Tsubasa Chronicle – 39 – And we’re halfway through the series

Well, that was rather cure, wasn’t it? This was probably one of the first really slow paced arcs of Tsubasa Chronicle. Clearly, the creators couldn’t manage to fit these two episodes into one, so they decided to stretch them a bit. The result is interestingly enjoyable. Still, a lot of strange things happened during this episode.

Remember when Syaoran planned to steal one of the bad guy’s motors during the previous episode? Well, somehow, this plan gets lost and he and Kurogane only manage to chase them away. Then, they board the bus again, as if nothing ever happened. ^^; The silent, long-haired woman also appears to be a former mechanic of the rail bus, now fleeing as well because of the usual things. She worked too hard, lost sight of the important things in her life, broke down and now attempts to take a break.

The true identities of the two eloping lovers? An idol and her manager. This gets found out when a news reporter conveniently mentions the fact that they’re missing. I have no idea why those bad guys are after them, by the way. It seems to be some kind of revenge, or something, but that’s never explained. In any case, the two of them are eloping because they believe that a relation between idol and manager is taboo.

Also, for some reason, either changing tires on a truck takes an awful lot of time, or the truck managed to catch up an interesting distance. Then the cute stuff begins, when Syaoran manages to land on the back of the truck and the bad guys arrive. All of the passengers on the rail bus are cheering for him, and Kurogane, Fye and even Sakura spend their time with attempting to shoot down the bad guys. For some reason, the bad guys keep their attention at Syaoran, and never even aim for the others. All of this is accompanied by an “interesting” background tune.

Despite the obvious flaws, the episode just remains very enjoyable. It’s like I’ve said before. You don’t need to think too much while watching Tsubasa Chronicle. It’s got a story it wants to tell, and it will tell this story no matter what, even if some parts don’t make any sense at all.