Ao no Exorcist – 14



Another Gasshuku. While I’d like to complain about repetition, this episode once again was really enjoyable. And heck, for the first time it actually stressed teamwork. The characters came up with a pretty good plan that utilized a lot of their potential powers as well, in a much different way compared to the previous Gasshuku.

Still, while in the previous Gassuku Rin and Shiemi got to show off, this time it was the turn for Konekomaru and Ryuuji to shine. Especially Ryuuji with the way he kept mumbling his incantations and his plans at the same time was pretty interesting. Beyond that there also was a lot of really good interaction between the characters once again, which made for an all around enjoyable episode.

What’s also interesting is how there were two people who remained alone. This episode showed either Izumo or that mysterious blond guy who hardly talks in trouble. If I had to guess, then it’d be Izumo, because of how easily those moths tore up Shiemi’s summoning paper. I think that this time, Shiemi also was completely useless, or useless in terms of combat. The creators know that she isn’t strong, but they kept finding interesting way for her to be useful in order to not have her fall into the “damsel in distress”-role. This time though, she pretty much was bait: first to attract some of the protagonists together, and second to lure that lantern across the river.
Rating: ** (Excellent)

Tiger & Bunny – 16



Holy crap, what a plot twist! Compared to the light-hearted episodes of the last two weeks, this episode was really dark. It didn’t just reveal Lunatic’s background, it also put a completely new spin to this series.

There have been plenty of hints so far that the city of Sternbild is corrupt and closely linked to Ouroboros, but there is one thing that always stood solid as the epitome of goodness: Mr. Legend. That’s exactly what he was though: a legend. His history was written so that he really stands out as a heroic figure, completely masking his flaws. It’s also not like he turned out to be some sort of Ouroboros Mastermind, and during his glory days he probably did some amazing things. He was the one who popularized the hero business after all, and inspired countless of people. Sure he was probably influenced by corporate strategies, but even then he himself had a huge influence there.

And then his powers declined, he started drinking and beat his own wife and son so badly that his son (aka Lunatic) ended up killing him.

What’s more: this episode also rocked because of the huge contrast between Kotetsu and Barnaby. I mean, they already were opposites and all, but right now, Barnaby is going though his glory days, while Kotetsu is about to leave them with the loss of his powers. Tiger in a way is very similar to Mr. Legend, his great example, so I’m really not sure what the creators have in store for him. Like I said before, it would really be interesting if he really were to lose his powers. At this point there have been no hints whatsoever to power upgrades, so it would be a bit of a shame if something like that ended up solving his problems.
Rating: *** (Awesome)

Yona Yona Penguin Review – 82,5/100




Rintarou. He’s one of my favourite movie directors, only surpassed by Satoshi Kon (and perhaps Hayao Miyazaki, but that’s more because Hayao Miyazaki is incredibly consistent, while Rintarou most definitely isn’t). Yona Yona Penguin was his latest work, so I’ve been wanting to check it out for a long time, but it just didn’t show up anywhere. After watching it, I can sort of understand why: it’s a kids’ movie that’s completely different from any other series he has directed or worked on, and entirely in 3D CG. I really liked it, though.

Now, Yona Yona Penguin is neither nowhere near Rintarou’s best nor his worst work. It is merely a whimsical really young kids adventure: the main character is around six or seven years old, and the entire movie has this mentality. It doesn’t try to be anything other than that (a mistake that actually a number of other movies of this genre did make, like Haruka and the magic mirror for example), and just focuses on delivering a heartfelt and adorable adventure. And succeeds.

Let me get this out of the way here: Yona Yona Penguin is absolutely adorable. The main character runs, jumps and dances around the entire movie in a penguin coat. The soundtrack is as whimsical as the premise of this movie and only makes her even more fun to watch. She’s really just an innocent child who likes to play around, yet also is serious enough to know when not to goof off and continue on with the plot of the movie. A plot that seems simple at first, but becomes surprisingly heartfelt after a while due to a number of simple but interesting twists.

Rintarou’s experience also really helps during the finale of this movie. I mean, you shouldn’t expect anything as amazing as Metropolis or anything, but nevertheless the climax of this movie is beautiful wonderfully atmospheric. This is something where a lot of other movies don’t know how to deliver, but here it’s the highlight of the entire movie.

It’s a kids’ movie, but if you’re looking for something really innocent, then this fits the bill. Just know that it’s entirely based on kids’ logic: it’s not supposed to be logical…

Storytelling: 9/10 – Ah, why not? This has a childish innocence that a lot of other kids’ movies and series lack, and even during the dramatic parts, it never lets go of this innocence.
Characters: 8/10 – They’re kids, and the characters feel like kids. At first they’re simple, but the movie gives main cast some surprising depth.
Production-Values: 8/10 – 3D CG entirely, which doesn’t look as good as regular 2D animation, but it still has a number of gorgeous scenes. The soundtrack is also really excellent.
Setting: 8/10 – Actually a ton of creativity went into this, from the backgrounds to the world it’s set in. It’s imaginative, yet retains its simplicity.

Suggestions:
Andersen Monogatari
Swan Lake
Metropolis

Precure All-Stars DX3 – Mirai ni Todoke! Sekai o Tsunagu Niji-Iro no Hana Review – 65/100




So, because of Heartcatch Precure I’m doomed to watch every All Stars Precure from now on until eternity, just to see more of Tsubomi, Erika, Itsuki and Yuri, even though they’re all pretty bad movies. Imagine this: a movie with 21 main characters. To give an indication of how incredibly crowded this is: it took this movie three minutes and twenty seconds to get through the transformation scenes of everyone. There was like… no end in sight to them!

What’s more is that the Precure Franchise has always been very clingy to its own formula. What this means for this movie is that it’s pretty much the same as the previous All Stars movie. The general plot outline in any case is like an exact copy. Heartcatch Precure solved this with really good characters, animation and storytelling. This movie however… yeah.

With 21 main characters plus a truckload of mascot characters that gets a bit hard if you refuse to stay with the same formulaic premise. Usually stories just pick four or five characters and give those some depth, but even that doesn’t happen here: the main characters from Suite Precure just get a few more lines, that’s all. Apart from that, everyone is equal. And equally bland if you haven’t seen the series they belong to.

I will say this, though: this third movie IS better than the first. The animation is more creative for one, but it actually does attempt some serious drama other than “bad guys evil. Kill them again”. It doesn’t pick out any characters to focus on, but instead it goes with a theme that everyone can relate to: partnerships. These themes are explored without any subtleties at all (even going as far as to make Heartcatch’s Erika act out of character just for the sake of getting its message through), and its messages are really obviously shallow, but at least it gives the movie more of a structure than what happened with the second movie. Oh, and the ending is a Deus ex Machina ending. That doesn’t help either.

Aside from that, this is a very bright, flashy and colourful movie. Flashes, beams and sparkles are incredibly abound, and this all happens with a huge amount of fluidity. The interesting thing however is that this movie really leaves things to be desired in terms of hand to hand combat: it looks gorgeous during the long-distance fights, but when characters actually need to touch each other the animation resorts to shortcuts, still frames and awkward cuts. This leads me to think that Toei put a ton of money and talented animators on this thing, but left things to be desired on the animation direction and production.

Now, I do wonder about the point of these movies. Of course it’s fun to watch your favourite characters all together in a movie. I get that. But the first precure series is already seven years old by now. That’s older than actually some of its fans and the franchise’s target audience. I mean, there’s a reason why Disney re-releases its movies every seven years: there are going to be so many kids who wonder who the heck the older characters are. And this movie is purely fanservice. It’s not like it’s doing a good job introducing the characters to people unfamiliar to them or anything. This movie was entertaining. I give it that. But not much more, unfortunately.

Storytelling: 7/10 – At least it’s mildly fun and the action is good to watch, but it depends way too much on its own formula.
Characters: 6/10 – You’re going to have to put in effort to make a story with 21 main characters work. The characters who ended up stand out the most to me are actually the exposition mascots!
Production-Values: 8/10 – Really, really flashy, sparkly and beamy with often fluid animation, but leaves things to be desired on the hand-to-hand combat.
Setting: 5/10 – Forgets some of the things it introduces, brings characters out of characters, completely contrived set-up.

Suggestions:
Heartcatch Precure Movie – Hana no Miyako de Fashion Show… desu ka?
Professor Layton and the Eternal Diva
Digimon Movie 2 – Bokura no War Game

Ikoku Meiro no Croisée – 02



Argh! Deciding which of the big slice of life series to blog this season was hard! I mean, Usagi Drop is just undeniably good. Its acting is more realistic than all of the other series combined. If it aired during any other season, I definitely would have blogged it. It’s heart-warming as hell. Okay, that’s perhaps not the most fitting metaphor I could have used, but you get what I mean.

In the end though, I decided to go for Ikoku Meiro no Croisée is because I just find it a really interesting experiment. For one, I like historical series a lot, but this series also really delves into cultural differences. This series also is slightly different than your usual series that takes place in Europe, due to the French roots that Satelight has (did you know that Basquash was originally conceived by a Frenchman?). From the backgrounds, you can really see that a lot of attention to detail has gone into this series to make it really authentic. With Usagi Drop, I don’t think that there will be as much to write about, not to mention that according to what I’ve read about it, it’ll never really get to the growing up arcs, which (as a non-manga reader by the way), I actually really would have liked to see. If Usagi Drop would have been 22 episodes, I really would have blogged it instead. But then again, Ikoku Meiro no Croisée is also just going to take up 12 episodes. That’s the one criticism I have about this season: there still are too many series that don’t go beyond 13 episodes.

As for the final series that I’m going to blog this season: it’ll either be Dantalian no Shoka, or another Kaleidoscope-type post series. I’ll decide that next Friday.

In any case, this episode was chock full of cultural differences: a lot of this episode was about different kinds of food, but this episode also looked at the differences in architecture, customs, mindsets and traditions. Yune being cute is nice and all, but it’s those things that really drew me to this series. In the background you can also see authentic birds and I’m also impressed at the creativity that was put into the people and buildings in the background.

The kimono is probably going to be the recurring plot in this series. It’s not the most interesting part of this series, but I can see why it was included. This is really set in a time where the big corporations started rising and steal competition away from the small merchants. It’s a tad forced and all, but it also definitely has potential.
Rating: ** (Excellent)

No.6 – 02



The fifth series I’m going to blog this season: Number 6. I was really doubting between Kamisama Dolls and this series. Both are really solid action series with a really good cast, solid acting, a rock-solid script and pacing, awesome music and really good animation. Brains Base are really on fire this season, while Bones are promising to deliver yet another rock-solid and imaginative series.

On one hand, Kamisama Dolls has a story that really seems to fit in 13 episodes. No.6 doesn’t. But heck, this was just too good. I mean, the fact that it ain’t gonna fit is just about the only negative thing I have to say about this series. It’s not as like this is another Deadman Wonderland that combined a ton of flaws with a ton of things to like: this was just completely solid overall. It makes the acting and bringing its cast to live seem so easy: the animation here is really good, and the characters really act natural in front of each other, with well written dialogue. There are no cliches, one-sided characters, or bad acting: everyone plays his role perfectly. The romance feels realistic and not the overly sappy kind you usually see as well.

Another great thing is that the story here never seems to stand still. It’s slow-paced, but it’s always developing its story. I think that along with Penguin Drum, this series pushes its story forward the best out of all the series this season (heck, four years have passed at this point and things are constantly changing). I admit that I’ve gotten tired of shows ending too soon. I’m also not blogging this series for the sake of blogging Noitamina (ever since Genji Monogatari, I’ve blogged every Noitamina series aside from Nodame Cantabile); at this point I’m still not sure whether I’m also going to blog Usagi Drop. But I really have to give Bones credit for such a solid series, script and cast.
Rating: ** (Excellent)

Kami-Sama no Memo-Chou – 02



Kami-Sama no Memo-Chou will be the fourth series I’m going to blog this series. After Penguin Drum, it had the best first episode of the new season, but then again it did get extra time to prove itself. I was a bit worried about it because the episodes afterwards were slated for just 25 minutes, but there is no need to worry: this episode ended with a cliff-hanger, so episode length isn’t going to be the issue.

In any case, the reason I chose this over some of the other new series this season: the dialogue. The script of this is huge, and is amongst the best of the season. JC Staff are really a studio with their ups and downs, and especially Hidan no Aria and Twin Angel were worse than I ever could have imagined, but in comparison, Kami-Sama no Memo-Chou was really surprisingly solid. I’m not sure whether it’s ever going to go to a continuous story, but that doesn’t matter, really: it’s good enough with its individual stories.

I was really looking forward to this one because it pretty much reunites the anime creators of Asatte no Houkou, a wonderful coming of age drama, but even considering that this is completely different in style. The acting is very good, and especially Alice when she’s on a roll is very interesting to watch. The cat is full of colourful characters, and each episode has plenty of interesting and imaginative twists. It focuses just as much on its story as its characters, and that works out really well so far.

The worst part of this show is that it’s giving me Index II flashbacks, because it has the exact same fanservice scenes (only not as numerous): completely out of nowhere the main character is put into a situation where he sees one of the girls naked, it completely breaks the flow and afterwards it’s never mentioned again aside for one snide remark. That’s really the type of fanservice that I hate, because it serves no point or purpose other than being annoying. It feels slapped onto the series at the last minute by some higher-ups. It got really bad in Index II, but that was because it was only magnifying a lot of other issues I had with it. With Memo-Chou so far, it’s just the only flaw so far. If it can keep up this pace, it’ll only end up as a mild annoyance, I hope.

Whether this arc was as good as the first though, we’re going to have to wait until the next episode for that. This again was all of the necessary build-up, but the previous episode also only really fired off with its second half. It was pretty interesting though, and the yakuza have promise as long as they’re not portrayed too stereotypical too often. That big Yakuza was a nice start, though.
Rating: * (Good)

Some Quick First Impressions: Dantalian no Shoka

Dantalian no Shoka

Short Synopsis: Our lead character meets a mysterious detective girl.
Aaand the last series to debut this season… also is really good. Holy crap, I can’t believe the amount of awesome seasons this season. Dantalian no Shoka is the third of the Gosick series this year, where a guy and a genius detective girl work together. The thing is, that it’s surprisingly well executed. Gosick, Kami-Sama no Memo-Chou and Dantalian no Shoka are all based on the same premise, but their execution is completely different. The most notable parts of Dantalian are its visuals, and the main couple. With Gosick, one of the big problems was that Kujou was an idiot, while Victorique was a genius: they were no match for each other when they were just solving a case. In Dantalian no Shoka, the two leads feel equal. Sure, the girl is smarter than the guy, but the guy certainly is no idiot, and actually a very likable airplane pilot, who simply isn’t a genius. He’s not overwhelmed by the girl, and neither is the girl a complete Hikkikomori who lets others do the work of gathering clues for her. It’s much more balanced this way. Now, as for the visuals: Gainax definitely did some interesting stuff with them, in the veins of “screw conventions”. The action scenes look gorgeous and very imaginative for once, but they also weren’t afraid to hide the fact that they used life-action images. Both for backgrounds, and for slideshows. It actually fits well, it’s used well, and it gives this series a unique look.
ED: Whoa, surprisingly good. Entirely life-action film and images, but a great mysterious atmosphere that works really well.
Potential: 85%

Blood-C – 02



And the third series I’m definitely going to blog this season: Blood-C. Before I decide on the others I first want to watch Dantalian no Shoka and Kami-Sama no Memo-chou’s second episode that air this evening. As a fan of Clamp though, I really like this series so far. It’s got a lot to like, but at the same time I can also understand that it’s not for everyone.

For the ones complaining that this is too slow, though: that’s pretty much both Clamp and Blood+, albeit in many different ways. Blood+ took a really long time to get going (like, 15 episodes or something), while Clamp’s stories are always filled with a lot of laid-back scenes, describing the different characters. It’s that kind of charm that I really like, because of how they always end up delivering upon it later, using the slice of life scenes to create memorable characters, even those who are supposedly one-sided at first. My only worry right now is the 13 episodes, but at the same time I’m very curious as what Clamp can do when they have less time than usual to work with.

Oh, and the fight scenes! This series definitely has the best action of the season. This is because you can actually see what happens: characters’ movements are detailed and actually anatomically correct. Saya really feels like she’s struggling with the enemies she fights, and instead of the cameras just focusing on some weird angle, they really allows us to see how she moves and tries to attack. This has been a knack of Production IG for ages now. I really feared that they abandoned this philosophy with Sengoku Basara, but thankfully Blood-C shows them once more animating some excellent down to earth fight scenes.

Now, the big potential pitfall for this series will be spending too much time on build-up, and (most importantly) too little on actually delivering. I liked this episode, though. The non-action bits were good slice of life, and felt very personal. The characterization was pretty good and down to earth, especially of the cast as a whole, and the characters talking to each other actually kept my attention throughout the episode. When describing the slice of life, the dialogue is actually quite natural, the characters discuss down to earth topics that actually secretly flesh them out really well. My only problem is that Saya acting embarrassed felt awkward. Her acting overall has its moments where it’s a bit weak.

Oh, and for the people who haven’t seen Blood+: don’t worry. It’s not yet sure whether or not this Saya is the same Saya as in Blood+, because we don’t know whether her father is telling the truth about actually being her father and all, but this really seems like an original story. There have been no references to other series
Rating: ** (Excellent)

Mawaru Penguin Drum – 02



The second series I’m blogging this season is another obvious one. Even during this season full of excellent series, this one stands at the top with its imagination, execution, style, elegance, characters and delivery. Again, it may not have the most realistic acting (that award is undoubtedly going to Usagi Drop), but the dialogue, the pacing, the writing: just about everything here hits the spot.

Now in a way it is awesome to have one series by Utena’s writer, and another by Utena’s director within the same year. Star Driver was already excellent as a fun action mecha series, based on weird concepts and all, but when just looking at the first two episodes, Penguin Drum really has it beaten. Whereas Star Driver was less serious than it actually seemed at first, Penguin Drum is more serious than it actually seems. On one hand you have these crazy and fun antics between the brothers and the penguins, and on the other hand this does deal about death quite easily, it features a stalker who somehow is related to everything, and even beyond that everything seems to be connected somehow.

There are a ton of hints and counter-references that I’m only noticing now on this second playthrough, like the girl losing her shoe, the train groper warnings, the hints at underwear. As for the latter, it also has the good kind of fanservice: it makes sense within the story, it’s whimsical and doesn’t bog the rest of the episode down. And it’s actually quite hilarious. The penguin’s quirks in this episode really were… unashamed.

Then there is the symbolism, with the huge amount of train references (I can already see numerous other railways coming up on that eye catch map as well), the penguin signs that are actually everywhere on the street (part of the story, or just a nice quirk?). Oh, and yeah: when Heartcatch Precure aired, I mentioned how it had the best transformation scenes since Utena. So yeah: the penguin transformation scene was awesome. Finally like Utena, we have another series that turns them into more than just the main character powering up.It’s still not as good as Utena of course, which had repetitions like, everywhere (it really was one of the select series out there who actually knew how to use repetition correctly), but it’s actually good that this series has similarities, but not too many. This will allow this series to stand on its own, and not in Utena’s shadow. Now all that’s left is to wait and enjoy whether or not this series lived up to the hype it built up.
Rating: *** (Awesome)