.Hack//Roots Review – 74/100


.Hack//Roots is an incredibly difficult anime to review, as this anime is a combination of an interesting view with a trainwreck. It’s got so many good points but at the same time, it’s got just as many, if not even more, bad points. It uses the same setting we’ve known from series as .Hack//Sign and .Hack//Dusk: everything in the series happens in an MMORPG, or Massive Multiplayer Online RPG. It doesn’t belong to any specific genre. If I had to put it in a category, it would be around the mystery-dramas, though that isn’t the most accurate description. This anime is closely related to a game, .Hack//GU.

First of all, let me warn you. If you plan to watch the series, without playing the game, don’t. That’s what I did, and you can’t imagine how many unexplainable events happened. Characters aren’t fleshed out enough, things just happen without any reason for this being given, you miss out on a LOT of character background and the ending leaves SO many questions unanswered that it would make even Narutaru jealous.

Another big problem with this series is that at times, it doesn’t seem to realize that it’s in an MMORPG. .Hack//Sign solved this well, by occasionally showing a mysterious scene about the person behind the computer, but don’t expect to see any of these in .Hack//Roots. The characters move way too much like normal people, instead of computer-graphics. Some even go emo, and instead of relieving their stress on some unfortunate object in the real world, they do this in the virtual world.

The third point actually is a nasty side-effect of the first bad point: some of the character are just so incredibly unlikable. Because their background has been left out, some characters now are a bunch of paper bags. Others, who did have a bit of fleshing out also were incredibly annoying to watch at times. Our main character, Haseo, for example. He just roams around The World like a big gorilla for ten episodes until something changes. Another very cool guy also changes into an incredibly plain one.

Okay, enough bad points. Now the good ones. While some characters are horrible, other ones work out greatly. Haseo, for example, when he’s not in gorilla-mode. And there are a few more of these gems which are very interesting to watch. Around the halfway-mark of the anime, people actually start quitting the game, giving extra depth to the characters who remained. The final three episodes, also, manage to actually recover from the trainwreck that the previous episodes set, and actually deliver some very strong final episodes. If you ignore the frighteningly huge amount of open ends it left.

This show also excels in the visual and sound department. It probably contained, along with Good Witch of the West and The Third the best graphics of all the shows who aired in the spring-season, and the soundtrack is nothing short from memorable. The background music is also one of the things that managed to bring .Hack//Roots back on track when the final episodes started.

.Hack//Roots – 26 – The End?

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I refuse to believe that this is just the end of .Hack//Roots. I demand another season! So many things are left unsolved. So many things still need to happen. Nothing has been resolved at all! It’s only that Haseo now has regained his common sense and Phyllo died of cancer. Meanwhile, even new things start popping up and Ovan seems to become the final bad guy.

My opinion about this episode? It depends on how you look at it. If it’s the end of .Hack//Roots, it sucked. If, however, it’s the end of the first half of .Hack//Roots, it was great. My favourite moment was when the certain cameo from .Hack//Sign appeared. I can’t believe he actually stayed in the world for so many years. Touta also seems to have left. Good, good. I never liked the guy anyway. Tawaraya was awesome, but Touta was way too standard.

Surprise: Saburou actually is a guy! Never saw that one coming. She also remains in The World, watching Haseo. Yata, meanwhile, is ready to introduce himself to Haseo. It seems that the Raven actually is a group of members who have the element. This expains that Yata also has awakened, and it also reveals why they’ve been so interested in Haseo.

Overall, unfortunately there are no signs that this will be getting a second season. I hope I’m wrong with this guess.

Some quick first impressions: Sumomomo Momomo, Asatte no Houkou and Black Lagoon: The Second Barrage

Ah, these are some of the ones I’ve been waiting for. It’s great to see the good parts of this season, among all of the other rubbish. Sumomomo might have been somewhat disappointing, but the latter two promise to be awesome.

Sumomomo Momomo
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Another harem. At least, I think it is. The other girls should arrive in the next episodes. Anyway, this one has the standard girl-loves-boy-for-no-apparent-reason, but with a twist: it’s a comedy. At least, it tries to be. It has funny moments, but at times, I feel like it’s trying a bit too hard. The jokes could have been presented in a much better way. Not to mention the fact that our main female character’s character design kindof failed. The promo-art looked very good, but the creators of the anime somehow found it a good idea to give her ridiculously large eyes. These don’t fit at all. The huge amounts of fanservice also could have been toned down a bit. Still, the thing I liked was the main character. His reaction to all of the things happening to him was the funniest part of this episode.

Asatte no Houkou
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I can’t believe how well this turned out! I knew that the concept was something to be looking out for, but I never could have imagined how extremely likable each of the characters are. After seeing this episode, I think that so far, Asatte no Houkou has delivered the best first episode of all the fall-season shows so far. The story’s like this: we have a young girl, who lives together with her older brother. Their parents died, and the girl hates to be a burden on her brother, so she hopes to grow up fast. On the other side, we have a woman, who longs to be young again. Guess what? The girl grows old and the woman grows young, with the help of a strange stone. The character designs actually show that you can create beautiful characters with a small budget, the music fits perfectly, and this has been extremely well written. I’m not sure whether I’m going to continue this series raw or not. Depends on how fast the subs are coming out…

Black Lagoon, The Second Barrage
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Finally, Black Lagoon returns with its second season. The first episode was mostly meant for introducing the bad guys of the following arc. This time, we’ve got two homicidal siblings. They’re just small children, but they’re already a bunch of incestuous killing machines. So far, so good. The creators really made them look extremely evil. But will they be as awesome as Roberta? That depends on the next episodes. I’m also wondering how Rock and the others will get involved in this matter, as it’s mostly an issue for Balalaika and the other maffia-boses.

Tsubasa Chronicle – 42 – Sakura’s Memories

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Muaha! Another great episode! And it’s actually dedicated to the main story. The Clow Country we saw at the end of the previous episode seems to be the product of Sakura’s powers, meeting the book of memories. This transferred our protagonists to the Clow Country which Sakura remembers. There are a lot of holes in her memory, so the world appears without any people in it. It was a nice piece of background story. ^_^

Fay reckons that the feather is in a place which was mysterious for Sakura at that time. These are the ruins, of course. The fun stuff then realy begins when Syaoran realizes that Kurogane’s mother was killed by Fei Wong’s assistants as well. This does explain why he became more keen on helping Syaoran, as things have gotten personal for him as well.

Speaking of the devil, we finally see him again, after his long absence. He still has no way to see what Sakura and Syaoran are doing, His only method of knowing where they are is the Syaoran-clone, who actually comes into action during this episode. What exactly is his purpose? Why did he take over Syaoran, in order to beat the guardian of the feather?

Also, Fay finally uses his magic. Kurogane starts this by pointing out that if one wants to discern a certain magic, you would need an even bigger magic. Fay pretends to ignore this, but it seems that Kurogane did hit the right nail. For some reason, I’m fearing that Fay’s power is incredible, if it’s even enough to beat the magic which has sealed away a feather for more than 3000 years. Then, when Kurogane goes after the guardian, Fay wonders whether he shouldn’t try to help Syaoran, and in the end, when it seems that the magical influence of the place is preventing Mokona from transferring worlds, he creates a barrier which enables Mokona to do his/her magic.

But why did they end up back in the same world again?

Overall, great episode. Loved it. Want more.

Tsubasa Chronicle – 41 – This Anime is Great. Period.

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Ooh, I’ve been waiting for this. Finally, after a month of absence, Tsubasa Chronicle returns. After the previous episode, which was so incredibly awesome, the anime continues in the same world we left off. It seems that the book from the previous episode was a copy of the book of memories. This one stores the memories of the person who touches it, and shows them to whoever gets to be the next to touch it. The real one is hidden in a large library, and it contains the feather. 3004 years ago, this feather caused a catastrophe when it got in evil hands. Ever since, it’s been sealed away, in order to prevent another tragedy like that.

That’s another way you can do it. During the first arc, there were two arcs dedicated to people, abusing the power of the feather they received. But if such a thing happened 3004 years ago, this matter definitely had already been solved by other people. I like this setting a lot. It really shows that Tsubasa Chronicle is full of originality.

I know. I remember calling this series a horrible mess around episode five and six. I totally take these words back now. This anime is great, period. The characters are just so incredibly likable. Both in moments of comedy as in moments of drama and in moments of romance. This episode definitely was no exception. It was another brilliant episode. Ranging fro Syaoran’s apologies to Kurogane to Mokona, portraying Kurogane as the father of a poor family and Syaoran comforting Sakura to the cliff-hanger at the end of the episode, in which our protagonists suddenly ended up back in the Clow Country.

(On a side-note: during the eye-catch, it seems that the official spelling for “Fye”‘s name is actually “Fay”. I’ll try using it from now on.)

Some quick first impressions: Happiness, Kanon and Mamoru-kun ni Megami no Shukufuku wo!

Another batch. More harems. Woo. Exiting. I think I’ve done most of the harems so far. I´m eagerly awaiting the subs for the good shows now. But then again, the harems may be almost over, there´s still a bunch of shounen-action series…

Happiness!
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Okay, I admit. This one isn’t as bad as the other horrible shows we’ve seen so far. It’s got cute character designs for once. The graphics also are pretty and in good quality. It’s also a mahou shoujo, always nice. The characters actually have a history, and secrets. The main male character also seems to have a reason for refusing to be healed by magic. Good, good. I also liked his cross-dressing friend. If I understood things correctly, this friend likes to act and dress up as a girl. Nice touch. However. This doesn’t mean that it escaped the oh so horrid clichés of the bishoujo harems. For starters, our main female character is in love with our main male character, simply because he did something nice to her when they were children. It’s like the creators saw the beginning of Revolutionary Girl Utena, and saw a good excuse, without even bothering to check the ending. This anime is also rather ruined by the useless fanservice, our main character has the usual horny classmate with which he’s friends with, apart from that, he’s surrounded by girls, girls and only girls (yes, even the cross-dresser acted too much like a girl. There was almost no way to recognize that he actually wasn’t a girl). Oh, and did I already mention the amount of valentine chocolate he received?

Kanon
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This harem isn’t that bad either. It cleverly stays away from some of the clichés which often plague similar harems. The characters are a bit more than just stereotypes, there isn’t much focus on fanservice and our main character isn’t surrounded by girls who love him. It feels a bit more natural now. Also the graphics are pretty. It seems that people were willing to spend a big budget for this. Still, that doesn’t mean that this anime doesn’t have any flaws. Where it does things good at some points, it messes up at other points. While the graphics may look good, the character designs are ugly. All females have incredibly emphasized eyes. It’s supposed to look cute, but it turned out fake. Our main male character also is another one of those ctrl+c-ctr+v characters. Okay, girls don’t love him for an unknown reason, but because of that, he turned into a huge player. That’s also not the best type of character you can think off. (Also, aren’t the girls bothered by the cold, while walking in the snow without any pants?)

Mamoru-kun ni Megami no Shukufuku wo!
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Both Happiness and Kanon showed that you can have harem-series with a few good qualities. Because of them, I actually began to think that some harem series might not be that bad. Unfortunately, after having seen this horrible piece of garbage, I totally take back what I said. Seriously, watching this anime made me almost lose faith in humanity. Even for a harem-show, this series is pain. Do not go near it! *twitch*

Some quick first impressions: Ginga Tesudo Monogatari, Marginal Prince and Sasami Mahou Shoujo Club Season 2

Woo! An actually good batch. While Ginga Tesudo Monogatari might’ve turned out mediocre, Marginal Prince and Sasami Mahou Shoujo Club actually turned out to be a big surprise. These anime really show that this series can contain something other than garbage. And yes. I have a strange taste, and I’m proud of it. ^^

Ginga Tesudo Monogatari ~Eien he no Bunkiten~
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Interesting concept. Instead of space-ships, this anime has trains which travel through space, with earth as the main base. This seems to be the continuation of a previous season (I didn’t get the chance to see it, by the way). It seems that at the end of that season, the main character lost his father and decided to live with his mother again. This episode, he realizes that he is needed after all when he’s the only one who can do something about a high-speed train which went out of control, is heading towards earth, and plans to crash there, along with its passengers. For some reason, the main character manages to hijack a small train and reaches the berserked train with just the right timing. Strangely enough, he was the only one who got this idea. He then detaches the engine from the rest of the train, so the passengers are saved. But for some reason, he’s stupid enough to remain on the engine-part, instead of just letting it crash on earth. I’m also feeling that this show loses itself too often in useless techno-babble. Most science-fiction shows like these seem to be troubled by it. I think this is just extra material for fans of the original series. I wouldn’t recommend it to people who haven’t seen it.

Marginal Prince
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First of all, before I start, I have to remind you that this is a bishounen-series, done by Gonzo, of all possible studios. Finally, they managed to make an anime without any big-breasted fanservice-indusing female characters. They finally begin to learn. Anyway, about the anime. I quite liked all of the cheesy scenes which flowed across the screen. Things also turned quite serious at the end of the episode, and quite enjoyable as well. Okay, the anime doesn’t make any sense at all, but a boy who gets admitted to a super-rich school with only six people in it sounds so much better than a boy who gets surrounded by a bunch of beautiful girls. I’ll keep watching this. I might even blog it if the second episode turns out to be good.

Sasami Mahou Shoujo Club Season 2
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Seriously, why hasn’t this series gotten subbed yet? As far as I know, it’s the ONLY spring series which didn’t come without even one sub, and that’s such a darn shame. It may be my love for mahou shoujo-series, but I actually really enjoyed this first episode of the second season. If things continue to be just as good, I’m probably going to end up blogging this show. The show is about a school for mahou shoujo (finally the girls actually get to study, instead of getting instant-superpowers. I like that), and follows five girls, along with one of their teachers. It’s a shoujo-series, and things are mostly light-hearted. But the events are just presented in such an adorable way. It can be funny was well. I especially loved the lesbian-kissing-scene at the end. ^_^ Someone, sub this. Seriously.

Some quick first impressions: D.Gray-Man, Pumpkin Scissors and Yoake Mae Yori Ruri-iro na ~Crescent Love~

The second batch for the spring season, and the first subs have already appeared. Luckily, the overal quality is better than the previous batch, but still, the huge load of garbage remained. Thank goodness Pumpkin Scissors proved to be good.

D.Gray-Man
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So, this is the first of the bunch of shounen-series, and it isn’t very surprising that this one also doesn’t promise much good. We’ve got a 14-year old boy, who somehow is a master in exorcism. He’s gotten huge power for no reason, and he’s probably the only one who can kill the killing machines called the Akuma. There have been some attempts at comedy, but these failed. The battles also are nothing special. An Akuma appears, kills a bunch of people, our main character does nothing and waits till the tension is the biggest, does his thing and the Akuma is history. The story used in this episode also was incredibly basic and even then it had some flaws. Why didn’t anyone bother to mention the fact that the female heroine lived right next to the church in which the Akuma killed its victims? And yeah. The fact that the main heroine is going to team up with the main hero is so cleverly thought of.

Pumpkin Scissors
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I’m glad to say that we’ve got our first good show from the fall season. Okay, it could have been better, but I really like the quirky characters which go along with this show. It’s rather refreshing to see an anime about the aftermaths of a war, involving good realism, strategic battles, and yet tries not to take itself too seriously. The result works rather well. This has to be the anime with the most realistic (and because of that hilarious) tank-movement. I especially liked the two main characters. I mean, they’re a rather enthusiastic lieutenant and a gorilla-like war-veteran. Nice combination, no? ^^;

Yoake Mae Yori Ruri-iro na ~Crescent Love~
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Oh, the pain. The horrible pain. When you thought Tokimeki Memorial couldn’t get any worse, this piece of garbage comes in and changes your mind. I seriously hope that with this, we’ve passed the worst part of the season. We’ve got another pubescent male who’s just been copied and pasted from any other random harem, he has a little sister, a big sister, and somehow he’s made friends with only girls. Things only get better when a moon princess, along with her own personal maid (guess what?) comes to live with him. The characters are all bland and overused. Not to mention the fact that the following episodes will probably cause every single girl in the show to fall in love with our overcharming main character. Seriously, the person who wrote this stuff needs to get some kind of blow with a hammer.

Ergo Proxy Review – 87/100


Ergo Proxy is a science-fiction series with a healthy dose of mystery and action. It’s set in a post-apocalyptic world, in which the regular earth has become uninhabitable. The only places where people can live is in certain air-tight domes. This story begins in one of these domes: Romdeau. It’s a highly controlled society, which believes that each citizen should get as less freedom as possible, in order to become the perfect citizen.

Ergo Proxy definitely is an incredibly unique series. This mostly lies in the way the plot is written. Especially the middle episodes really play games with your mind. Complex dialogues and monologues occur often, with awesome effects. Some episodes definitely are huge roller-coaster rides, almost without any slow moments. These kinds of episodes really were great to see, and I definitely recommend them. They were also very thought-provoking, dealing with issues as philosophy and psychology.

The show also has a cast of very interesting characters. Ranging from a tough, realistic woman to a small, “android” (or Autorave, as they call it in the anime) girl. The anime starts out full of mysteries and vague references. don’t expect to understand anything of the story for the first three episodes. Then, the pacing dies down a bit, and things can get a bit explained. After that point, things pick up again, and the series starts to become episodic, featuring a fight between two characters on every episode. The great thing is that these characters don’t fight the standard way. Each clash between characters is full of originality. Most of them prefer to use mind games, and we even have one character who kills his victims off by using a fully fledged game-show.

The mystery-part works very well in the early episodes. For almost every episode, new questions get introduced. Still, as the series progresses it makes the mistake to introduce more questions than it can take, resulting in a lot of unanswered questions at the end of the series. I’ve finished this series now, and almost half of the mysteries of this show still remain mysteries. The episodic nature of the second half of the show also takes its toll, especially on the later episodes. For some reason, these seem to have lost the extra touch that the first two thirds of the anime did have. The first half of this series definitely was the better half.

The graphics are also a feast for the eyes. The animations is so incredibly fluid, the character designs look very appealing, though not over the top, the CG has been very well integrated with the rest of the graphics and the background music also delivers.

Overall, Ergo Proxy has been incredibly fun to watch. It’s got its flaws, though the brilliant plotwriting definitely made up for it. If you’re looking for a series which will make you think, this is the one you should go for.

Ergo Proxy – 23 – And it’s Over

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Heh, this was one of the few times at which a Deus ex Machina actually felt good. Probably because of Pino’s role. When we saw her wandering through Romdeau, I kept thinking that something bad would happen to her, but she actually didn’t play a role in this final arc at all. The creators just gave her an excuse to spend a bit of time, that’s all! Then she met up with Kristeva and returned to the Usagi again, without anything happening, and picked up Real. This moved away from the overused endings in quite an original and appreciated way.

Anyway, the final episode did explain a few crucial parts, though there are a lot of details which remained unexplained. Why did Ergo kill Monad? What exactly was the missile Raul sent towards Moscow? What’s Real’s link with Monad? Who, exactly, is the creator? This also is a series that you need to watch twice if you actually want to understand it. I might do this, perhaps after all of the fall-releases have died down.

This is what I think happened to the world:
– When the world was threatened to be destroyed by the exploding tanks of methane hydrate, the Proxies were created.
– Humanity fled to outer space with space-ships, waiting for the gas to fade away.
– Each of the Proxies created a dome of its own. Proxy One created Romdeau, Monad created Moscow, etc. For some reason, this was vital for the Proxy Project to succeed.
– The Heartbeat of Commencement, I’m still not sure what exactly it was. It’s never really explained. It involves Romdeau being destroyed, Vincent fighting Ergo, Vincent and Monad-Real flying through the clouds, Vincent going back and Monad-Real becoming one with a sparkling light. It was supposed to have happened way sooner, but the Proxies betrayed the Creator.
– Proxies die when they get in contact with direct sunlight. That’s why they refused to start the Heartbeat of Commencement.
– Humanity, meanwhile, has been waiting for generations in their spaceships, in an orbit around the earth.

I would’ve preferred that this anime would have had one extra episode. It’s exactly enough to fill in the remaining gaps, and make things a bit clearer. Overall, the ending was pretty nice. Not perfect, though not the horrible mess that other anime manage to become in their final episode. I’ll probably have the review of Ergo Proxy up tomorrow, as it’s getting too late for that now. Overall, it was a very nice series. I’m glad I watched it, and I’m sad to see it go.