Kara no Kyoukai – The Garden of Sinners – Hollowness Review – 85/100

by psgels, posted in Anime Reviews, Kara no Kyoukai



Apologies for the delay on this one. The fourth Kara no Kyoukai movie is very much different from the three previous movies. While these all had the formula of “something mysterious is killing lots of people”, this one centres around something completely different: it takes place right after Shiki got involved in the car accident, and entirely focuses on Shiki getting back to her senses. It lacks the brutal action sequences of the previous movies, and probably required the least amount of budget to produce out of the first four installments, yet it’s been the most enjoyable of the bunch for me so far.

Because this chapter finally gives us insight in the three lead characters of this franchise. Finally we learn what they are, and especially in Shiki’s case, most of the pieces of the puzzle fall in place and finally get we get a god idea of who she is. Her process of recovery from the injury is long, but now we know exactly why she acted the way she did in the first and third movie.

This episode showed how both she and Mikiya came to work for Touko, where her strange eyes came from and more. It’s a very down to earth movie, and the action only happens for a reason, but that’s probably why I liked this one so much, because it can fly put its time into the development of Shiki and the ones around her.

There’s only one part where Mikiya starts singing “I’m singing in the rain” in really bad Engrish, so that may not have been the best idea of the creators. The fourth movie isn’t the most exciting of the bunch, but it is the most complete, and it does have the best characters so far. It’s interesting how on average, each successive movie has become better than the previous one, and it would be interesting if this pattern could continue.

Storytelling: 8/10
Characters: 9/10
Production-Values: 9/10
Setting: 8/10

Michiko e Hatchin – 12

by psgels, posted in Michiko e Hatchin



Short Synopsis: Michiko catches a cold.
Overall Enjoyment Value: 9/10 (The clear winner of the “most original fish-placement”-award)
This episode showed that Hatchin isn’t the only one who is made out of awesome and win in this series. Hatchin may be the Wonder Woman of this series, but Michiko also has proven to be downright awesome to watch. Especially in this episode, where she caught a cold and was supposed to stay in bed, her stubbornness made the entire episode a delight to watch.

You also have to love the weird ideas that the creators put into this episode. A psychedelic doctor/fraud who pulls fish out of his patients’ bellies?What? The visions Michiko had were also hilarious. Never thought it would be this disturbing to see Hatchin with an evil laugh…

But progress has been booked! Michiko actually tried to hide from Hatchin that she’s been smoking and drinking, despite her cold. It might be because she didn’t want to get into any useless arguments with her, but at least it’s a start: she’s finally starting to take Hatchin into consideration. Hatchin on the other hand has started breaking rules because of Michiko’s cold. I loved that line “If you need to become an angel, I’ll become the devil”. It’s a phrase that you see in more anime (out of the top of my head, Kaleido Star also used it), but the context in this episode that it appeared in is most definitely interesting.

And it’s finally confirmed: Hiroshi’s still alive. Okay, so Michiko was drunk and sick when she saw him, but his images were somehow different from the visions she had after that.

Shikabane Hime – 16

by psgels, posted in Shikabane Hime



Short Synopsis: Ouri continues with his training to not die.
Overall Enjoyment Value: 7/10 (Enjoyable)
The fanservice…. wtf… This series was supposed to be subtle. What the heck is up with the new ED? Why does the first scene of this episode start with a naked Makina? Seriously, I don’t mind a bit of fanservice here and there (the first season was pretty much fine here), but this is really becoming too much…

Nevertheless, this episode did well in exploring one of the main themes of the second season (besides the fanservice, that is): the relationship between a Shikabane Hime and her contractor. That’s another advantage of having so many Shikabane pairs as in this series: they all have a different relationship between themselves. They’re also equally important, and it’s not like the lead combo of Ouri and Makina gobbles up all of the attention in this series. The first season also had a number of annoying parts, so there’s still plenty of potential left for this series to work with. It’s a good thing that it’s still continuing to develop its characters, and that’s the most important part here.

I must say that Makina turned out to be completely different in the second season from what I imagined of her. Now that she lost the one she could depend on, she’s really totally lost it. Her quest to avenge her own death gets mixed up with a quest to avenge Keisei, up to the point where she loses sight of what’s best for herself. It’s going to be easy whether the creators can pull the scene between her and Ouri, where she finally accepts him as her contractor, off without any cheese.

Glass Mask (2005) Review – 90/100

by psgels, posted in Anime Reviews



It was really hard for me to start watching this series. The 1984 version of the series was really bad, and I wasn’t looking forward to the same bad execution for 51 more episodes. Still, I’m glad that eventually I did give this series a chance. This isn’t simply a case where the new creators improved the show at certain areas. What we have here is two versions of the same story, where one of them is utter crap, while the other is downright awesome. This really shows what good execution can mean for the overall quality of a story.

Especially when you’re making an anime about a talented actress, you need to be extra careful to fully understand what you’re adopting. The creators of the 1984-series clearly didn’t, and turned the lead character (Maya) into some sort of hopelessly over-acting Mary Sue, and they failed to emphasize that Maya was just a frail little girl, and that her talents came not from being incredibly talented, but rather her one-mindedness and ability to completely shut herself off from the outside, which was perfectly portrayed in the 2005 version.

The new voice actress also really helped: Masako Katsuki as Maya was one of the biggest miscasts you could imagine (think in the order of magnitude of putting Norio Wakamoto in the role of a young school-boy). Sanae Kobayashi however, does a much better job at portraying Maya, and that’s an understatement. Both when she’s on stage and when she’s herself, her voice captures the right nuances and makes for a believable and captivating actress.

The biggest strength of this series is its cast of characters, and then especially Maya and Ayumi full well-rounded characters at the end of the series. The rivalry that develops between the two of them is definitely memorable, and a unique take on the “hard work versus talent” theme: for once, it’s the lead character who is the talented one and the main rival who achieved her successes by working very hard. This series has 51 episodes, and they make optimal use of this long length to fully develop the bond that develops between the two of them.

But also the rest of the cast is great to watch. With perhaps the exception of some of the very minor side characters who are jealous of Maya’s successes in the beginning perhaps, every character has a clear purpose, and evolves along with this series. My only complaint here is Tsukikage, and especially her heart problems, which feels like a simple plot device. This is up to the point where you find yourself able to predict exactly when her next heart attack (or whatever it was that attacked her) is going to happen.

For a 2005-series, the animation of this series isn’t anything special, though I do want to applaud the creators for going with down-to-earth character designs, rather than the overblown shoujo-ones of the 1984 series. Especially Ayumi’s character-designs changed from the look of a stuck up princess to someone with simply good looks, nothing more and nothing less. And while most of the animation of this series isn’t that much to write about, the show does have a number of very artistic and good-looking shots of the different characters. The soundtrack for this series is also awesome, but this is where I’m really biased, since the composer also created the soundtrack of Mahou Shoujotai. ^^;

Overall, I’m glad that I listened to Hashihime and the other fans of this series, because the 2005-version really makes up everything where the 1984 version went wrong. After watching this series, I’m definitely going to look at acting in a different way, and that’s something that should be the case with every anime that’s about such a focused subject as this one.

Storytelling: 9/10
Characters: 10/10
Production-Values: 8/10
Setting: 9/10

Bonen no Xamdou – 23

by psgels, posted in Bonen no Xamdou



Short Synopsis: The Southern Government launches its attack on the village where the Xam’ds are gathering.
Overall Enjoyment Value: 8,5/10 (It’s finally beginning!)
Woo! It’s finally time for this series’ finale to start, and amazingly, every single plot and character is starting to come together again. The only one we’re still missing here is Furuichi, and I wonder whether the guy is going to show up in the end, or whether the creators really killed him off. Still, this series is definitely something else, when it’s been so well planned.

So, the Zanbani is finally airborne again, Nakiami and Yango finally arrived at the battlefield, the Hiruken emperor finally awakened due to a screw up from Benikawa, and Midori also was released on the battlefield at the end of the episode. All that’s left to wonder is what Akiyuki and Haru are going to do there. Something really tells me that the creators have saved their biggest parts for the end of the series, and smartly kept them away from most of the action, in order to prevent them from becoming clichéd lead characters, which always have to be at the centre of everything. And I must say, that it works really well. What I love of the two of them is that they complement each other’s weaknesses: Haru has received military training, so she’s more capable of handling the flying bikes and all, while Akiyuki is more mature and mentally stable, so he can give her support on that area.

But the big event of this episode was of course Raigyo’s death, and again I really liked the subtlety of that scene. It was just of the right length, and while emotionally powerful it didn’t go through huge lengths to squeeze some extra tears out of it, or making Raigyo into one of these characters who takes forever to die. That scene was of just the right length, and on top of that it also showed a bit of Benikawa’s background.

With three episodes left, the finale is one that promises to go all out. I really wonder how that one’s going to work out, when everything that this series has built up is finally coming together.

Casshern Sins – 15

by psgels, posted in Casshern Sins



Short Synopsis: A Dune-episode
Overall Enjoyment Value: 8/10 (Awesome colours!)
You know, it might actually be the case that Casshern’s random encounters are not going to appear in second half of this series anymore, and instead this series is now going to full-time focus on the most important characters. This episode was entirely about Dune, the next episode seems to deal with Dio and Leda again, and so it seems that the random episodes in the first half were really meant to flesh out the setting of this series. Now that that’s happened, it’s time for the characters to develop, and I can’t wait to see both the lesser and the better characters of this series change.

This episode also yet again provides a piece of the puzzle on what happened to Luna: Casshern did stab her through the heart, and she fell into a pool of some sort, and Dune witnessed this. However, nobody said anything about Luna losing her immortality: her body simply sunk to the bottom of that pool, and somehow Dune assumed that she wouldn’t survive it. The big question is now: why did he care so much about protecting her in the first place when she’s immortal? Why didn’t he dive after her to rescue her body? It’s now obvious that she survived, although I guess that it took quite a bit of time for her to recover. The question also remains where the ruins came from and how Casshern became immortal himself.

I also absolutely loved the art in this episode. The art director really went all out on this one, and the use of bright colours forms a huge contrast with the dark and gritty colours that were used in the rest of the series. This again symbolizes the new direction this series is going to take, I assume: the first half of the show was full of despair, so it was mostly filled with grey colours, and perhaps red. The second half, however, confirmed that Luna is alive, and is filled with hope instead, so that’s going to make for bright and cheerful colours.

But the landscape that this episode took place in was also fantastic and truly original. I’m still not sure exactly what it was… some sort of dried up ocean that was filled with semi-glass transparent blue salt, or something?

Natsume Yuujin-Chou – 15

by psgels, posted in Natsume Yuujin-Chou



Short Synopsis: Natsume teams up with a bunny-youkai in order to get rid of an evil spirit.
Overall Enjoyment Value: 7,5/10 (Good)
It’s really good to see this series back again, and I’m interested whether the second season will be able to top the first season. Unlike shows as Shikabane Hime and Birdy the Mighty, there’s no real clear distinction between the first and second season of this series, but this really is the point where the show is going to have to evolve.

I think that the episodic storylines have already hit their height with the Hotaru-episode, but there’s still plenty of potential left for when a big storyline appears, so I’m keeping my eye out for Natori. Until that happens, I’m going to enjoy the stories as they flesh out Natsume and Nyanko-sensei, along with the setting. And laugh at Nyanko-sensei’s antics, of course.

This episode definitely showed a side of the world that we haven’t seen yet: where do evil spirits come from? This episode shows that most spirits start out without any malicious intentions, but some sort of grudge can turn them into evil one. Just as how one act of kindness can have a huge impact on them, they’ll never forget an act of malice and these acts influence them very strongly. I’m not exactly sure about the difference between regular Youkai and things like Nyanko-sensei, who behave very un-youkai-like, though I think that that’s because he’d had a lot more to experience, whereas most Youkai simply stay at one spot.

This episode may have been a bit too cheesy at the end and one-sided on the environmentalism messages, but nevertheless Gen was an adorable character, especially since he spent most of the episode in the form of a snow bunny. ^^; I liked the comment that Nyanko made at the end of the episode: youkai aren’t as fragile as you’d think.

I’m not sure whether I’m going to continue with HorribleSubs’s releases for this series. Sure, it’s nice to watch this show with subtitles for once, but I miss Natsume Yuujinchou in HD. ^^;

Some quick first Impressions: Koukaku no Regios, Slayers Evolution-R and Ride Back

by psgels, posted in Some Quick First Impressions

Koukaku no Regios

Short Synopsis: Our lead character enters a school in a world where people have strange powers.
Chance of me Blogging: 50% (Might be interesting)
You know, this may not be the best series, but this was exactly what I’ve been looking for this season: originality. Sure, this episode was full of clichés, but for every bad idea, the creators seem to have included a good idea, and I’m interested to see where the creators can take this. This episode took place on two different places: a desert city that’s attacked by a huge monster and a strange kind of high school, and I especially liked the former, and I wonder how it’s going to tie in with the high school setting. The high school itself had all the necessary archetypes present, but that female lead felt refreshing and much less one-sided than I suspected. It’s also a nice touch: if you live in a world where everyone has powers, then there are of course people going to abuse them, especially if they’re bratty high school kids, and you need a bit of extra effort to keep these guys in check. So overall, I like this: there are lots of different characters despite the clichés and a lot of potential. The soundtrack is pumping, though the OP is going to suck.

Slayers Evolution-R

Short Synopsis: Our lead characters meet a strange talking armour.
Chance of me Blogging: 0% (Not after that first season)
I really wasn’t looking forward to watching this series. I planned to just watch it and drop it to get it over with. And then this series came and delivered the best episode of the new Slayers so far. Okay, so that may not say much, but for once I wasn’t bored out of my skull, the talking armour was actually quite funny and I laughed more in this episode than during the entire first season. I really don’t want to go through the same pain as the first season, but if it’s true that all Slayers get better in their second halves, it might be interesting to stick with it.

Ride Back

Short Synopsis: Our lead character accidentally gets to try a motorbike-mecha-thingie.
Chance of me Blogging: 90% (Madhouse Rocks!)
Well, that’s Madhouse: here it comes and delivered the without a doubt best first episode of all the new shows this season. Sure, the lead character is yet another one of those teenagers who accidentally gets to possess a super-weapon, but apart from that everything about this episode was superbly done. The art looks excellent and yet down to earth, the soundtrack fits the series exactly and the series has a number of very likable lead characters. I was immediately a fan of the female lead character, but the rest of the support cast are also defined and varied. This is promising to be one of the highlights of the Winter-season if the creators can keep this up.

White Album – 02

by psgels, posted in White Album



Short Synopsis: Due to a stress, Yuki pays a surprise visit to Touya.
Overall Enjoyment Value: 7,5/10 (Good)
Ah, why not; I’m going to blog this series. It’s going to be a nice quick series from a genre that I usually don’t blog about. I’m able to blog three new series this season, and for the final one I was doubting between this one and Kemono no Souja Erin (I think it’s pretty obvious what the other two are going to be ^^;). I was at first edging for Erin, but then I changed my mind: White Album, while it may have some clichés in it, it’s way better executed than Erin. The problem with Trans Arts is that they’ve got an eye for new and fresh premises, but they don’t know squat about actually making a good story. I’ve been disappointed by them one too many times, especially considering that none of their series went really right so far.

I definitely know that I’m not good at blogging romance shows. With True Tears I kept switching sides after every single episode, and my experiment of blogging Macross Frontier turned into a complete disaster. Still, I’m going to take this chance again because these two episodes have been really well written. The creators have an eye for detail, and manage to get the best out of their actors. This show has subtlety, of which I’m a big fan of. It also brings Hirano Aya back to a role that actually FITS her: a subtle one. The Yuki here is reserved and not very confident of herself, and far away from the energetic characters that she usually plays and fails horribly at.

My biggest fear for this series is that it’s going to turn into some cheesy harem along the way, but I’ll remain confident for now. There are plenty of male characters so far with their own distinctive personalities, and I’m especially intrigued by Rina: something tells me that there’s much more to her than what we just saw of her: here she accompanies Yuki to see her boyfriend, and then she starts hitting on the guy behind her back.

It’s interesting how this show doesn’t seem to have a director, or either the director is so obscure that he/she wasn’t even mentioned on the show’s promos. In fact, most of the important staff members of this series have relatively little experience. This can be either incredibly bad (they don’t know many of the major pitfalls yet) or incredibly good (new ideas that current anime staff can’t think off). I’m really edging for the latter with White Album.

Mushrambo The Movie – 1 Review – 15/100

by psgels, posted in Anime Reviews



Note: this is a rant, and a pretty big one. Mushrambo, or Shinzo as it’s also been called, is one of the guilty pleasures that I watched when I was still in my early teens, back when Dutch children’s television had yet to descend into utter crap. My taste was pretty bad at the time, but I loved catching the latest episode on television despite the series’ very obvious flaws (the two biggest fights took up 6 and 10 (!) episodes respectively and the plot suffered from some pretty bad inconsistencies (what can I say, my taste was pretty bad at the time; I was fourteen…)). So when I learned about a remake of this series on movie, by none other than the director of Mononoke, I obviously got excited to relive my teenage memories.

Well, I’d like to thank this series for completely destroying them. The movie became nothing but a freaking recap. And a very bad one as well. It’s clear that there went absolutely no budget whatsoever in this thing, and I have no idea what the director of Mononoke was thinking here.

The problem with recap movies like this one is that they take series that have a slow pacing which they use to build up their characters for A REASON. Ultimately we now have a cut-and-paste job of the best scenes of the series that move way too bloody fast to prove any sort of credibility. It’s here where a capable writer manages to condense the story so that it can create a proper story within ninety minutes, but either the director had a really bad day when he wrote this series, or the producers were sleeping through the production process and only realized that nothing had been done a day before the deadline (because really, this is the kind of movie that you can easily make within a day, and I’m really not exaggerating here).

Nothing is explained whatsoever for the ones who are new to the premise. In fact, at one point it’s so bad that the characters look back at events that NEVER EVEN HAPPENED IN THE MOVIE. At one point in the series, for example, the lead characters get an upgrade in power. This upgrade is completely skipped in the movie, and yet the characters costumes magically changed themselves.

One of the things I hoped for in this movie is an number of very sweet graphics (because despite the clichés, I remember how a lot of very nice ideas were put into the setting and it would be awesome to see what they’d look like with a movie budget), but to my despair, the graphics look even more horrible than I remembered them. It’s one thing for a movie to simply look the same, but this movie actually looks and sounds WORSE than the TV-series. WHAT!?

If I had to mention the worst part of this movie, then it’d be the voice acting. If there’s anything that comes close to downright abysmal, then it’s the voice actors of the lead characters. These guys did the impossible: they made Dutch voice-actors sound awesome. I never knew that depths like these existed.

Overall, I watched this for the sake of nostalgia. There’s no possible reason why you should torture yourself with an hour and a half of this thing. I can’t believe that Toei put Mononoke’s director on such a large piece of crap when there’s so much potential left in the guy. I know that the original series wasn’t exactly good, but it was still pretty successful in terms of its entertainment value and it had some really neat ideas for a shounen series; it was nowhere near the levels of crap that the movie explores. I’d almost say that this is some kind of rickroll, but why would someone go through the trouble for such an unknown series, let alone find its raws?

Storytelling: 1/10
Characters: 1/10
Production-Values: 1/10
Setting: 3/10