Kishikawa was the one, otherwise, he’d not be this confident. I do suspect that Fukumi knew what was going on. The fact remains that he’s very enthusiastic about Ukon. He knew that the storehouse would be in flames, which would mean that Ukon would also be destroyed if Hayami would work on him. His inner puppet-love eventually got the best of him, and he decided to save Ukon.

xxxHolic – 19 – Best. Snowball Fight. Ever.

by psgels, posted in xxxHolic



God… this episode was incredibly creative. And incredibly fun as well. Yuuko invites Watanuki, Domeki, Himawari, the Rain Sprite, the Vestal Sprite and Mokona to a playground in order for them to have a snowball fight. Though it’s not a normal snowball fight. Each of the contestants has to create some kind of snowman. These snowmen then get miraculously animated and have to battle against each other. Some of these fights were extremely interesting to see. The ultimate prize is a Pandora’s box, which gives the one who opens it anything he desires.

First of all, everyone’s snowman is unique in some kind of way. And some were freaky as well. Very freaky, if you consider that they’re just snowmen. But that made things just better. These are the snowmen everyone managed to produce:
– Watanuki: a small bunny, made of snow. Cute, though a bit powerless.
– Domeki: a steel can, with a snowball on top of it and arms and legs attached to its sides. It looked kindof creepy. And strange.
– Himawari: the standard base for a normal snowman, turned upside down, and given the ears and arms which makes it look like some strange kind of teddy-bear.
– the Rain Sprite: two ice statues of Fuujin and Raijin, the storm and thunder gods who have made more appearances in different anime. Surprisingly life-like, but what else do you expect from a rain-sprite? ^^
– the Vestal Sprite: a large, chibi Pegasus.
– Mokona: a huge white Mokona. And when I say huge, I mean HUGE.
– Yuuko: some kind of sci-fi jedi-robot-thingy, which shoots snowballs, prepared by Maru and Moro.

Fight one: Watanuki vs Domeki
Domeki tests out the system, makes his snowman walk, make a snowball and throw this at Watanuki’s bunny. The bunny seems a goner, though it digs itself in right before it gets hit, preventing his own demise.
Winner: tie.

Fight two: Mokona vs Watanuki
Mokona’s huge monster starts chasing Watanuki, with surprising speed as well. Mokona then breaks the control of the monster and then it loses control. It trips over a slide and falls apart. It also takes out Domeki’s snowman in its fall.
Winner: Watanuki. Loser: Mokona. Unlucky bystander: Domeki.

Fight three: Watanuki vs Vestal Sprite’s henchmen
The Vestal Sprite’s henchmen see the Vestal Sprite crying, because she’s glad that Watanuki’s bunny managed to survive. They, however, misinterpret this and think that Watanuki purposely made her cry. They start attacking him, though the Vestal Sprite tells them to stop. In the end, she sacrifices her Pegasus in order to protect him.
Winner: Watanuki. Loser: Vestal Sprite’s henchmen. Unlucky bystander: Vestal Sprite

Fight four: Watanuki vs bunny
Watanuki gets hit by a snowball, thrown by his own bunny. He begins to chase it.
Winner: tie.

Fight five: Yuuko vs Rain Sprite
The episode takes a very strange turn when these behemoths duke it out. Especially when Fuujin and Raijin suddenly start out creating tornadoes, rain and lightning in order to launch it at Yuuko’s robot. If there ever was a king of snowball fights, this has to be it.
Winner: Yuuko. Loser: Rain Sprite.

Fight six: Yuuko vs Himawari
Himawari’s snowball possesses the strange ability to absorb all of the snowballs Yuuko’s snowman shoots at it. In the end, it pops right before all of the snowballs run out (Maru and Moro got bored and stopped providing the snowballs).
Winner: Yuuko. Loser: Himawari

Fight seven: Watanuki vs Yuuko
Yuuko isn’t happy when she finds out that she’s run out of ammo. Watanuki’s bunny isn’t doing much either. Then she realizes that she’s been standing on the hose transporting the snowballs for a while. One snowball is left over. However, right at the moment that the snow was supposed to arrive, her snowman looked into the hose, attempting to find out the problem. He then gets shot because of his own stupidity.
Winner: Watanuki. Loser: Yuuko.

So far, fight two remains my favourite, though all of the others also were great to see. Yuuko, however, asks Watanuki, right before he opens Pandora’s Box, what they’re having for dinner. The box then contains the things he planned for the next dinner. The rest of the episode is made of everyone having food, while Watanuki has to work as a slave. He doesn’t quite like that.

On a more serious note, I’ve noticed quite some changes in both Watanuki, Yuuko and Mokona during this episode. Both Yuuko and Mokona were much more demanding of Watanuki than they were usually. They just kept ordering and ordering him. Even though they normally do this as well, it’s never been this extreme.

I’m not sure whether it is because of this in particular, or rather the whole picture, but Watanuki was rather blunt this episode. He insulted people more than he usually does. He was more keen on not participating in the snowball fight. He acted like a sore loser when he won from Yuuko and he actually insulted Himawari. He really sounded like a jerk in this episode. This most definitely is because of Yuuko’s influence on him. He just can’t seem to understand to have fun.

Yuuko also was a bit different this episode. She actually was a bit competitive, and wanted to win no matter what. When she lost, she really didn’t like the fact that she did. Only then, she came with plan B, and started acting. Maru and Moro also were interesting. They actually defied their master’s order, at one point, they didn’t want to shovel snow all the time. Could it be a design flaw of Yuuko, or is it something that they wanted to on their own accord?

On a more unserious note, Yuuko really has some kind of prophetic ability. Or she uses a special kind of paper which can change its text at will. Watanuki also was very funny when he found this piece of paper in his locker, thinking that a girl wrote a love-letter for him. Mokona also was very cute when Watanuki insulted him for a “pet thing”.

Ergo Proxy – 17 – Piano

by psgels, posted in Ergo Proxy



Finally, we have a normal episode of Ergo Proxy again. It’s mostly focused around Raul, while Real, Vincent and Pino meanwhile run into a very interesting city.

First Raul. As Director-General of the Citizen Security Bureau, he has a lot of privileges. And he’s one of the few who can get access to information not meant for normal citizens. Because of this, he’s able to tell the difference between truth and lies. Real was another example of this. Now he as well, has given up on Romdeau.

We also see him having a little discussion with Daedalus. Daedalus seems to blame Raul for Vincent escaping. After all, if Vincent hadn’t been chased out, he would just be leading a normal life. Raul gets angry about this, with a good reason. After all, it was Monad who caused this. Not Raul. Daedalus also isn’t getting worried about whether or not Real betrayed him. He reckons that as long as Real is alive, she won’t betray him, and he can be himself.

Right after Raul put down his trust in the city council, he’s labelled as traitor and his once faithful assistant Krysteva gets put in charge to hunt him down. Krysteva thinks that he’s planning to escape, so the heads for the same place we saw in episode 2, where Vincent landed. In the meantime, she orders to erase all of Raul’s data from the city-databank. This takes about ten minutes. Before that time, Raul can still use his privileges. When she arrives, however, he appears to be in a total different place: his house. In the end, his goal was to get his data erased (on a side-note: does anyone find it ironic that his ID ends with the numbers 666?).

Daedalus, meanwhile, calls himself calm. One of his autoraves also refers to him as the prince of Romdeau. We also see Daedalus talking to a picture of Real, pretending it’s the real thing. And what happened to Monad? Raul, meanwhile is in his apartment, playing piano. The ending of the episode was quite confusing, and I didn’t manage to really understand this at all. For some reason, a hug rocket gets fired. Raul, meanwhile, has visions of Vincent. He reckons that Vincent was the cause for everything (it was quite shocking to see Pino in normal clothes. I nearly forgot that she used to belong to a rich family). Vincent, Real and Pino, meanwhile have almost arrived at Moscow, when they see the same rocket head for their destination. I suppose that that thing is going to blow up the city, though I’m not sure.

Next, Real, Vincent and Pino. They’ve made another pitstop, and they’re making quite some progress. One day, they managed to travel 140 miles, which makes a journey of 2000 miles take about two weeks. Shorter than I expected. In any case, when Vincent and Real decide to leave again, it seems that Pino is gone. She seems to have wandered off somewhere. Vincent also tells Real that if he ever stopped being himself, that he wants her to kill him with her own hands.

Searching for Pino takes a while, in the end, the two of them find a cave, and head in. It consists of some long tunnels. At one point, they find a number of dead bodies, belonging to misshapen humans. When they walk deeper in the cave, they hear sounds coming from a piano. Pino seems to be playing it. She’s accompanied by a live version of these creatures found earlier. It’s quite shy, and doesn’t look healthy.

After a bit of investigation, the main nest of these creatures is found. All they do is walk around, and sitting miserably. Real then discovers that there’s a small amount of poisonous gas inside the caves, so she decides to head out, before the problem becomes worse. Pino is also taken along, against her will. Apparently, the road is very long, as she becomes bored fast, and Vincent has to carry her. She’s very much like a little girl at this point.

Then, they pass the dead bodies of these creatures again. It then seems that the creature Pino was with has followed them, and now collapsed. Then Real realizes what’s going on. When the environment of the Earth changed, they were just normal humans, who dug the tunnels in order to protect themselves. The tunnels, however, then began filling with poisonous gas. This turned their bodies to their disfigured current state. In the meantime, however, it also made them dependant of the poison, up to the point that they won’t be able to live in a normal atmosphere.

Real meanwhile discovers some primitive wall drawings, and a rather cute scene occurs. The creature who collapsed stands up again, and gets carried away by his mother. Pino says goodbye to him. The wall drawings show a family with a pregnant mother, father and child, and Real realizes something again. We never know what it was, though.

Overall, I’m not sure what will happen to Raul afterwards. Will he be caught, or does he manage to escape? And I really need to rewatch the first two episodes at one time. Is it me, or did Pino use to be Raul’s autorave? In any case, the music was great again. It was a very nice episode. Nothing special, but I really enjoyed watching it. Every single time, Real, Vincent and Pino run into something unique in their journey to Moscow.