Fall 2021 Summary – Week 8

Super Crooks – 1-2

Wooper: I went into Super Crooks completely blind, so I had no idea it was a superhero – or more accurately, supervillain – series. Turns out it’s a “mature” take on the genre in the same vein as The Boys or Invincible, which in this case means comically large-scale violence and implied sex. The violence showed up in episode 1, a high school origin story for newbie hero Johnny “Electro Boy” Bolt, with all the Spiderman theft that entails (the “hero” even has a crush on his bully’s girlfriend). Compulsory scenes of Johnny confiding in his nerdy best friend and trying on his first costume had my eyelids drooping, but the over-the-top carnage of his superhero debut (which ended with a bunch of dead pigs in a public swimming pool) managed to wake me up. Cut to episode 2, set in the present day, where an adult Johnny is released from prison and the exposition begins to flow. Tales of powerful enemies and a shadowy villain organization were all over the second script, but they were neither illuminating nor tantalizing enough to hook me. For all the show’s clunkiness, it’s amusing to see Bones tackle this material, even if its stiff visuals tell us it was hardly a priority. The substudio that produced it is also working on Mob Psycho 100’s upcoming third season, but hey, I doubt anyone would protest that Super Crooks was sacrificed at the altar of Mob’s wondrous animation.

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Kimetsu no Yaiba S2 – 7 [Set Your Heart Ablaze]

We’ve done it everyone! We’re finally done with Kimetsu no Yaiba: Mugen Train TV extended edition! Do you know what that means? That next week we finally get some new content! Before that though I need to do my due diligence and finish up this arc. So without further ado lets dive in!

Starting off: This episode should have been a double feature, merged with last weeks. Why? Well I’m going to use the P-word everyone probably hates, and I promise this is the last time but with Mugen Train ending I have to, pacing. This episode once again suffers from being cut into a weekly schedule. Its content, this long sustained fight, was not designed for a weeks break in-between. Like… I enjoyed this fight! Rengoku is great and once you get into the swing of things the hype is real! But because of the week long break, every episode of Kimetsu no Yaiba starts cold. We have to be re-introduced, re-heated, before we can really get into the fight and I think this episode is one of the clearest examples of that. Surely this isn’t just a me thing right? I’m not alone in how sudden the opening feels… right?

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Eighty Six S2 – 7 [The Truth Is]

Hello everyone and welcome to the third “I’m back” catchup post of the week! This time I lucked out because Eighty Six is skipping another episode, letting me take my time with this one. What that says about the production I don’t know! But it probably isn’t anything good. Enough about that though, lets dive into the episode!

Starting off, Eighty Six had some fun shots this week. Nothing as ground breaking as the week before sadly but still some good shot direction. I’m talking stuff like the President meeting with the General, showing us most of the conversation through their reflections rather than their faces. It sounds like a pretty straight forward trick right? Tell us, the audience, that something is off, make us feel like someone is lying, by not showing us their face. And it is! But so many series fail to something even as basic as this. Then there was also the long held final shot in place of an ED, really letting the battlefield comms sink in. It’s simple… but effective. And it does a good job of hammering home just how much is riding on this mission without repeating it over and over “Everyone will die if you fail”. I like that.

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The Vision of Escaflowne – 5/6 [Seal of the Brothers/City of Intrigue] – Throwback Thursday

Hello everyone! Apologies for being late on this, Thanksgiving will kinda do that to a man. Food coma’s are dangerous don’t ya know? This week we finish up our conflict with the Zaibach Empire and make our way to Allen’s home of Asturia. We have a lot to talk about so lets dive in!

This week picks up where we left off, with Van leading Dilandau and co away from everyone else. And you know what? He gets caught! I should have expected this but I really didn’t. I was prepared for a half episode long chase sequence where we get to see what the dragon can do. Something that culminated in Van proving himself superior to Dilandau and flying off into the sunset! Instead he gets captured almost immediately and has to be rescued. And I’m into that for a lot of reasons. Not only does this curb Van’s power, giving him something to grow into, it also gives the rest of the cast room to flex. From Hitomi and Allen all the way to the individual soldiers, everyone get’s a small moment to shine. And the best part? The villains get to have personalities!

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Kimetsu no Yaiba S2 – 6 [Akaza]

I’m back from New York City everyone! That was a fun trip. Got to see the city, hang out with some friends, go to a weeb convention and spend way to much money on food. Even got to see Pompo the Cinephile! Alright movie. But that isn’t what you’re here for, oh no. You want some Kimetsu no Yaiba! So lets dive into last weeks episode that I’m many days late on.

This was always my favorite part of the Yaiba movie. It has issues, especially in the TV format which we will talk about. But at it’s core this section is just unadulterated hype. It’s one big fight that they poured their everything into. From big fire and wind effects to flashy lighting and large CGI environments, this is everything Yaiba is good at. And we are only half way done with the fight! There are some issues, sure. The camera gets a little wild and Ufotable completely ignore the 180 degree rule making it a bit of a mess to follow. On top of that the CGI fire lion was a bit to much if you ask me. These are both relatively small complains though and by and large I think this scene shows us what Yaiba does best: Set piece battles.

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Fall 2021 Summary – Weeks 6-7

Blade Runner: Black Lotus – 1-2

Wooper: Black Lotus is yet another of Sola Digital Arts’ CG reimaginings of classic sci-fi properties. Kenji Kamiyama (who also directed the Star Wars: Visions episode discussed below) and Shinji Aramaki have been pumping these out for a few years, and now it’s Blade Runner’s turn to get the Barbie treatment. So what’s the verdict, setting aside my distaste for the primitive 3D art style? After two episodes, I’d call it a passable replication; the rainy neon streets, murky lighting, and Vangelis-inspired soundtrack evoke the original film, but only superficially. (I haven’t seen 2049, so it may be that Black Lotus’s vacant streets are a more accurate reflection of Villeneuve’s sequel, but they certainly can’t hold a candle to the bustling exteriors of Ridley Scott’s version.) The story is a wisp of a thing with an amnesiac protagonist (Elle) and a handful of fight scenes to mask the absence of atmosphere. Most of the characters lean too far in one direction or another – the friendly black market trader is too helpful, while the corrupt senator is too evil. Episode 2’s final moments served as a pretty good hook, though – the show skillfully cut between Elle being hunted in both the past and the present, leading to a cliffhanger that honestly surprised me. I wouldn’t recommend this series to many people, but Blade Runner superfans can rest easy knowing it’s got a shade of promise.

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Ousama Ranking – 06 [King of the Underworld]

This week was certainly an episode of Ousama Ranking. It was not an episode I’ll remember for long.

“King of the Underworld” was a bit of a chore to watch. With several flashbacks and a fighting sequence that we had basically seen before, there wasn’t the series’ usual heart in this one.

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The Vision of Escaflowne – 3/4 [The Gallant Swordsman/The Diabolical Adonis] – Throwback Thursday

Hello everyone and welcome back to The Vision of Escaflowne! This week we meet our next party member, receive our mandatory exposition dump and get to know our villains. We have a lot to talk about so lets dive right in!

First up we need to talk production because Escaflowne took a bit of a dip this week. And then a rise. And then another dip. In just the 4 episodes I’ve seen it’s already clear to me how wildly inconsistent Escaflowne’s visuals are. Sometimes you get this really strong contrast! Saturated colors, heavy blacks and bright whites! The kind of stuff I love. But other times the linework becomes thin and weak, feeling almost rushed, and the colors lose a lot of their luster. You can see this most clearly with Allen and his blonde hair. The way it loses a lot of depth between scenes and the black lines become almost pointless, or how his chin suddenly becomes a lot weaker. And then there’s the fire at the end of Episode 3! Oh that fire. It does not look good…

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State of the Season: Fall 2021

Lenlo: It’s that time of the season again everyone! The time when we get all the writers together to fight about the best show of the season and complain about the worst. From Ousama Ranking and Heike to Taisho Otome Fairy Tail and Komi-san, we have quite the list of topics ahead of us. So without further ado, read on! And I hope you have a happy Thanksgiving and Christmas season.

P.S. I will be out this weekend attending ANYC so Eighty Six and Kimetsu no Yaiba will no doubt be late.

What show are you enjoying that you’re not reviewing?

Mario: Ousama Ranking and Komi-san. As we talk about the little prince and his shadow down below, I’ll say more about the latter. Komi-san’s adept direction elevates this gag-based material greatly. It knows when to amp up with the jokes but still allows the emotions to slip in. The comic timing and the text bubbles that explain the situation are spot on. It makes fun of the characters but never makes light of them.

Lenlo: Apart from older shows outside the season? Probably Sakugan and Doukichan. One of those because I like underground mystery adventures as much as the next guy. The other because office ladies.

Armitage: Ousama Ranking is the obvious answer here. I am ready to wax poetic about this show at any moment you let me but I am given an official opportunity to do so down under and so, guess you scroll over to the end to read that. Apart from our smol king, I would say Senpai ga Uzai has been especially charming week in, week out.

Amun: Annoying Senpai has been pretty good so far; World’s Best Assassin Isekai went all-in, which makes it better than expected; Kicked Out of the Brave Man’s party I praise below. And I love World Trigger irrationally.

Wooper: Ousama Ranking! It’s got a fantastical setting, an adventurous plot, lovable characters and powerful fight scenes – what’s not to love?

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