Letter Bee – 13

by psgels, posted in Letter Bee



This was going to be an important episode for this series. Heck, it’s Studio Pierrot. I should have known that they were going to include fillers. This episode really was the chance of the creators to show that they can tell a story. And really, they did it.

I was actually very afraid when i first heard that both the previous and this episode are fillers. However, if all of the fillers are as enjoyable as this episode, then I don’t have anything to complain about. It’s strange how the random stories for this show don’t seem to work alongside the main storyline, but when they’re simply used to flesh out the characters and the setting, then I admit that they’re quite charming. Nothing special of course, but what the heck, I enjoyed it.

I’m really going to have to change my mindset while watching this series, though. At the start, I was really expecting a continuous story where the random stories would only end up getting in the way. Still, I guess that this episode had its charms. The series turned out quite a bit more childish than I first thought it would be, and there are times at which the details just don’t make sense, but this episode did its job in keeping me entertained. It was quirky and charming, and especially Steak in the background was hilarious to watch.

Fillers an sich aren’t bad. Himitsu The Revelation had lots of them, and yet all of them were inspired. The fillers in Tsubasa Chronicle 2 also were very enjoyable (YES I LIKED IT!!). They only get bad when they’re uninspired. Which, unfortunately, happens a lot. The thing that Letter Bee is going to have to take care about is to properly balance them inside the series, and to not overdo them.

PLEASE, don’t overdo them!
Rating: (Enjoyable)

Kemono no Souja Erin Review – 85/100

by psgels, posted in Anime Reviews, Kemono no Souja Erin



I’ve said this plenty of times now, but my biggest problem with anime at the moment is its “we’ll animate the second season only when the sales are good”-tendency. That’s why it’s good to see that there are still series that take risks and plan a full 50-episode course and plan in the full story that they want to tell. Kemono no Souja Erin is a slow-paced series, but because of its length it can show things that would not have been possible within 26 episodes.

What makes this series unique is its huge focus on taking care of wild animals. Erin starts as a little girl, but as she grows up you can see how her fascination with these wild beasts grows and develops, until she actually ends up taking care of them for real. This is done with a real attention to detail, and it’s really focused on Erin thinking outside of the box to find out the best ways to take care of these animals (in her case, Beast Kings, a huge kind of fictional dog-bird). Erin, and the trouble she has raising these animals are really one of a kind, and really the reason why you want to watch this series.

Aside this, the series also spends quite a bit of time on politics, but these just aren’t as good by comparison. The country’s background is a bit one-sided and just not as interesting as Erin and the challenges she faces trying to raise Lilan, the main beast of this series. On top of that, as the politics take over the show near the end, they end the series with a really cheesy, cliched and sloppy ending.

The animation is also a bit of a mixed bag. The art itself is beautiful: the backgrounds are very original, and whenever a beast is about to attack someone, it gets all surreal, as to symbolize the chaos that’s going on in the mind of both the attacker and attacked. This would have been a great series to look at if it wasn’t for the constant use of flashbacks, recycled frames, and even entire recycled scenes. Normally I’m don’t often notice this, but this series really takes it a bit too far.

Nevertheless, this is one of those shows that puts nearly 50 episodes into the development of its lead character. Erin really stands out as a memorable character, and her growth from just a small child into adulthood is very detailed, making her into one of the best developed characters of the year. The side-cast also all have their own moments to shine. It’s a shame that there are a number of weaker episodes, but the good ones really make up for it.

Storytelling: 8/10 – Slow but very solid and imaginative. No cheese aside from the final episode.
Characters: 9/10 – Erin is an exceptionally well developed character.
Production-Values: 8/10 – Great art, both foreground and background. Solid animation but too many recycled frames.
Setting: 9/10 – Lots of depth on taking care of beasts and wild ainmals. Solid albeit one-sided view of the country the show is set in.

Kemonoo no Souja Erin – 50

by psgels, posted in Kemono no Souja Erin



So far, the endings this season have been pretty generous for me. 11Eyes was pretty exciting, Darker than Black’s finale also had its good points, and White Album’s ending was really good. This however, was just bad. I wish that I could at least praise it some, but it did just about everything that you shouldn’t do in a final episode. Let’s make a checklist of what all went wrong here:

– A Disney-ending: the lead character is hit. He/she falls to the ground, seemingly dead. But wait! She turns out to be alive anyway. This is completely pointless in terms of storytelling: it accomplishes nothing, and is just used to generate some cheap sentiments for the lead character. Let it be the characters who create the drama!
– The lead character is cornered, about to be killed. But wait! Something unannounced suddenly pops up to save her. Again, pointless and cheap! If you want to do something, then at least show Lilan take off or something.
– It forgets to take its surroundings into account. What happened to the Touda riders? They completely vanish after Lilan screams. Where the heck are they?
– The villain, battered and defeated, finds a weapon and takes a final shot at killing important person X. Only to be obviously stopped. Cliched! Cheesy!
– “Save him! Save my precious loved one because he is about to be killed! The others on the battlefield? Who cares. I just want to be with the person I love.”
– And they lived happily ever after. seriously, all of the conflicts magically resolve themselves. Very sloppy.

I mean, this was exactly what I feared when I first found out about the staff of this series. The director has shown that he can adapt a story well, as long as he’s given enough time. But he’s utterly terrible when he needs to write stories for himself. There are so many things wrong with this episode. It’s not just a case where it’s simply rushed, and just could have used some extra episodes. Even with ten extra episodes, what happened here would not have made any sense.

I mean, I seriously wonder what happened to everyone on the battlefield. For some reason, everyone aside from Shunan completely disappears. As if those lives are completely unimportant. That completely shatters the previously built-up themes about the hardships of war: who cares if people get hurt? They’ll just disappear anyway. Let’s send those kinds of armies toward each other!

This really is a bad timing for this series. You know, if the series had simply ended at episode 49, it would have left a better impression than right now. Here I was, really happy with the slow build-up of the past few episodes and that the creators were actually trying to let everything play out naturally… and then they pull this. Oh come on. And added to that they even have the guts to pull a “nearly dead”-twist TWICE. I mean, what were they thinking? This is just me, but I personally hate it when a show has to resort to these kinds of plot twists. Especially near the end.

Overall, I like the series, but I think the parts I blogged weren’t the best. For me, this show was at its best from episode 30 to the episode in which Erin lost half her hand. After that, it was just build-up for this particular episode, and that was just all dumped down the drain in less than 20 minutes.

Ah crap. I was going to give this show a very positive review, and then it pulls this. I’ve noticed this plenty of times: great series with bad endings, as much as I hate it, do end up leaving a very bad aftertaste. There you go, show. Thanks for pissing me off.
Rating: —- (Bad)

White Album 2 Review – 85/100

by psgels, posted in Anime Reviews, White Album



If you’re planning to watch the first season of White Album: good luck. Have fun sitting through one of the most frustrating series of the past years. However, for those who do manage to get through it there is a reward, because the second season is much, much better. In fact, it’s a breath of fresh air for both the harem and hentai game adaptation genre.

The first season really had no idea how to write good drama. It really tried, but revelations were poorly built up, the romance was shallow, and it used really cheap plot devices in an attempt to create drama (answering machine?!). Thankfully, Seven Arcs noticed this, and actually changed the directors, in favour of someone who did know what he was doing. The result really allowed this series to show the best of its daring premise.

The result managed to add depth to nearly all the characters. I really loved the execution of this series: a lot of bad stuff happens in this series, Touya for a large part is an incredible bastard who fools around with tons of women, however everything still progresses naturally: it never goes over the top or forces climaxes. Characters don’t suddenly turn emo because of one simple revelation, but what goes on inside their heads is much more complex than that. Every character has his or her own issues that get explored really well and the way that the creators manage to interweave all these stories is really skillfully done. There’s hardly any moment of boredom.

And then Touya. He really is one of the least likable lead characters after Makoto Ito, but in comparison to the latter he’s actually really well written and receives some memorable development. In fact, he’s so incredibly refreshing amongst most other harem leads with their wimpy and one-sided personalities. This guy’s issues are deep and yet they come together wonderfully at the end.

I really was prepared to hate this series when it first started, but it really proved me wrong when it improves on the first season in a lot of ways. It’s at times very emotional, but at the same time also very subtle and realistic. This really is everything I want romance to be, and it’s truly a leap forward for the harems and hentai game adaptations. If you’re tired of seeing the same thing over and over again in these genres, then this is a series that you should check out. However, be warned: it makes no attempts to make its characters easily likable. It’s realistic, but hard to get into as well.

Storytelling: 9/10 – Realistic, poignant, weaves many storylines into one and yet it progresses very naturally.
Characters: 9/10 – HUGE improvement over the first season. Touya is one of the best developed harem leads out there.
Production-Values: 8/10 – Better animation, great use of music.
Setting: 8/10 – Accurate and finally stops using it as a cheap plot device to get Touya and Yuki to miss each other.

White Album – 26

by psgels, posted in White Album



You know what? I’m impressed. I’m fucking impressed by this ending. The way it wraps up so many plot threads, there’s a very good chance that it’s going to end up being the best ending of all the shows that end around these times. At the start of this series, I was expecting nothing other than a school days trainwreck ending. And yet here this show comes and does the exact opposite. Holy crap.

I love how the creators again did not try to end this show with a bang. There’s only one emotional climax in this entire episode: the point where Rina forces Touya to remember that what he forgot as a trauma, ten years ago. After that, Everything else follows naturally as he puts back the pieces of the puzzle that he once forgot. It’s basically a lot of exposition, but for Touya it makes perfect sense, now that he finally realized why he heck he turned into such a big player in the middle of this series. It’s a case where bullying went too far. Yuki actually tried to console him with a ribbon, but he threw it away. Haruka then picked up the ribbon, after Touya was scolded by his father and went back to search for it.

So as it turns out, the majority of White Album was just there, to get Touya to remember his past, and put aside his trauma. All of his actions don’t just stem from his loneliness created by how he was far away from Yuki, but instead out of escapism, created by that trauma. Influenced by both Yuki, Haruka and Menou at that time, he kept searching for his goddess, and never really found it. The way Touya healed in the final quarter of this series was also well built up. I think it started around the time that Mana left: it forced him to actually do something: get after Mana and instead stop running away. That time with Mana and after that Haruka really changed him.

Haruka breaking down in front of Touya’s door was of course a bit overdone, but with this revelation you can see that she’s not just another childhood friend who randomly falls in love with a harem lead (in the end, only Misaki took on that role), but rather, she too suffered from Touya’s trauma, and I can bet that she vividly remembered it: she had the ribbon to remind her of what happened. And with that, I can see why she fell for him in a moment of weakness. Menou in the end just turned out to be a girl who likes to fool around with guys. Touya was extra interesting for her because she met him when she was little. The reason she stayed with him was really because she liked him as a friend, rather than that she seriously had feelings for him. This rebellious way really comes from how she was raised: she resisted her strict mother, and because of that her mother became even stricter to Mana, who ended up listening to her mother and ended up studying really hard, to turn out about the opposite.

The iffy part of this episode was the performance, though. While the aftermath made sense and was interesting (Yuki and Rina finally got to work together as a duo, which takes care of the tensions between them of being competitions. And it’s not like everyone got a happy ending either: Rina’s brother still ended up in jail), but for a supposedly “perfect” idol, Rina’s English is pretty abysmal. And her showing up is also a bit hard to buy. Also, what happened with the animation in this episode? It’s back to the quality of the first season?

But really, it’s been a lot of fun to blog this series, even during the annoying times, there was tons to write about it. This ending also really showed that you don’t need to go over the top in order to create a great ending. White Album overall was a true breath of fresh air in both the harem and the hentai game adaptation genre. It for once took its time to give its male lead deep and memorable development, rather than just letting him be the same over and over again. Touya was a huge idiot throughout the majority of the series, but he could be one of the best developed harem leads out there. I would never have said this after finishing the first season, but I really hope that more series like this get made in the future.
Rating: ** (Excellent)

Armed Librarians – The Book of Bantorra – 13

by psgels, posted in Armed Librarians - The Book of Bantorra



The next arc: Mirepoc. On top of that, Cigal returns, plus we get background on the mysterious bearded guy, who seems to have created an entire legend around him. I love how this show is able to interweave so many of its storylines.

Okay, so basically, Mirepoc is searching for the book of an actress who died eight years ago, who searched for the bearded guy who turns out to be named Othello. In the meantime, Cigal’s former lover also is after the same book for some reason. On top of that, we learn that Othello is friends with the invisible guy from the Church.

There are still tons of mysteries though: what is Mirepoc after? What’s getting her so fired up? What’s up with that other woman? Who the heck is Othello, and what is he after? Why was Winkeny after Hiza’s book? In fact, why is the church after the books of the Armed Librarians? The way they’re after them seems a bit more obsessive than simply for tactical reasons, especially considering that they’re intent on collecting every single one of them.

Also, I love what Volken has turned into. He’s been gone for ages now, and yet it has become awesome to just see his name mentioned. 😛
Rating: ** (Excellent)

Kanashimi no Belladonna Review – 85/100

by psgels, posted in Anime Reviews



Merry Christmas everyone. Christmas really is a time of peace, love and friendship. So yeah, I found this a good time to finally watch Kanashimi no Belladonna. It sounded like a good idea when I started watching it!

But seriously though: wow. We’re talking about 1973 here. Anime at this time was just giant robots and silly action shows. The industry was only ten years old, at a time when animation really was only meant for kids. And here this movie comes, with its sex, suffering, extortion, love, betrayal, pain, seduction, sex and more sex. It must have made a huge impact on the animation industry at the time!

The storytelling is just surreal. Even Studio 4C’s stuff is tame, compared to the style of Kanashimi no Belladonna. It’s obviously not for everyone. You really have to like artsy stuff, and as you can imagine from the screenshots: there is no way that the creators could animate images of these details. There are lots of still frames, while the animation that’s there is simple and often resorts to repeated frames.

But seriously, who cares! The art in this movie is absolutely beautiful. Even now, more than 35 years later, there still hasn’t been an anime that could call itself equal to this. Every frame is drawn with so much inspiration. I’m really going as far as saying that this is the best-looking anime of the seventies. It’s gorgeous in every way, and the soundtrack itself consists out of a bunch of great songs and background tunes for its time.

Despite being artsy however, this movie also excels in its characterization. Jeanne’s progression throughout the movie really hit me. The way that her life is spiralling completely out of control as she gets lost within her own greed, somewhere in medieval France. She desperately tries to be meaningful, despite the sacrifices she has to make. There’s a ton of symbolism and tons more of different ways to interpret these.

So yeah, obviously this isn’t a movie that you want to show your little brother or sister, because the story is told with tons of sex scenes. The same sex scenes will also turn off those who aren’t into artsy stuff, because seriously, they can get really bizarre at times. I seriously have no idea what went through the minds of the creators as they came up with this. I personally really enjoyed the movie. It’s really surreal, but very haunting at the same time.

Storytelling: 9/10 – Very surreal, but surprisingly deep.
Characters: 8/10 – The movie doesn’t get lost in its own art: the characters are strong.
Production-Values: 9/10 – Utterly amazing. The most beautiful anime of the 1970s
Setting: 8/10 – Makes well use of its setting.

Kappa to Coo no Natsuyasumi Review – 80/100

by psgels, posted in Anime Reviews



Kappa no Coo to Natsuyasumi: ET the Anime. We have a boy who finds a alienkappa. The two live together along with the boy’s mother, father and annoying sister. Eventually however, the boy must protect his new friend from the evil scientistsmass media and help him find his own kind back. But don’t let my overly generalized synopsis fool you. It’s a very charming movie.

What we have here is a charming family movie with a pretty nice characterization, that also isn’t afraid to touch upon some more mature themes. Between the gentle slice of life, this movie (clocking in at over two hours) discusses bullying, friendship and having to live in a completely new environment, but it also criticizes the mass media (and in a way that makes them come across as wrong, but not stereotypically evil), the “bystander effect” and other aspects of modern society. The themes are a bit one-sided overall, but they work well enough.

But most of this movie’s focus really goes towards the characters, which are nicely enough developed for a movie. The lead boy suffers a bit from how he looks like so many other young lead characters in other movies like this, but Coo, the Kappa, is well portrayed, and you have to love the antics of his bratty little sister. His parents are also strong characters, and combined they make up for his genericness.

This really is a movie for the fans of slice of life who also like some dark parts once in a while. If you’re not into slice of life, then it will be a bit hard to enjoy, considering that for a movie, it’s over two hours long. Kappa to Coo no Natsuyasumi takes a well known premise, but executes it well.

Storytelling: 8/10 – Gives both the light and dark parts of the story plenty time to unfold.
Characters: 9/10 – Good development for a movie, Coo and the side-characters are likable.
Production-Values: 8/10 – No Big budget movie, however the messy animation during the action parts works well.
Setting: 7/10 – Lacks originality, it’s portrayed well.

Darker than Black – Ryuusei no Gemini Review – 87,5/100

by psgels, posted in Darker than Black - Ryuusei no Gemini



Darker than Black was an excellent example of a mature series when it first aired. The entire setting was very original and creative, and so it was awesome to see an actual second season eventually got announced. I do want to warn fans of this first season to not expect exactly the same, however: Ryuusei no Gemini has no intention whatsoever to rip off the first season and going for the tried-and-true formula. Instead, it comes with its own concept, story-lines and focuses. and it does this so well.

Ryuusei no Gemini is about people with powers (called Contractors in this franchise) versus those who don’t. It explores its own boundaries that it set for itself, in the way that these contractors behave and act. It’s got a great direction throughout the entire series; there’s hardly a weak moment and it feels like every second is either there for building up or as a climax. I also really like how this is one of the very few series with a truly “people die when they fight to the death”-mentality that seems to be missing in anime way too often: when characters fight, the chance is big that someone (even a major character!) is going to end up dead.

While the first season of Darker than Black was about adults, Ryuusei no Gemini strangely has a teenager as a lead character. But don’t worry: she really doesn’t ruin this show in the slighted. Suou has an engaging personality and is well developed throughout the series. While you can see that she’s a teenager, she’s for once in no way inferior to the adults in this series and her story (just as all of the other subplots in this show, by the way) is very compelling. This show really succeeds in weaving all those little side-stories into one, while making all of them count. There’s lots of variety in this series. The ending may be a bit rushed, but even that one is very thought-provoking.

The soundtrack itself is even better than the one from the first season. It’s also different, but in a good way, full of haunting synthesizers. The animation is also what you’d expect of Bones: detailed, consistent and imaginative.

As for which season is best, it’s really hard to tell because the first and second season are just so completely different. The first season is episodic, the second has a continuous story. My favourite episode of Darker than Black still sits in the first season (the conclusion to the Yin-arc), however the second season is much more consistent. However, the first season in its turn is longer: that second season is really over before you know it! The first season in its turn had more adult themes, but the character-development in the second season also rocks despite the inclusion of teenagers. It’s really impossible to point at one as better, because they both have their own points at which they stand out.

The biggest complaint for Ryuusei no Gemini is simply that it’s too short. There are a few subplots that could have needed a bit more time, and if it had 24 episodes to work with it would have been even better. The really big fans of the first season are also going to have to accept that some of the more prominent characters in the first seasons have really small roles in the second season, in order to allow the new characters to shine. Nevertheless, I liked it a lot. It’s intelligent, exciting, well written, well directed, there are lovable characters. My third-favourite show of the past Autumn season.

Storytelling: 8/10 – Well directed, albeit a bit rushed at times due to the short amount of episodes.
Characters: 9/10 – Well developed new cast plus original use of old cast.
Production-Values: 9/10 – Excellent soundtrack, excellent animation.
Setting: 9/10 – Continues to push Darker than Black’s very creative setting forward.

Darker than Black – Ryuusei no Gemini – 12

by psgels, posted in Darker than Black - Ryuusei no Gemini



Yeah, this episode was rushed. There’s no denying that this episode lacked the emotional impact that it could have produced if it took things easy. However, I don’t think that the creators really intended this episode as entertainment, but rather as brainfood. A lot of weird stuff happened here, and you know what? I’m actually still interested. For a Bones Ending, it’s actually not that bad. Plus, that soundtrack was just bloody awesome.

First of all, Shion. I thought that he was really a huge bastard, however his goal was pretty gentle. It turns out that he set out to Tokyo in order to get to the gate, and create a completely copied world in which Suou wouldn’t feel out of place. He hid it well, but I think that he felt really guilty about what he did to her.

The mystery-element here is of course Yin, but we have to wait for the OVAs to get some concrete answers on that. What we do know is that her powers helped Shion complete his plan: she helped him create a copy of the entire earth, and she brought July and Suou there: two children who indeed shouldn’t be involved with these adult struggles. In this episode, it’s also made clear that copies can’t retain their memories for long, so that’s why Suou was experimented with with her necklace. So apparently, Yin also made sure that Suou and the others would be able to survive without this pendant.

Then, the motives of the woman of the CIA: she for some reason was very interested in Shion’s ability to create copies (Hmm, what if one of the twins that’s with her is a copy as well?), and her actions seem to revolve around that. We now know that she helped Shion create his copies, and my guess is that when Shion came with the plan of creating an entire new planet because he didn’t want to involve Suou anymore, I guess she found it an interesting idea and cooperated with him. Her ulterior motives still are a mystery, though.

Then there’s Yin: why the hell are there two of them? The OVA is really going to have to answer that question. Also, the prophecy: Izanami and Izanagi, who we assumed to be Shion and Yin, met, and yet nothing bad happened. Again some OVA material, or perhaps the white Yin was Izanami, and so the disaster could be averted.

Then: Suou and July behaving uncontractor-like. My guess is that it’s got something to do with Hei. He’s always been a big question-mark: he has his sister who lives in him, who may or may not have disappeared completely when his powers were taken away. My guess is that he has some sort of effect on children and teenagers, that allows them to retain their their personality.

In the end, before I started to watch this episode I really think that I’ve been a bit too much spoiled by endings that just spoon-feed their information to the viewer. This episode was a nice wake-up call and it showed the power that these “rushed endings” can have. This episode didn’t treat its audience like idiots, and instead it’s just one of those episodes where if you don’t think about it, you’re going to dislike it.

Overall, I may have said this a bit too often by now, but THIRD SEASON WHERE?! Ryuusei no Gemini really was a really well done side-story, but there’s still so much potential left here in this series. It’s another one in the increasingly long list of shows that desperately need continuations. And yes, I’ve heard about the rumours but I’m not going to get my hopes up until I see official confirmation.
Rating: ** (Excellent)