Yumekui Merry Review – 80/100

by psgels, posted in Anime Reviews, Yumekui Merry




If you’re looking for eye candy, then this is an excellent recommendation. Yumekui Merry is a piece of art, with some of the most artistic direction. Jut about every camera angle is interesting and dedicated to make its cast stand out. Every single background drawing is utterly gorgeous. With a rock-solid that brings a ton of life into the cast, this is a great show to watch, though it has its problems.

Shigeyasu Yamauchi‘s influence is all over this series. The camera-angles, the timing, the intonation, all is very carefully planned out really put some emotions behind them, and the animators and artists only back this up. If anything, this show is immersive and a terrific example of what can be done with the animation medium.

The bugs in this show are in the story. Most notably in how it’s way too short for 13 episodes and it failed to really understand what that means. In the first half we get a very interesting series that questions the nature of dreams, what would happen if they were taken hostage and the main characters are put on a wonderfully gray moral scale.

In the second half, though, the creators realized that the manga that this series is based on is in no way going to fit in 13 episodes and that there wasn’t going to come a sequel. They then try to wrap this show up with their own story arc that fails to wrap up anything, has a bad one-sided villain that doesn’t allow the story to go anywhere and specifically seeks out cliches, even when it has to resort to Deus ex Machina to get there. The delivery is still as good as ever, but the story that the second half of this series is trying to tell is just… unimpressive. It reduces a complex moral question back to cliches.

do bother to check out the first half if you have the time, though. It’s a wonderful little series with excellent characterization. It’s always nice to see Shigeyasu Yamauchi’s unique style of directing, but I do wish that he had been put on a story that… actually had the potential to show itself off. The big victim of this syndrome for the next season will be Deadman Wonderland. Seriously, don’t screw up yet again on a flaw that has struck so many series by now! It’s really getting annoying seeing so many shows end without ever getting to their potential.

Storytelling: 7/10 – Excellent timing and atmosphere, but loses points for the lazy way in which it tries to wrap itself up in its second half, especially with one heck of a deus ex machina ending that could have easily been avoided.
Characters: 8/10 – Excellent characterization, and really well animated. A few cliches here and there holding them back, though.
Production-Values: 9/10 – A visual feast. Period.
Setting: 8/10 – A very interesting premise, however the second half doesn’t use it as well as it should have been used.

Suggestions:
– Digimon Movie 3 – The Golden Digimentals
– Casshern Sins

Yumekui Merry – 13

by psgels, posted in Yumekui Merry



Agh, that was way too ambitious. With that, I don’t mean that this episode was rushed. This episode was well paced for the story that it tried to tell. On top of that, the direction was also as solid as ever, so there’s also nothing wrong with that.

Instead, this episode flopped because of basic storytelling. Mistletein has been built up as this unbeatable villain. Nothing could face her. At the start of this episode the creators had two very solid options to take her out: either fire that bullet once it charged up enough dreams, or kill the host. For some strange reason this episode found it a good idea to abandon both of these and end with a string of deus ex machina. That is nt how you use your build-up!

The bullet does get fired, but even that isn’t enough to kill Mistletein. And that’s the point where the writers realized that they wrote themselves into a corner and opt for the laziest solution: magically make Mistletein weaker so that she can actually get beaten. Suddenly from out of nowhere she actually takes punches, and to make matters worse: Yumeji also starts pulling random powers out of his ass. Oh, and Merry also conveniently gets the power to actually send demons back, in order to prevent destroying the dreams of his friend.

The weird thing is that this episode is contradicting itself horribly. Take Isana: this episode had a great moral at the end, about how the amount of dreams in the human heart was limitless. Having your dreams destroyed is bad, but you can recover from them. They could have done exactly the same with her and it would have made for a bittersweet yet very fitting ending. But no! She’s a cute girl and we can’t actually do things with her because otherwise the fanbase will whine!

All the while throughout this episode, the creators also refused to just kill off the host. That’s nice if you want to spread messages that killing is wrong. Only, at the end they just kill him anyway. I mean, he just disappears, completely unlike what happened to any other dream demon so far. What’s wrong with just showing him in the aftermath? It’s bizarre that this show wants so badly to be cliched that it actively introduces deus ex machina, just to get to these cliches, instead of getting an original conclusion by just letting things play out naturally. What the hell?

Overall, this series was a waste of potential. It was very good, and had an amazing first half, but Mistletein just was a bad villain. She’s just way too one-sided to make anything interesting happen. This show really suffers from being way too short. A very, very annoying trend that is the single biggest pitfall of anime in general.

I think that compared to other series that had to end early, the way that this series decided to solve it was below average. I can appreciate that the creators wanted to resolve the story, but they didn’t really resolve anything. It really would have been much better for this show to just continue with the manga and end somewhere in the middle. If that had happened, I would have been less annoyed than I am now.
Rating: – (Disappointing)

Some Quick First Impressions: A-Channel, Maria Holic Alive and Sofuteni

by psgels, posted in Some Quick First Impressions

A-Channel

Short Synopsis: Our lead character is in high school.
This was a surprise here. A-Channel is a step above the likes of Sofuteni, Nichijou, Oretsuba, Maria Holic and all those other shows where we just follow a bunch of high school girls. I mean, there is moe and all, but unlike the above mentioned series, the characters are more than just excuses to show cute girls. The lead character for example is an air-head, but she’s more than just that stereotype: she actually has quite a few male friends and has great social skills. The other lead meanwhile is your average deadpan snarker, but this episode made her actually quite charming by making her just a tad socially awkward, along with incredibly devoted to just one friend of her (and at the same time not having this overshadow her entire character). The animation also supports all this. I’d even argue that the animation here is better than in Nichijou, because it succeeds even more in bringing the cast to life and it’s much more efficiently used. In short: the characterization of A-Channel is actually good here.
OP: I’ve heard much worse this season.
ED: This is the kind of song that I feel will get really annoying after listening it for five times.
Potential: 60%

Maria Holic Alive

Short Synopsis: Our lead character lives together with a cross-dresser.
For most anime, a sequel means the chance to expand upon their universe, use their build-up to bring more depth to their storyline and character and push them to a new height. For Shaft however, it stands for pointlessly dragging out a show that fitted perfectly in 12 or 13 episode and being really boring in the process. Because of that, I am not going to bother with this series unless someone comes with a really good reason to do so. I’ve given these endless sequels too many chances to impress me, and every time they ended in disappointments. It also doesn’t help that Shinbo is working on three series at the same time this season. There’s no way taht that’s goign to work! This episode also was… obnoxious. It has the kind of lead character whose voice actress thinks that good acting is continuously yelling. A lot in this episode also had a same problem that Nichijou is currently having: there was a lot of randomness, but all of it just felt like randomness for the sake of having randomness. There’s nothing coherent about it at all and the creators were just seeing how many random things they could throw at the viewer. Nichijou still has a pretty decent cast to back up this flaw, but this episode of Maria Holid… none ofe its characters stood out. Especially the lead character was bad, but the rest of the cast also just failed to stand out. It also feels that a lot of characters were just there for the heck of it. In fact, everything about this episode just felt done for the heck of it.
OP: I hope that they didn’t really think that this kind of rambling would work as an OP…
Potential: 0%

Sofuteni

Short Synopsis: Our lead character plays tennis.
Yeah, this is Xebec and its moe again. This show seems to believe that if you can just show a bunch of random teenaged girls with here and there some fanservice do stuff together you have done enough to be interesting. It really doesn’t bother to be more than what it advertises: moe, fansevice and tennis. This entire episode was pretty much a random day at the tennis club. This could have worked in theory, but the characters are just too weak. They’re all one-sided cliches, fanservice material and completely unlikable. The deadpan snarker was forced, the big boobed pervert’s entire character is just based around one joke, but by far the worst was the main character. I mean, I know that some teenaged girls can’t be too bright and all, but that girl was just way too much of an airhead.
OP: The usual obnoxious J-pop
ED: What? No fanservice ED? That’s at least one plus.
Potential: 0%

Some Quick First Impressions: 30Sai ni Hoken Taiku, Sket Dance and Dororon Enma-kun Meera Meera

by psgels, posted in Some Quick First Impressions

30Sai ni Hoken Taiku

Short Synopsis: Our lead character has never had sex despite being 30.
So yeah, this pretty much was set out to be the worst show of the season. Not only did it have a terrible premise, it was also produced by the creators of Tono to Issho, an abysmal comedy. Thankfully though, at least this show has a point: it takes censorship to the absurd, showing that censorship has nowadays been so bad that even sexual education gets pointlessly censored. Apart from that though… this was \just painful to watch. This still is a show about a 30 year old virgin who gets visited by a sex god. The animation is terrible, and the few good jokes that it has are ruined by a poor delivery. This pretty much is an endless slew of corny sex jokes and the lead character getting embarrassed. Stay away from this one, if it wasn’t obvious enough already.
OP: Cheesy J-pop.
ED: Well, at least the song isn’t bad…
Potential: 0%

Sket Dance

Short Synopsis: Our lead character run a club that takes care of random jobs.
This was a decent opening, both with flaws and strengths. The major flaw is that it’s trying to be funny, yet fails at this consistently. During the build-up parts of this episode, I was mostly bored, as nothing really interesting was going on. On the other hand though, it did deliver the twist at the end quite well, and the animation in the fights is actually very good. This is the kind of show that has potential for later. The thing is, however, that this is a shounen jump adaptation. How many more episodes will it take for this show to actually make use of this potential? Will the series be over before that happens? Shounen Jump adaptations are notorious for dragging on, so I first want some confirmation that Sket Dance will not do that. Unlike for example Bakuman, neither its premise nor its characters are strong enough for that.
ED: Cheese
Potential: 65%

Dororon Enma-kun Meera Meera

Short Synopsis: Our lead character is a demon who kills other demons. And a total brat.
This… was weird. Overall it disappointed a bit, but Enma remains quite well animated, courtesy of Brains Base. This allows the creators to come up with all kinds of interesting monster and background designs. The soundtrack also is excellent and varied and overall this definitely was a fun episode to watch. The biggest problem here however was that the dialogue was trying too hard. It was too busy trying for random punchlines to get some laughs, and the actors were overreacting way too much. This is like that obnoxious brat who keeps yelling for some attention. To me, it seems like the creators did not spend enough time on thinking about how to make the dialogue work best. If this wants to work, it will have to find this balance between extremely fast pacing (yes this episode moved really fast), and the fun charms of the cast. Oh, and I’d like to thank this show for the most disgusting image I’ve seen in a long while. We really needed that.
OP: Surprisingly well animated.< Typical Go Nagai-esque OP./em>
ED: Not bad.
Potential: 50%

Some Quick First Impressions: Hyouge Mono, Gyakkyou Burai Kaiji: Hakairoku Hen and Sengoku Otome

by psgels, posted in Gambling Apocalypse Kaiji, Hyouge Mono, Some Quick First Impressions

Hyouge Mono

Short Synopsis: Our lead character really likes tea.
I really have no doubt that this will be the most underrated show of the season. It’s just completely void of just about any trope that you usually see in the popular anime: there is no moe whatsoever, nor any bishies. Instead the lead characters are all in their thirties; there is no youth in this show whatsoever. Meanwhile, takes place during the samurai age, yet there are hardly any battles, with this instead being a dialogue-centred series. On top of that, this is Bee-Train, so there is a lot of focus on talking heads. The soundtrack is completely weird and unconventional and the characters all tend to make silly faces. And I absolutely loved this first episode. It’s completely unlike any other series set in the Samurai Age, especially the main character is unique, with his really weird combination of silly facial expressions and down to earth dialogue. Steins;Gate’s lead looks just ordinary compared to this guy. Still, his characterization is excellent, and with Bee-Train, the build-up also was just terrific. Most of this episode was quiet, but the climax of this episode was already amazing. And you know what the best part is? This will go on for 39 episodes. When was the last time that a series of this caliber got more than 13 episodes? Let alone 26!
OP: Quiet and laid-back, with interesting visuals.
ED: I don’t think I’ve ever heard a Bee-Train OP or ED like this. Again really relaxed.
Potential: 90%

Gyakkyou Burai Kaiji: Hakairoku Hen

Short Synopsis: Our lead character has money problems.
Kaiji is a show about Gambling, but this first episode of the sequel didn’t have any of that. It was just meant to build up, and introduce the next arc, and it was actually very good in doing so. For Kaiji standards in particular, a lot happened here. The creators really wanted to show how deep one could fall if you get on the wrong side of the mafia. They lure you in with the promise that one day your debt will be over, but use very dirty tricks to just push that deadline back and back. This episode did a great job of breaking apart Kaiji’s spirit with basic psychology. That’s the big difference between Akagi and One outs: those are shows to see how well a superhuman can pwn just about everyone around him and their lead characters are more than aware of their own abilities.. Kaiji is at the complete opposite: he’s completely flawed, makes the most stupid decisions, only standing out because he can struggle like no other. Of course, at this point I can’t yet comment on whether this second season has improved the pacing issues of the first season. The only criticism I have at this point is that the narrator is a bit too enthusiastic. Even describing the most mundane activities are announced with that over the top voice of his. But then again, why am I expecting subtlety from this series?
ED: WTF. Just… wtf…
Potential: 80%

Sengoku Otome

Short Synopsis: Our lead character lands is just an average schoolgirl who winds up amongst famous people from the Sengoku Era.
Sengoku Otome’s biggest sin is its blandness. I wouldn’t call this bad.. it just fails to stand out in any kind of way. Just about everything about this show screams “been there, done that”. It has nothing that really sets itself apart of that is actually remotely good. The creators to me just didn’t seem to care here. The premise of a random teenager ending up in a fantasy world has been done a ton of times before, so you really need to set yourself apart in this genre. So what do the creators do? They choose a complete airhead as their main character. They turn it into self-insert fan-fiction amongst famous historical figures. They gender-swap said figures into females. They put no effort whatsoever into the character designs. And okay, the character-designs aren’t as bad as with Dog Days, but they still are pretty bad here. This entire episode just followed one cliche after the other, with nothing really to make up for it. If the characters were likable then this could be forgiven, but even there this show doesn’t do anything. The lead character is beyond annoying, and the rest of the cast is just completely one-sided and uninteresting.
OP: Like the show, bland, both in terms of visuals and music.
ED: Fanservice!
Potential: 10%

Black Jack OVA Review – 90/100

by psgels, posted in Anime Reviews




Osamu Tezuka is an utter genius. With that I don’t just mean that he single-handedly fired off an entire new medium; he’s also a masterful storyteller. Especially his stories that aren’t aimed at children rock. But what’s more, due to his legacy his stories also have been adapted by some of the best directors imaginable. Ryouruke Takahashi, for example: I may be a huge fan of Votoms, I still consider his masterpiece to be his adaptation of Hi no Tori. Rintarou meanwhile delivered brilliant renditions of Metropolis and again Hi no Tori. The Black Jack OVA meanwhile is Osamu Dezaki’s chance to shine. And again: this was undoubtedly the best thing I’ve ever seen from him.

There have been more adaptations of the Black Jack franchise, but all of them just seemed to be missing something. This however is a perfect adaptation. It’s an epic that took eight years to be fully created. It has only ten unrelated episodes, but each episode is fifty minutes long, and that turned out to be the perfect length: long enough to include some deep storylines, yet short enough not to drag on.

This show… completely took me by surprise. Every single episode has a deeply imaginative story that tests the boundaries of medical science. Every episode is somehow combined with either political, military, corporate or some sort of other intrigue. Seriously, the stories here put in a lot of effort to set themselves apart. Stories are often multi-layered and just keep building up with all kinds of plot twists, in the true fashion of Osamu Tezuka’s best works.

But beyond that, when you look at this show with a more technical view, it’s amazing to see what the creators did here. The attention to detail in all of the medial procedures is stunning. They even got a number of medical advisers in order to make sure that everything is accurate (or as accurate as possible when dealing with made up diseases). It’s well known that Osamu Tezuka used to be a doctor and that he wrote Black Jack with a ton of medical knowledge in mind, but it’s also the way in which this series is animated that is just stunning. It’s all completely uncensored: this show doesn’t shy away in the slightest to show Black Jack’s operations in full detail, whether this is ranging from a simple medical check-up to a brain surgery.

The result is a show that seriously gave me a new interest in medical science, even though this usually doesn’t interest me in the slightest. This show did justice to both inexperienced doctors, and geniuses. It shows that there are many different kinds of doctors, and how even the best surgeon in the world is powerless in some cases. And furthermore it also is brilliant in portraying the actual victims: the people who contracted these bizarre diseases and the people close to them. This show shines like no other portraying the agony that these people go through, and it does so with strength and conviction, (courtesy of Osamu Dezaki’s unique style), instead of cheese.

Storytelling: 9/10 – Just brilliant. Always knows when to deliver its next plot twist. Its stories sparkle with creativity.
Characters: 9/10 – Terrific voice acting, amazing characterization, both for the doctors and the patients in this series. Even Pinoko was adorable this time.
Production-Values: 8/10 – Gorgeous artwork, but granted: Akio Sugino‘s style is completely different from usual anime.
Setting: 10/10 – An amazing medical background, even compared to the other Black Jack installments.

Suggestions:
– Black Jack Special (Don’t get me wrong: the Black Jack Special is crap compared to this OVA; it completely got Pinoko’s character wrong. But it does contain the very important episode on Black Jack’s backstory. This OVA assumes that you’ve seen that, even though it aired at a later date…).
– Hi no Tori
– Metropolis

Level E Review – 90/100

by psgels, posted in Anime Reviews, Level E




My favourite comedies are the ones that don’t just make me laugh a lot. They also truly excel in another area, whether this is its cast of characters (Kodocha), storytelling (Law of Ueki, Gintama) or subject material (Excel Saga). It’s been a long while, but with Level E I can finally add another series to my top 10 of favourite comedies. This show is an absolute delight to watch.

Adapted from a manga from the same writer as Hunter X Hunter and Yu Yu Hakusho, written in 1997, Level E is a brilliant comedy. For one, it is hilarious to watch. It’s got a fantastic comedic timing that plays together brilliantly with the chemistry between the different characters. This show really has a knack for getting under the skin of its different characters, with hilarious results.

Beyond that, though… this series is also just a fantastic storyteller. It basically consists out of a number of unrelated arcs, ranging between one and three episodes, all of which focus on alien life on earth in their own way. Some arcs share similar characters, but apart from that they just all have their own focus and story. This creates a ton of variety: every episode is different. And on top of that, they’re all really well told. They make excellent use of their momentum in order to both be hilarious, and actually tell some serious and interesting stories here, with a ton of well built up plot twists. It all comes together wonderfully in the end. While the stories have nothing to do with each other, they do all build up to the same atmosphere and universe, leaving an excellently fleshed out series behind, especially considering how there are only 13 episodes.

Beyond that, this show also has an amazing sense of characterization. Every character here is likable and original, miles away from the usual stereotypes. Both the males and females set themselves apart, with especially Yukitaka, Kraft and Miho. Due to the nature of this series they have relatively little airtime aside from perhaps the blonde prince, but they still stand out as amazing and down to earth characters who refuse to act like idiots just for plot convenience. the second biggest flaw of this show is really that we don’t get to see more of its awesome characterization.

The biggest flaw meanwhile is that it’s one big tease. The thing is, that it has an absolutely fantastic first arc. If the rest of the arcs would have followed in its example we would have had one of the best comedies ever made here. Instead, the rest of the arcs of this show do take a step back, but even then there is more than enough to like here. The amount of cliches in this series is really the bare minimum of what you can get and due to its rock-solid characters and storytelling it’s even enjoyable when it’s not funny, something quite rare for comedies.

Storytelling: 10/10 – Extremely witty and an amazing comedic timing. It’s a show that is constantly changing, even within its own arcs and that makes for a really diverse 13 episode series that leaves no moment wasted.
Characters: 9/10 – Amazing characterization for a 13 episoded series that focuses on different characters in each arc. It’s not that these characters are well developed. Instead, they’re the type of characters that are full of life, yet are down to earth and compelling to watch throughout the entire series. They’re the perfect example of how you can also get an amazing cast without a ton of drama.
Production-Values: 8/10 – The animation is average, but even this is made excellent in a few episodes with some excellent camera angles and visual ideas. The CG can be a bit obtrusive, though the soundtrack is excellent.
Setting: 9/10 – An excellent look at the concept of aliens on earth. The stories all feel fresh and a lot of imagination has gotten into creating a simple, yet over the top, yet consistent setting here.

Suggestions:
– Ooedo Rocket
– Sexy Commando Gaiden
– The Law of Ueki

Level E – 13

by psgels, posted in Level E



That was an awesome end to an awesome series. The twist had it coming, but it was perfect to close off this show.

This episode did a great job of making the princess more than just about any other romantic interest. I mean, the basis premise for this episode may have been an arranged marriage, but that’s about the only stock plot device that appeared in this past arc. It’s a great idea to have the princess be as cunning as the prince himself, and still make her innocent at the same time. Somewhat.

I also love how in the end, the prince was fooled by bland acting from the two thieves who pretended to be the very helpless-looking brother and princess. That’s the point where he really got caught off-guard.

Overall, If I wasn’t one already, I’m now a really big fan of David Production. Only Dogs was bad, but apart from that, Ristorante Paradiso, Armed Librarians and Level E were all wonderfully creative and enjoyable series. I really like the ambition that these people have to time and time again come with something interesting. Combined with Studio Pierrot they really made for one heck of an interesting comedy.
Rating: *** (Awesome)

OVA Impressions: Tansuwarashi

by psgels, posted in OVA Impressions, Young Animator Training Project



Tansuwarashi is Production IG’s entry in the Young Animator Training Project, and it it absolutely adorable. It’s the only one of the for that I can really see work as an actual series: Ojii-san no Lamp was perfect with just 20 minutes, while Kizuna Ichigeki and Bannou Yasai Ninninman would have gotten really annoying if they were any longer.

A slice of life series about an office lady who finds a group of spirits in her closet though, I’d love to watch that. All of the characters just have this natural charm to them, even though there are many characters who are all pretty one sided. This OVA shined at making an entire happy family from them. And besides: when was the last time where we got to see an anime that featured an actual female lead who was neither a teenager nor a student? Those characters are even rarer than male adult main characters.

As for the animation, it wasn’t as impressive as the others, and instead it was very down to earth. The in between animation did get quite good at times, though.

Overall, the Young Animator Training Project was at its best when it combined its childish charms with adult issues. Especially Ojii-san no Lamp and Tansuwarashi were good at this. Meanwhile, the animation was particularly impressive in Kizuna Ichigeki: we can expect some great things from them in the future, as soon as they manage to get themselves some good sponsors and scriptwriters. It’s definitely been an interesting experiment.
OVA Episode Rating: 8/10

Some Quick First Impressions: Suzy’s Zoo and Fireball Charming

by psgels, posted in Some Quick First Impressions

Fujilog

Short Synopsis: Our lead character is in his mid-life crisis.
Fujilog… is a sitcom. You know, the kind where we follow a middle aged guy and his family throughout random boring adventures while he nags constantly at everything. (In case you’re wondering: no, I do not like sitcoms, with only very few exceptions). In this episode he whines about how good the prefecture is in which he lives and ends up running for governor, and losing. To be honest, I didn’t like it, but this admittedly IS deeply rooted in Japanese culture. Perhaps if you live in Japan, you might get a bit of a better appreciation of what this show is trying to do. There is plenty of animation here, but it’s entirely in ugly CG.
Potential: 10%

Suzy’s Zoo

Short Synopsis: Our lead character is a stuffed animal.
At the start of each season, I also always review the kiddie shows that pop up. But seriously, I don’t think I’ve ever seen one where so little happens as in this one. All this episode was about was a moving duck toy taking a stuffed bear outside, the duck gets distracted by a grass-hopper, the bear moves, they hug, and the episode ends. I know that this episode was only two minutes long, but still I’m not really sure what I just watched. Thee animation is good for a kiddie show, though. It’s obviously in CG, but the creators actually put in effort to make it blend in with the backgrounds. Really young kids (read: of age 2 and 3) will probably love this one. Apart from that though… well, I guess that if you were really desperate for a big hug then this show suffices as well.
Potential: 10%

Fireball Charming

Short Synopsis: Our lead character is a robot princess who lives in a giant fortress in the middle of a big war between robots and humans.
Fireball Charming: the show without introductions! Seriously, this episode just… starts. Without ever giving the viewer a chance to sit back. This episode was only 2 minutes long, but it really made use of its time. It’s actually improved a bit here and there, but the formula is still the same: two robots just talk about all sorts of stuff while making silly poses. And again, it works surprisingly well. What they’re talking about is consistently interesting and its deadpan humour makes this even better. In the meantime, the characters are moving around even more compared to the first season, which forces you to pay even more attention during these two minutes. Very recommended if you’re looking for a quick comedy.
Potential: 75%