Fall 2021 Summary – Week 9

Wooper: Another week, another solo appearance. I might as well retitle these posts “What’s Wooper Watching?” (Not a bad idea for a separate column, actually.) The three shows discussed below are getting regular coverage at this point; Stone Ocean would have been a great one-off addition, but I’m hopelessly behind on JoJo’s. I’ll surely throw in a few words about Aggretsuko’s fourth season when it drops in mid-December, so at least there’ll be something new to read in a week or two. See you then!

Star Wars: Visions – 7

“The Elder” is the second of Trigger’s two contributions to the Visions anthology project, as well as the driest of the seven I’ve seen thus far. Dry isn’t an adjective commonly applied to Trigger works, but it’s appropriate for the way this dialogue-heavy story was laid out. A drifting Jedi Master and Padawan sit in their spaceship for a while and discuss which planet they should explore next, eventually settling on an exceedingly gray and rocky one, which they explore for a bit. They stumble upon an old Sith, the last of his kind (an inversion of the light/dark balance in “The Ninth Jedi”), and have a brief lightsaber duel resulting in his death. And that’s it! Notice how the story opens on two men with no goal or destination in mind. They’re only motivated to visit a particular planet because one of them senses – you guessed it – a disturbance in the Force. Their Master/Padawan dynamic created a lot of opportunities for sagely sayings from the former, which seemed to be the aspect of the production most attractive to the director. Even after his opponent was defeated, he went right back into sage mode, talking about the inevitability of time and the proper mindset for strengthening oneself. I don’t mind a little philosophy in Star Wars stuff, since the Jedi are essentially a religious organization, but all ”The Elder” managed to depict here was a day in the life of a long-winded, lightsaber-wielding patrolman.

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Eighty Six S2 – 8 [Stay This Way Forever]

Hello everyone and welcome back to Eighty Six! It’s been two weeks since our last episode and its going to be two more weeks until our next. Suffice to Eighty Six is starting to fall apart and its easy to see in the episode. Don’t believe me? Then lets dive in to this weeks episode and see if I can’t convince you!

And what better place to start doing that than with the visuals! Whooo boy this episode had some issues, where do I even begin. How about the falling scene right at the start, that’s a good place. This looked like someone shaking action figures in front of a camera, it was that bad. Maybe if they had stuck to wide shots, or internal shots of the characters, they could have sold it better. But by showing the mechs at the angle and closeness they did but with absolutely no movement they just looked so… wooden. Same for the Nachzehrer going down in the background to, I couldn’t even tell it was “going down”. And then we have the blurred still frames during the big explosion later as well. Aside from a view landscape shots Eighty Six just did not look good this week. And I fear it won’t get better.

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Ousama Ranking – 7-8 [Prince’s Apprenticeship/Sacrifice of Dreams]

This week’s Ousama Ranking comes as a doubleheader – for an unusual reason.  Normally, when I don’t get around to writing for a week, it’s a personal issue of time management.  In this case, our double feature comes because I just didn’t feel I could fairly judge episode 7 “Prince’s Apprenticeship”, without seeing the following episode.  Let’s take a look!

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The Vision of Escaflowne – 7/8 [Unexpected Partings/The Day the Angel Flew] – Throwback Thursday

Welcome everyone to another week of Escaflowne! These episodes see our time in Asturia come to an abrupt but eventful end. Once again a king flees a burning city! Knights are thrown in prison, then broken out! And all the while a Princess just cannot seem to get some poon. Sad days indeed. So without further ado lets dive into it!

To start, I’ve come to a realization with these two episodes. A reason for why I like Dilandau way more than I should: He gets all the best faces and lighting. His particular brand of insanity is just so… expressive. From faces of anguish and rage to cruel delight, all of it cast in stark lighting. You know, the kind with heavy contrast between light and shadow? I love that shit and he gets a lot of it. Dilandaou may be comically extreme at times, just look at how he treats his soldiers. And we may not yet know the reason behind his insanity, making it feel like a bit much. But by god does he have great faces. Escaflowne please, I’ll take as much Dilandau as you can give me if this is how he is presented.

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Heike Monogatari – 11 (END)

Heike Monogatari’s TV finale contained just its second substantial portrayal of armed conflict, following episode 5’s Battle of Uji Bridge. One might think it a bit strange that a military epic would be so light on big battle scenes, but then, Heike Monogatari was never really about action or strategy. It was about family – a family doomed to extinction by its patriarch’s pride, but which still experienced closeness during its brief time on earth. It was about fate, and one girl’s journey to accept that although she could see it, she could not change it. It was about death, and the ways that humanity grapples with its inevitability: succession, spirituality, storytelling. It was a series with some structural problems, but which occasionally rose above those problems to deliver transcendent moments, with the greatest moment of all arriving during its final minutes.

It was a fine animated series – one of my favorites of the year. But before we discuss how fine or favorable it was, we’ve got to talk about how mightily it struggled to depict naval combat.

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Fall 2021 Summary – Week 8

Super Crooks – 1-2

Wooper: I went into Super Crooks completely blind, so I had no idea it was a superhero – or more accurately, supervillain – series. Turns out it’s a “mature” take on the genre in the same vein as The Boys or Invincible, which in this case means comically large-scale violence and implied sex. The violence showed up in episode 1, a high school origin story for newbie hero Johnny “Electro Boy” Bolt, with all the Spiderman theft that entails (the “hero” even has a crush on his bully’s girlfriend). Compulsory scenes of Johnny confiding in his nerdy best friend and trying on his first costume had my eyelids drooping, but the over-the-top carnage of his superhero debut (which ended with a bunch of dead pigs in a public swimming pool) managed to wake me up. Cut to episode 2, set in the present day, where an adult Johnny is released from prison and the exposition begins to flow. Tales of powerful enemies and a shadowy villain organization were all over the second script, but they were neither illuminating nor tantalizing enough to hook me. For all the show’s clunkiness, it’s amusing to see Bones tackle this material, even if its stiff visuals tell us it was hardly a priority. The substudio that produced it is also working on Mob Psycho 100’s upcoming third season, but hey, I doubt anyone would protest that Super Crooks was sacrificed at the altar of Mob’s wondrous animation.

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Kimetsu no Yaiba S2 – 7 [Set Your Heart Ablaze]

We’ve done it everyone! We’re finally done with Kimetsu no Yaiba: Mugen Train TV extended edition! Do you know what that means? That next week we finally get some new content! Before that though I need to do my due diligence and finish up this arc. So without further ado lets dive in!

Starting off: This episode should have been a double feature, merged with last weeks. Why? Well I’m going to use the P-word everyone probably hates, and I promise this is the last time but with Mugen Train ending I have to, pacing. This episode once again suffers from being cut into a weekly schedule. Its content, this long sustained fight, was not designed for a weeks break in-between. Like… I enjoyed this fight! Rengoku is great and once you get into the swing of things the hype is real! But because of the week long break, every episode of Kimetsu no Yaiba starts cold. We have to be re-introduced, re-heated, before we can really get into the fight and I think this episode is one of the clearest examples of that. Surely this isn’t just a me thing right? I’m not alone in how sudden the opening feels… right?

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Eighty Six S2 – 7 [The Truth Is]

Hello everyone and welcome to the third “I’m back” catchup post of the week! This time I lucked out because Eighty Six is skipping another episode, letting me take my time with this one. What that says about the production I don’t know! But it probably isn’t anything good. Enough about that though, lets dive into the episode!

Starting off, Eighty Six had some fun shots this week. Nothing as ground breaking as the week before sadly but still some good shot direction. I’m talking stuff like the President meeting with the General, showing us most of the conversation through their reflections rather than their faces. It sounds like a pretty straight forward trick right? Tell us, the audience, that something is off, make us feel like someone is lying, by not showing us their face. And it is! But so many series fail to something even as basic as this. Then there was also the long held final shot in place of an ED, really letting the battlefield comms sink in. It’s simple… but effective. And it does a good job of hammering home just how much is riding on this mission without repeating it over and over “Everyone will die if you fail”. I like that.

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The Vision of Escaflowne – 5/6 [Seal of the Brothers/City of Intrigue] – Throwback Thursday

Hello everyone! Apologies for being late on this, Thanksgiving will kinda do that to a man. Food coma’s are dangerous don’t ya know? This week we finish up our conflict with the Zaibach Empire and make our way to Allen’s home of Asturia. We have a lot to talk about so lets dive in!

This week picks up where we left off, with Van leading Dilandau and co away from everyone else. And you know what? He gets caught! I should have expected this but I really didn’t. I was prepared for a half episode long chase sequence where we get to see what the dragon can do. Something that culminated in Van proving himself superior to Dilandau and flying off into the sunset! Instead he gets captured almost immediately and has to be rescued. And I’m into that for a lot of reasons. Not only does this curb Van’s power, giving him something to grow into, it also gives the rest of the cast room to flex. From Hitomi and Allen all the way to the individual soldiers, everyone get’s a small moment to shine. And the best part? The villains get to have personalities!

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Kimetsu no Yaiba S2 – 6 [Akaza]

I’m back from New York City everyone! That was a fun trip. Got to see the city, hang out with some friends, go to a weeb convention and spend way to much money on food. Even got to see Pompo the Cinephile! Alright movie. But that isn’t what you’re here for, oh no. You want some Kimetsu no Yaiba! So lets dive into last weeks episode that I’m many days late on.

This was always my favorite part of the Yaiba movie. It has issues, especially in the TV format which we will talk about. But at it’s core this section is just unadulterated hype. It’s one big fight that they poured their everything into. From big fire and wind effects to flashy lighting and large CGI environments, this is everything Yaiba is good at. And we are only half way done with the fight! There are some issues, sure. The camera gets a little wild and Ufotable completely ignore the 180 degree rule making it a bit of a mess to follow. On top of that the CGI fire lion was a bit to much if you ask me. These are both relatively small complains though and by and large I think this scene shows us what Yaiba does best: Set piece battles.

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