Thunderbolt Fantasy – 02

by SuperMario, posted in Currently Watching:, Thunderbolt Fantasy

Sometimes there’s a show that so campy and fun that you just can’t help but enjoy watching it, and then sometimes there’s a show that completely takes you by surprise by how unique it is. Thunderbolt Fantasy offers both of these in a neat package and further showcases the richness of animation as a medium too. As a guy who always support diversity in animation, the show like this is all I could ask for. The fact that Thunderbolt Fantasy got made in the first place is nothing but astonishing, but for me the most fascinating fact is how on earth this show falls into anime radar in a first place, because this is surely not an anime show (I suspect it’s all because of Gen Urobuchi here). Damn, it is not even technically ANIMATION to begin with. Theoretically speaking, animation requires photographing successive drawings or positions of models to create an illusion of movement, whereas puppetry usually recorded live so there’s an actual movement in puppetry. Here’s an example to illustrate the difference: to make 1-minute of a stop motion animation, it could take hours even days for a shot-to-shot sequence, since there’s usually 15-24 frames per second and you can do the math. But for 1-minute of puppetry it would take just that- a minute of actual filming.

Now let’s get to the actual episode. This second episode offers a much slower pace than the first, with the main storyline here concerns our main character Shang Bu Huan chit-chatting with the helpless girl Dan Fei, and the mysterious Lin Xue Ya, he then gets ambushed by the bad Xuan Gui Zong clan, and escaped with the help of the brothers Juan Can Yun (kind of show-off comedic relief guy) and Shou Yun Xiao (the one-eye archer. Look, I’m trying to familiar myself with those names here). So far this is a very standard wuxia affair, with the plot so far ticks all the boxes of many wuxia’s conventions. The villains of this show so far are sadly bland and over the top. But what the show succeeds is how it still maintains the sense of exciting, the staffs clearly had fun while they were making this and we can feel it too, from the way each of character has their own mannerism, the practical effect (the feeling that you can sense the weight of blood dripping and body exploding (no sh!t) is refreshing), to the utterly ridiculous dialogue; all in the service of making this show as unique and entertainment as ever. This is, after all, a very different medium so I really treasure the experience that I can only find in puppetry. My only complaint from the technique itself is how the camera tends to keep too close to the characters. There are very few long shots in these first 2 episodes, mainly medium shots and lots of close up. That is understandable since the staff has to create all the models, set decorations by themselves; but sometimes the lack of establish shots confuse the hell out of me.

On last note, I have watched many wuxia shows before, but all of them are 30 plus episodes based on already established franchise materials, so I’m eager to see how Gen Urobuchi pull this off: an original wuxia that condensed into 12 episodes. Although Gen Urobuchi is not my favorite writer, I have to tip my hat off to him on this series. Without him, Thunderbolt Fantasy couldn’t exist. Without him, the Taiwanese puppetry will always be a mystery outside of its homeland. Damn, I haven’t even heard of them before this show. That fact alone is already something worth celebrating.

~SuperMario~

Re:Zero -Starting Life in Another World – 16

by AidanAK47, posted in Currently Watching:, Re:Zero -Starting Life in Another World

Looks like the new opening and ending won’t be getting much use in this second cour either, not that I am complaining of course. This week I  wouldn’t be surprised if people were getting sick of Subaru as his actions continue to be erratic and destructive. The ending of the last episode gave hope that Subaru would be driven to make the right moves and strike back at Betelgeuse however while Subaru has got the right idea, he doesn’t have the know how to achieve it. I think it’s important for people to keep in mind one thing. Subaru is not you and you certainly wouldn’t handle this situation any better if you had gone through what he has. I actually find this aspect rather interesting as Subaru is at a simplistic level the kind of character you would normally self insert yourself into. However now he’s going against the viewer’s wishes and it forces us to see him from an outside perspective. I sort of see what the author is trying to achieve here but I must admit that his efforts may go to make Subaru too unlikable which would affect how we view his efforts in episodes to come.

What must be taken into account from now is the key to writing great tragedy. For you see what makes tragedy great is the ratio between hope and despair. The very impact of the events themselves depends on the author building a certain set of expectations and hope before ripping it all apart in front of the viewer. A constant tragedy is a dull boring affair that lets the viewer become desensitised to what’s happening on screen, therefore killing any attachment to the characters. I believe this is what caused Attack on Titan to falter in its later episodes and why I believe a second season won’t be quite as well received as the first. When your story is a constant stream of never ending losses then the viewer loses any hope of the characters winning and it just becomes a matter of when all is lost. This is what Re:Zero needs to avoid at this point in time because there is only so long people will put up with Subaru’s act. What we need right now is some small victories, things which give credence to the idea that maybe, just maybe Subaru could beat the witches cult. It is then when you bring out the tragedy again and smash expectations. Then begin the cycle  again by building up hope. My friends, Tragedy is like Dark Souls, a series of failures building hope towards a dream of magnificent victory.

This episode could be seen as each member of the King’s selection candidates telling off Subaru for being so arrogant. To some they may even seem mean spirited in how they lecture Subaru but it is important to take into account their perspective. A boy who previously talked big in front of everyone is now making claims that the witches cult will attack a village and that he needs their help. All things considered it’s actually rather kind that they gave him the time of day to listen to him ramble on like a madman. Each of the Candidates saw past Subaru and realised his true intentions so simply picking the right moves isn’t going to get Subaru through this. However within each telling off Subaru got was some wise words of advice which if Subaru heeds could lead him to victory. Crush is trying to get Subaru to realise that he is working out of his own selfish intentions and not for the sake of others. Priscilla is showing him that begging will get him nothing and that he needs to prove his worth.(Through that may have been unconsciously as I believe she thought that if she made him beg it would be more entertaining, but only found it disgusting.) Anastasia told him the keys to negotiation and that in order to get what he wants he needs to have something to trade.

In these words are the lessons Subaru needs to learn and it’s really a matter of when he decides to heed their advice. Still despite all of Subaru’s missteps this episode I admit that the idea of evacuating the village before the witches cult attack was a rather clever idea. Pity he forgot about the creature Rem previously warned him about in a previous episode, the white whale. I have some idea’s as to what makes this creature so dangerous as evidenced by the final minutes of the episode but I think I will wait to see if my thought is true. Start thinking Subaru, the wait till sunday is too long just to see you fail yet again.

~AidanAK47~

My Life as a Courgette (2016) Movie Review – 82/100

by SuperMario, posted in Anime Reviews, Reviews by SuperMario, World Animation

It’s never easy to make a good family’s animation. For movies aim at adults, the filmmakers can easily get themselves loose, go crazy and the audience can still get it. But for kids, these movies might be one of the first movies they’ve ever seen and that’s a huge responsibility. They have to aware of children’s mindset all the time so that they both maintain kid’s interest throughout its screening time and make them invested to the story. That’s a reason why usually a good family movie or show tends to be either inspirational, educational, or packs an emotional punch for viewers of all ages. My Life as a Courgette falls neatly under the latter category. The film is adapted from a French children novel and the screenplay was written by the talented Celine Sciamma (she directed handful of movies and all of them focus on teenage girls and their transitions to adulthood, in other words, my kind of films). Though not as dark as the book, it’s a story from a kid’s point of view that have a very adult concept and tough subject matter.

The film recounts a few months in the life of Courgette, a nine-year-old boy, who accidently kills his alcoholic mom, then finds himself in an orphanage. His real name is Icare, but he insists of calling himself Courgette since it’s one of the very few things that he has left from his mother. Indeed, when he steps into the orphanage, the only things he keeps in his suitcase are an empty beer can from his mother, and a kite he made by himself. He doesn’t remember much about his father either, since the father left the family long time ago to chase “chicks”. There in the orphanage, he, still feels responsible for the death of his mother, encounters other kids who – like him – had experienced rough childhoods. They include the self-appointed leader (and a bit of a bully) Simon, and later Camille arriving by court order, who witnessed her parent’s murder-suicide. Rosy, whose mother was sent back to Africa. Ahmed, whose father was arrested for robbing a convenience store. Alice, whose father was arrested too. There is also a kind-heart policeman Raymond who later would be Couragette father’s figure as well.

If you feel I give a bit too much of a synopsis here, this is because it’s essential to the theme of the story. The best thing about the film, I have to say, lies in its sensitive writing. Within the first 10 minutes, the film successfully establishes a solid ground of all the mishaps, all the sadness these children have been gone through. Those moments feel so real and hold so much power. Life is not fair in the first place, and those children did nothing to deserve it. They all end up here, without the care of no one really, and all they have are each other. Being said that, those sad, downbeat times are just a facet of life, and learning how to live with it is the main theme of the film. The later part of My Life as a Courgette comes to more light-heart, sincere territory, but by then we’re already swept by the sadness that the whole movie feels more like a bittersweet experience.

Upon making this feature, the director Claude Barras insisted that he took extra attention to the eyes of the characters, and it shows in the movie, as the characters have big, expressive eyes. In many of the touching moments, those eyes help conveying a lot of emotion and we really see the sadness behind those eyes. The character designs, with big head, multicolor hairs and very thin body, further make those characters easy to root for, and will definitely catch the interest of the children. It helps of course that the kids were well-written and speak like a normal 9-year-old would speak. The stop-motion for the most part is serviceable; they serve the story well but nothing to stand out and truthfully judging from technical aspect there is nothing to recommend either. Then again this film is a children movie so I guess it serves its purposes.

If there is one thing that I could criticize the film for, that is its conflicts resolve way too quickly. There are two main conflicts of the film. The first conflict comes from Simon bullying Courgette, both because of his name and because he’s new. The second comes from the group’s attempt to win back Camille from her aunt who intends to use the girl for government-aided. I really think more time spending to raise the stakes would benefit the film better, especially with its relatively short running time (66 minutes to be exact). Because of its brief running time, only Courragette and two more characters (Simon, Camille) have a chance to develop, and boy! They certainly grow a lot during their brief time staying together in the orphanage.

In the end, My Life as a Couragette is the kind of film that the kids can enjoy but there’s a level for adults to appreciate as well. The bittersweet moments are all well-earned, and this is a feat to tell a sad, dark story without being too cynical or depressing. The film actually suggests the opposite, that unfortunate things happen everywhere, but learning to bounce back and stand up from those mishaps is something worth treasuring for.

Next post I will review my personal favorite anime feature film that came out last year in 2015, and it is NOT the one(s) you think it is. Stay tune!

~SuperMario~

Some Quick First Impressions: The Disastrous Life of Saiki K, DANGANRONPA 3 -The End of Kibougamine Gakuen, Mob Psycho 100 and Battery

by AidanAK47, posted in Some Quick First Impressions

The Disastrous Life of Saiki K

Short Synopsis: A boy with incredible psychic powers runs into troublesome people.

It’s a pretty good watch. Sort of like Handa-kun it relies a lot of misunderstandings but the execution seems better in this regard. I say the main weakness is in that it has no real continuous narrative and instead is a series of shorts detailing Saiki running into a troublesome person and reluctantly using his powers to help them. Out of the skits shown I liked the one about his parents the best as it had the best punchlines. However Saiki as a character is rather dull considering that he has only one default state and that’s pure apathy. Sort of akin to Saitama’s bored demeanor without any of his goofy charm. I think for it to really get good Saiki needs a foil who is on the same level as him but so far it’s a rather decent comedy.

Potential: 60%

 

Mario’s thoughts:

This show based on the gags manga series, so instead of showing it as a 20-minute episode per week, they screen the show everyday as a 4-minute chapter and combine all of them for a full episode on Sunday, so in a way I could see this more as a short series one. I’m not kidding when I say this is the sharpest comedy show of this season, as it could go absurd, occasionally slapstick, most of the time over-the-top humor, but ultimately never lose its charms. Saiki is an over-power, but very self-aware kid, and his running through daily live without being stand out (because obviously he’s stand out) is a joy to watch every day. It becomes a new routine that I would start my anime-watching day with 4 minutes of Saiki K., and never once did I feel the show runs out of its joke. A must-watch for me.

Potential: 75%

 

DANGANRONPA 3 -The End of Kibougamine Gakuen- Future Arc

Short Synopsis: A terrorist group captures the leaders of the future foundation and forces them to play a death game against one another.

This is very much an anime for fans of the video games so if you haven’t played them I highly recommend that you do before seeing this show. Though regardless if you plan to watch this or not you should check the two games on steam anyway as they are quite excellent games. Jumping in from a anime only perspective would likely leave people confused as to what exactly is going on as this takes place directly after the events of Danganronpa 2. So far the writing has managed to avoid the pitfalls of the anime adaption of Danganronpa which is a relief though I need to see how they handle the mystery aspect before saying that this has better writing. It certainly doesn’t seem to have pacing issues and the new cast looks interesting.

Potential: 60%

 

Mario’s thoughts: I will not review this as I’m unfamiliar with Danganronpa’s universe

 

DANGANRONPA 3 -The End of Kibougamine Gakuen- Despair Arc

Short Synopsis: A new teacher gathers up her eccentric students to attend class.

Much like it’s counterpart, this is a series for fans of the games and if you haven’t played the games what you are going to get out of this episode is going to be little. However as someone who has played DanganRonpa 2, this episode was like being introduced to old friends. It’s interesting that Lerche is putting out both a prequel and a sequel to this series out in the same season but so far both have had solid starts. This series sounds like it’s going to be the more lighthearted of the two but there are hints of a darker tragedy ahead. With the original writer on board I think these animes could be quite worthwhile. Ultimately I say if you are a fan of the games then these two animes are a must watch.

Potential: 70%

 

Mario’s thoughts: I will not review this as I’m unfamiliar with Danganronpa’s universe

 

Mob Psycho 100

Short Synopsis: A fake Psychic cons a powerful esper boy into exorcising ghosts for him.

I have a particular fear that Bones is attempting to turn this into a repeat of One Punch man when Mob Psycho from what I recall from the manga is a different kind of story. Though considering that One Punch Man was a product of numerous talented people coming together there is a good chance that animators from One punch Man are working on this series as well. It has a particularly interesting style which is based heavily on artist ONEs webcomic art. The story of this episode is different from what I remember of the comic as it looks like things are getting moved around to make the show more dynamic. There is a much higher focus on comedy and sadly for me this doesn’t really work. For one the conman’s thing of pretending to be a powerful exorcist gets tiresome. He’s basically a version of Hercule from Dragonball Z. Mob in turn lacks the things that made Saitama so enjoyable and comes across as a more emotionally demore Saitama. Not helped by his design with has huge similarities.  This story does get interesting as it continues but I doubt it will reach the heights of OPM. Those hoping for a second coming likely should temper their expectations down to a lower level. Still the animation here is quite interesting and for that alone the series is worth checking out.

Potential: 60%

 

Mario’s thoughts:

Wow. I could watch the opening theme all day. The visual looks cool, the story is fun mainly because the show never takes itself seriously, the comedy is sharp and witty, what’s more could you ask for? I can see the running joke of Reigan as a con artist and his totally dependence on Mob to exorcise ghosts can wear off quickly, but I have faith on its writing as One Punch Man has a solid writing as well. My main concern is Mob himself, as for now he’s just plain- blank, to be exact. Yeah I guess we have to wait until he reaches 100 to see exactly what will happen. One of the most awesome thing was that creative visual is not there just for showcase but it fits very well with the theme (ghosts, supernatural) and the tone (a bit wacky, colorful) of the show. Overall, I think this is a style-over-substance show, but could be a very entertainment one at that.

Potential: 80%

 

Battery

Short Synopsis: A baseball pitcher finds a friend whom can catch his pitches.

I admit that after a long run of first episodes that I may be quite burned out at this point to enjoy battery. What make this harder for me to enjoy is that Battery is fairly slow paced and character driven which I simply have no patience for anymore. I am tired of school setting, tired of slice of life and tired of easygoing atmosphere. Let me get down to the main point. Is Battery a bad show? The answer is no. It’s a fairly solid slice of life so far but I think in this season it’s going to need a lot more than this to stand out. We already have two alternatives to watch this season besides this show and I have no interest whatsoever in baseball. I can sort of see where this story is heading and I have very little interest in continuing. Put simply I think you should check this one out yourself if you have a slice of life itch that needs scratching and decide if it’s something for you. Otherwise when it comes to this first impressions, I am done.

Potential: 50%

 

Mario’s thoughts:

And with this final show had its first screening, I’m happy to say that we don’t end our impressions on a sour note. Battery has fairly strong writing to start with. Unlike Days (the other sport series this season) where our main character was clueless about anything related to football, here in Days the main character is an already established teen baseball pitcher. And he’s not a likeable kid, but he’s well-grounded. He’s first appeared to be an overachiever, but at the end of episode we learn many about him, many of those through just small exchanges: his affection to baseball, to the point of playing it with his new friend – something a loner like him tends not to do; his strain relationship with his father, his ambiguous to be the best but ends up taking baseball too seriously, his mocking about “rich kid” when he gets hurt. It helps that the cast around him, most notably his brother and his new friend Go, bounds off very natural together and the more they interact, the more we understand about their personalities. This is a solid first episode and I can’t wait to see them batter for more.

Potential: 70%

Fate/kaleid liner Prisma☆Illya 3rei – 02

by AidanAK47, posted in Fate/kaleid liner Prisma☆Illya 3rei

It is safe to say that to get the most out of this series, you have got to be a Fate fan. There are numerous little easter eggs calling back to it, even Kirei’s signature “Rejoice” line. However I say even casual fans could get something out of this series as well. Provided they made it through the less tasteful parts of Zwei. I actually only recently finished Prisma Illya 2wei in preparation for the new season and I can certainly say it has serious problems. There are parts of it which are good, mainly the action scenes but that’s in a minority when you take into account the massive amount of time wasting that goes on in those two seasons. There was no real plot as the first part focused on the addition of Kuro/Chloe whose contribution to the plot seems to be just to make the best scene of the first season into a pointless character and to provide a brown skinned Illya for those interested. Then came Bazzett who while a great character seems to be shoved in as a conflict for the sole purpose of adding her to the cast and padding out Zwei. The rest was just a waiting game for when they would all go to retrieve the eighth card. Taking all this into account I am fairly certain we could have cut down Zwei into one season and lessened the pain of it’s existence. I understand if there are those who simply disregard this series as loli porn as it certainly has done things to earn that contempt. However I can promise this season of the show will be very different from it’s predecessors and already it’s looking promising.

With the introduction of the Ainsworths we now have a antagonist and a pretty good one at that. Plus we have two introductions of well loved fate characters. Kotomine Kirei is here displaying his love for spicy Mapo tofu for the first time. Here’s some fun little trivia about that. Kirei is a man that never takes pleasure in anything, not even eating. So the act of eating was much like refueling a car to him. However that changed when he tried super spicy Mapo Tofu for the first time and felt that it provoked a reaction in him that he never felt before. Henceforth it became his favorite food. What makes this most amusing is that it’s unclear if he genuinely likes it or if he misinterpreted the way the spicy food caused him to tremble and sweat profusely him as “enjoyment”. So having him in the middle of a dead city tormenting whatever travelers that pass by super expensive ridiculously spicy Mapo Tofu just brings a smile to my face.

We also have Ko-Gil(AKA, Shota Gilgamesh) who is actually a canon part of the nasuverse. This may be somewhat attributed to Narita’s explanation in Fate/Strange fake but apparently Gilgamesh has a youth potion in his treasury which he drinks when he can’t be bothered to deal which the situation around him. His younger self is a lot more tolerant of people and less arrogant than his older counterpart but he still holds Gilgamesh’s talent for manipulation and thirst for entertainment. The Gilgamesh in this episode generally feels like a good kid but with hints of a hidden agenda, in this case wanting back his full power from the card one of the Ainsworths uses. The kid certain has a way with words having been able to charmed Illya by calling her “Onee-chan”. Some people are even shipping the two now which is awkward when you consider that Gilgamesh did happen to steal her heart before in a manner of speaking.

In terms of action we didn’t get much this week as it was mainly for getting to grips with who they were fighting and an idea of what happened in the past. Though a number of hints have been dropped. Tanaka is a welcome addition to the case namely because he’s comic relief with a purpose. Her insistence with destroying the Ainsworths despite having no memory seems to suggest she might be some kind of counter guardian. I also think it’s fairly obvious who happens to be in that jail cell at the end of the episode but just in case I won’t go into detail. Animation and art look great so far and it seems like Sliver link knows this is going be a season worth putting effort into. Next episode looking to be pretty good as we have Gilgamesh vs Gilgamesh and Thor vs Illya. If Silver Link plans to cover up to what I think they will then they may need to speed up a bit. Lets hope the action scenes are not sacrificed to gain momentum.

~AidanAK47~

Some Quick First Impressions: Qualidea code, Hitori no Shita: The Outcast and Ange Vierge

by AidanAK47, posted in Some Quick First Impressions

Qualidea code

Short Synopsis: School students need to defend the world from a dark alien threat.

This odd in the fact that I can tell effort went into the characters and writing but it’s all really for naught when the story is so highly generic that it all feels like it’s been done to death. The characters are stereotypes but there is an attempt to make them stand out. It’s rather irritating in you can see that the writers are trying but their effort is just bringing forth a story we have seen a dozen times before. There are some pretty grievous animation errors and the plot of today’s episode just comes across as average at best. Despite the intensity of the opening scene, there doesn’t seem to be any real threat from these alien invaders. As students seem to just mess around like they are on some kind of field trip. There’s one thing however that has me somewhat curious and that is the tone of the episodes ending. It hints that there is something wrong with their current world and that it’s not all it seems. Perhaps this was made intentional generic and we could be looking at a genre deconstruction? It would be nice if that was the case but it’s a slim hope. If qualidea code continues to be what it currently is, then it’s not worth your time.

Potential: 40%

 

Mario’s thoughts:

I always have rather mixed feeling about the supergroups project, a show where multi-talented writers write their own characters/ city and then paste them up together, and the result is more likely to be a disaster with no personality from any of the writers whatsoever (read: Chaos Dragon). This episode’s main conflict so far reflects the struggle of supergroup very well. Individually, each team has its own distinctive sides and well-defined archetypical characters (the Overachievers – The Idiots- The Lazy). Each group has their own costume designs, their own fighting styles and their own personalities. But to put them together, and the whole things don’t really add up. I like that while this episode shows the teams battle with the Unknown creatures, the main conflict here is internal, and I definitely prefer internal conflict than the threats of alien. The story so far is as generic as possible. I don’t feel there is a lot of potential on this one.

Potential: 30%

 

Hitori no Shita: The Outcast

Short Synopsis: A boy returns to his childhood home when his grandfather’s grave has been dug up by a mysterious person.

Another surprise entry I didn’t see coming in my preview but in this case it’s not a particularly notable one. For one when I started watching it I suddenly realised that I had read the start of the manga/webcomic before. I started it because it had some interesting cover art but then it turned out to be something far less interesting than I expected. So we have zombies and a socially awkward girl who fights them. Plus our main character has lightning powers, I think. I will give it points for having a college student instead of a high school student but other than that this looks to be going do a road traveled far too often. The characters lack a unique kick and the comedy is sad rather than funny. This is just ok but it doesn’t give the viewer any real reason to continue.

Potential: 10%

 

Mario’s thoughts:

I see that this one is produced by Haoliners, the Chinese anime company I had covered before. This show so far looks to be Haoliners’ standard, both in terms of story and production values, so if you haven’t checked the company before, just try this one to see if you like it. For me though this show is a mixed bag, while I like the (brief) fight scene and the supernatural twist to the story, the rest of the show is just meh. The girl unfortunately comes off as one note as possible, the jokes don’t land very well and the whole thing so far is kinda slow. The main storyline, on the other hand, could be interesting the more we learn about what the gifted nature of our main guy, plus that the production values is quite solid. I think this might get interesting later on but sadly this is not my kind of show so I’ll give it a pass.

Potential: 10%

 

Ange Vierge

Short Synopsis: A group of girls on a island fight off alien threats and each other to get a high rank.

Out of all the series on this list so far, this has to be the worst written of them all. It hits a number of my usual checklist of first episode mistakes. One, throwing characters into an action scene right off the bat without establishing context, characterisation or purpose. Two, establishing the setting through a sloppy exposition dump. Three, pointless fanservice. Four, far too many characters. Five, filling your dialogue with codewords and terminology which hasn’t been explained or could easily be replaced with an already established term.(I shook my head when they needed to put a term to the end of the world by labeling it, World end. Thats stupid and I am pretty sure apocalypse would suffice.) There is a lot of negatives here and pretty much nothing I can praise. Our main girl is sad because she got a superpower straight out of nowhere and though it made her better than everyone else. Turns out it didn’t and she’s all disappointed to which I say she can go to hell. The majority of this episode is girls talking in the bath and all about the exact same thing. How the battle went and how one of them wants to ask a favor. Despite getting a terrible exposition dump, the most important questions are not answered such as. How does setting up teams of superpowered girls stop a giant gateway from ending the world? Who are these girls fighting? Why are they fighting each other and why is everyone concerned with getting a higher rank? The series itself tries to wave off these questions as a character asked who they are fighting only to get brushed off by saying “Who cares? They come, we fight them.” This is garbage, don’t give it the time of day.

Potential: 0%

 

Mario’s thoughts:

This is an adaption from card games and most of the times it’s a bad sign. Ange Vierge looks to be in that path unfortunately, as I can see nothing stands out from its first episode. The show already starts with some random fights, the number of girls we encounter this week exceeds my fingers’ count, each of them is generic to the point that when the fight near the end between two teams begins (for no more reason than to boost up their ranks), I have a hard time identify which characters are from which team, nor do I care. To make the matter worse, they spend most of the time naked, and our main character, besides being annoying, reveals to us that she “suddenly” gets the gifts. Well when you get something that you don’t even try to, what is the point of feeling special? I will stop for now as keep dwelling on it required too much effort. This is an easy skip.

Potential: 0%

Some Quick First Impressions: Thunderbolt Fantasy, Time Travel Girl and Handa-kun

by AidanAK47, posted in Some Quick First Impressions

Thunderbolt Fantasy

Short Synopsis: A wandering vagrant gets caught up in a battle to obtain a powerful weapon after saving a girl.

Now technically this isn’t anime and that’s the main reason it escaped my radar when doing the preview. But let’s talk about this because this show is a different experience. What we have here is a stop motion puppet show written by Gen Urobuchi. Gen is a favorite writer of mine though his names prestige has diminished a bit after lending his name to Gargantia and Aldnoah Zero. Two shows were the level of his influence was passing at best.(Full note, he just provided a skeleton for Gargantia and AZ he did the first few episodes and left because he couldn’t relate to the main character.) Gen’s level of quality in general is shaky but I at least give him credit in that what he’s involved with is at least interesting. Here looks to less serious than his previous work as the story is rather over the top and resembles an old kung fu movie. Visually it’s fascinating and the puppets certainly feel more real than any CGI. However unfortunately these aren’t the puppets from Team America so the puppets faces are stuck in a default expression no matter what they do. It really is a pity those Team America puppets disappeared, that was some pretty impressive technology to be just used for a comedy movie. In fact their mouths don’t even move when speaking lines which makes it feel like those times when you were a kid and played with action figures. It’s charming in a way. However I really wish they would slow down on the editing as it’s far too fast to appreciate the puppetry during the fight scenes. Story Wise this doesn’t look too complex and may be a more straightforward plot. I recommend watching this episode simply on the ground that you will never quite see anything else like it.

Potential: 70%

 

Mario’s thoughts:

There is not often we encounter an original wuxia anime, and on top of that a stop motion/ puppetry one, that alone makes this show an unique beast among anime world and all the more reason to watch it. The fact that it was actually good is nothing but extraordinary. For those of you who don’t know I did some posts about Chinese animation before, and I experienced many types of stop-motion and puppetry movies before, so headed in I know what to expect from a wuxia series. But still it is wonderful to see those 2 elements (puppetry and wuxia anime) joined up together and the result is as fresh and fun as it gets. The custom designs and the background designs, for example, were created with full details. The fights are joy to watch, and in truth it feels refreshing to see bloods squirming all over and bodies blowing up for once, because simply you can’t find it elsewhere in animation medium. Story-wise, I’m happy to say that I enjoyed it as well. As Gen Urobuchi is a mastermind behind it, that comes with no surprise though. The things that makes the writing so spot on was how they rely on genre tropes to twist it around a bit and make it fresh again. Like for example when a girl falls off the cliff, in wuxia genre you would immediately know that she will survive, get rescued and then powered up. It also helps that the dialogue is self-aware with those tropes that make it even more absurdity (like how the main character save the girl, not because of his heroism attitude but because of the Buddha). In all, this is a really amazing and oddball entry of this season and you all need to check it out, because you might never find something as unique as this one in anime.

Potential: 80%

 

Time Travel Girl

Short Synopsis: A girl accidentally travels back in time after touching a book.

I think time travel is one of those things that is treated with either deathly seriousness or a strange sense of easygoing optimism. You never see Doc Brown or Dr Who too concerned with the consequences of time travel and it seems this girl is of a similar mind. So after a rather odd scene featuring a man resuscitating a boy with an AED machine. Education seems to be the main draw here as our main character interacts with historical figures and learns about magnetism and such. VIsually I can’t say it’s anything impressive but so far I don’t see anything wrong with the story. Well besides the horrendously neglectful father. I don’t care if you are some genius scientist, ditching your family for three years is a dick move. So far it’s a fairly watchable show.

Potential: 30%

 

Mario’s thoughts:

A time travel shoujo hey? This is a very straightforward title. On a surface I can see how this one has an appeal: Who wouldn’t want to go back in time to meet famous people and learn some of the interesting aspects of that era? I know I definitely would. That and the main plotline of a girl who traces down her missing father provide enough meat for the whole series. But how about its execution? The execution is clunky at best. There is not a whole lot amount of animation here and so far, the production is completely unremarkable. The characters are just mediocre, but I like the twist about the language barrier and the “correct way to use an AED machine (well, when it’s an educational series that bounds to happen: they want to teach you everything). Still, I like the concept, after all it’s not that often we have an educational time travel girl show where we deal with real historical figures, so I will give this more watch to see how it expands this concept.

Potential: 30%

 

Handa-kun

Short Synopsis: A boys fan club watch a new anime about a popular boy who thinks he’s unpopular

I think this will be an anime which has viewers spilt on which half of the episode they liked better. We have two stories here. The first deals with a boys fan club who are excited about an anime being made about him. This section has a lot of fourth wall jokes and personally it missed more than hit for me. You could see the jokes coming and the only thing that managed to get a smile from me was when they made their own version of a Handa anime and get bent out of shape when one of them starts criticising it harshly.  Other than that it was a cavalcade of fourth wall jokes which is a bit early because we haven’t established the fourth wall yet. or these characters. The second half deals with the school life of Handa. Now this anime is a prequel to Barakamon but it appears it doesn’t really match it tonally. The impression I get is that this is the Full Metal Panic Fumofu of Barakamon. Overall there is one joke in the second half of the episode and it’s that Handa is a massively popular school student. However he has no idea that he is popular and misinterprets his schools awe of him as bullying. So this is a comedy dependant on misunderstandings which can be a tiresome concept. I managed to get a kick out of it but I am certain the gimmick would grow tiresome after a while. Even with Sakamoto I found the gimmick ran thin as I neared the end of the series, despite it being executed well. If this series is going to continue with the dual show format I think people are just going to show preference to one side but not be willing to put up with the other half to watch it.

Potential: 25%

 

Mario’s thoughts:

So this show going to be about 2 distinctive parts: The first part about Handa-kun fan club, who all self-aware of what the show is about, and the second part on Handa-kun himself before he became a big shot in Barakamon; and I’m totally fine with that format. Now in truth I haven’t seen Barakamon before (always meant to but never have a time for it, but I’m quite certain that I will like it), but this show is a standalone show so I would have no problem watching it. I like the humors displayed in this episode, it’s actually one of the sharpest comedy out this season (mainly because this season is lacking good comedy show). I enjoyed the 2 parts simultaneously, this will not break any ground, but for anyone who already love Barakamon, or like a good low-key comedy in between big shows, this is perfect for you.

Potential: 30%

Orange – 02

by SuperMario, posted in Currently Watching:, Orange

Let me say up front that I am not fond with either romance or melodrama. We usually mistaken romance for love but whenever I think about love I’d think of commitment. Melodrama don’t do well to me either as I always feel forced, like most of the time when the show goes big, emotional scenes, it often implies us what to feel and I feel manipulated instead. Orange, unfortunately go straight to these directions which naturally would put me away for good, but there’s something that keeps me hanging here, and that is the sense of regret. While I said before that I can feel for Naho’s behaviors and the way her shyness keeps her from doing what she should do that lead to her regrets later on, I can’t deny that Naho is NOT a well written character. It got even worse in this episode that she ends up as plain and unremarkable. And I don’t mean her introvert and shyness actions; yes, usually the main protagonist needs to actively carry the story but that’s not a point here; I mean that she’s so average that there’s nothing that makes her stand out. And that’s a problem. We see the story through her eyes, and if she’s unremarkable then it’s hard for us to identify with her. The rest of the cast, while they are natural with each other, still need more development to become full-fledge characters.

Regret is one of the big theme of this show, and it comes straight from the regrets of older Naho towards what she could do in the past for Kakeru and that feeling holds so much weight. The one thing that I really like from the premise of Orange is that this is the younger version of Naho who has to deal with it. Naho the 16-year-old is still immature, she’s still and will make lot of mistakes in her life and as one scene of the show nicely puts it, those letters tell her what to do to avoid regrets do not mean it will change her personality. She’s Naho and she will always be Naho. At least for those first 2 episodes she manages to do what her previous self didn’t have guts to do: to hit the final ball and to make Kaheru a proper lunch. All the details so far strongly foreshadow that Kaheru is going to die in a year’s time, even if Naho tries her best to prevent it. But it’s the actions that count. At least she tries and it’s the time that the group enjoying together that will be their most treasure moments, and that holds no more regret. There’s a real potential if the show ends like this.

Then again, it’s never a good sign that we can see how it would end up just after 2 episodes. This would be predictable and I really expect Orange would do something different to surprise us, or if they go that route they have to be very well executed. There are still more rooms for character’s development and I want to see more from Naho herself. Kakeru’s revelation about his mother committing suicide; for example, is a step in the right direction, because the detail gives us more light to Kakeru’s personality: the way he hides his emotions away and the way he yearns for a female figure. This is where Orange really shines and I expect more of this in coming episodes.

And I still hope they’d tone down the melodrama later on.

~SuperMario~

Re:Zero -Starting Life in Another World – 15

by AidanAK47, posted in Currently Watching:, Re:Zero -Starting Life in Another World

I have a certain belief when it comes to anime and it is that in a great series there is “That” episode. You know the one, the one you will always remember. The one that comes to mind when the series is brought up. Of course depending on personal opinion, that episode can be different for other people. However I think that sometimes in a series, there is one episode that truly hits the hardest. Some examples for me are Madoka’s episode 10, Cowboy bebops final episode or Fate/Zero episode 23. That episode that when the credits roll all you can really say is, wow. This is likely premature of me as we are only over the halfway point but I believe that this is Re:Zero’s, That episode. When this series is brought up in the future I am certain the image that will come to everyone’s mind is that of a decapitated Subaru holding Rem in the snow. The studio might agree on that point as a new Key visual came out on the official site which displays Subaru carrying Rem in the snow. But let me dial back a bit before I am labeled a zealous fanboy.

We finally hit the point where Subaru dies and it’s after finding the corpses of Rem, Ram and the children of the village. The bodies of Beatrix and Roswaal are oddly missing but considering their fighting potential they are likely guarding Emilia and if they are guarding Emilia that means they are dead center of the snowstorm. The room Subaru was about to enter is likely where they hid out and we get a rather unexpected death of Subaru, as he’s frozen to death and shattered. Thus we finally get the first death of the arc and find out where his “save point” is. It looks like it’s in front of the apple salesman again and upon first seeing it I thought Subaru had returned right back to the beginning. However it turns out to be in the middle of the shopping trip he and Rem went on. It also happens to be after Subaru and Emilia’s argument and his foolhardy mistakes at the selection which I am truly grateful for. It could have been so easy for the writer to just undo the mess and put Subaru on top but instead he took the high road and made it that Subaru needs to live with his mistakes and mend his broken relationships. Though he’s not doing that now as he’s gone completely insane and no longer has the mental capacity to deal with things anymore. This is the point where Rem has pretty much won the main heroine title. I don’t care if Emilia is technically the main heroine, Rem’s earned it ten times over by this point. Which is surprising as it wasn’t all that long ago when she caved in Subaru’s skull with a flail.

Subaru has been rendered a unresponsive vegetable at this point and despite not knowing how this suddenly happened, Rem sticks with him. Though she does make an accurate guess in that the witch is likely involved due to the scent of her growing over Subaru. She even fights to the fight to save his life after he’s abducted by the witches cult. That brings me to what I would call the biggest flaw of an otherwise perfect episode, Betelgeuse. Betelgeuse is the main villain of this arc and boy, does he want you to know it. For Subaru’s development he’s perfect as he’s so unredeemable evil and unforgivable that he drives Subaru to fight him. However while in some aspects I like his purpose, I rather dislike his overly cartoonishly exaggerated insanity. He’s trying far too hard to be creepy and unstable that he’s just too hard to take seriously. He bares a heavy resemblance to Gates from Full Metal Panic: The second raid who also had a spastic personality as well as a pendent for killing his own subordinates. This kind of villain suits the needs of the plot but as a character he just comes off as weak. If he can manage to tone down his mood swings I think he has potential in how perceptive he is of others. Particularly he managed to see that Rem had unrequited love for Subaru and more importantly, that Subaru was retreating into insanity.

As the Joker stated in the famous comic and soon to be animated adaption “The Killing Joke” “So when you find yourself locked onto an unpleasant train of thought, heading for the places in your past where the screaming is unbearable, remember there’s always madness. Madness is the emergency exit…” Subaru tried to take that exit but Betelgeuse wouldn’t let he close the door and that’s the strange thing about this. Betelgeuse did horrible things, brutally killed Rem and left Subaru screaming bloody vengeance but in an odd manner, he “helped” Subaru. Well, help might not be the right word, more he gave Subaru drive and focus. With the next loop Subaru is ready to fight back but the look in his eyes isn’t that of a hero. It’s the eyes of someone out to kill a man called Betelgeuse. Betelgeuse put down some nice hints in his scene, with him labeling himself Sloth and aptly wondering if Subaru was pride. It looks like all the archbishops of this “gospel” are representative of a sin and in the manga Betelgeuse does say that he knows everyone’s face but pride. I must admit however that I am really getting tired of the seven deadly sins being used as symbolism. When Full metal alchemist did it that was cool but lately everything under the sun has been using the seven deadly sins motif. At least change it up a bit. After all, there were originally eight deadly sins. Those original sins had despair instead of envy and the eighth sin was vainglory. Vainglory being the human desire to be seen, appreciated, acknowledged, and accepted. If this writer is very smart it could be possible that Subaru is Vainglory and that suits him to a much greater degree than pride.

What is by far the signature of this episode is the closing credits. Rem limped her way to Subaru and released his chains.(Still questioning how she’s still alive seeing as I was sure Betelgeuse broke her neck.) After she confesses her love and dies in his arms, Subaru carries her all the way to the manor which has been overtaken by a sudden snowstorm. After seeing Ram’s dead body a giant beast comes out of the top of the manor and upon locking eyes with Subaru, freezes and decapitates him. As the credits roll and Subaru is buried under snow and fog, this doesn’t feel like the end of a single episode of a series. If feels like the dramatic end of a movie and is just mesmerising. The music on this point as well is just superb with orchestrated violins. I think it’s fairly safe to say that the beast that froze the manor is Puck due to the ice powers, his tendency of calling Emilia his daughter and looking closely at the silhouette you can see the earring Puck wears clearly. It was previously mentioned at the selection and by Puck himself that he is a very powerful spirit and this is likely his true form revealed after the death of Emilia. His killing of Subaru feels like a mercy killing as he didn’t want him to see Emilia dead. Or it could be possible that he is aware of Subaru’s power to a degree as he has shown elements of a mind reading power. The real question now is what happens after this, when Subaru now is ready to strike back. My guess is Wilhelm will notice the change and play a part. My biggest worry from this point forward is that Re:Zero may have played it’s strongest hand, hit the peak and after this it’s all downhill. It has so far managed to avoid that but truthfully, I am not sure how it can top this.

~AidanAK47~

Berserk(2016) – 02

by AidanAK47, posted in Berserk(2016), Currently Watching:

Well this isn’t going to be an easy watch for me. Back in the days I was just getting into anime and manga I happened upon a series called Berserk. I watched it, really liked it and then went to read the manga. Eventually I read it up to date but over time I lost interest in it due to the ever slow release of chapters and just the story being stuck in a dull arc with no end in sight. I truly pity the fans of the series as their suffering must be immense. To such a degree that just the act of Gut’s making it off a boat after seven years is a cause of massive celebration. To make matters worst it has not fared well in regards to animated adaptions. The first adaption is the best and manages to be a good watch. However the animation is bare bones and it left off on the cliffhanger of the century. Several years without a sequel until a new series of movies came out which covered the events of the anime series. The movies had better looking 2d animation but suffered from poor CGI during battle scenes. Regardless this gave fans hope that this could lead to the possibility of the rest of the manga getting adapted but sadly this wasn’t the case as the series was left to the side again. Now here we are with a brand new adaption covering material never adapted before and we shall finally see the rest of berserk in its true glory….right? We it’s times like this that I wonder if Miura named his manga series rather appropriately, for the fans are most certainly berserk and for good reason.

The episode reviews are likely going to beat this point to the ground but when it’s as glaring an issue as it is I must bring it up. The CGI animation is truly awful, there’s no getting around that. It’s ugly, jarring and unnatural. However the main issue with this animation choice is the lack of consistency for that is what is causing the vast majority of problems. I have watched fully CGI shows before and I can tolerant even bad CGI or awkward CGI. Bubuki Buranki I think did an excellent job with it’s CGI animation and Knights of Sidonia still had a compelling narrative that allowed you to look past stiff motions or off putting shots. But those two series had a consistently in it’s style whereas Berserk does not. Berserk switches between 3D animation, 3D animation with sketch overlays and 2D animation and in doing so it never allows the viewer to become accustomed to a style. It’s especially jarring because of the difference in quality between each style. When you finally start to accept the uncanny CGI models, the story switches to 2D animation and gives you a glimpse to the quality this series could have had. Even if this meant we would get more still frames and less animation, this is the Berserk the fans would be happy with. But then it jerks you back to the CGI which when it switches to a sketch style becomes somewhat passable but keeps jerking between passable and bad, never letting the viewer settle into a style. Berserks high quality art style is one of it’s highest points of praise for the manga and I like it the most for just how expressive it makes the characters. There may be some who say that we should give them a break and that the CGI is the best the studio can do but I say nay. For there is a Berserk Musou game coming out and the animation in that games trailer tops everything this series has displayed.

What makes this especially sad is that there are moments, moments when the quality of the story shines through. I look at this anime as a diamond covered in mud and at some times the mud slides off and the shine of the diamond flows through but a minute later they throw muck over it again. The scene with Guts getting integrated by the knight commander, him in the cage getting worried over the demons beginning to come after him, Guts running to attack the female commander, the moments of the manga adapted true then manage to help you forget about the quality of the shows visuals. However it isn’t only the visuals at fault for there are other problems. In particular the conversation between Guts and the vice commander had far too fast pacing, to a degree that it felt on fast forward. Puck tends to break immersion when her turns into his chibi form and overall his character isn’t very likable in his current form. Small details are getting lost such as the Female Knight commander actually enjoying whipping Guts which is a pretty big part of her character and this arcs theme overall. Which mainly has to do with religious fanaticism and how people use it to justify their own base desires. I am also not fond of the hint of tidings of more anime original content which regardless of whether it’s written by Miura or not isn’t what this series needs. For now I see Berserk as a tough watch in that it takes a lot of tolerance to look past it’s numerous flaws and see the good in it. The studio needs to step up and keep a consistent style, otherwise this will be as disappointing as when Miura inevitably once again puts the Manga on hiatus.

~AidanAK47~