Mob Psycho 100 III – 3 [Getting Carried Away ~100%~]

Hello everyone and welcome back to Mob Psycho 100, the best show of the season! It’s a rather tame episode this week, but even tame a Mob Psycho episode is still one of the most solid things to air. Don’t believe me? Well lets jump in and see if I can’t convince you by the end of this post.

First up, what do I mean by “tame”? Simply that there weren’t any “big” moments. No grand sakuga showcase, no fight, nothing that we can point to and say “That looked incredible”. Instead what we got was simple, solid consistency. Everything from small scenes of character acting to expressive body language and engaging visual metaphors. The kind of things that fall by the wayside in a lot of series, because who is going to notice, right? But Mob Psycho is known both for its incredible highs and it’s consistently solid “lows”. So now that we’ve seen that solid “low”, when can we expect the high? And remember, I say low but that’s still wildly above average for TV anime. Back to the high, from what I’ve read we know that Hakuyu Go, from Season 2 Episode 5 fame, is working primarily on episode 8. So expect that to be huge.

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His and Her Circumstances – 18/19 [Progress/14 Days, Part 1] – Throwback Thursday

Welcome everyone, to what is a very important week for His and Her Circumstances. Why is it important you might ask? Because this week marks the departure of Hideaki Anno from the production, and the production then imploding upon itself. What does that mean? What does that look like? Let’s dive in and talk about that.

So, the production. Does it really look that bad? The answer: Yes. Yes it does. In fact it looks so bad that I almost didn’t believe it. I thought that this must just be for the opening recap, right? That’s why it’s literally sketches on paper taped to sticks being held in front of a camera, or live footage of the streets outside the production studio? But no, this was the entire episode. So the question becomes: What happened? Well the best I can figure, based on a small amount of research, is that this is the point where Anno simply left the production. Between recent (for the time) laws regarding anime production, pressure from the studio about removing sex scenes (Will get to that) and arguments with the original author, things were starting to fall apart. But the sad thing about it, to me? It wasn’t completely bad.

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Chainsaw Man – 2 [Arrival in Tokyo]

Enter week two of Chainsaw Tuesdays and we have a quieter episode this week with the primary focus being the introduction of our main cast. We are near the end of volume 1 of the manga though that did resort in the cutting of a scene. But before getting to that I would give an overall impression of this episode being good. We got some laughs and it set up things for the next. It did the job it was meant to do though that may not wow people still looking for Chainsaw Man to deliver the answer to the hype it’s gotten. I think crunchyroll’s translation continues to muck up a bit thus making jokes land not as well or muddy certain lines with greater implications. CGI haters can relax as we have a fully 2D episode…I think. I will go into that but my confidence in telling the difference has been put down a notch. Also for those interested Crunchyroll has announced that the English Dub of Chainsaw Man will be debuting next week on the 25th. Which kinda shoots my plans of covering it weekly with the two episode delay but I am curious as to whether this could lead to grabbing a more mainstream audience. Chainsaw Man so far has landed pretty well but I think it has an appeal that could extend even to non anime watchers, with the only detriment at the moment being its subtitle only release.

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Fall 2022 Coverage & First Episode Awards

Amun: It’s that time again, where we give the all-important first episode awards.  I don’t have a pretty graphic this season, but I do have a few trophies – one franchise managed to capture it’s own award (Berserk), while another provided a first episode the polar opposite of its namesake award (Bleach).  With one of the highest hyped seasons in a while, I hope even some of these shows live up to expectations as we come to the end of 2022.

Once again, Lenlo is going to be covering the bulk of the shows here, but Aidan has returned for the adaptation of Chainsaw Man.  I will be enjoying this season as a viewer, and I hope to see all of you in the chat box and the comments!  Join me past the break to see our awards!

Fall 2022 Lineup

Lenlo
– Mob Psycho 100 S3
– SpyXFamily P2
– Isekai Ojisan
– His and Her Circumstances

Aidan
– Chainsaw Man

Amun
– [Watching and enjoying Bleach]

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Spy X Family P2 – 3 [A New Family Member]

Welcome everyone, to another week of SpyXFamily! This week is the true conclusion and epilogue to the 3-part opening terrorist arc, and you know what? They did a pretty damn good job wrapping everything up. From the scary terrorists to Anya wanting a dog, there’s even a neat little bow on top. So without further ado, lets dive in and talk about it!

Starting off, this episode was a bit weaker on the production side than the previous one. Part of that has to do with how little action there was, which to be clear is totally fine. This wasn’t an episode that needed action, instead leaning heavily on it’s character interaction and, day I say it, narrative to carry it through. However the action that was there, such as Yor kicking a car as well as Loid’s shootout with the dog, just didn’t live up to last episodes hype. Ultimately this isn’t a huge deal, SpyXFamily nailed all of the important bits. But it would be remiss of me to not mention dip in what is most likely going to be one of the best overall produced shows of the season. Enough with the nitpicking production details however, how was the rest of the episode?

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His and Her Circumstances – 16/17 [Eternal Interspersions/His Return] – Throwback Thursday

Welcome everyone, to another week of His and Her Circumstances! This post was written on a deadline, and I don’t expect that to change with Mob Psycho airing on Wednesdays now. I will not apologize for my priorities damnit. My inevitable fall into being more and more late for the next few weeks aside though, this was a pretty interesting week for Circumstances so lets dive right into it.

Visually, Circumstances had some ups and downs this week. Animation wise there was really only one scene that stood out, it once again being Tsubasa. But god damn did that scene look good. Not only because it was well animated, but because of the details and expressions within it. The narrowing of the eyes, her face shattering apart, how Tsubasa’s mouth ripped open. It’s just beautiful. So if it looks so good, where are the downs? Well that’s just it. The rest of the episodes didn’t move at all. They are more like slideshows than animation. Yes, the creativity within those slide shows is great. Circumstances has some of the best visual metaphors and facial expressions I’ve seen in a long time, just look at Tsubaki’s rotating flip-board reaction faces for a perfectly example of minimalist animation. Even with that however, it’s becoming noticeable just how little Circumstances moves.

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Fall 2022 Impressions: Urusei Yatsura, Mairimashita! Iruma-kun S3, Cool Doji Danshi

Urusei Yatsura (2022)

Short Synopsis: A hopeless pervert finds himself with a jealous alien roommate after catching her in a fate-altering game of tag.

Wooper: I don’t know how much further removed this reboot could have been from the 1980s anime. Perhaps that’s for the best, since its loud colors and hyperactive tone may appeal to a new generation of fans, but personally, I watched this premiere with at least one eyebrow raised at all times. It was so committed to its vivid aesthetic that even its speedlines were rainbow colored, and some shots defied my understanding entirely. I mean, what the hell am I looking at here? To be clear, the presentation only dips into that sort of ultra-neon territory for isolated shots, but they demonstrate that the show has very loose boundaries when it comes to color design. The reboot animates with more proficiency than I expected (which is great!), though the way it zips from one scene to the next makes it feel like the director had Keanu Reeves’ mindset in the movie Speed: go too slow and your anime explodes. This stretches already-thin relationships like Ataru and Shinobu’s hot-cold attraction to a breaking point, removing the sympathetic aspect of her character so that she comes across as merely shrill. I’ve got more gripes that I could list, but it’s better that I end on a note of praise – Hiroshi Kamiya supplied a perfect performance as the lecherous, ill-omened Ataru. I’m sure it wasn’t a hard pick, since he’s played similar characters in the past, but hats off to the casting director nevertheless for making the right call.
Potential: Not for me

Mario: I was looking forward to this reboot as Urusei Yatsura was one of the more popular shows back in the 80s, and it’s pretty amusing to see how they’ve adapted it for modern audiences. The result is a mixed bag. I enjoy the visuals well enough; the character designs pop out, and I don’t mind that it goes bananas with the color palette. It certainly has the retro aesthetic that I seek. Unfortunately, it’s the story that feels dated and aimless. Is this love-triangle bickering going to be prominent for the rest of its run? It feels loud and one note after just one episode. The worst thing, however, is how broadly-drawn the main characters are – they don’t feel one bit believable or likeable. We don’t know them as individuals so we feel nothing for their relationships. This is the kind of show where you can only take it at face value and not think hard about the plot or characters afterward. As much as I enjoy the production, looks alone can only get you so far.
Potential: 30%

Mairimashita! Iruma-kun S3

Short Synopsis: After an exciting summer break, the Misfit Class gets an ultimatum to stay in their comfy classroom – with new lessons from eccentric tutors.

Amun: I previewed Marimashita before the season started, so I have a general idea of where this season is going (at least at first). Getting back to Babyls, Marimashita wastes no time diving into the new challenges: tutors and required ranks. How does it look? I personally really enjoyed what I read of this season’s material, and this episode didn’t do anything to dissuade me. If anything, I think they’re handling the pacing really well, since I could have seen them rushing through the groundwork. If I have any complaints, it’s going to be the lack of Ameri-san this season: why couldn’t she build on the incredible groundwork of last season’s date? One step forward, two steps back, I suppose. All in all, no surprises here – but for what started as an average comedy going into its third season, that’s an accomplishment in and of itself. I’m in it all the way.
Potential: 100%

Cool Doji Danshi

Short Synopsis: A handsome college student makes one faux pas after another, but at least he looks good doing it.

Wooper: This show is unsubbed at the time of this writing, so I went in raw for my final first impression of 2022 – except I cheated by following along with the manga scanlations on my second monitor, so I was able to follow the episode just fine. Cool Doji Danshi is a relaxing half-length CGDKT (cute guys doing klutzy things) with appealingly simple character designs and frequent cutaways to patterned backgrounds. It’s sparsely animated, but I did enjoy the realism on display during Hayate’s slow morning routine, which made clear use of reference footage. Hayate is the sort of guy who would forget his head if it weren’t attached to his neck, which poses difficulties everywhere from work to drinking parties to convenience store trips. People note his absentmindedness wherever he goes, but they don’t say anything about it (save for his best friend and his nagging boss) because he’s got such a cool aura about him. It’s refreshing to watch an ikemen series that isn’t about an idol group – girls still swoon upon meeting Hayate, but that’s because of his clumsiness as much as it is his good looks, and he gets a nice monologue towards the end about accepting the parts of himself that he doesn’t like along with the parts that he does. I enjoyed my time with this episode, and if I understood Japanese I’d probably watch more, but for now I’ll have to hope that some generous soul will start subbing it in the coming weeks.
Potential: 潜在的な

Mob Psycho 100 III – 2 [Yokai Hunter Amakusa Haruaki Appears! ~The Threat of a Hundred Demons!!~]

Hello everyone, and welcome to the premier show of the season, Mob Psycho 100 III! Some people might take issue with that considering some of the other big hitters airing, but this is my post not theirs so they can suck it. Enough with the rivalry though, lets dive into the episode proper!

Right off the bat, Mob Psycho continues to be one of the best looking shows of the season. The colors are bright and saturated, characters expressive, the movement dynamic. There’s no CG backdrops or janky crowds, just hand drawn goodness. Sure, it’s not polished and perfect. The lines aren’t neat and clean. But there’s a distinctly human element to it that I love. To paraphrase kVin, who often expresses the same feelings I have but with better words, it’s appealing in a way few things are and really fits what Mob Pyscho is going for. Combine that with the extensive use of eyecatches and this is some of the most visually engaging stuff I’ve watched this season. You could argue about Do It Yourself‘s expressive and polished visuals, or for Time Machine Blue‘s timeless minimalism. But for me? Mob Psycho is where it’s at.

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Fall 2022 Impressions: Bleach – Thousand Year Blood War, Chainsaw Man, Another Farming Isekai

Bleach: Thousand-Year Blood War

Short Synopsis: A pair of rookie spirit fighters get bailed out by the local neighborhood watch.

Amun: It has been 3,850 days since the last seasonal episode of Bleach aired. While there have been various movies, these have really been self-contained stories that typically had no bearing on the overall storyline (we’re also not counting that weird BURN THE WITCH series that happened a few years back). Bleach’s reboot is one of the more surprising stories in the past year or so – one of the original shounen pillars back from the dead? Is this the case of a beaten dead cash cow or will it be a retelling, like Hunter x Hunter’s remake a decade after the original? Well apparently neither – looks like new ground is being broken. The verdict? ahem This is THE. SINGLE. BEST. REBOOT. EPISODE. that I have ever seen. Bar none. This episode hits all the right nostalgia notes (if you didn’t get goosebumps hearing “Center of attraction” then I’m a little worried about your anime childhood) while managing a very difficult feat: making hybrid-real backgrounds and CGI monsters look incredible. I don’t think I’ve seen another anime manage a hybrid approach this well (maybe Titan I guess?) The main characters still get plenty of old fashioned drawing love…and we haven’t even seen half the Soul Society cast yet!!! The designs, from the characters to the text don’t look dated in the slightest – this is Bleach brought into the 2020s. I don’t know how good this season’s storyline is, and I don’t care – if even a fraction of this level of effort is exerted on future episodes, then they can be fighting exiled Hollow dandelions, doesn’t matter. My hopefulness is off the charts. I did not know I wanted this, I did not know I needed this, but my goodness am I excited that it’s here.
Potential: If you have ever enjoyed any shounen anime, you should watch this. This is not potential, this is really happening. We are blessed to be alive.

Lenlo: It felt… surprisingly good to be back in the world of Bleach. The design, the sounds, the characters. I enjoyed seeing them again. Make no mistake, this show is going to live and die based on nostalgia. But so far, that nostalgia is hitting hard. Combine that with Kubo’s great designs and some more modern animation and I’m back in the 2000’s watching saturday morning cartoons and having fun. I don’t expect it to do much narratively, this was one of my least favorite arcs on that front. But it seems like the pacing has been drastically improved from what Bleach used to be like, what with the series being done and not needing much filler (We hope). I also have high hopes for the health of the production after hearing the announcement that it’s going to be 4 split cours, thus 13 episodes every 6 months. So maybe, just maybe, Bleach will be able to have a consistent production across its entire run. That would go a long way towards making it worth watching. And yes, the CGI Hallow stands out, but as monsters they suffer from it less than say… CGI humans do. Anyways yeah, it’s Bleach with a modern coat of paint. It looks good, seems healthy, if you like standard Shounen then you are going to have some fun here. Personally, I’m going to be reliving some of my childhood.
Potential: 50%

Chainsaw Man

Short Synopsis: Yo there’s a cute chainsaw doggie, and he’s a good boi.

Amun: So I come into Chainsaw Man a bit naive – I’ve heard the hype (and read Aidan’s very informative pre-season primer). I also don’t have any predispositions for or against it – I’m really a blank slate. Coming in, the closest comp I could think of was Dorohedoro, which I felt started well and then went off the rails a bit (chainsaws and crocodiles are similar, yeah?) Watching this episode…there was more emphasis on the story and less on the gore than I expected. Never thought I’d see an anime that made me a) feel emotionally attached to a chainsaw dog and b) think a chainsaw was cute, but here we are. Now the problem I have is simple: the visuals. This episode was WILDLY uneven in production quality. Zombies are an area that’s pretty forgiving for mass CGI – and even then I really didn’t think the fight scenes looked that clean. There were some parts that looked hand drawn, and those looked great – but they weren’t consistent by any means. I get a bit of flashback to last season’s Lucifer and the Biscuit Hammer: I can see there’s a quality story underneath, but it’s being held back by production. This is MAPPA, so I would have expected at least the first half to come out looking sharp, but I’m worried we’re out of gas already (puns intended). I’ll keep going for a few more, but I need some better visuals for this show to live up to its potential.
Potential: 70%

Lenlo: I’m just going to come out and say it, Chainsaw Man was strictly fine. I didn’t love it. And despite what Aidan may think, I didn’t hate it. It just sort of exists for me. For every beautiful wide shot or well animated bit of action, there was a matching shot of janky CGI, dark washed out colors or poor aliasing. Combine that with taking itself way too seriously for what it’s actually about, and you end up with something neither excites or puts me off. My hope is that as the series goes on it will start to add a bit more color, embrace the levity inherent in the series more. At the very least I want them to make it look better. I suppose the long and short of what I’m saying is this: Narratively I’ve never cared for Chainsaw Man, and that hasn’t changed after seeing it animated, I simply don’t think it’s written well. But my hope was that MAPPA would at least be able to make it a production juggernaut for the season, and even that seems to have been betrayed. All that’s left after both of those is a perfectly fine, serviceable, irreverent show that I’m sure you’ll be able to get some enjoyment out of if that’s your thing. And if you want to hear “unbiased” praise? Then keep an eye out for Aidan’s posts, he’s going to be covering it. As for me? I’m surprised he even let me write this.
Potential: 50%

Noumin Kanren no Skill bakka Agetetara Nazeka Tsuyoku Natta.

Short Synopsis: An overpowered farmer cannot help but gets involved in saving the kingdom, despite his best efforts to stay hidden.

Mario: Ah here we go, isekai-kun. This show is not bad per se, rather it suffers from being toothless, harmless and unmemorable. It’s about a boy who maxes out his stats (the episode literally has the stat tabs. Why?) because he’s into farming so much, so when we meet him, the guy already achieved godlike power. The plot goes exactly like you would expect: he easily defeats bad guys to the awe of others, and he runs away from recognition…just because. I’d say that the manner in which he kills the flying dragon – with a boomerang carrot – is so absurd that I wonder why the show isn’t aiming for a comedic/satirical edge. At least then we could have some fun watching it! The show is mindless enough that I reckon it might be one of the popular shows of the season, but for me I’d rather watch Pop Team Epic – at least it tries something completely different.
Potential: 10%

Amun: Alright, this one’s a bit of a meme. We have a farmer who maxed all his mundane stats, so he gets the super rare boost of being OP from Mother Earth. Sure, I guess. But defeating a dragon with a CARROT?! Then eating said carrot. You can’t be serious. The other issue I have with this show is how bad the CG looks. I mean, that’s the opening scene – it doesn’t typically improve in quality from here. It’s kinda funny seeing him beat up his enemies with a hoe (that’s the literal farm utensil, not disparaging any of the waifus). The main bad guy is edgy and yells alot, but I strangely enjoy his character design (very Key). This show definitely has no nutritional value, but if you can enjoy something “so bad that it’s good”, then this is for you.
Potential: Meme%

Chainsaw Man – 1 [Dog and Chainsaw]

Landing finally after all this time with anticipation high and does Chainsaw Man land like a superhero or splat like the other guys. To give early judgment, I would consider it a success as it did what a first episode should do. Would that match the hype built up for it? No, but quite frankly nothing would. This episode was beautiful, Ushio did fantastic on the soundtrack and direction was excellent. I am aware that the voices Denji and Makima are different from what people imagined and personally I did feel a degree of dissonance which may need more time to fade. I expect more of that when I check out the english dub of the series. True be told I planned to include a section for it in this post but sadly Cruchyroll is late with that dub despite it being completed. Still I feel the Japanese actors did well for what little I can do to judge their performances. We got a good opening with my personal favorite touch being the movie references as Fujimoto is a well known movie nut. A nice blend of well known and fairly obscure as well as seeing as we got Pulp Fiction and Big Lebowski alongside Jacob’s Ladder, Constantine and Killer Tomatoes of all things. This thing is likely a litmus test for how well you know your movies. Full disclosure, I failed having only caught the Goodbye Eri and Big Lebowski reference but I know you looked them up too.
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