Chainsaw Man – A Pre-Airing Primer

We are mere weeks away from the airing of Chainsaw Man and I thought I would take this time aside to have a little chat. I solemnly swear this post will have no spoilers and is just a means of helping newcomers get why this show is a big deal, what you could expect and how you shouldn’t walk into this expecting it to blow you away. I mean the series already has haters which even the most beloved of series have but I do understand how this series may not be for everyone and if you read the season preview you can likely tell who I have had fairly heated arguments with about it. So I have tried looking at opinions from those who were not quite as keen on the series to perhaps put forward reasons as to why this may not click with you. I have structured this post in a way where I will detail one positive and then one negative and by the end you can make your own judgments.

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Fall 2022 Season Preview

Wooper: Rare is the anime season that gets me interested in upwards of ten shows, but Fall 2022 seems to have managed it, even while packing itself full of shounen series. These aren’t your average battle manga adaptations, though – we’ve got the return of a former “Big 3” WSJ property, the third season of a fabulously-animated Bones show, and the TV premiere of what’s probably the hottest manga in the world at present. These shows are so big that I don’t even need to list their names (though you can find our thoughts on them down below), but there’s plenty more anime to enjoy starting this October, including continuations of megahits like Spy x Family, blog favorites like Golden Kamuy, and oddballs like Pop Team Epic. Fans of pop cultural institutions like Gundam and Urusei Yatsura can look forward to new series as well, for the first time in 6 and 40 years, respectively. I’m just scratching the surface here, but I can’t list every noteworthy new show in the intro when we’ve got the whole season preview to go! Let us know which of this fall’s many offerings you’re most excited for by voting in the poll below, and read on to see how we’re feeling about the last quarter of 2022.

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What will you be watching this fall?

Middling Expectations

Urusei Yatsura (2022)

Studio: David Production
Director: Takahiro Kamei, Yasuhiro Kimura, Hideya Takahashi
Series composition: Yuuko Kakihara
Source: Manga

The Premise: A flirtatious high schooler tries to score with every woman he sees, except for the alien princess who lives with him.

Wooper: Urusei Yatsura is a massive deal in Japan, being the first and most enduring series by legendary mangaka Rumiko Takahashi, with an anime adaptation by national treasure Mamoru Oshii. It’s also the progenitor of a zillion romcom tropes, not least of which is the Magical Girlfriend, embodied here by the tiger bikini-clad Lum. Though most western anime viewers will probably recognize her iconic design, this 46 episode reboot will be their proper introduction to Lum and the rest of series’ expansive cast. Should we count ourselves fortunate that Urusei Yatsura is being remade at all, let alone by this particular team? That remains to be seen, but personally, I’m not feeling terribly optimistic – this is the arm of David Pro that worked on 2.43 Seiin Volley-bu, one of our least favorite anime of last year, plus the pose-heavy JoJo Part 5, the rigidity of which is completely opposed to Urusei Yatsura’s ideal look and feel. The 1980s show is characterized by total freedom of movement, with male lead Ataru’s contortions and Lum’s flight patterns being unbound by the demands of a typical anime production. That sort of flexibility is critical to selling the series’ crazy developments: spaceships crash landing on Earth every third episode, hot babes of various mythological races appearing in Ataru’s neighborhood, alien technology interfering with the characters’ lives on a weekly basis. Some viewers will find these ideas dated no matter how they’re presented, but there are surely just as many who will accept them if they’re given a proper visual foundation. We’ll have to wait until October 13th for our first look at how sturdy that foundation will be.

My Hero Academia Season 6

Studio: Bones
Director: Masahiro Mukai with Kenji Nagasaki as Chief Director
Series composition: Yousuke Kuroda
Source: Manga

The Premise: Season 6 of My Hero Academia. You know the premise by now. Superheroes and villains meet for a climactic penultimate battle.

Lenlo: Let’s be honest here, you know what MHA is, so let’s cut straight to brass tacks. Content wise, this season is just one big battle arc. On the plus side, cool battles! On the down side, I no longer have confidence in bones and Kenji Nagasaki to give those battles the attention and production they deserve. Oh sure, we will get the occasional Nakamura cut or something, and those will be great. But outside of those I’m just going to find myself looking back at Horikoshi’s art and wishing it could have gotten better. Combine that with a general decline of the narrative content as he starts to lean more and more into basic shounen trappings, no idea why maybe weekly serialization is getting to him, and I just don’t have much energy to be excited for this season. I’ll watch it for sure. But I don’t yet know if I’ll enjoy it.

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Yofukashi no Uta – 12 [My Mom’s Out Tonight]

Welcome all, to the penultimate week of Yofukashi no Uta! Remember how I said last week was an important week because Yofukashi had split itself in two directions? Well this week is Yofukashi’s answer, and it’s a damn good one if you ask me. So let’s jump right into it!

Like I said, my immediate reaction is that this was a really good episode for Yofukashi. Up until now, I was concerned about what kind of finale Yofukashi would have. Would it lean more into the relationship and be a romance, or pivot to a more serious vampire narrative? Both are solid choices, but sticking in the middle would accomplish neither. It had to pick a side, and this week Yofukashi did just that: It picked vampires. Not only that though, it worked hard to fully transition us from a goofy romance into that choice. Now sure, it did so in a roundabout fashion. The way it initiated this transition with the sudden introduction of Anko was rather awkward. But this week took everything she introduced and then focused on it as much as it could. No goofy romance, no jokes to break up the tension. Just dedicated thematic exploration.

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His and Her Circumstances – 9/10 [Atonement for Postponed Debts/Everything Starts Now] – Throwback Thursday

Welcome back everyone, to another week of His and Her Circumstances! This week covers some of the fallout from the teacher incident, as well as takes a look how the rest of the school is reacting to their relationship. A lot happens, so lets dive right into it!

First I want to give credit where its due, Circumstances looked good this week. Not just in it’s usual way of expressive but still models, though that was also true. I more mean that it moved really well this week. The 2nd half of episode 10 especially, with Miyazawa running around the school, looked fantastic. Circumstances has spent it’s entire runtime establishing this highly expressive and loose visual style, the way it says “fuck models” and just does what it wants. So when it starts doing that in even wilder ways, with Miyazawa turning into an Oni, her face going purple and growing fangs or the myriad of other ways she changes, it doesn’t feel out of place at all. Instead it just comes off like a special treat. A part of me wishes the rest of the show looked like this to, but I’ll take what I can get.

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RWBY: Ice Queendom Anime Review 43/100

The year is 2013. You’ve just finished Highschool and you’re attending your favorite local convention, RTX, in line for the world premier of their new show. For the past 6 months you’ve binged their trailers. You’re hyped. You recently got into this “anime” thing, and you trust Monty Oum implicitly. How can you not? His passion is infectious. The doors open, you take your seat, the lights go down and the screen plays… RWBY. Fast forward almost a decade later. RWBY is on it’s 9th season and Monty Oum has tragically passed away. For one reason or another you’re just not in love with the series anymore, watching each season in a vain hope for the magic of years gone by. And then you see it. Studio Shaft, Directed by Toshimasa Suzuki, planned by Gen Urobuchi with designs by Steins;Gate’s HukeRWBY: Ice Queendom. Hope. It doesn’t last long.

P.S. I decided to just skip a post for the final episode since it’s really just going over everything we already know and reintroducing us t the canon timeline of the show. The food fight was kinda nice, wish that effort had been put elsewhere though. On with the review!

Be warned, this review contains minor unmarked spoilers for RWBY: Ice Queendom as well as Rooster Teeth’s original RWBY. Continue reading “RWBY: Ice Queendom Anime Review 43/100”

Yofukashi no Uta – 11 [Do You Know What a Vampire Is?]

Welcome everyone, to what might be one of the most important weeks of Yofukashi yet. Why is it important? Because this week places us at a crossroads. Yofukashi can go down either one and be decent. Or it can attempt both, and achieve neither. So without further ado, let’s dive into it.

So, why do I say that Yofukashi as at a crossroads right now? Why is this episode so important? Well if you’ll remember back, waaaay at the beginning, I said probably something along the lines of: “Yofukashi will have to choose whether it wants to be about relationships or vampires”. And for the past few weeks, it’s chosen relationships pretty consistently. It’s brought vampires into them sure, we have a whole cadre of vampire waifus. But they all existed to examine relationships in one way or another, some more successfully than others. Well that changes this week. Because this week introduces the first thing that could be called an “Antagonist” to a series that’s otherwise not really had one. That antagonist would be the Vampire Hunter, Anko Uguisu. Or at least as close to a vampire hunter as Yofukashi is willing to take it so far.

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His and Her Circumstances – 7/8 [Their Estrangement/Her Day/In a Grove of Blossoming Cherry Trees] – Throwback Thursday

Welcome everyone, to another week of His and Her Circumstances! I really need to stop putting off writing these until the night before, I’m gonna be late some day. Is that day today? I’ll find out when I post this. At least I spent it watching Cyberpunk: Edgerunners, that was a good time. Now onto the episodes!

Before we get into the episodes proper I want to take a moment to talk a bit about Circumstances production. You see, it occurred to me that some might find my handling of Circumstances unfair. That I constantly critique it’s more limited animation, yet always follow up by saying it’s fine. There’s a reason for that, and it’s rather simple: There is a difference between being “poorly” animated and “sparsely” animated. In the first, such as say… this seasons RWBY, the show moves but it does so poorly. Meanwhile in the second, Circumstances may not move much but it does a lot with the limited movement it has. Things happen on screen, characters express themselves, the editing and transition between stills do just as much to communicate with the audience as the pictures themselves. It’s using it’s limitations intelligently, rather than running headfirst into them. And that’s worthy of praise.

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RWBY Ice Queendom – 11 [Light in Shadows]

Welcome everyone, to the penultimate episode of RWBY: Ice Queendom. This episode is the climax, the big finale, wrapping up the story and leaving us an epilogue for who knows what. Was it any good? Did I get the emotional high I wanted? Did Nagata make a return? To at least one of those, the answer is yes. Let’s dive in.

Starting off, the easy one: Nagata does indeed return. And it looks fantastic. It’s obvious that even he is struggling with the production, you need only look at his scenes to see they aren’t what they could be. But what we did get is still so far above the rest of the show, it’s enough to make you weep for what could have been. It’s like Shaft contracted him for one good scene per girl almost. With this week being Yang’s time to shine. And shine she did, as we got to see her semblance in all its glory. Watching her smash the giant robot was something I’ve been waiting for Queendom to do ever since they introduced it. You probably remember me complaining about the robot fights prior to this. Well we finally got it. And as for the rest of the show? As a RWBY fan, it works.

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Yofukashi no Uta – 10 [Enlarge the Peeping-Tom Photos]

Welcome everyone to another (incredibly late) episode of Yofukashi no Uta! Apologies for the delay on this one, very busy Friday for me. Enough with that though, you’ve been waiting long enough for this episode so lets just jump right into it!

Starting off, lets talk about what Yofukashi is trying to be about this week. Like last episode, this one is trying to explore and humanize another of our new vampire side-ladies, Midori Kohakobe. And in doing so, it hopes to explore another facet human relationships and why we desire them so. This weeks topic? Attention. The desire to be desired, to be wanted, to have people look at you. This is a good topic, I think it’s something everyone feels at some point or another. That innate desire for recognition, to be seen. Whether it be for vanity or simple self expression, it exists in a lot of forms. On paper this sounds great. It’s right up Yofukashi’s alley and very similar to Seri’s episode. But in practice this week fell short for one very simple reason: Midori isn’t the main character of the episode.

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