Neon Genesis Evangelion – 03

Let me just start by apologizing for the delay of this post. I guess the only privilege of covering a retrospective show is you can cover it any time you want. I kid, I kid. The truth is I just binge-watched many series so I don’t have time to do this review. While I’m enjoy writing reviews, it’s no secret that it has eaten most of my free time and sometimes I miss a good old time when I still have time to watch everything and not to worry about review. Anyways, my ranting ends now and I hope I will review this piece more frequently. Now, moving on.

This episode shows us another facet of being a hero. It’s not all shine and glory, and Shinji proves to be as atypical a hero as you could imagine. Told through the point of view of new Shinji’s new classmates Toji and Kensuke, Shinji at first appears as a thorn to their eyes. His sudden spotlight for being the one who save the city strikes a wrong note to those guys, and to make it worse Toji’s sister was injured from that fight, something which he blames for the fault of the hero. To add salt to the wound, Shinji himself confesses that he did not choose to protect the city. Seriously if I were Toji, I would not stop with just one punch. Shinji’s submissive seriously gets on my nerve! But when the Angel attacks again, Toji and Kensuke has a real chance to witness what it really means to be a hero and save the world. It’s all messy. Eiji got suffered, both physically and mentally. It’s a life and death matter where you could end up death with just one wrong move. Shinji pushes himself to the limit that it borders on insanity. Kudos Gainax for creating a battle that gripping, on-the-edge and terrified, instead of going over the top like most mecha action sequences tend to do.

The original Japanese title really nails another theme of this episode. “The Phone that Never Rings” best described about Shinji’s character. The more I think about it the more I see him not really fitted for this type of job. He’s a loner, he’s submissive (look at the way he talks to himself “aim in the middle”) and worse he sees no point for himself to fight. Even in his normal school life, he has no friend. As I mentioned above the battle was gripping because we witness Shinji nearly breaks down, but the worst thing of them all is the whole mess is still working. As we learn in consequential theory, if one still produce a desired result then nothing is needed to worry about, right? In this case not in a long shot. If Shinji keeps pushing himself like that, eventually he’ll break. Everyone breaks, it’s biology; as they say in the (in)famous torture scene in Zero Dark Thirty. Seriously I think saving the world is too much a burden for our Shinji. Not that I blame him really since it’s already a very obscure idea to rely on 14-year-old kids to fight the alien. Well, we still have plenty to go but as far as 3 episodes, EVA has already established its strong grasp on the ruined and shattered theme. This time I will try to get the next episode review quicker so stay tune. Until then!

Thunderbolt Fantasy – 06

I imagine those of you who expect Thunderbolt Fantasy a full-blown action series, the first half of this week would prove to be a disappointment. There’s too much talking and the plot just floats upon a river, slowly crawls into its destination. But really Thunderbolt Fantasy never intend to be a true-ish action show, the staffs go for it knowing full well it’s a campy B-genre show. They really understand that the band of misfits is a real stars of the show (as oppose to the attention-catching premise which is a puppetry wuxia show written by Gen Urobuchi) and as a result the show spends a considerable amount of time just for the characters interacting with each other. I’m fairly content with it because if the show just relies on its gimmick, it will wear off very quickly. Thankfully again, when the actions indeed kick in, it’s a feast to the eyes. There’s way too much explosions and gores actions (in a puppetry form to boost) that you would never see in anything else, anime-wise.

Our main character Shang Bu Huan, having the same state of mind as myself, has doubt about Gui Niao’s true intention in this whole affair (frankly, offer his head to secure the magic flute shows how desperate he is) and literally spends a good first half talking to everyone in the group. By the end of those talks he never gets the answer he wants to know, but instead learns two most valuable lessons: that his comrades have different sets of personality and they surely don’t look eye-to-eye in almost everything, and that everyone never trust each other, especially against our main character. The only things those people have in common are they’re going to retrieve the sacred sword, and Gui Niao. He’s a tape that stick everyone together and making them perform their roles. Whatever his intention will be, I’m really amazed the way he pulls all the strings behind the scene. Now, I have a theory about the intention of Gui Niao, and that has something to do with the information we gathered this week. It’s about the divided countries of Xi You and Dong Li. From the information we gained there was a sorcery of the demons that formed the Wasteland of Spirits, that split the two countries for almost 200 years. I come to believe that gaining the sacred sword, plus the fact that Shang Bu Huan come from Xi You, there is a fair chance of them to undo the effect of black magic, get rid of that Wasteland, and unite the two nations.

But to give more attention to our group also means that the enemy side gets undeveloped. We hardly see any of them long enough to have any impression, nor do we care much about them. For now, they are just too bland. It’s interesting to note about the character designs of the villains. Besides their black clothes, they don’t look as “evil” as some members of our groups. And I didn’t expect the main boss Mie Tian Hai appears to soon to fight off the group, so his appearance either will limit to talk to our allied group in the next episode (get right to the show’s comfort zone), or he is not the boss at all. From the way the show keeps delving on the nature of all the “archetype” characters (like the demon lady is not quite evil, but actually a bit elegant; or the “sheltered young lady” is the one who sees positive things most characters tend to overlook), I expect a bit of deconstruction on the main boss. Hopefully we will know more about him next week. Overall, Thunderbolt Fantasy’s still going strong. I really enjoy all the gestures and mannerisms each of the possess and hilarious lines like “let’s put aside a cultural difference for now” (when the characters talking about demon and human) are always welcome in any show.

Quick Announcement: Direction, Writers, and Content

I never expected the site would come this far to where I’d feel the need to make an announcement – but here we are, and it’s only right to let you know what’s happening behind the scenes with the site. So as a public service, this is meant to inform all of you who don’t frequently visit our chatbox as to where the site is going, and the gradual changes that you can expect over the coming months.

When the first wave of new writers after psgels (including Aidan, Ninjarealist, and myself) came onboard, we did so fully intending to never deviate too far from the kind of content that Psgels had always maintained since the site’s days on Blogsome in 2005, and for the most part, that still holds true – we’re very consistent with episodic reviews, on top of the usual Seasonal Previews, and anything before them. However, we realize that we can’t limit ourselves to what we consider “playing safe,” and that it really doesn’t hurt to try something new for a change. As a result, the influx of all kinds of original content has reflected that. Besides, whether it was SuperMario’s Versus Show, Aidan’s Manga Spotlight, or my Game Reviews, the positive feedback from you guys, long-timers or not, have continued to encourage us in our efforts to improve the blog in our own ways. So, as far as content goes, you can expect a lot more interesting takes on the site like the Versus Show, on top of the usual seasonal content.

Lastly, you’ve probably noticed that the site has been in a constant state of construction with the chatbox over the past few days, but it’s an extension of our efforts to modernize the site. There’s still some tweaks to be made here and there with the entire site in general (for example, the site eats up A LOT of cpu and the chat needs more work), but I’ll be working with everyone, including Psgels, in order to clean up the site’s coding over the next few months. This really is a site you can fully customize from top to bottom, so if you have a suggestion for a new feature, please don’t hesitate to throw some ideas our way.

 

Tokyo Mirage Sessions ♯FE Review – 65/100

The title of this game rather says everything you need to know about my initial reaction, and I’m still all around puzzled at the mixed bag that this turned out to be – it IS just a standard mashup while having a bit of fun with some experimentation, but the game itself is actually a jumble of Persona’s mechanics with some hints of Fire Emblem, Final Fantasy X-2 masked behind a colorful anime-esque fatigue. Originally called “Shin Megami Tensei x Fire Emblem” but changed shortly thereafter to “Tokyo Mirage Sessions,” I decided I’d have an open mind about this before I went into it, without looking for comparisons to the Persona or Fire Emblem aspects of the game, and did actually enjoy the gameplay. But by the end of my second playthrough, it turned out to be a mediocre title that failed to consistently interest me as a standalone title, much less as a fan of both Fire Emblem and Shin Megami Tensei.

The story is entirely original, so it’s not required that you play any of the Shin Megami Tensei or Fire Emblem titles for you to dive into it unless you want to understand certain references. The story begins with our protagonist in some talent agency in Tokyo as he learns how to utilize an energy called Performa and attract beings known as Mirages much like in the Persona series. The rest of the plot is pretty by the books, it has cameos/references to Fire Emblem and Shin Megami Tensei characters to keep you interested in the plot, and in between the unnecessarily text-heavy story are the animated cutscenes by Studio 4C, which are all serviceable except for the poorly integrated CGI during music/dance sequences (which I believe were done by a different studio). Although Japanese pop isn’t really my favorite genre of music, it’s well produced to say the least and the background soundtrack isn’t too generic either, they accompany the combat really well as the fights feel like a performance rather than a traditional RPG battle.
Continue reading “Tokyo Mirage Sessions ♯FE Review – 65/100”

Mob Psycho 100 – 05

We had a pretty great episode of Mob Psycho this week as Mob faces off against another esper in the form of Teruki. Animation was in top form throughout the episode as the two demolished the school with a psychic battle. Well calling it a battle is a bit of a stretch as the only one fighting was Teruki. Comedy was alright but what really shone about this episode was the actual drama and meat behind it. Namely Mob putting forward his belief of wanting to develop a talent without relying in his natural psychic powers. This belief directly opposes Teruki, whom believes that his powers elevate him above everyone else. Mob’s very existence calls Teruki’s philosophy of life into question as Mob equates having psychic powers to a natural talent. Funny enough this very idea came from Seigan who once again, despite being a horrible person, proves that he just may be the perfect mentor for Mob.

Though his teaching does hit a flat note when he he attempts to make a metaphor about knives. Even Dimple remarks that it all sounds very impressive until you realise that Seigan is the one saying it. Still there is sound logic in what he says, a esper can lift a boulder with his mind but that doesn’t make him any more useful than an ordinary person if you asked him to help program a mobile application. When you take it truly into consideration, just how useful are superpowers in a modern society? The obvious end result is to become a superhero and stop crime but for those looking for a more average job, superpowers are surprisingly not that useful.

What’s the point of having telekinesis if you work in IT? Or having super strength if you are a cook? Or having the ability to fly if it rains a lot?  It’s true in certain circumstances these things could have a use but in regards to daily life I think it would be surprising just how little a difference it would make. Superpowers are cool but they don’t make you a perfect human being and what’s more important is that relying on something that was given to you at birth makes your actual character hollow. As Mob put it, he wants to earn something by his own effort than rely on a power he was blessed with. Otherwise if his power was taken away from him, all that would be left is a empty being. Teruki doesn’t take this well, in fact Mob practically emotionally breaks him that it makes him determined to prove Mob a hypocritic and force him to rely on his power.

This is a rather interesting concept as Teruki is forced to face that rather than being the center of the universe, he is just an average person. If you are to contrast him to a standard shounen protagonist it make for some food for thought. After all a lot of shounen protagonists are driven by a need to prove themselves and grow stronger. Mob says that the reason for this is because they have crippling low self confidence which makes sense. For a famous example, Naruto was ostracized and belittled at the beginning of the series. As a Ninja he was failure and it’s possible that even as he reached the heights of power, he still holds a inferiority complex that pushes him to be cocky and strive for more power.

At the end we see that Mob has a level of power beyond that of his 100% mode and upon seeing that Teruki finally comes to terms that he is indeed a average person. But perhaps seeing the friends Mob has made in the body improvement club might help him mend his ways. Who knows, maybe even his hair might grow back. Dimple apparently died in the fight but I highly doubt it’s the last we see of him. It was pretty interesting to see Mobs emotional meter not rise a bit despite DImple being exorcised and even the montage showing that Dimple wasn’t exactly a pleasant being was pretty amusing. What looks to be important here is Mob’s brother and his jealousy over Mobs powers which looks to play a role in the next episode. There’s also the matter of how all this affected Mob himself as this was a high test of his character and in his eyes he broke one of his principles.

I think what has become the big drawing points of the series is the character of Mob himself as he continues to prove to be not quite as emotionless as he appears. He originally came across as psychic Saitama but now he may have more to him than Saitama ever did. Still despite this Mob Psycho doesn’t seem to be that popular this season from what I have seen. Perhaps due to a lack of resonance with the art style or simply disappointment for those expecting another One Punch Man. While I doubt Mob Psycho 100 will reach the level of popularity of One Punch Man, I think that if it continues to bring episodes like this then it may outclass it in other areas. Though that all depends on what is to come.

~AidanAK47~

91 Days – 05

I think by now many of you have noticed that my 91 days reviews take significantly longer than the others and I will admit that part of the reason for that is that this show is hard to write about. Not that any of this has been bad, on the contrary the writing and direction has been very solid. Rather I find myself with surprisingly little to say about each episode. 91 Days is a slow burn and in that way it holds a different kind of interest for me. It doesn’t have me waiting on the edge of my seat like a new Re:Zero episode but still has high value in the season.This series seems to me to be a kind that can only be fully appreciated once it’s story has hit its conclusion. Then instead of seeing bits and pieces of it’s plot we can look at it as a whole and come to appreciate it’s value. Of course what value that may be all comes down to how this all plays out and I hope that it manages to end on a good note. I can hardly say that the animation in this episode was great as Shuka does have rather shaky production values, however a good story can make up for lacking visuals.

After the Orco’s attempted to kill Fango, a truce has been signed between the Orco’s and the Vanettis which means that Avilio’s and Nero’s road trip has come to an end. Unbeknownst to Nero, Frate neglected to inform the family that a term of this truce was the death of Nero. The Galassias are also pushing for Neros death and have stepped in to put Frate into being the leader of the Vanettis family. Likely because Frate happens to be sucking up to the Galassias and they would prefer a easily controlled lapdog in the seat of power. However I happen to notice that Frate has gained some dark circles under his eyes. Is that because he ordered a hit on his own brother or is there something else going on behind the scenes?

Do the Galassias have something to keep Frate in line? I have a small theory over who the last persons is that Avilio wants to get revenge on and I think that it is his friend, Corteo. He did nod to the gangsters in the first episode when they were going to Avilios house and it’s possible he was being used as a scout. I highly doubt he knew what would happen and chances are he regrets it deeply if I happen to be correct. However considering Avilio’s mindset, I doubt he will let him live even if his part in the murder of his parents was small. It’s possible that Corteo knows this too and that’s why he is trying to get Avilio to give up on his revenge.

One of Nero’s men has been shot in the failed assassination attempt which puts him in trouble. Avilio, after being warned otherwise, has gone to an unlikely person for help. That’s right, Fango returns in all his loony toon glory. I will at least say this, it looks like Fango has a fetish for heavy women which is quite rare in anime characters. Either way he’s broken off from Orco and formed his own gang with the intent of overthrowing Orco. Avilio seems to have latched onto this and agreed to help Fango in this endeavor. I am not sure if this is part of his revenge plan by getting Nero to team up with someone likely to kill him or if Avilio is truly trying to save his subordinate in order to curry more favor with him.

Considering that Nero is now being hunted by his own family makes it seem like a wiser choice would be to lead him into a trap and use that to get him close to his final target. Or his second final target. Perhaps Avilio thinks Fango could be useful in carrying out his revenge? Fango does seem to be up for something as long as it’s interesting. However his loose cannon nature is what caused him to split off from the Orco’s in the first place. The show doesn’t give us privy to Avilio’s thoughts so I can only speculate as to what he is thinking with this move. Maybe it’s a plan just to get through the current predicament. Maybe it’s a calculated move to further his revenge. Or maybe he is actually interested in some kinky play with Fango’s lady? Who knows. Guess I just need to wait as see how this all works out.

~AidanAK47~

The Versus Show: Mahou Shoujo Madoka Magica vs. Steins;Gate

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Time for something completely new for a change. In my opinion, one of the most unique feature here in psgels is always the scoring system, which goes all the way up to 100. This allows much more range in rating a series, compared to the usual 5-star or 10 rating scale. However, the truth is that rating’s highly subjective. We score some shows higher because we think that they are “better” than other shows, and we score them evenly because we believe they have the same quality. But we know that you will always have different opinions than us. Which brings me to this very poll.

Now it’s your turn. The premise of this Versus Show is simple: Take any 2 shows that have the same rating here in psgels, and YOU vote for the one that you think is better. Sounds like fun? Let’s begin.

Here come the first pair, arguably two of the best shows out of 2011, which shared the same score of 87.5. Let’s run them down:

Mahou Shoujo Madoka Magica

(AKA: Girls have to save themselves)


Studio: Shaft

Season: Winter 2011

Episodes: 12

MAL Rating: 8.52

Madoka Kaname and Sayaka Miki are regular middle school girls with regular lives, but all that changes when they encounter Kyuubey, a cat-like magical familiar, and Homura Akemi, the new transfer student. Kyuubey offers them a proposition: he will grant one of their wishes and in exchange, they will each become a magical girl, gaining enough power to fulfill their dreams. (from MAL)

Here’s an excerpt from an original review by our truly psgels:

“Mahou Shoujo Madoka Magica finally shows us another deconstruction of the Mahou shoujo genre, and it is glorious… The thing that’s especially amazing about this series is how well everything fits together. It’s twelve episodes long, but it makes excellent use of its time, the characters all fit the story perfectly and everyone serves his own purpose to the points that this series is trying to make. The show really makes sure that it doesn’t waste its time and just about every episode adds something to the overall story and characters. This creates quite a bit of nice development for such a short series.”

 

Versus

 
 

Steins;Gate

(AKA: Boy saves girl, by letting another girl die)


Studio: White Fox

Season: Spring 2011

Episodes: 24

MAL Rating: 9.17

The self-proclaimed mad scientist Rintarou Okabe rents out a room in a rickety old building in Akihabara, where he indulges himself in his hobby of inventing prospective “future gadgets” with fellow lab members: Mayuri Shiina, his air-headed childhood friend, and Hashida Itaru, a perverted hacker nicknamed “Daru.” The three pass the time by tinkering with their most promising contraption yet, a machine dubbed the “Phone Microwave,” which the phenomenon doesn’t provide anything concrete in Okabe’s search for a scientific breakthrough; that is, until the lab members are spurred into action by a string of mysterious happenings before stumbling upon an unexpected success—the Phone Microwave can send emails to the past, altering the flow of history. (from MAL)

psgels said:

“There is one thing at which Steins;Gate is unrivaled at compared to anything else that aired this year: its plot. If it’s originality, creative twists and multi layers that you want, then this is a must-watch. This has a bit of a slow start, but as the series goes on its intricately woven plot about time travel shines like no other and this show is masterful at combining seemingly insignificant hooks into gripping plot twist… The lead characters’ monologues in particular are well written, but on top of that this is a series that really did its research into time travel. It may not present the most logical way that time travel might be possible (I mean, there are still parts where you’re going to have to suspend your disbelief), but it’s very well researched.”


 

This poll is no longer accepting votes

What will you be watching this fall?

 


There are some rules, though

RULE #1:  NO MIDDLE GROUND. You can’t vote for both. It has to be either Madoka or Steins;Gate. After all this is an objective of the poll.

RULE #2: NO MULTIPLE VOTE. One vote per person only.

RULE #3: NO INSULTS. It’s perfectly fine that people have different opinions and we respect that. Don’t ruin the fun by berating, harassing or taking it too personally.

Apart from those rules, anything goes. As this is just purely an experiment to see if you viewers find it interesting, there is no time limit for this first boxing match. Please vote and if you like, tell us more about your choice in the comment below. Also, any recommendation how you would prefer us to do, content-wise and format-wise (even if you want to tell us to stop this) would be very welcome as well. If you think of any interesting pairs for the next show-down, drop us a line as well. For now, HAPPY VOTING!

orange – 06

What a development! It turns out that Sowa’s also receiving letters from the future as well, presumably his future self (there’s no way the future Naho would send him letters, right?). From the look of it I think the entire cast receives letters from their future self too, the way they act very supportive lately. Does this development work? I don’t know, it all depends on the direction it goes from now. Personally I would prefer that Naho asks for their help, and then tell them herself about the letters. That twist makes me questions every actions from the group back then, and if those actions are ‘genuine’ genuine (like Suwa’s selfless actions last week). If it turns out those kids behave the way they did just because of someone telling them already what would happen, then I feel a bit manipulated. But there must be some good reasons to make that twist, right? For now, I will reserve my comment to see how all this play out. I guess after all we just finished the first phase (Naho and Kokeru dating together) and proceed to the second phase now (the group try to help Kokeru out of his attempt suicide). Naho also points out in this episode that there are two things that she couldn’t follow the advice from the letters, and those lead to unchanged consequences. The first being the group asked Kokeru out on the ceremony day, which directly lead to the suicide of the mother. The second time she couldn’t talk to him how she felt face-to-face, and Kokeru decided to date Ueda. Although the letters become less and less relevant, it seems that the outcome of those important events doesn’t always change, which makes me wonder if they can really save Kokeru from committing suicide. But I have a feeling they gain too much information from the letters which give them somewhat unfair advantage, like how Naho already know the time and place of his dead. Whatever you do orange, just remember that relying too much on those letters to progress a story is a dead wrong decision. Those letters can’t solve everything; it needs to be from the characters themselves.

This episode further highlights the insecurity of Kokeru. Several times in this episode, he asks Sowa if it’s really okay for him to date Naho, not because he fears that would hurt Sowa (maybe a little), but because he fears that dating Naho would turn out to be a disaster and he will bounce for more regret. Moreover, he always feels guilty about his mother’s death. But really, he should understand that moving forward is way better than don’t do anything at all, and he shouldn’t blame himself on the death of his mother. It is really a good call from Naho to ask him about the mother, because this guy needs to share it to his friends. Keeping it to yourself and the pain will never go away. The two lead’s chemistry is engaging and intimate so far, kudos to the fireworks scene, which for me is a bit cheesy but overall effective.

This episode is also a return-to-form quality in terms of production values. As mention above, the firework sequence is animated very well, and I love the shot’s choices of many scenes. Many of the shots focus on the pair with their backs on us, either when them watching the fireworks, or later when they sitting in a park, it creates their very own atmosphere: just the two of them witnessing things together, but perhaps never really see things eye-to-eye. I also like the shot when Kokeru needs sometimes alone and sits in a different chair. The shot (included in the screenshot above) really establish the distance between them and moreover the isolation of Kokeru. To conclude, this episode marks the end of the first half and wheels forward to the latter stage in which the group attempt to save Kakeru from committing suicide. I’m overall happy with the first half and hope it continues to be a rewarding ride. But seriously Naho, get rid of that hairpin. It brings you no luck at all.

~SuperMario~

Thunderbolt Fantasy – 05

This week’s Thunderbolt Fantasy runs a much slower pace compared to last week, which has only one main development: Sha Wu Sheng the Screaming Phoenix Killer agrees to join the band, as we can probably figure out last week. That’s my only complaint though, because the episode still provides a lot of gold moments. I can’t help but laugh at the ridiculous “it is already a sitting fight before the sword fight” situation or campy lines like: “I thought as much. I knew you’d be the one who come”, because when you really think about it, our main character is the LEAST likely person who would’ve come. It will be more reasonable if Gui Niao pays a visit to the guy, or the three who fought him in last episode. Even Dan Fei would make more sense if she’d come. Prior to this episode, we see the story through Shang Bu Huan point of view- a somewhat ‘normal’ guy, compared to an eccentric cast around him, and I come to really love his stunning reaction whenever something absurd happens. The world around him is too crazy for him to comprehend, apparently. But it’s nice to see that he has a lot of room to develop this episode, and he actually turns out to be a very sincere guy at heart who decides to turn up because he doesn’t want to see his new friend getting killed the next morning. At first I thought he and the Screaming Phoenix Killer knew about each other, judging by the way they already anticipated the moves of the opponent, but it was not the case. Shang Bu Huan hints that he come from Xi You (the other side of Wasteland of Spirits), which apparently is impossible to cross over. Well, at least we know now that he is not an ordinary guy, his skills are even on the same level as Sha Wu Sheng. The fighting scene, although brief and anti-climax, is still very impressive.

You see, the band heading to the Seven Sin Towers with very different goals in minds; Dan Fei has to achieve the legendary sword; Xing Hai the demon necromancer concerns about that sword that might affect her world; Juan Can Yun the spear wielder wants fame. Sha Wu Sheng wants revenge and Shou Yun Xiao the archer follows the gang because he just wants to help out Gui Niao (I know it’s a lame reason but in the world of wuxia, where you are skilled and you have nothing to do beside screwing around, make yourself useful by helping your friends out surprisingly makes a lot of sense). It’s the more dangerous that we don’t really know the motive of Gui Niao. Seriously, he’s the worst allied friend you could ever wish to have in your team. He really needs to keep Shang Bu Huan on the team to the point of offering his head to the Screaming Phoenix Killer, despite that our main guy doesn’t have much role on the plan. But in fact, everyone here pretty much has pretty solid purpose in this journey: The demon girl for The Village of the Dead, the archer for The Valley of the Doll, the Screaming Phoenix Killer for Labyrinth of Darkness; Dan Fei retains a part of the sword and Juan Can Yun for killing the enemy guards. What role would it be for our main character then? My guess would be Gui Niao needs him to be the one who control and wield the legendary sword when the parts are finally in place; so that he could kill the main antagonist and everyone on the way, including Sha Wu Shang and save his head at the end of the day. Sounds sinister, right? But it might not be as far-fetch. Next episode is called “Seven Comrades”, which will be about our seven characters head towards the Seven Sins Tower, and we will have seven days to wait for that journey; and now I’m head off to drink Seven-Up.

~SuperMario~

Re:Zero -Starting Life in Another World – 19

I certainly am glad that we got positive Subaru back, he’s finally getting on track and using his head. Now that he is not acting like an insane madman, things are going well. Too well in fact. This is somewhat of a personal gripe but I am not too fond of just how fast things are working out. The past episodes made the crisis facing Subaru into an insurmountable task and yet with a few logical moves everyone that belittled him in previous loops is suddenly looking at him with respect. All the praise Subaru is getting almost seems like an apology to the viewer for the excessive suffering and to me it feels a little patronising as well as cheap. I think giving a few scenes with Rem and Subaru brainstorming a plan could have remedied this issue and made Subaru’s sudden wit less out of the blue. For one the anime leaves out a very important detail which left likely others as well as myself confused. Before Crusch mentioned that Subaru has no power to promise anything to her and yet here he is making deals with mining rights with both Crusch and Anastasia with no trouble. What was left out is that Rem wasn’t just at Crusch’s house to help with Subaru’s recovery but was in fact given right by Roswaal to negotiate for help as he suspected that the cultists would come to attack his manor. When Subaru asked Rem for help she gave him the right to negotiate thus allowing him to put forward mining rights as a bargaining chip.

Wilhelm got some development here as we learn he has a deep seated grudge against the white whale for killing his wife. I am wondering if some Moby Dick symbolism might come into play here and possibly lead Wilhelm to his death. It seems he’s not the only one affected as a number of knights seem grateful to Subaru for giving them an opportunity to strike back at the White Whale. You may be asking how they can have a grudge if the White Whale erases people’s existence but that is another detail unfortunately left out of the anime adaption. Apparently if the White Whale eats you then it erases your existence, however if it kills you then it just takes your name. Hence why Crusch said during her speech that the number of graves that they cannot even inscribe with names will only rise. Hence the reason why Wilhelm’s wife is only referred to as “that master swordsman” who wasn’t Reinhart as I initially thought. Rem continues to prove herself to be the best female character, and while you might think it presumptuous for me to declare that I have heard news of Rem body pillows being delayed due to overwhelming demand so perhaps that sentiment is shared by many. Still seeing her have moments with Subaru is always heartwarming though worrisome as she has essentially become the pillar of his mental health. If she falls in this battle then I see Subaru falling fast with her. Also her getting jealous over a ground dragon getting close to Subaru was quite funny. Yeah…I may be fond of this character a little too much.

The last scene with the white whale showing up was excellent as they even managed to make the silly ringtone of Subaru’s phone feel foreboding and grim. Some funny trivia about that ringtone is that apparently there was a big argument over which ringtone Subaru’s phone would have and it was resolved by the studio buying the exact model of his phone, looking through the default ringtones and recording it from the phone in the studio. The ringtone itself is the opening theme of “A Dog of Flanders” anime TV series made in 1975.(Link to opening here: https://www.youtube.com/watch?v=Y_wm4KmrDH0) Considering the ending of that anime, this could be a rather foreboding sign(The Dog of Flanders ends with the boy and his dog freezing to death in a church. Considering episode 15…) Distorting it the moment the whale came on screen was also an excellent choice in showing just how the army was reacting to the creature. I got to say that it is quite a feat to make a giant flying whale look like a genuine terrifying threat. They have built up the fight quite nicely so i think we might be in for a spectacle next episode. However the question is that if the white whale is killed, how does Subaru plan to get Crush and Anastasia to take on the witch’s cult afterwards?

~AidanAK47~