Porfy no Nagai Tabi – 10


Honestly, the level of nostalgia for this series is starting to get overwhelming. This series is even giving Seirei no Moribito a run for its money in terms of realism! Why the heck have I been the only single blogger who said anything about this series? Okay, I can understand the ones who are dependant on the subs, but even the raw-watchers didn’t even post a first impression. In any case, this series seriously needs to get lisenced. It’s just what the western anime-industry for kids (especially in the Dutch case) needs to get back to the level it was fifteen years ago, before all the shounen-crap like Bedaman came.

The episode starts with Porfy waking up, and heading to his the car repair station. In there, Christopher is already busy with one of the jobs that he got from the Americans. Christopher reminds him how he should wake up early now, and it turns out that in the last episode, Porfy decided to leave taking care of the goats to Mina, so that he could concentrate on helping and learning from his father, which was explained in the bit I didn’t understand. In any case, this has given Porfy obviously a lot of appetite, so he’s getting all excited as he tries to stuff his mouth with as much bread as possible.

Christopher notes that thanks to the Americans, he suddenly received a lot of different jobs. Obviously, Porfy can’t resist boasting about how he was the one who made sure of that deal, but he quickly takes back what he said after he sees the faces of everyone else. Later that afternoon, we see him study hard, and fixing things under one of the cars that Christopher needs to fix. He’s so worked up in it that he bumps his head when another car arrives.

This car belongs to the father of John and Tom, who has a few more jobs for Christopher. Of course, when John and Tom found this out, they kept asking him to take them to Porfy and Mina, so the rest of the episode basically is the two of them having fun with Porfy, Mina and Zaimis. Porfy does have a few doubts in the beginning, as he is leaving his father with a huge amount of work, but his father just lets him have fun.

Porfy first shows the two siblings around his house, and they’re really surprised by the authenticity of it. There, Mina sits and is busy sketching a picture of Apollo. The latter also comes and greets Tom, who clearly is afraid of it, and it was probably the first owl he saw in his life. Next up, Aneke treats them to a few snacks for lunch and Porfy goes to play catch with Tom and John, while Mina watches and sketches some more. John, can’t resist to confuse Porfy with a curve-ball. Zaimis then passes by along with his father, and he too gets permission to join with Tom and John, while his father takes off to go and do his chores for the day.

A few attempts are given to invite Corrina to play as well, but she, stuck up as ever, declines with the excuse that she’s got piano-lessons. Meanwhile, Christopher gets yet another job. This time it’s from Corrina’s father, who’d like to have it delivered back within a day so that he can take Corrina out. This means that he’ll have to work till late at night, especially now that Porfy’s gone for the day.

Porfy and Mina then decide to show John and Tom their favourite place: a tree with a fantastic view, though John declines to climb the tree, in the fear of being scolded by his mother. That, or he was scared at the time to climb it. So, next up is a fishing lake, where Zaimis teaches Tom to bounce stones over the water, and Porfy and John both try to catch a fish, but pull it in too much so the line snaps. John also explains that Tom is a bit afraid at times, but he’s very good at studying. Porfy asks John which kind of country he’s liked the best (hoping of course that John would answer Greece). John answers that the United States, Italia and Greece all have been fun, but he can’t really come up with a concrete answer. When Porfy pushes him even more, he just answers that the place you grew up in will always be the best. Oh, and by the way, Mina is still sketching.

Porfy then strips and takes a dive, and the others soon follow him. And yes, they all do this in front of Mina. That was one cultural difference I didn’t see coming. You also know when an anime doesn’t try to rely on fanservice when all the guys get nude, yet the girls remain fully clothed. 😛 Mina just makes a random jealous side-mark and then leaves it.

Later, a fisherman named Tony passes by, and shows his latest catch. It shouldn’t really be a surprise that Porfy’s goofing off causes the fish to end back up in the water. He tries to jump after it, but by then it’s already enjoying its freedom, and Porfy tries to apologize with a strange voice. Later, Porfy has dried up, and John is passing out cookies. Porfy ends up stealing Mina’s share when she’s not looking, so they end up chasing each other. Seeing this, Zaimis notes how great it must be to have a sibling. John says that Porfy told him about the sister or brother that Zaimis was to be expecting. And proposes that once it’s born, it can go and play with Mary (the baby from last episode)

Before they all head back home, Tom still wants to go to one more place: the tree with the view, and he’s finally gotten the courage to climb it. The view indeed is amazing, especially with a sunset that’s about to happen. Porfy points out to his and Zaimis’ house, and tries to guess where John and Tom live in the distance. After that Mina has finally finished her drawings, and hands them out to the four guys. She’s a pretty good drawer, especially considering that she’s so young. I’m not sure whether this was a conscious decision or just lazy animators, though. Let’s just attribute it to the fact that Mina can draw well, though I wonder why her room doesn’t have many drawings hanging. When I was a kid, I would have covered the entire walls with them if I could draw as well as she could. 😛

In any case, when he sees the sketches, John and Tom’s father proposes to take a photo of the four of them. During this, John gets a suggestive blush on his face, and Porfy is way too concentrated, trying to force a smile and look perfectly (which, of course, backfires horribly). That evening, Porfy just can’t stop telling his father about the things they did, so Aneke really has to force him to eat his dinner, to prevent him from getting distracted.

When Porfy and Mina are asleep, Christopher returns to his job, as he still needs to get Corrina’s father’s car fixed. Only deep in the night, he manages to get it working. The next day, Porfy obviously is the first one to arrive in the shop, and he jokingly notes how Christopher has turned up late, as a reference to what happened back at the beginning of the episode.

Well, I think that now that we’ve passed episode 10, the countdown for the earthquake has begun. This episode still didn’t give any indication as to when it will happen, but then again, earthquakes usually come with an element of surprise. My bet’s currently on episode 13, which allows for just enough time for one more small arc before the story will shift its focus entirely, and turns from a realistic slice-of-life series to a travelling-series. Unfortunately, it’ll also mean that Christopher and Aneke are going to have to die to make that happen. 🙁

Shion no Ou – 20


And the finale has begun! This episode mainly builds up for the two final episodes, but we already see some interesting events. Finally the murderer himself shows a bit of himself, and it’s like I guessed: this guy is obsessed with good shougi. His match against Shion has just only started, and he already is giddy with excitement over Shion’s wit.

The question remains, though: why Shion? Did Hani-Meijin already notice the talents of Shion when he first met her, and therefore decided to turn her into some kind of shougi-machine, or is there a deeper reason beneath it? Satoru believes that Kamizono knows more about it, so he decides to go and visit him this episode. Apparently, Hani-meijin held a match with Kamizono at the time of Shion’s death, providing him for an alibi that day.

And Ayumi, you idiot! How dare you listen to Hani-meijin at such a time and stay away from Shion’s match, right when she needs you the most!? Ah well, at least it looks like he’ll arrive before the match is over, but that might as well be too late for her. I must say that the creators have used the tournament extremely well to set up Shion’s encounter with her murderer. It makes perfect sense, and it’s definitely among de best tournament-arcs I’ve seen.

Shigofumi ~ Stories of the Last Letter – 10


This episode featured a regular case again, and boy, was it a great one! Basically, a guy hears from his doctor that he only has a very limited time left to live, and he ends up spending time with a naive little girl. The creators did a wonderful job of bringing the guy and his anxieties to live. After all, it’s easy to think of what you would do if you only had a limited time to live, but what if this fantasy turns out to be a reality?

This episode still featured the standard Shigofumi-subtlety (that random truck, coming from out of nowhere). Little kids also usually turn very whiny during the evening, at the end of a day out, so where the little girl in this episode got her energy from is beyond me. Still, these details didn’t stop this episode from being a success. It lays an interesting parallel to the desire to fit into society. Look at how the policeman got surprised when he found out that the main character for this episode had no job (which he quit, because it had no point at all).

One thing that the creators did nail perfectly about little girls is their ignorance of death. At such a young age, it’s perfectly understandable that you don’t get why all the adults are getting so worked up about somebody dying. When the main character for this episode died, she didn’t even cry. She just realized that she’d never be able to play with the guy again.

Arusu the Adventure – 04


A small announcement, in case you will be wondering: the next episode of Shigofumi and Shion no Ou will be delayed for about a day, as I’ll be too busy for anime tomorrow and some share-users decided to upload fake raw-versions again…

In any case, this was definitely the best episode yet, because for once, everything felt right. The current episode yet again comes with a different art-style, as it takes us back to the younger years of Grand Master, and the other two older members of the Witches’ Council. To think that Grand Master used to have a younger sister at one point.

I think I already did this, but I must thank Arusu the Adventure for reminding me why Mahou Shoujotai ended up being my favourite anime ever. Looking back, there is no other series where I can find so much to praise as this with this one. Terrific art-style, great music, engaging characters, perfectly paced, an outstanding storyline, experimental in every single way, an imaginative setting, full of creativity, terrific storytelling, and I could go on and on like this. This is really the series that showed me the amazing things you can do with anime, and what happens if you let go of all boundaries.

I’m still wishing for an anime like this to appear some day. A series that doesn’t care about conventions (just like how Alice tried to go against the witches’ traditions in the original series). I admit that I often get annoying during the seasonal spring-season previews, where people dismiss a show, only because the character-designs aren’t mainstream. More often than not, it’s these series that really end up outstanding.

I guess that that’s why I like what Gonzo is currently doing. They too are trying to go in their own way, even though this isn’t always the right one (Dragonaut), and they often get lazy (Romeo x Juliet). Amidst all the dross, they did manage to pull off Bokura no, a series that also tried out lots of different things, and wasn’t afraid of going away from the mainstream. In fact, the simplistic character-designs still strike me as the best of 2007, and Gonzo managed to combine this with a terrific premise and storyline.

Okay, so basically the post of the fourth episode of Arusu the Adventure turned into some kind of mini-rant. These are of course just my own opinions, and they’re what I find really important in an anime. Sure, there are other ways to become an excellent series (I fell in love with the third, mainly because Honoka is just an amazing character), but this OVA reminded me that outstanding anime are basically created by letting your imagination run free. Of course, this doesn’t work for slice-of-life series, as they usually take place in a normal world without anything mundane happening, but it’s a good guideline nonetheless.

True Tears – 10


With this episode, the zig-zagging of Shinichiro’s feelings is definitively over, and he’s finally chosen. I must say, that this has been one of the best harems I’ve seen. The director of Simoun has really shown that even a harem can turn out great with the right development. I still cringe at how many of these series feature the plot-device where a younger-version of the protagonist meets up with a bunch of girls, and they all end up falling in love with him afterwards. It really doesn’t go that easily! Especially Shuffle was bad at this (christ, I still can’t believe that I ever managed to finish that series).

There are three episodes left, and they’ll probably focus on Noe, sorting out her own feelings. This episode pretty well resolved the Miyokichi/Aiko storyline, and it seems that Aiko did sort out hers, and has acknowledged that Shinichiro doesn’t like her. I doubt that Noe will take it that well, though. Her brother took her so much in his protection that she’s hardly ever been with another guy, and it’s apparent how much trust she put in Shinichiro when he first met her, trying to look for someone to distract him from his worries about Hiromi.

One thing I like about this series is how Shinichiro isn’t portrayed as some huge player, who even though he has one girl, goes after another. This seems to happen often in other harems, and random girls fall surprisingly easy for the guy, even though they hardly know him. With True Tears, all the crushes are neatly explained, and in the end, they didn’t feel forced. The creators did very well in keeping within the boundaries of suspense of disbelief, something that yet again most other harems have a lot of troubles with.

Saiunkoku Monogatari Review – 90/100


I can sort-of understand why people often are reluctant to check out very lengthy series. After all, they’re a huge commitment and it’s very hard to tell whether it will turn out worthwhile or not if you have to sit through more than sixty episodes. Series like Naruto, Bleach, Dragon Ball Z and Inuyasha went on and on, amidst pointless fillers, and just could have gotten so much better if they were just 1/4th of their original length.

Still, let me say that for every lengthy series that screws up, you can always find a lengthy series that’s absolutely worth the commitment. Take Legend of Galactic Heroes, Gintama, or any of the World Masterpiece series. And of course Saiunkoku Monogatari. It’s set in a world, reminiscent of ancient China, and follows Shuurei, as she tries to be the first female govermnent official, in a male-dominated society.

Of course, there’s much more to the story than just that. The series starts out as an innocent shoujo love-drama, but soon enough this series shows its josei-roots and develops its huge cast of characters perfectly. Be sure to expect lots of politics. The different arcs are very different from each other, and they’re more than enough to keep this series interesting though its entire run. And of course, there’s quite a bit of romance as well, but don’t expect standard Shoujo-romance here. Quite often, you see two characters who are in love with each other, yet can never be together due to their social status, or the things they did in the past.

I do want to note, though, that some parts of this series are less interesting than others. Saiunkoku Monogatari has a couple of incredibly deep and well-developed characters, but it needs to build up a lot in order to achieve this. There will be a few arcs that aren’t that special, other than that they build up for some amazing scenes, later on in the series. It’s also a shame that the final quarter of the series builds up to a third season that’ll probably arrive in two or three years. The final few episodes also showcase some dramatic budget-problems, with three recap-episodes within twenty episodes, so that’s also something to take into account.

Still, despite the flaws, Saiunkoku remains a versatile and engaging series. If you liked The Twelve Kingdoms (I haven’t seen the series myself, but I hear from everywhere that that’s another excellent series), you’ll definitely like this series. Now all that’s left is to wait a few years for the third season to arrive!

Saiunkoku Monogatari – 78


What a wonderful episode to close off the second series! This was hands down, the best episode ever since Shuurei got back from the Sa-clan. Thank you, Madhouse, for not leaving a bad taste at the end, while we have to wait who knows how many years for season three. The end of the episode closed off quite a few storylines, and yet it hinted that there’s still so much more to come. I really hope that the creators will realize this, and haven’t planned to end this series here.

But still, finally this series is over. For the past two years, it’s been my top-source of google-hits and out of all the series I’ve blogged, Saiunkoku Monogatari has received by far the most page-views, even comparing this to Death Note and Claymore. No other series also has as many posts as this one, although I guess that Jigoku Shoujo and Higurashi will come quite close when their third season finishes. Really, it’s sad to see this series gone now. I’ll put it on finished for now, until we get some real confirmations that a third season is under production.

It was also a delight to see Kouyuu and Shuuei back together. The two of them form such a great team with their banter. Suou also seems to have moved his family to the countryside, while he carries out some kind of mission for Kouki. We also learn that Anju is none other than Kouki’s ally. But the best part of the episode was of course seeing Ryuuki and Shuurei back together. It draws quite a parallel with episode 39 of the first season, which also ended with a similar series, but this time, Ryuuki’s development made that scene so different. Back then, he was just a weak little coward, screaming for Shuurei’s affection, but now he really seems to have accepted his task as an emperor. He’s now not just trying to become a good emperor because of Shuurei, and that’s what he realized when he was in the Ran-province.

Now, if you excuse me, I have to go write a review that does this series justice. ^^;

Ghost Hound – 18


Oh my god… the building-up is finally starting to pay off now, and yet this series still continues to build up with just four episodes left. I also must say that this is going to be one very interesting climax. I can’t imagine ANY clichĂ© or stereotype that would fit as an ending for this series. There’s no clichĂ©d antagonist, there’s no real goal where this series centres around. Instead, there are just characters, all with their own issues. The final episodes will probably focus the most around Tarou and Miyako, but how it’ll end… I still have no idea.

Still, I do wonder: who was it that knocked Miyako’s father off the stairs? The only possible candidate would be his former friend, the guy running for mayor. Something happened in the past between him and Makoto’s father, so perhaps this involved Miyako’s father as well.

And dear god… I never imagined that Makoto’s mother would be so depressed to actually set her own house on fire! Did she survive the thing, or was it a suicide? According to Makoto’s reaction, I’m edging to think that that indeed is the case, even though this goes against one of the big laws of anime (a character is only dead if he or she is confirmed dead).

It’s also interesting how Masayuki and Tarou finally realize that something’s wrong with Makoto, but what was that thing that Masayuki mentioned, that it might be related to Tarou’s kidnappers? In any case, it’s also interesting how the first car they ran into was the one of the female scientist. I think that she knows fully well that it was Masayuki who spied on her last episode, so now the two or them too get a chance to settle their differences.

Also, I wonder… why haven’t we seen Masayuki’s sister for the past few episodes?

Gambling Apocalypse Kaiji – 22


One thing that I do want to praise this series about is the balls that it has to go really extreme. After the Boat-arc, for a minute I feared that Kaiji would try to stop the punishment of Tonegawa. Instead, Tonegawa has proven that he’s a real man this time, even though he lost. He was just unable to escape the clutches of the employer he worked for for decades. His final moments were truly terrific, and I’m glad to say that this series now has two well-developed characters. And with a bit of luck, the chairman will make this count three, but that depends entirely on what’s going to happen for the final four episodes.

At the moment, I still don’t regard Kaiji as a flawless series. The boat-arc and especially the beam-arc dragged on, were a tad predictable and lacked engaging characters to keep me interested. And yet, the past few episodes, ever since Kaiji cut off his ear, have been absolutely amazing. I guess that that’s the time since the characters clicked with me.

The chairman has been an interesting character so far, with an interesting philosophy, but he still lacks development a bit. This episode told a bit of his background, but the final episodes still do have a bit of work to do. It would be a bit of a shame for Kaiji to just defeat the guy and make an end to his twisted ideas.

Hakaba Kitarou – 09


This episode was about the smiling guy that we saw in the OP. He turned out to be a vampire who can hypnotize his victims by playing the guitar. He has put a local politician on his possible-victims-list, and he recruits Nezumi Otoko for this, while the politician hires Kitarou to get rid of said vampire. Yet again it’s an episode where Kitarou hardly does anything, as quite quickly the Vampire injects him with a strange drug that liquefies the guy’s flesh and separates it from his bones.

It was another very solid episode for this show, with lots of twists, as Kitarou’s father tried to get his son back together. It’s especially interesting when we say him hiding in Kitarou’s skull, being an eye on legs and all. For the first time, Nezumi Otoko also plays the role of good guy, as he too gets scared of the things that the vampire can do. The best thing about this episode, though, was the same refreshing scriptwriting of this series. It’s hard to explain what’s different, but I think it’s how the creators manage to keep a semi-serious tone throughout the entire episode.

It’s a shame that there are only two episodes left, and I’m quite curious as to how the creators were planning to end this series. Kitarou is still in liquid-form at the end of this episode, so his father will probably spend the next episode to try and get him back on his bones. According to the OP, we still miss the scenes with the three-eyed priest, the scene with the armed generals that shows up very briefly in the OP, the scene with the strange guy in the middle of a field of rocks, and the strange flashlight creature. It’s not really the things you’d expect for a big climax, but then again this series has never really listened to the general guidelines of anime. 😛