Macross Zero Review – 77,5/100

by psgels, posted in Anime Reviews



The Macross Franchise has always been one of eye candy, and Macross Zero does not disappoint in the slightest. As the first Macross of the new Millennium, the graphics are utterly gorgeous. The CG is a bit unrefined at times, but the way it’s animated and contrasts with the background; the huge explosions and vivid and detailed animation. If anything, you should be watching this OVA for its amazing visuals. The audio? Again, beautiful. The best of the Macross franchise that I’ve seen (meaning the Original Macross and Macross Frontier).

But what about the rest of the OVA? Um… yeah.

I think it’s best described as “chaos”. Macross Zero is typical of Shouji Kawamori; both the good parts and the bad parts. The story has some interesting parts; there are a number of interesting characters, but at the same time it just feels so incomplete. I found it very confusing to try and figure out what everyone’s motives and ideals were throughout these five episodes. The creators like to introduce things without any build-up whatsoever and overall the storytelling feels very unbalanced.

As for the characters: I loved native side-characters. It’s just too bad that they hardly got any airtime. The lead characters didn’t impress me too much. The male lead is yet another bland teenager who somehow is authorized to fly a jet fighter. The female lead character is just way too naive. Their whining often gets in the way of the story and especially that female lead just keeps going on and on about her ideals and how you shouldn’t mess with nature and stuff.

I admit that at times she has interesting points about war versus nature, but at others we just see Kawamori taking another chance to shove his enviromentalistic ideals down your throat. On the other side, the main villains are also pretty shallow. There was just nothing that made me interested in them.

So no; as substance, this OVA rather failed. However, as entertainment it more than succeeded, it only because of the beautiful visuals and its amazing visual direction. Especially in the final episode this stands out like no other: the story becomes just ludicrous at that point, but oh, did it look pretty.

Storytelling: 8/10 – The story is poorly balanced, but the visual and technical direction rocks.
Characters: 7/10 – Unappealing teen-aged lead characters whose whining often gets annoying.
Production-Values: 9/10 – CG looks a bit out of place, but other than beautiful.
Setting: 7/10 – Way too little back-story and too preachy at times.

Full Metal Alchemist – Brotherhood – 41

by psgels, posted in Full Metal Alchemist - Brotherhood



Whoa, that was intense. It’s one thing to show gore and decapitate random goons in the most gruesome manners, but when it’s done 1) to a well loved character 2) very detailed and 3) doesn’t make the gore too extreme and actually tries to make it believable… it makes so much more impact. Just as this episode showed. That scene in which Ed was entirely impaled by a small steel beam was hard to watch at times, that’s how well it was portrayed.

In any case, about the rest of this episode, I’m getting more and more excited about this series. The past number of episodes have really been a roller-coaster ride. In this episode, Kimblee also stops being nice, and reveals that he’s seen through Ed’s plans (probably in the really bad way in which eh tried to cover up for Al).

The two remaining chimera also gave a bit more insight into why the first two deserted: while they’re obeying Kimblee and all, they do seem to hate the guy. Quite reasonable, I can imagine how many people must be unhappy with their bosses. Since their lives have basically been ruined, I can imagine how they’re easy to desert if they run into someone whose ideals they support (like what happened with Ed in this episode). One thing that I’m noticing in a lot of anime is that the random goons have no personality whatsoever. It’s great to see that this series is trying to change that with characters like them: some of the guards indeed just carry out their jobs and are loyal, but there are others who have a different personality and set of ideals.
Rating: *** (Awesome)

Cross Game – 42

by psgels, posted in Cross Game



I think this was the calm before the storm. After this episode, it’s just going to be gasshuku and tournament. I’ve said this many times before, but I think that it’s after this that this series is going to get less interesting again, simply because the baseball in this series has always been inferior to its slice of life.

In a way this episode felt different from the previous ones. It seemed much more… focused. It picked out various couples of characters, and pushed their relationships a bit further, rather than the more random pacing of the usual Cross Game episodes. We have Kou and Akaishi, Aoba and that female baseball player who made her return, et cetera. It all was about preparing for the upcoming tournament, and getting mentally ready, while the second years kept fantasizing about what would happen as soon as the third years would leave.

Overall it was a very enjoyable episode despite its slightly different style. At this point, there are nine episodes left. At this point I’m not expecting anything of this series anymore: it has already showed off its best for me. For the baseball part, I’m just looking to be entertained. I know that if I’m going to take the baseball games too seriously, I’ll just end up comparing them endlessly to Touch, whose matches granted were much more superior than what we’ve seen here. For me, this show has already been a success. And if it does manage to get the baseball matches right, then that’s just a nice extra.
Rating: ** (Excellent)

Cobra the Animation – 04

by psgels, posted in Cobra The Animation



Oh gawd. This show is so ridiculously masculine that I can’t help but enjoy it. Remember last episode, at the end of which Cobra was about to die from poison? My prediction was that Cobra would find some cheap way to escape his certain death. Well, as it turns out he sort-of didn’t. The poison just… disappeared, never to get mentioned again. He just gets his memory back, and for some reason this is so awesome that it automatically neutralizes the poison. Also, what was the point of having this “unique key” around, when people from the underground city could just walk into the control chamber whenever they’d like to?

This turned out to be quite the ludicrous series, but it does have this strange kind of charm that I’m missing with most other series this season. It’s just so unpretentiously enjoyable: it knows what it is and delivers on this. There are also two points at which it deserves genuine praise. The first is the soundtrack. After four episodes of listening to it, I’m sure: Cobra has the best soundtrack of the new season. I’ve always been a big fan of Ike Yoshihiro, and he yet again delivers a great soundtrack for this series.

The second is the creativity. I have to admire the BALLS of this series, to go with such a crazy idea of giving Cobra amnesia so that he leaves his female companion inside a gravity trap for two whole days. The idea of having a woman fall down a cliff, get her head impaled to so become the controller of the planet’s propulsion system also was a pretty nice find.
Rating: * (Good)

Letter Bee – 16

by psgels, posted in Letter Bee



Another filler.

But holy crap, who cares?! This episode was so good that even the main storyline of this show so far was inferior to it. It’s quite possibly my favourite Letter Bee episode so far. It’s true that it’s a bit of a pity that the main storyline isn’t getting anywhere at this pace, but damn. With episodes like these I can really forgive this show for it.

The story in this episode was beautiful, with a rich characterization and gorgeous music. It tells about a pianist called Matilda Rein… who isn’t like what you’d expect as a pianist. She’s down to earth and honest, however very talented when she’s motivated. And it’s her manager who is able to get that potential out of her. The problem however was that the two just continue to bicker when they’re near each other. Cue the manager’s best friend, who puts on a little show to get them together. The previous fillers all had the problem of being a bit shallow, and having characters who were just too simple, but this was different: all three of them were very well coloured and diverse. And the main cast made it even better with their subtle additions, without taking too much screentime for themselves. I loved it when Nichi compared that manager to Matilda’s Dingo. That’s so true. ^^;

And here’s one thing I’ve noticed: there’s a clear distinction between the main storyline and the fillers. At this point, it’s too early to tell what the main storyline has been building up to, however you can see that the fillers have taken up clear themes of truth and honesty and they’re actually exploring these themes really well at this point! They’re actually turning this series into a pretty decent episodic series and at this point the fillers are just going to turn into anime-original material, where they stop being pointless and actually contribute to the storyline!

Seriously, Studio Pierrot has learned! To be honest, I really feared the worst when I first found out that this show would delve into fillers. Remember Naruto and Bleach? Aside from the usual flaws, like how the fillers were shallow, dull and either just silly comic relief or they just told a story for the sake of telling a story and filling up time: the creators couldn’t do anything interesting because the Studio Pierrot executives wouldn’t let them screw up the story of the manga. They just never added something to the series, but these Letter Bee fillers are different. When I first started watching this series, my biggest fear indeed was these Studio Pierrot executives.

Around ten years ago, studio Pierrot made some amazing series with awesome animation (Key the Metal Idol, Kaze no Yuojinbo, GTO, Juuni Kokuki, Fancy Lala, Area 88, et cetera). But after they discovered Naruto, and later Bleach, something seems to have changed with them. I’m really glad that they intend to change the tide this season. Yumeiro Patissiere was a tad to cliched for my tastes, but you could see that it wanted to put a lot of effort into its scenario. And Letter Bee is the same: the writers could have just as easily come up with a number of bargain-bin episodes to fill up time and keep the fans waiting for the main storyline, but the fillers at this point have created something worthwhile on their own.
Rating: ** (Excellent)

Seikai no Monshou – 03

by psgels, posted in Seikai no Monshou



Oh, I love this. I love it when a series can take nearly an entire episode and fill it with nothing but dialogue, especially the meaningful kind. I now understand why people were praising this series for its romance, and this episode really showed what a well written dialogue can do to your characters. I sometimes hear people say that one of the most important rule of storytelling is to “show, not tell”, but I disagree with that: the combination between what you show and what you tell should be important.

Despite being a relatively uneventful episode, the chemistry between Jinto and Lafiel already rocked after only three episodes. It’s also not line one of them is so much smarter or talkative to the other: they basically strengthen each other: whenever Lafiel asks a difficult question, you can see Jinto think hard about it, come with an answer and reply with a question that’s just as hard or confronting.

I think what I liked best was that part in which Jinto discovered that Lafiel used a fake name, and tried to apologize like hell about making her uncomfortable and actually calling her by her real title. He of all people should know how annoying it must be to have everyone regard him as nobility. At this point, I’d now love to see Lafiel together with some of the other crew members. We know how she thinks that they treat her, but I’d love to see their side of the story as well.
Rating: ** (Excellent)

Armed Librarians – The Book of Bantorra – 17

by psgels, posted in Armed Librarians - The Book of Bantorra



Haha, look who’s back! It’s taken 12 episodes, but finally our little Volken has returned. And he surely brought a whole lot of intrigue to the story.

it’s series like this who are sneaky: they put a lot of hidden meanings into their first episode, stuffing tons of plot twists in it that only make sense a complete season afterwards. I love series like that that play around with their continuity. In this episode, we learn that Hamy does have one fear: Vend Ruga.

The thing is, however: this episode showed the message that Volken ran into again: “Vend Ruga is Alive. He is living inside Olivia Litlet”. Based on that message, Hamyuts destroyed that ship, and made Volken hellbent on stopping her. Olivia Litlet however turns out to be the same person that Winkeny chose to have her memories erased and play the part as Mokkania’s mother. So it wasn’t just coincidence, but rather the church’s way of playing with Hamy. And it’s true: Hamy did not know who Olivia Litlet was, so basically she let Vend Ruga escape many different times.

and again, it just shows how complex the plans of the Church are: they knew Hamy’s weaknesses very well: first it was thunderstorms, now it also turns out that they knew about the person she hated. They then took Volken, who was a man of justice, and got him to rebel against her. In the meantime, they hid Vend Ruga, for whatever reason, inside a body who was then taken over by yet another body (talk about busy) to provide the perfect cover for her. On top of that, Yucklyuck is an artifact which can harness the powers of multiple people. My guess is that the Church is ultimately trying to harness Vend Ruga’s super awesome mega powers, whatever they may be, in order to get in Hamy’s way, whatever that also may be. I believe that that tree plays a major part in it.

Now, what was up with this episode? Did Volken act in the way that the Church hoped he would? I mean, at this point we can be sure that Hamy knows about Olivia Litlet: she’s got her sensory threads for that and I’m pretty sure that she was spying on him. At this point, I have no idea: on one hand we have Hamy the masochist, on the other we have Hamy who for the first time actually does something out of desperation. I know that she likes Volken, but at the same time it’s also a huge mystery of what that Vend Ruga means to her.

Oh, and this episode also showed a new OP and ED. I approve of shows swapping their OPs and EDs, even to worse ones: it signifies change and evolution. Both OP and ED are a bit of a step down, though.
Rating: ** (Excellent)

Durarara – 03

by psgels, posted in Durarara



Aside from the usual, like series with excellent characters or storytelling, I’m also a very big fan of series that can make their setting come alive. This isn’t just constantly animating the people in the background, but it also lies in the way that the story is told, and making clear that the world doesn’t just revolve around a bunch of main characters. Series that manage to do this are quite rare, but I often find myself enjoying them a lot. I actually think that it’s the area at which anime in general has improved the most at throughout the past five years, alongside CG integration of course.

And Durarara has been really good at that throughout the past three episodes. I love that while Mikado is the “lead character” of this series, every episode is told through the perspective of a different character, in a different style. In this episode, Simon, the Russian guy, suddenly started acting as the narrator. Also, I can be wrong in this, but was his voice also one of the people behind the chatting guys? That chat-room by the way is also a very nice idea: it really supports how this series shows many different sides of the bustling city life of Ikebukuro.

In any case, there are still many question-marks about the magic powers in this series. In Baccano, it was easy: some people were immortal, others weren’t. It’s a bit more complicated here, however, since there seem to be multiple kinds of powers: the headless biker (or Celty Sturloson) is one of those examples, the ability to… cut things from a distance (not sure exactly how he does it) from Izaya is completely different, and the super strength from Simon and Shizuo are different as well. Celty is also very much a mystery: in the last episode she worked for Izaya, but now we see her… “talk” to Shizuo, even though he hates Izaya to the point of wanting to kill him. My guess would be that they were once old friends until that friendship between Shizuo and Izaya just exploded (and frankly, with the personalities of those two I wouldn’t be surprised).
Rating: ** (Excellent)

Ookami Kakushi – 03

by psgels, posted in Ookami Kakushi



Well, so the animation was another step down, but the plot is progressing pretty nicely, and at the same time the characters also take their time to get fleshed out. While this episode started out as a bit of a pointless one, the second half was… disturbing to say the least. Though now that most of the characters except for one are introduced, we can start to develop this story a bit.

The set-up bears quite a few resemblances to Higurashi, actually. There’s something going on in the village that effects probably all of the original residents. There’s probably some sort of beast of wolf instinct that’s taking control over them, and the oranges are the only cure for it, it seems. My guess is that they’re either Jouga wolves in disguise, or it’s similar to the Hinamizawa disease of Higurashi.

And yeah, the near-rape scene. I definitely didn’t see that coming, especially this early. Could the reason be the same as why Hiro’s classmates are so attracted to him? Small villages usually are tight-knit communities who don’t like outsiders, but this obsessive fixation over Hiro may seem like they’re looking to either make him one of them, or waiting for the right time to do something horrible to them. I actually think that these fishermen we saw in this episode weren’t part of this plot, but they did know about it.
Rating: * (Good)

Kobato – 14

by psgels, posted in Kobato



So this episode showed that Kobato isn’t planning to abandon its episodic stories in its second half. While you have a share of episodic series that start with a plot at this point, it seems that Kobato is going to continue with its current formula. Thankfully though, the episodic stories have gotten a lot better from what they were at the beginning of the story.

Again, it’s just questionable that Kobato and Fujimoto just “happen” to run into people with problems over and over, but the boy in this episode had a pretty charming story to tell. It didn’t try to be overly dramatic, and instead kept with a simple story of a boy running away from home because he can’t adjust to his new house. It was well built up and the characterization for the boy was pretty good.

I also believe that this is the episode in which Fujimoto turns in one of the genuine good guys, and crawls out of his shell. At this point, he’s got nothing to hide from Kobato anymore, so he’s probably going to lighten up over the next few episodes. At this point, it’s enjoyable enough to see Kobato and Fujimoto doing stuff together, no matter how trivial it may seem (like in this episode, delivering sweet potatoes). That’s actually a pretty good sign.
Rating: * (Good)