Precure All-Stars DX3 – Mirai ni Todoke! Sekai o Tsunagu Niji-Iro no Hana Review – 65/100




So, because of Heartcatch Precure I’m doomed to watch every All Stars Precure from now on until eternity, just to see more of Tsubomi, Erika, Itsuki and Yuri, even though they’re all pretty bad movies. Imagine this: a movie with 21 main characters. To give an indication of how incredibly crowded this is: it took this movie three minutes and twenty seconds to get through the transformation scenes of everyone. There was like… no end in sight to them!

What’s more is that the Precure Franchise has always been very clingy to its own formula. What this means for this movie is that it’s pretty much the same as the previous All Stars movie. The general plot outline in any case is like an exact copy. Heartcatch Precure solved this with really good characters, animation and storytelling. This movie however… yeah.

With 21 main characters plus a truckload of mascot characters that gets a bit hard if you refuse to stay with the same formulaic premise. Usually stories just pick four or five characters and give those some depth, but even that doesn’t happen here: the main characters from Suite Precure just get a few more lines, that’s all. Apart from that, everyone is equal. And equally bland if you haven’t seen the series they belong to.

I will say this, though: this third movie IS better than the first. The animation is more creative for one, but it actually does attempt some serious drama other than “bad guys evil. Kill them again”. It doesn’t pick out any characters to focus on, but instead it goes with a theme that everyone can relate to: partnerships. These themes are explored without any subtleties at all (even going as far as to make Heartcatch’s Erika act out of character just for the sake of getting its message through), and its messages are really obviously shallow, but at least it gives the movie more of a structure than what happened with the second movie. Oh, and the ending is a Deus ex Machina ending. That doesn’t help either.

Aside from that, this is a very bright, flashy and colourful movie. Flashes, beams and sparkles are incredibly abound, and this all happens with a huge amount of fluidity. The interesting thing however is that this movie really leaves things to be desired in terms of hand to hand combat: it looks gorgeous during the long-distance fights, but when characters actually need to touch each other the animation resorts to shortcuts, still frames and awkward cuts. This leads me to think that Toei put a ton of money and talented animators on this thing, but left things to be desired on the animation direction and production.

Now, I do wonder about the point of these movies. Of course it’s fun to watch your favourite characters all together in a movie. I get that. But the first precure series is already seven years old by now. That’s older than actually some of its fans and the franchise’s target audience. I mean, there’s a reason why Disney re-releases its movies every seven years: there are going to be so many kids who wonder who the heck the older characters are. And this movie is purely fanservice. It’s not like it’s doing a good job introducing the characters to people unfamiliar to them or anything. This movie was entertaining. I give it that. But not much more, unfortunately.

Storytelling: 7/10 – At least it’s mildly fun and the action is good to watch, but it depends way too much on its own formula.
Characters: 6/10 – You’re going to have to put in effort to make a story with 21 main characters work. The characters who ended up stand out the most to me are actually the exposition mascots!
Production-Values: 8/10 – Really, really flashy, sparkly and beamy with often fluid animation, but leaves things to be desired on the hand-to-hand combat.
Setting: 5/10 – Forgets some of the things it introduces, brings characters out of characters, completely contrived set-up.

Suggestions:
Heartcatch Precure Movie – Hana no Miyako de Fashion Show… desu ka?
Professor Layton and the Eternal Diva
Digimon Movie 2 – Bokura no War Game

Ikoku Meiro no Croisée – 02



Argh! Deciding which of the big slice of life series to blog this season was hard! I mean, Usagi Drop is just undeniably good. Its acting is more realistic than all of the other series combined. If it aired during any other season, I definitely would have blogged it. It’s heart-warming as hell. Okay, that’s perhaps not the most fitting metaphor I could have used, but you get what I mean.

In the end though, I decided to go for Ikoku Meiro no Croisée is because I just find it a really interesting experiment. For one, I like historical series a lot, but this series also really delves into cultural differences. This series also is slightly different than your usual series that takes place in Europe, due to the French roots that Satelight has (did you know that Basquash was originally conceived by a Frenchman?). From the backgrounds, you can really see that a lot of attention to detail has gone into this series to make it really authentic. With Usagi Drop, I don’t think that there will be as much to write about, not to mention that according to what I’ve read about it, it’ll never really get to the growing up arcs, which (as a non-manga reader by the way), I actually really would have liked to see. If Usagi Drop would have been 22 episodes, I really would have blogged it instead. But then again, Ikoku Meiro no Croisée is also just going to take up 12 episodes. That’s the one criticism I have about this season: there still are too many series that don’t go beyond 13 episodes.

As for the final series that I’m going to blog this season: it’ll either be Dantalian no Shoka, or another Kaleidoscope-type post series. I’ll decide that next Friday.

In any case, this episode was chock full of cultural differences: a lot of this episode was about different kinds of food, but this episode also looked at the differences in architecture, customs, mindsets and traditions. Yune being cute is nice and all, but it’s those things that really drew me to this series. In the background you can also see authentic birds and I’m also impressed at the creativity that was put into the people and buildings in the background.

The kimono is probably going to be the recurring plot in this series. It’s not the most interesting part of this series, but I can see why it was included. This is really set in a time where the big corporations started rising and steal competition away from the small merchants. It’s a tad forced and all, but it also definitely has potential.
Rating: ** (Excellent)

No.6 – 02



The fifth series I’m going to blog this season: Number 6. I was really doubting between Kamisama Dolls and this series. Both are really solid action series with a really good cast, solid acting, a rock-solid script and pacing, awesome music and really good animation. Brains Base are really on fire this season, while Bones are promising to deliver yet another rock-solid and imaginative series.

On one hand, Kamisama Dolls has a story that really seems to fit in 13 episodes. No.6 doesn’t. But heck, this was just too good. I mean, the fact that it ain’t gonna fit is just about the only negative thing I have to say about this series. It’s not as like this is another Deadman Wonderland that combined a ton of flaws with a ton of things to like: this was just completely solid overall. It makes the acting and bringing its cast to live seem so easy: the animation here is really good, and the characters really act natural in front of each other, with well written dialogue. There are no cliches, one-sided characters, or bad acting: everyone plays his role perfectly. The romance feels realistic and not the overly sappy kind you usually see as well.

Another great thing is that the story here never seems to stand still. It’s slow-paced, but it’s always developing its story. I think that along with Penguin Drum, this series pushes its story forward the best out of all the series this season (heck, four years have passed at this point and things are constantly changing). I admit that I’ve gotten tired of shows ending too soon. I’m also not blogging this series for the sake of blogging Noitamina (ever since Genji Monogatari, I’ve blogged every Noitamina series aside from Nodame Cantabile); at this point I’m still not sure whether I’m also going to blog Usagi Drop. But I really have to give Bones credit for such a solid series, script and cast.
Rating: ** (Excellent)

Kami-Sama no Memo-Chou – 02



Kami-Sama no Memo-Chou will be the fourth series I’m going to blog this series. After Penguin Drum, it had the best first episode of the new season, but then again it did get extra time to prove itself. I was a bit worried about it because the episodes afterwards were slated for just 25 minutes, but there is no need to worry: this episode ended with a cliff-hanger, so episode length isn’t going to be the issue.

In any case, the reason I chose this over some of the other new series this season: the dialogue. The script of this is huge, and is amongst the best of the season. JC Staff are really a studio with their ups and downs, and especially Hidan no Aria and Twin Angel were worse than I ever could have imagined, but in comparison, Kami-Sama no Memo-Chou was really surprisingly solid. I’m not sure whether it’s ever going to go to a continuous story, but that doesn’t matter, really: it’s good enough with its individual stories.

I was really looking forward to this one because it pretty much reunites the anime creators of Asatte no Houkou, a wonderful coming of age drama, but even considering that this is completely different in style. The acting is very good, and especially Alice when she’s on a roll is very interesting to watch. The cat is full of colourful characters, and each episode has plenty of interesting and imaginative twists. It focuses just as much on its story as its characters, and that works out really well so far.

The worst part of this show is that it’s giving me Index II flashbacks, because it has the exact same fanservice scenes (only not as numerous): completely out of nowhere the main character is put into a situation where he sees one of the girls naked, it completely breaks the flow and afterwards it’s never mentioned again aside for one snide remark. That’s really the type of fanservice that I hate, because it serves no point or purpose other than being annoying. It feels slapped onto the series at the last minute by some higher-ups. It got really bad in Index II, but that was because it was only magnifying a lot of other issues I had with it. With Memo-Chou so far, it’s just the only flaw so far. If it can keep up this pace, it’ll only end up as a mild annoyance, I hope.

Whether this arc was as good as the first though, we’re going to have to wait until the next episode for that. This again was all of the necessary build-up, but the previous episode also only really fired off with its second half. It was pretty interesting though, and the yakuza have promise as long as they’re not portrayed too stereotypical too often. That big Yakuza was a nice start, though.
Rating: * (Good)

Some Quick First Impressions: Dantalian no Shoka

Dantalian no Shoka

Short Synopsis: Our lead character meets a mysterious detective girl.
Aaand the last series to debut this season… also is really good. Holy crap, I can’t believe the amount of awesome seasons this season. Dantalian no Shoka is the third of the Gosick series this year, where a guy and a genius detective girl work together. The thing is, that it’s surprisingly well executed. Gosick, Kami-Sama no Memo-Chou and Dantalian no Shoka are all based on the same premise, but their execution is completely different. The most notable parts of Dantalian are its visuals, and the main couple. With Gosick, one of the big problems was that Kujou was an idiot, while Victorique was a genius: they were no match for each other when they were just solving a case. In Dantalian no Shoka, the two leads feel equal. Sure, the girl is smarter than the guy, but the guy certainly is no idiot, and actually a very likable airplane pilot, who simply isn’t a genius. He’s not overwhelmed by the girl, and neither is the girl a complete Hikkikomori who lets others do the work of gathering clues for her. It’s much more balanced this way. Now, as for the visuals: Gainax definitely did some interesting stuff with them, in the veins of “screw conventions”. The action scenes look gorgeous and very imaginative for once, but they also weren’t afraid to hide the fact that they used life-action images. Both for backgrounds, and for slideshows. It actually fits well, it’s used well, and it gives this series a unique look.
ED: Whoa, surprisingly good. Entirely life-action film and images, but a great mysterious atmosphere that works really well.
Potential: 85%

Blood-C – 02



And the third series I’m definitely going to blog this season: Blood-C. Before I decide on the others I first want to watch Dantalian no Shoka and Kami-Sama no Memo-chou’s second episode that air this evening. As a fan of Clamp though, I really like this series so far. It’s got a lot to like, but at the same time I can also understand that it’s not for everyone.

For the ones complaining that this is too slow, though: that’s pretty much both Clamp and Blood+, albeit in many different ways. Blood+ took a really long time to get going (like, 15 episodes or something), while Clamp’s stories are always filled with a lot of laid-back scenes, describing the different characters. It’s that kind of charm that I really like, because of how they always end up delivering upon it later, using the slice of life scenes to create memorable characters, even those who are supposedly one-sided at first. My only worry right now is the 13 episodes, but at the same time I’m very curious as what Clamp can do when they have less time than usual to work with.

Oh, and the fight scenes! This series definitely has the best action of the season. This is because you can actually see what happens: characters’ movements are detailed and actually anatomically correct. Saya really feels like she’s struggling with the enemies she fights, and instead of the cameras just focusing on some weird angle, they really allows us to see how she moves and tries to attack. This has been a knack of Production IG for ages now. I really feared that they abandoned this philosophy with Sengoku Basara, but thankfully Blood-C shows them once more animating some excellent down to earth fight scenes.

Now, the big potential pitfall for this series will be spending too much time on build-up, and (most importantly) too little on actually delivering. I liked this episode, though. The non-action bits were good slice of life, and felt very personal. The characterization was pretty good and down to earth, especially of the cast as a whole, and the characters talking to each other actually kept my attention throughout the episode. When describing the slice of life, the dialogue is actually quite natural, the characters discuss down to earth topics that actually secretly flesh them out really well. My only problem is that Saya acting embarrassed felt awkward. Her acting overall has its moments where it’s a bit weak.

Oh, and for the people who haven’t seen Blood+: don’t worry. It’s not yet sure whether or not this Saya is the same Saya as in Blood+, because we don’t know whether her father is telling the truth about actually being her father and all, but this really seems like an original story. There have been no references to other series
Rating: ** (Excellent)

Mawaru Penguin Drum – 02



The second series I’m blogging this season is another obvious one. Even during this season full of excellent series, this one stands at the top with its imagination, execution, style, elegance, characters and delivery. Again, it may not have the most realistic acting (that award is undoubtedly going to Usagi Drop), but the dialogue, the pacing, the writing: just about everything here hits the spot.

Now in a way it is awesome to have one series by Utena’s writer, and another by Utena’s director within the same year. Star Driver was already excellent as a fun action mecha series, based on weird concepts and all, but when just looking at the first two episodes, Penguin Drum really has it beaten. Whereas Star Driver was less serious than it actually seemed at first, Penguin Drum is more serious than it actually seems. On one hand you have these crazy and fun antics between the brothers and the penguins, and on the other hand this does deal about death quite easily, it features a stalker who somehow is related to everything, and even beyond that everything seems to be connected somehow.

There are a ton of hints and counter-references that I’m only noticing now on this second playthrough, like the girl losing her shoe, the train groper warnings, the hints at underwear. As for the latter, it also has the good kind of fanservice: it makes sense within the story, it’s whimsical and doesn’t bog the rest of the episode down. And it’s actually quite hilarious. The penguin’s quirks in this episode really were… unashamed.

Then there is the symbolism, with the huge amount of train references (I can already see numerous other railways coming up on that eye catch map as well), the penguin signs that are actually everywhere on the street (part of the story, or just a nice quirk?). Oh, and yeah: when Heartcatch Precure aired, I mentioned how it had the best transformation scenes since Utena. So yeah: the penguin transformation scene was awesome. Finally like Utena, we have another series that turns them into more than just the main character powering up.It’s still not as good as Utena of course, which had repetitions like, everywhere (it really was one of the select series out there who actually knew how to use repetition correctly), but it’s actually good that this series has similarities, but not too many. This will allow this series to stand on its own, and not in Utena’s shadow. Now all that’s left is to wait and enjoy whether or not this series lived up to the hype it built up.
Rating: *** (Awesome)

Natsume Yuujin-Chou – 28



The first series I’m going to blog this season… is a pretty obvious one. I blogged the first two seasons back in 2008 and 2009, and I really liked them, so it’s awesome to see a third season appear. This is one of the three series of which I was 100% sure that I was going to blog this season.

This episode really reminded why I originally fell in love with this series. When this episode aired, I felt completely refreshed. It had this completely refreshing atmosphere that I haven’t felt in a long time. This was a simple, yet wonderfully paced story about another youkai that crosses Natsume’s path. I really liked how nothing was really what it seemed: this episode dealt a lot with superstition and rumours.

Normally in anime, you can guess pretty accurately who are the good guys and the bad guys, whenever it’s not being morally ambiguous, of course. Here though, you’ll never know whether or not a youkai bears ill feelings until it starts to attack. This episode showed a dangerous looking, but well minded youkai, but then again this series did have plenty of scary youkai who did attack.

What’s especially awesome about this third season is that we’re seeing more of Reiko than ever. The previous episode already showed a lot of her, but this episode went even further. This series just kept hinting at how huge her powers were, and yet in this episode she used Rock Paper Scissors to get the name of the demon. Did she use this same trick everywhere? I mean, there have been enough youkai who unwillingly gave up their own names.

The village scene felt a bit out of place, but it was definitely an interesting representation of the mythical village: to have it be exactly like how it was painted in the past. It’s also something new in this installment of the series.

Overall, I do wonder whether this series is going to surpass itself or not. I really like this series, but I also have to admit that the second season was not as good as the first. The biggest reason for that was that it was incomplete: the episodes that built up the main storyline built up for something that wasn’t in that season, whereas the individual stories (of which the first season entirely consisted) really focused on delivering good standalone stories,. The past two episodes were in the same vein, and really wonderful to just sit back and relax at. I really wonder whether we’re going to see the build-up of the second season pay off at a point now.
Rating: ** (Excellent)

Tiger & Bunny – 15




Here it is: the long-awaited Sky-High episode. And it was worth the wait! It’s finally time to really get to know him.

And again, this episode somehow did it while also delivering a bunch of really nice twists to the plot. Skyhigh here actually gets to show why he used to be the king of heroes: he’s far from as active as the Dragon Kid for example, but his powers are by far the strongest out of all of the heroes out there. It’s really interesting how, while he’s an interesting character, most of his awesome points have just been hinted towards and that makes for a really interesting character, especially since this episode focuses on his flaws. And builds some romance around him. That also really was awesome.

I’m not sure whether this was intentional or not, but that robot actually has this really similar voice as Dorothy from the Big O. It’s really bizarre, especially considering their parts and personalities in both series are totally different, but they do speak with this similar tone. She also was animated really well, by the way.

Also, if this were a shounen series, then Tiger is about to get a huge power up. In this series however, where his powers are anything but conventional aside from the fact that he’s really strong, anything can happen. I’d actually really want to see Tiger lose his powers for real, without the creators pulling some Deus ex Machna as an excuse to make him stronger.
Rating: *** (Awesome)

Hana-Saku Iroha – 15



By now it has already been established that Ohana is strange, and this episode only established that even more. To come rushing out and actually volunteer to act as a waitress in order to help out the in she’s supposed to be staying at. At first, I thought she was crazy, but as the episode went on, I really got what this episode tried to tell.

Instead of dancing on Yuusuke’s grave, this episode focused on the development of both him and Yuina, but it also had some interesting messages to share about working, that tie in really well with the rest of the series. Ohana is the type of character who doesn’t wonder whether or not her ideas are strange: she just carries them out. In the past that lead to a bunch of awkward, annoying and embarrassing situations, but with this episode it actually paid off really well.

On top of being well written, I also felt that the background art of this episode was exceptionally good, even for this series’ standards. It looked really crisp and clean. It may be that I just returned from a holiday myself and all, but the inside rooms look really realistic and have this great use of lighting, compared to the copy and paste indoor art you usually see. The landscapes also were really well drawn. It’s all with just that tiny amount of CG to crisp things up, yet not make everything look blocky and stand out.
Rating: ** (Excellent)