Great Teacher Onizuka Review – 87,5/100



What is there to say about Great Teacher Onizuka that hasn’t been said yet already? In terms of theoretical education, the guy sucks: as a former gang member, he hardly knows anything about the subjects he teaches. He’s a huge pervert and hothead and often acts before he thinks. Still, when it comes to understanding his students, he definitely is the greatest.

Basically, GTO is a social commentary aimed towards the hypocrisy of the modern education system: teachers that only care about their own position, students with excellent grades are overly protected, while the rest is ignored, putting the focus away from the well-being of the students. Onizuka is hired in one particular school and he tries to get rid of these problems in his own unique way: by putting himself on the same level as the students, and healing the different students one at a time. And I must say that the result is a wonderful series.

It’s a really well written series. The situations that Onizuka has to deal with are imaginative and varied, and the cast of characters is downright excellent. The different characters are endearing, and yet nearly all of them are flawed in some way. The fun in this series comes to seeing how each of them are dealing with these flaws.

The visuals in this series also look really good. This series aired when the distinctive anime art style of the second half of the nineties was about to be taken over by the modern CG art style, but it makes optimal use of its style to make the characters look normal and down to earth, yet very distinctive and unique. Especially Onizuka’s facial expressions are one of a kind.

The problems with this series are mostly small and insignificant. At times, it has some continuity issues: one episode a school building gets destroyed, in the next it magically healed itself, or at the end of one episode, a character tanned her skin way too much, while the next episode completely ignored it, and one particular character (the stalker one) gets written out of the show completely without any possible reason. Still, these are ere details over a show of 43 episodes.

In the end, my only real beef with this series is how its definite best parts are at the beginning of the series, rather than the end. The first twelve episodes are without a doubt the highlight of this series, when the classroom that Onizuka was in charge of was still unknown, and there was this whole air of mystery about what drove everyone to their actions. They’re incredibly addictive and I myself couldn’t stop watching because I just had to know what was going to happen next. Along the way, this effect is lost a bit when you get to know the cast a bit more, so that’s a bit of a pity.

Nevertheless, in the genre of high school-based series, this one still stands solid as one of the best ones of the genre. It really is the prime example of how such a series should be handled.

Storytelling: 9/10
Characters: 9/10
Production-Values: 9/10
Setting: 8/10

Some quick first impressions: Nyoron Churuya-san, Suzumiya Haruhi-chan no Yuutsu and Kodomo no Jikan Ni Gakki

Nyoron Churuya-san

Short Synopsis: Our lead character is a silly spin-off of a character from a certain Kyoani show.
Chance of me Blogging: -20% (Uh… yeah)
I seriously don’t know what to write here. What was the point of this thing? Why was it made? I obviously didn’t get it because I’m not a fan of Haruhi, but do even its fans consider this something worthwhile? This whole episode was just a string of very, very, very dry jokes, that will probably work when you’re watching them with a bunch of very drunk friends (being drunk yourself helps too), but apart from that… yeah.

Suzumiya Haruhi-chan no Yuutsu

Short Synopsis: Our lead character is a silly spin-off of another character from a certain Kyoani show.
Chance of me Blogging: -40% (Uh… yeah)
Well, I’d like to thank this series from giving me a headache that’s probably going to last for a few more hours or so… At least Nyoro had some entertainment value because of the deadpan humour, but this thing was just terrible. The comedic timing was way off, the voice acting was terrible and the CG was horrible, aside from perhaps the giant electric monster. I can understand how you’d want to give a series a little extra, but DOESN’T THIS SERIES ALREADY HAVE ENOUGH OF THAT!?

Kodomo no Jikan Ni-Gakki

Short Synopsis: Our lead character continues to harass her teacher.
Chance of me Blogging: 0% (Nice show, but no)
Okay, so the pointless fanservice is really getting more extreme now that this series has taken up the OVA format. While some of the fanservice was there to make a point, some other scenes were just… pointlessly disturbing to say the least. Still, I’m glad to see that this series hasn’t forgotten yet what made the first season enjoyable, and it continues with the Teacher vs. Student themes and does a pretty good job at it. Rin as the class president has potential, and some of the jokes worked pretty well. Especially that very strange ED was kindof interesting. 😛

Tytania – 18



Short Synopsis: Fan gets captured for real this time, and meets two punks with really weird haircuts.
Episode Rating: 8/10 (Excellent)
Okay, so next week there’s going to be another hiatus, and after that it’s finally time for this series to get fired off: double episodes until the end of its run! This episode built things up pretty nicely: the bomb is about to go off, and it’s promising to be a really interesting finale.

This episode really showed how Miranda and Fan managed to get so far in the first place: the bad organization of Tytania, and in a way it does make a lot of sense: Tytania is a mighty empire which has had a huge power and influence for centuries, and that’s the thing: when Tytania grew to its power, it would surely have been impossible to defeat it, but through the years, the corruption has increased more and more, and right now we’re at the point where the leaders are too used to being the supreme power: they have an incredible lack of experience in actual battles where they face a threat.

The biggest symbol of this of course is Ajman: the guy is the head of Tytania, but the bugger hasn’t done absolutely anything for himself. He’s just watching from a distance and tells others what to do. He lacks the experience to properly run a country, probably because he’s never had to face any challenges. History has shown the same thing: the only reason why the French revolution succeeded, for example, was because the French royalty at the time consisted out of a bunch of incompetent narcissistic idiots. Alexander The Great in his time conquered more than half of the known world, and yet this empire fell apart completely once he died. All of this is simply due to the lack of quality leadership.

this episode shows this really well: Zalish wants to get his hands on Fan Hulic, but the Estar administration refuses to let the Tytania control them completely, even though they’re part of the Tytanian territory. So of course Zalish rushes in with a city’s worth of soldiers in order to teach Estar a lesson, but this chaos is of course going to be perfect for Fan and the others in order to escape. I must say that I’m impressed: during the first ten episodes or so, I really thought that this series lacked substance, but right now it’s proving to be quite a thought-provoking series.

In fact, It also makes me wonder why all of the evil empires in anime don’t suffer from the same problem: internal strife and crappy organizations. For some reason, 90% of every evil empire (and this usually also goes for the good empires) are functioning like perfectly oiled machines with perhaps only a bunch of incompetent idiots who are tasked with the low-level jobs.

Michiko e Hatchin – 18



Short Synopsis: Hatchin goes after a TV-star who looks like Hiroshi.
Episode Rating: 8,5/10 (Awesome)
Haha, as if Hatchin hadn’t already proven her awesomeness! In this episode, she manages to break into the house of a famous TV-star, breaking his window in the process because she thought he had something to do with Hiroshi. The episode was a bit hard to understand (Kansai-ben in Brazil?! What the…?), but if I understood correctly then this guy was scouted along with Hiroshi, but then Hiroshi left again. At this point, I’m really not sure what’s up with the guy: on one hand he’s running away all the time, but on the other hand he does find the time to appear on TV and in the newspaper, and yet at the same time he takes on a small job as a truck driver. Is this really the same guy?

And on a completely different note: Hatchin’s outfit in this episode rocked! Not only did it look even more awesome than usual, but for the first time she’s not afraid to hide the tattoo on her belly, even though we’ve only seen it like what… one time before? I must say that she gets more adorable with every single episode: her big motive in this episode for finding Hiroshi isn’t for her to find her own father, but instead she wanted to see Michiko’s smile back, who finally showed some signs of happiness when Hiroshi finally seemed within her reach (including a very strange blood-nose). That’s just too damn cute.

At this point, I’m pretty sure of my top 3 shows from the past Fall Season: 1) Mouryou no Hako, 2) Casshern, 3) Michiko e Hatchin. While these three are without a doubt my favourites of the shows that started airing in that season, their order is still debatable, depending on how they chose to end themselves. Michiko e Hatchin has pretty much labelled me as a Manglobe fan, and along with Bee-Train, they’re the only studio of which I’m pretty much guaranteed to blog every one of their TV-Series that come out. I so hope that this series is going to be more than 22 episodes. Not because the finale isn’t going to fit there (it’s actually the perfect length for such a series), but I just don’t want the goodness of this series to end. This show could ave gone on for twenty more episodes if it wanted to without ever getting dull.

Genji Monogatari Sennenki – 06



Short Synopsis: Another one of the emperor’s wives falls in love with Genji.
Episode Rating: 8/10 (Excellent)
Yeah, now I’m sure: aside from Birdy 2, Genji Monogatari is my favourite show of the series that premiered in the winter-season so far. The Don Juan of anime; it sounded like a pretty strange formula, but it worked out really well. This really has been a consistently excellent series so far, with hardly any moments or signs of weakness. It’s a shame that the subs have been virtually non-existent, but then again that was to be expected.

In this episode, Genji performs a piece of a Noh Theatre play (at least, that’s what it looked like), and there he gets noticed by what looks like one of the lower wives of the emperor. The two of them start flirting and before you know it they end up together in bed, even though for a woman of her position, it would probably be very bad if she were found out.

And yet again, Osamu Dezaki worked his visual magic again: some of the visual effects in this episode looked really nice. It’s always great to see someone with the attitude of “screw conventions, I’m going with my own style!”, because it’s here where the most interesting art in anime comes from. I’m a huge sucker for anime whose art style doesn’t try to want to be like other anime, but instead tries to go with its own.

xxxHolic – 38



Short Synopsis: Haruka gives a request to Watanuki, and Syaoran finally appears in xxxHolic.
Episode Rating: 8,5/10 (Awesome)
Am I glad to see this series back or what? This episode was also everything you could expect from this series, and I can only hope that many OVAs will follow after this one. What I especially loved in this series is the first half, which discussed the character-development between the cast, and especially the explanation why Domeki ended up staying with Watanuki in the first place.

In this episode, he claims that he really finds the guy to be annoying and a loudmouth, but the reason why he became friends with him was because he saw Watanuki one day with his deceased pet cat, mumbling about how he was destined to be alone. He still is a huge closed book at this point. To think that he still doesn’t say that he likes to be with Watanuki, like you’d expect after the two of them went through so much. The way he said it made it really sound like he’s just with Watanuki because of pity. It forms a huge contrast with his actions, and the sacrifices he’s willing to take for Watanuki.

And like expected: Syaoran finally makes his appearance. I believe that when the second season aired, the creators were still sorting out the licensing issues between Tsubasa Chronicle and therefore were unable to include the proper references. At this point, I really have no idea what to think of Tsubasa Chronicle. On one hand, it’s going to be very interesting to see the new arc animated, but on the other hand I’m very wary about the rumours that have been going on, that talk about the downright ridiculous plot twists that it has taken recently.

Street Fighter IV: Arata Naru Kizuna Review – 85/100


Whoa, whoa! What the heck!? I so expected to just watch this thing to get it over with. I so expected to just write a quick review, about yet another mildly entertaining action-flick which would just feature a bunch of bulked-up guys fighting each other until the hour of airtime was over. However, this is no action flick. This is Studio 4C!!

I’m still surprised at this thing. I almost don’t want to spoil its big strength, which I feel is something that’s best enjoyed when you simply shut up and watch it, but without mentioning I’m almost certain that my review is not going to make any sense at all, so if you like surprises, simply close this window and watch the OVA.

I was really surprised when I found out that Studio 4C was behind this, especially since the character-designs looked way too plain and average. But as the movie progressed, the experimental nature of this OVA became more than clear to me. It takes pure GUTS to pull such a stunt, and yet it’s so simple that any idiot could have thought of it.

With a title as Street Fighter, you indeed don’t have much choices on what to expect from such a thing: fighting, fighting, and more fighting. Well let me tell you: the length of this OVA is an hour. The first fight only takes place, 30 MINUTES after the start. That’s at the HALFWAY POINT. The first half is spent purely on character-building, building up, setting everything right for the storyline in order to make everything run smoothly for when the real meat of the storyline does begin.

I’m entirely new to the Street Fighter franchise, and yet because of this I had no trouble at all getting used to the characters. And even when the fighting does begin, this series always remains the focus on the characters, and never on the action (which mainly consists out of characters punching each other). With this, this show manages to entirely avoid every single pitfall of the game based anime genre, which is so notorious for its crappy adaptations. The characters are simply excellent and continue to captivate throughout the entire hour of airtime.

What also helps is the music, which is absolutely fantastic. It knows exactly when to remain in the background, or when step in the foreground again. It continuously helps to keep the atmosphere going. My only real complaint here is the animation. This is Studio 4C we’re talking about, and the art just looks way too plain for one of their works. The animation is also nothing special, which can be a bit disappointing. Especially certain characters’ haircuts take a bit of getting used to.

But yeah, so what if the story involves yet another bad guy who needs to be stopped? So what if the ending doesn’t conclude the storyline? This OVA is sickeningly simple, when you look at it from a distance it’s got quite a few cliches, but for me it simply continued to push the right buttons throughout its entire airtime. It’s touching, yet never cheesy. The storyline’s has its problems, but never do these problem get in the way of what’s really important. The animation is simple, and yet it never looks cheap. It’s nothing deep, yet it’s an hour of excellent entertainment. Here you have it, the proof that any crappy concept can be made awesome with the right people behind it.

Storytelling: 9/10
Characters: 9/10
Production-Values: 8/10
Setting: 8/10

Sora wo Miageru Shoujo no Hitomi ni Utsuru Sekai – 06



Short Synopsis: Yumemi and Munto finally accept each other.
Episode Rating: 7,5/10 (Good)
Okay, so much for “the OVA Recaps will end after episode 6”. There is no way that the cliff-hanger at the end of this episode formed the end of the two OVAs, so this episode must have inserted quite a bit of original content in order to prevent the OVA material from running out. My guess is that in the OVAs, the evil elves simply died when Yumemi and Munto zapped them, and here instead they remain alive for the rest of the series.

Still, the OVA material will certainly be up at the end of the next episode, and it’s there where the fun really begins. Now that Munto’s world has made so much of an impact on Yumemi’s world, I want to see the results of this: reporters and police and just about everyone needs to notice that something strange went on. Those whose homes were destroyed shouldn’t randomly disappear like they never existed. That’s indeed the big weakness of the OVAs: the setting just doesn’t feel alive. There are some very nice ideas put into it, but two hours is just WAY too little time.

Still, as a standalone episode, this remains a pretty good one, and it yet again puts more faith in my theory that the OVAs would have rocked if they were given more time. Lots of different characters got some attention in this episode, and especially Munto’s subordinates turned out to be pretty interesting and fun characters.

Now the big question here remains Gass. The guy probably died at the end of the OVAs (after all, after all that build-up, what point would there be to keep him alive at that point?), but with the TV-series, the creators might have other plans for him.

Hetalia: Axis Powers – 04



Short Synopsis: Japan makes his appearance.
Episode Rating: 7/10 (Enjoyable)
One thing I don’t get with this series is why they’re bothering to make next-episode previews. I mean, what’s the point, the episodes are just random strings of sketches, why would you need a 30 second preview of something that’s only 5 minutes long?

Anyway, in this episode you really can see that the original Hetalia was just a string of random comics put together. This episode has about five of these, mostly dealing with Japan, but there’s also a short skit about Italy’s history, where it was ruled by Austria.

The reference from U-Boats to giant robots was quite nice, since the second world war probably played a huge role the popularization of he giant robot-genre, though I do hope that Japan in the future episodes is going to get a bit more made fun of. Apart from the U-Boat references, he felt more like another straight guy for all the Italy jokes (okay, and the penis joke, but that one didn’t work too well).

The history-lesson was nice though. I never knew about those long Italian wars which nearly completely destroyed the Italy which was thriving the renaissance. If I understood this correctly, Italy was in the middle of a war between France and Spain, and it ended up fighting countless wars with France, and eventually it lost its powers when France allied itself with the Ottoman Empire. After the wars, Austria came and took control over the country for a while.

Casshern Sins – 20



Short Synopsis: Casshern finally meets Luna
Episode Rating: 8,5/10 (Awesome)
Casshern Sins has just been a string of awesomeness for the past few episodes. Especially this episode was one of those where everything comes together. Casshern finally gets the chance to meet Luna, and because the entire series has been building up to this moment, the results were nothing short of awesome.

So as it turns out, Luna doesn’t turn out to be such a sweetheart after all. In this episode, she shows that she hates things that are about to die, so because of that she simply kills them off. Dune’s reasoning seems to be that if they’d die, they’d make Luna sad, so it’s just better to kill them off so that this doesn’t happen. In the end, Luna’s just someone who’s been obsessed with her own status: she never dies, and if she were to, everyone would go with her. She continuously needs to heal others, and eventually she changed from a nice healer to some sort of obsessive guru-type person.

This episode also seems to explain why there are so many of those angry robots fighting. Before the ruin, they basically lived in a world where they couldn’t die: if they got hurt, they’d simply visit Luna in order to get healed. Because of that, they grew up in a society in which there was no fear of death, and the morals must have been pretty low on each other’s mind: nobody had to struggle for survival, because Luna was there anyway! Now that the ruin started, and everyone’s going to die anyway, they still can’t remember what it means to have your life lost, or to take the lives of others, since it’s so new to them.

She really is symbolic of the sun, in a much less overglorified fashion as usual: she’s there. Without her, everyone will die, but she never grants wishes, cares for anyone or helps those in need.

But damn, this series has now accumulated quite an army of villains: we already had Dio, Leda and Braiking Boss, and now Luna also joined their ranks. All four of them have their own agendas, and with only four episodes left in this series it’s going to be very interesting to see how all of their story-lines are going to be concluded.