Thunderbolt Fantasy – 07

by SuperMario, posted in Currently Watching:, Thunderbolt Fantasy

This week our band heads up to the evil mountain and needless to say they possess absolutely no teamwork spirit whatsoever. It’s as you would expect from a group of seven egocentric members. Our main character Shang Bu Shuan repeatedly gets teased by their comrades, as he finds himself fighting the enemies alone without the help of others. But I have to note that it all comes from his carelessness to begin with, and all the ignorant from others towards him play more as a comic relief than anything else. Still it’s hilarious to see Sha Wu Sheng the Screaming Phoenix Killer just sits down, relax in his conform zone without helping our main guy out, or that the band continues to praise Shou Yun Xiao the one-eyed archer like nothing happen after he misses the target deliberately and only manages to save Shang Bu Shuan when he fell off. But really to no surprise of no one, our MC passes the obstacles with flying colors. It’s all child’s play for the group it seems.

In terms of plot, there is nothing special in this episode as we know how it head several episodes before. Like I mentioned last week, the main boss Mie Tian Hai appears in front of the group truly for a little chit-chat (everyone sure loves to chit chat in Thunderbolt Fantasy), even feels so generous that he ‘allows’ the group to proceed. The person who has the most development this week is Dan Fei, after she was directly ridiculed by Mie Tian Hai. She fires up and practices too hard, but Juan Can Yu sees through it and even figures out the defect in her technique. Now, this is an interesting bit. Usually from your typical wuxia show, it’s either the swordsman is already skilled or he tries his best to master the skills. There’s never a situation where a swordsman was pointed out that his techniques are ineffective, moreover because the techniques are not suitable for girl. This is something you don’t see so often. It’s much more in the same vein of learning sports’ skills and I have to applause for Gen Urobuchi for actually gives it a thought and makes it interesting.

There is another refreshing nonsense little details in this episode that I find myself enjoy it tremendously. It is the condition of a lullaby to put the undead to sleep. Apparently you have to know which era the undead comes from, and “There’s a subtle pitch shift in the song that depends on when they died” as Xing Hai the necromancer puts it. Talking about perfection in art! I mean this bit of details come from nowhere, but makes totally sense the way they explain it. Even more ridiculously, Gui Niao steps up to be a lullaby conductor (or lullaby composer, depend on how you look at it). It feels like the creators must be on some sort of drugs when they think about the script.

So how things going to happen from now on? From the pacing of this episode, I’m guessing next week they’ll pass the third obstacle and then on their way to face off the main antagonist. This week we learn that the zombies were created 200 years ago, the same time of the War of Fading Dust, and the divide between the two countries. I know it’s absurd but the one who actually feels or those undead is none other than the heartless Sha Wu Sheng. This guy really cares much more about the dead than the living. I guess that the great event has something to do with the powerful sorcerer who used to own the Seven Sin Towers. My take is that mysterious sorcerer is someone we already know, but at the moment only Gui Niao seems like a good fit. Mie Tian Hai, on the other hand, doesn’t even acknowledge Gui Niao so I’m not really sure if he knows much about his true identity. We will, however, have a much better idea about his identity next week, as the title is “The Enigmatic Gale” – one of Gui Niao’s alias. Anyway, we still have 5 episodes to go and with that much refreshing in terms of ideas and its campy sense of humor, I am sure that this Thunderbolt Fantasy train won’t stray off its track anytime soon.

Re:Zero -Starting Life in Another World – 21

by AidanAK47, posted in Currently Watching:, Re:Zero -Starting Life in Another World

I didn’t think I would be saying this again but here it is, if this was the end of the series then I would consider it a satisfying ending. Sure there would be loose ends left hanging but the level of conclusion to this particular dilemma would leave me content with the series. But this certainly isn’t the end and we have the battle against the witches cult coming up which admittedly were put out of my mind once the whale showed up. Wilhelm turns out to not be dead as the old man cuts himself out of the whale and has likely earned a place in any fan’s top list of badass anime characters. We even got a conclusion to his flashback where he trained to a level to take Theresia’s sword saint rank and confessed his love for her. I for one am surprised at having such an attachment to this small side story for Theresia only showed up last episode and yet this love story hits harder than many anime devoted to the very concept. In words, this was powerful and the image of Wilhelm declaring his love for his wife after taking revenge on the white whale just makes my heart well up with emotions I thought long whittled down from years of anime watching.

I have heard some argue that Wilhelms desire to take the sword from his wife’s hand was somewhat misogynistic but I feel that is greatly misinterpreting his intent. From what I understand it, Theresia never wanted to be a sword Saint but was forced into it because of her family. If anything Wilhelms efforts were to give his wife the opportunity to be what she really wants to be by taking her inherited mantle from her. Quite frankly this episode was a compilation of great moments fighting the whale. From Crushes speech, Subaru’s daring gamble and even him and Rem having a moment after it was all over. Looking over it I can only see it as just satisfying and perhaps this is the relief that after several loops of Subaru failing miserable we are finally at the first success. Thus this looks to be confirmed to be the last loop of the series.

Still to bring up two bothersome aspects I must point out that Subaru’s gamble was more on the ridiculous side. I appreciated the Gainax callout with Subaru doing the pose many would recognise from Gurren Laggan.(Or if you are really savvy, GunBuster) but I really do think that what he did was something an ordinary person couldn’t accomplish on their first try. I mean he jumped on a ice projectile and jumped off and landed perfectly on the whales horn, not affected by wind resistance in the slightest. I know this is really something you should just say anime logic and leave it at this but come on, this is pushing it. The other thing mainly has to do with something that was left out of this episode and was in the original source material. You see apparently in the last scene Rem was supposed to make it out that she was injured with the tree fell and thus it was made out that she was dying. Subaru then starts confessing that he loves her just as much as Emilia and whatnot before Rem reveals that she was pulling his leg. I actually am rather glad this was left out as it does make Subaru’s declaration of loving Emilia somewhat flimsy but also because this seems to suggest that Re:Zero is going for something that a lot of Another world/reincarnation web novels go for.

That being, Polygamy. In the examples I have read the other world aspect is used to justify polygamy which in turn is really just a convenient way of giving the ultimate wish fulfillment. After all, why choose one waifu when you can have all the waifus? The first time I encountered it in a story I was rather fascinated as I hadn’t really see a story deal with it and ultimately it’s better than have the protagonist remain indecisive even till the end for fear of angering the fanbase. However in other stories it really became a means to show off how godlike amazing the main character is and how he doesn’t need to have just one women, a allurement which just makes me want to retch. I say by now it would be folly to claim that I am not a fan of Rem but even so I am not fond of the idea of Subaru gathering a trophy set of wives. I prefer it that girls be more like Crush here, who admits that his actions pulled her strings a bit but ultimately sees him as a comrade. An important factor that this story needs to keep in mind is that Subaru should not obtain the perfect protagonist status that has caused many another world/Reincarnation story to fail. It would make the stories efforts to portray his weaknesses ring insincere and hollow.

I did wonder as to how Subaru was going to deal with the witches cult and my guess that the army would be fairly devastated by the whales attack seemed on point. However it looks like Subaru has gained a large amount of allies with this feat, the most important of which looks to be Wilhelms loyalty which considering his battle prowess is no small matter. Honestly I think that old man could take them all down before Betelgeuses brain has time to tremble.Though after a battle such as this I wonder if the Witches cult can provide a suitable climax to the series.

Berserk(2016) – 08 [Reunion in the Den of Evil]

by Bam, posted in Berserk(2016), Currently Watching:

Episode 8 starts with a cold opening that retreads the fateful rendezvous of Guts and Casca. I actually thought that this was a good move, as this is a very big moment in the overall story of the last few arcs. After the Golden Age section we get very few deep character moments, and a lot of the pathos of the story has been replaced by mere action. I’ll take the time to reiterate my opinion that the Golden Age Arc is quite honestly the very best part of the story. The focus on the characters and their relations, combined with the world building which masterfully portrays a dark fantasy realm that borders close to our own, yet at the same time concealing an inundation of supernatural evil slithering under the surface, are what have made Berserk the masterpiece that it is. After the events of the Eclipse a lot of that imperative was washed away, and replaced by a revenge story which is heavy on plot, yet slim on thought-provoking ideas with deep emotional impact. This little scene of reunion hearkens back to those glory days, even if ever slightly so.

All that said, after the opening we are thrown right back into the action. The fight choreography is taken directly from the manga, but turned up a few notches. As intricate and detailed as Miura’s drawings are, it’s still sometimes hard to follow his action panels. Compared to Tezuka, or the more contemporary mangaka such as Naoki Urasawa and Takehiko Inoue, Miura’s panels seem to be displaying the key frames, and leaving out the dynamics of the action to the readers’ imagination. So at least here we get a more direct interpretation of the fight scene, which while completely sufficient, fails to really enhance on its source, as say a studio like Ufotable would’ve managed to do. We even get the near miss of Guts almost losing his only functioning eye, but he manages to use a little bit of strategy to neutralize the Goat before resorting back to brute force and finishing the job.

We next get to see Farnese using the situation to try and kill two birds with one stone, and coercing the troops of taking care of Guts along with the rest of the ghouls.  Azan tries to be the voice of reason, but is soon shut down, and being well aware of his rank, simply continues to follow the orders. Azan reminds me of a certain knight in Final Fantasy IX named Steiner, who while taking himself seriously, is still relegated to comic relief; although both characters aren’t exactly push-overs.

It’s brought to Farnese’s attention that Serpico is missing. This leads in to our next action set-piece, which proves to be a bit more personal. This duel has been long in the making, since although Serpico has no qualms with Guts, his devotion to Farnese compels him to remove the threat that has been plaguing her mind. There also seems to be a bit of a clash of egos at work here. Serpico is a pragmatist, using the best tactic to set up the match to his advantage, with no apparent regard for honor. He has always somewhat reminded me of Griffith, and I think the parallels are too striking to be completely coincidental. The fast fighting style, the cunning calculation, the pride, all point to a resemblance in their world-view and personality.

The narrow landing prevents Guts from drawing his sizeable weapon, but he isn’t particularly new to being in the corner either, and starts the face-off with a flurry of arrows and explosives. Serpico manages to regain his footing and then precedes to send a wave of rapid thrusts. Guts catching the rapier’s blade with his hand is again reminiscent to the surprising way he caught Griffith off-guard by biting the edge of his sword. Looking at the hilt of Serpico’s rapier, it resembles a German Pappenheimer, which means contrary to common belief the blade is not only pointed for thrust attacks, but also edged for slashing. It’s also somewhat historically accurate that such fine rapiers were often quite brittle; making the shattering of it not much beyond the realm of possibility.

Down in the valley we have Farnsese going off on her men. The prospect of Guts surviving is taking a toll on her, and we see her scabbard-smashing her men in front of a concerned crowd of knights. On the other side we see that Guts nearly pushed to the same limits over Isidro losing Casca, but he manages to subside his rage. I feel that this is in part due to what took place at Godo’s house, and how this situation was quite similar to his unwarranted outburst against poor Rickert.

At the end, the gang heads towards the Tower of Conviction, as the Skull Knight vague ramblings foretell an ominous encounter. Inside we get a glimpse of Nina and Casca, and a small window into Uncle Mozguz’ House of Terror.  The stage is set, and the pieces are assembled. The next Episode is titled Blood Flow of the Dead, so I’m guessing that it will be the first part to a double, or perhaps triple, episode, that will be covering the main part of the chapter we’ve been waiting for. These recent episodes have been following the manga extremely closely, and all the while moving at quite a rapid pace. My only issue is still the execution, and how the show has yet to go beyond what they are directly drawing from. One could only hope that there is some budget being set aside for a more memorable finale, and at least now we can anticipate the trajectory of the rest of this cour. Until next Friday and more Berserk, stay tuned my friends.

~Bam~

Berserk(2016) – 07 [The Black Witch]

by Bam, posted in Berserk(2016), Currently Watching:

I apologize for this very late review, but due to circumstances I didn’t have the means of watching the episode, and hence the week-long delay. I’ll try to at least leave a notification in case of such issues in the future, but otherwise will try to keep the posts steady. So let’s get right to it, shall we?

We get a recap of the ending scene of last episode, with the Demon Child warding off the spirits, and in turn making Casca the hailed princess of the cult. It appears that in these times of desperation, the cult members cling to anything that they can praise as a deity. The noteworthy thing here is that Casca shows a maternal instinct for the Child, as she tries to reach for it before it disappears. This stands as a stark contrast to Guts, who sees the child as a curse and an ugly reminder of his past.

Next we have a scene at the camp, with Luca being brave and assertive as ever. I always disliked Nina’s characterization, but she appears to be even more annoying in this series. Her selfish ways are highlighted here in an attempt to create some sort of a character arc for her in the future. The duo’s discussions are interrupted, as they are notified of an impending trial of another one of their compatriots.

Looks like we have ourselves a classic witch hunt here. Not unlike such similar occurrences in reality, these hunts are more about silencing unrest and class warfare than anything else. There are few tools more effective in oppression of a population, than an appeal to divine authority. Thankfully the masquerade is cut short by the sudden appearance of a certain Black Swordsman.  Guts has well established himself as the king of entrances, and this instance is not any different. I really do enjoy his no-nonsense approach to information gathering, and when pushed he proceeds to lay down the authority very swiftly. Fans often forget that Guts is truly an antihero, with his mercenary background defining his sense of morality. He is single-minded in his approach, and not afraid of taking any necessary measures to achieve his goals. I like to note that the digital blood splatters were bearable in this scene, and did little to distract from the action.

Next we have a rush back to the campsite in order to fetch Casca. There is a quick overview of the state of constant fear that has enveloped the camp, as people are quick to sell each other out in order to avoid punishment. The knights’ preoccupation with the situation in Albion can only mean that the news of the full-scale Kushan invasion has not reached their ranks yet. This is exacerbated by the show jumping the gun, and expediting the assault on Windham as early as four episodes ago.

Nina proceeds to panic when Luca doesn’t make it back to the campsite, and makes another stupid decision to seek refuge in the cave of the cultists. I guess this can be excused, since from her perspective the chance of Luca being caught by the knights is actually very high, and this decision is made out of pure desperation. I never liked the “princess is in another castle” shtick, but here it serves to move the plot towards the eventual encounter.

I never fully understood the mechanics of Puck’s visibility to mortals. It was implied that those of closemind and narrow worldview would find it harder to see him, but here we are told that larger crowds further hide his presence. I guess things are more easily concealed when there is more commotion. There is also a shallow attempt at explaining Isidro’s backstory, but given the rapid pacing of the episode this can be excused, as it would’ve bogged down the flow if it was given too much focus. He might be a silly kid, but at least he’s honest and to the point. From his view it definitely seems as if he’s found himself quite a master in Guts, and there’s safety in being under his wing. Little does he know how much of a magnet Guts truly is to danger, and considering that he learned his skills firsthand in a mercenary camp, Gut’s utility as a sword instructor is at the very least highly questionable. Nevertheless, he pursues Nina and Casca towards the cave.

Next there is the reappearance of Joachim, as he spills the bean about the location and activities of the cultists. A soldier also breaks the news of Guts to a visibly shocked Farnese, as the main thing she was trying to avoid has finally come to find her. Her reluctance in facing Guts definitely plays a part in their decision to give priority to hunting the cultists. There is some irony in the fact that the gravitation of the common people to these cults is directly related to their struggles under the Holy See’s oppression. The tighter the grip, the heavier the backlash against it.

We’re welcomed back to the cave, and it seems that this episode has given it a livelier look, as a bright magenta color palette prevails the tone of the scene. There also appears to be some improvements to the textures, with the ground and the cave walls having a more detailed look to them. I personally always enjoyed the symbolism of the crown of thorns that they place on Casca, although I admit that it is more for show than pertaining to anything deep. Nina is being prepared to be sacrificed for the union of the Great Goat and Casca, who as we remember is being worshiped as an idol of the cult. The world of Berserk heavily revolves around the concept of sacrifice. The cave seems to be located within a certain interstice, as a place where the barrier between the physical world and the astral realm is particularly weak. This is further intensified by the presence of Casca, which yet again summons the ghosts of those who were sacrificed to possess the cultists.

Next we get a full-on zombie brawl, as the Iron Chain Knights converge on the location of the cave. Well, in reality it’s more of a slaughter than an actual battle. I like to take the time to say that I really enjoy the design of the visor on Farnese’s helmet, here portrayed with an even more exaggerated length than the manga. Isidro proves his worth, as he buys some time until Puck can fly and get Guts. It is revealed that the Great Goat is not really of any supernatural essence, but just a man donning a ceremonial goat head. This quickly changes as the Egg Apostle sires the Great Goat, and makes him a true apostle-spawn. I’ll be getting into the Egg Apostle’s story in later reviews.

I seriously thought that what ensues will be toned down, but lo and behold, we are greeted to yet another demonic rape attempt. I guess after the infamous Rape Horse I should be expecting the series to stick close to these specific elements of the source material. Here we have some familiar workaround female nudity, as well as a peculiar censorship of some violence. I think this is a good place to delve a little bit into the strange censorship laws placed on the Japanese media. The regulations regarding anime censorship are strangely specific, with varying levels of rationalizations. There is much leeway in the graphic portrayal of violence when the subject is considered “otherworldly”. This means that a zombie, monster, or any evil creature can be shown to be straight ripped apart, while human victims need to be toned down to either simple stabbing or details being subject to black bars and omissions. There are similar laws regarding nudity, and more specifically the male reproductive organ. As Toshio Maeda of Urotsukidōji fame came to realize back in the 80’s, a regular human penis can under no circumstance be portrayed in media, while any phallic or “penis-like appendage” is completely acceptable under article 175 of the Criminal Code of Japan. And hence, the inclusion of the snake penis.

As things seem to be reaching a critical level, we are greeted to another badass Guts entrance, this time in the form of what can only be called a ‘Batman moment’. He emerges from the shadows, swiftly maneuvering down to the pit, and making mince-meat out of the possessed cultists. The Dragonslayer dances with little resistance, as the cavelight gives a Sword of Moonlight blue hue to its blade. As we get passed the nasty goat circumcision, we are thrilled by a much-awaited reunion of our two estranged lovers, as their meeting gaze speaks much more than anything that could be uttered here.

Overall this one was a faster, denser, and dare I say better episode than the last few that we’ve had in Albion. There are many confrontations in store, and the stage is nearly set for one of the most iconic moments in the history of Berserk. I have my work cut out for me, as I’m jumping right into the next review as soon as this one is posted. Stay tuned for more, as I rush to make up for lost time.

~Bam~

Fate/kaleid liner Prisma☆Illya 3rei – 07

by AidanAK47, posted in Currently Watching:, Fate/kaleid liner Prisma☆Illya 3rei

Oh the sweet sweet irony. Well I believe this qualifies for dramatic irony. You know what, I don’t care if it’s technically irony or not. I am calling it ironic. Though why is it ironic? Well the reason for that is that in this episode Illya had her soul transferred to a doll which exactly mirrors a bad end of the original Fate/Stay Night visual novel. Here in the Fate route, Illya captured Shirou and offered him a deal to become her servant. You are given a choice to accept this offer but if you do then Illya will take Shirous soul out of his body and place it in a doll. On the grounds that now he can be with her forever…as a doll. This is something that makes Erika interesting as she is a representation of what Illya could become. She holds the same kind of skewed morality that Illya does in the main series though in her case her motives are far less malicious. A small scene was left out here of her reacting to how Miyu cried over her showing Illya’s body. Going from joy before slowly feeling ashamed when Miyu didn’t react the way she thought she would. Luvia and Rin are back and even without minds they are bothering others. They annoyed Beatrix to the extent that she went and revealed how to turn them back when she refused to punch them because it would make them go back.

A lot of humor this episode as it mainly details the misadventures of Illya who has been transformed into a doll. It could be my bias speaking but I thought it was quite amusing, particularly Gil reacting to Chloe bursting into his room.  Always magnificent, that fellow is. He even remarked that upon getting his adult self back the first one he would kill is Chloe, which considering how he is in adult form may indeed not be a joke. Though some jokes didn’t quite hit such as the obligatory big boobs vs flat chests joke and Beatrix’s room was more strange than humorous. So the violent girl swinging around the hammer of a god is also a ravenous fangirl for a guy named Julian. The disconnect is rather off putting but I guess we now know why Rei Kugimiya was chosen to voice her. Still regardless of whether the joke is funny or not, Illya’s reaction always tends to get a smile out of me. Speaking of which it seems they first planned to brainwash her before putting her into a doll but couldn’t because Illya was hiding her consciousness in a place which seems to be suggested to be where Choles personality used to reside. The theory that she may in fact be her real personality is starting to get some weight. We are entering the second half of the series and likely when the action is going to kick up a notch. I will admit that this isn’t quite a good as I was hoping but all things considered, as long as a certain part is done well then I will be happy enough.

Mob Psycho 100 – 06

by AidanAK47, posted in Currently Watching:, Mob Psycho 100

It a beginning of a dark path for Ritsu as his own inadequacies are pushing him in a direction that won’t end well for him. Part of the problem is the student council president whom is called Shinji. He happens to remind me of another Shinji in another series who had an equally punchable face and crushing superiority complex. But while Mob is depressed over losing control last episode, his brother is becoming more frustrated as his abilities fail to meet his expectations. Mob may be the main reason for this as when he was a child he foolishly promised his brother that someday he too would have psychic powers which unfortunately didn’t turn out to be the case. Perhaps a testament that relation does not equal skill, nor should people expect a person to inherit the qualities of their family. In fact expectation may be the subtitle of this episodes theme as we see it presented throughout. Ritsu is frustrated because people have great expectations of him when he himself feel inadequate. The student council president is expected to match the level set by his older brother. Finally a innocent person is framed of a crime simply because it is something they expected him to do.

Under the grounds of removing delinquency from the school, Shinji and Ritsu frame Tenga by placing girls recorders in his desk and bag. The rest follows suit as mob mentality takes hold and he is left unable to defend himself simply because no one actually believes he wouldn’t do it. It’s more tragic when you see that Tenga may not be as bad a person as first thought when he has a perfect attendance record up to this point and even tries to awkwardly apologize to Mob for tricking him into getting kidnapped by Black Vinegar delinquents. Not to mention him starting to run with the body improvement club and actually starting to enjoy it. But after this he will likly be mistakenly labeled as a prevert for the rest of his school life. It really goes to show the level of cruelty people can display if given the opportunity and shield of anonymity.

Seigan is back fooling the gullible but I find his antics much more fun when his clients are far more reprehensible than he is. One thing quite amusing about the scene though was that when the client was threatening Seigan to reveal a 13 letter password, Seigan responded with “GetAJobYouBum” which actually is 13 letters exactly. In other wannabe esper territory Ritsu paid a visit to a lab dedicated to researching psychic powers. Besides him being greatly underwhelmed by the level of power of the subjects, it did reveal that he manages to unknowingly twist a spoon when he threw it away which does suggest that Ritsu has a level of psychic power that he’s not aware of. Looks like things plan to get more troublesome as DImple is back and looks to have taken an interest in Ritsu. Perhaps the next foe Mob will have to face is his own brother?

91 Days – 06

by AidanAK47, posted in 91 Days, Currently Watching:

I would say this is the strongest episode so far of 91 Days as it essentially revolves around what makes Mafia drama at it’s best. Betrayals, scheming and deceit are what fuels organised crime and what a scheme this was. When looking at the three family leaders I suppose it’s no surprise that Orco is the first to be knocked off. After all the Galassias still hold the reign of the Vanettis and the Vanettis can’t go down until Avilio has his revenge. They used the fact that they have something that Orco wants and I particularly liked how they kept presenting him with risky handouts that turned out to not be genuine. This really caused him to relax his guard and when it came time to drink the real drugged drink he downed it without hesitation. Not to mention Avilio revealing himself to Orco in order to gain his trust. Thus the full plan comes into play.

To lure Orco to the distillery, fool him into thinking Avilio betrayed Nero and drug him with a congratulatory drink. How this was presented is really how any anime should handle a good plan. No inner monologues before or after the act to perfectly spell out what Avilio was thinking and only slight clues alluding to what he intended. One small line about gathering Chickens was enough to figure out where they got the blood to fake Neros death and because we didn’t know the full particulars of the plan we were as in the dark as Orco was. It gave a chance for the audience to be fooled along with him while giving a reward to those who paid close enough attention. Now if only Shounen battle anime could take this to heart and realise that maybe we don’t need someone mentally choreographing an enemy’s moves to understand what’s going on. Maybe in a manga that’s necessary but in a show it’s just a pacing killer.

This may be the first time Fango’s craziness has actually benefited the show as he takes notes from Shakespeare’s Titus Andronicus and feeds the remains of the Orco Head to the family members. Now I see why previous episodes put such focus on how the Orco leader had a obsession with perfecting Lasagna. This does show just how putting this guy in the top position is a really bad idea though as Fango is far too impulsive to be trusted. The test he gave Nero before accepting his deal is evidence enough that he’s far too unpredictable to keep a stable partnership. He’s playing along for now because it benefits him but the moment it suits him to have Nero killed or even if for a moment he just feels like killing him, he will not hesitate.

Plus as Avilio pointed out, Fangos enemies are now their enemies. Knowing Fango, he’s bound to have made a lot of enemies. As far as I am concerned I think Fango  is a ticking time bomb ready to self destruct so it’s really a matter of whether this is part of Avilios plan or merely a temporary deal to give him time to plan. Maybe he intends to get Nero involved with someone ready to run the family into the ground and abandon him when things get truly dire. A question I ask when I finish the episode is whether the lasagna Avilio and Nero were eating is the same as the one fed to the family members. Knowing Fango, he would be twisted enough to present them with it without them knowing.

orange – 07

by SuperMario, posted in Currently Watching:, Orange

This episode is a winner. It hits all the right notes on what make orange so appealing. Upon knowing that Kakeru will attempt his first suicide after talking to his Tokyo friends over the weekend, Suwa and Naho confront him and tell him not to go. Kakeru is an insecure kid, he’s deeply troubled by the death of his mom, blames himself for what happened and is unable to talk about his problems to his friends. But as Suwa points out correctly, close friends are supposed to share pain together, and his mistake was not his fault. I once had a real friend who told me that she had thought about attempt suicide and it was nasty. The real ugliness of it is once you had it, the thought of suicide never leaves you away and there’s always an urge that push you to do it whenever you feel depressing. Kakeru can only get better if he can be able to talk about it and let his regrets all out. The last sequence is a very nice moment, and I tip my hat off to the direction of that sequence. When Suwa confronts Kakeru, there’s no music cue between those exchanges and it’s the silence that makes us feel the tension and weight behind each conversations. Talking about these things is never easy but at least all three can be able to speak out what they really want.

Suwa steps up to become a big bro for the group. I mentioned last week that I had my concern about feeling cheated if all Suwa did was just followed what were written in the letters. Well, he did follow the letters but thank god the show never sells him short. The thing is that Suwa is not a selfless kid who pull back his feeling to see Naho and Kakeru happy. He did it for the sake of them, yes, but he also did it for his sake as well. It’s a hard role for him but he can pull it off because he’s the most mature and most emotionally honest of the group. There’s still unclear if the rest of the cast also receives the letters like Suwa and Naho did, but they fulfill their supporting roles very well this week. Scenes when they asking Kakeru what he wants for his birthday, or when they stand up to protect Naho from Ueda (Ueda sadly remains the only sore thumb in this episode) are all genuine that showcase their great care towards the leads. And I love the way the two girls stand behind the door, overhearing the sincere conversations from the leads. That small moment speaks more than thousand words, and suddenly they become much more layered in that single moment than they were for the last 6 episodes. Yes, those friends might not be the ones who could change things significantly, but they will always be there whenever you need them.

You might have notice that in previous posts I didn’t discuss much about the romance between Naho and Kakeru, mostly because I found it the most ordinary aspect of orange. Although they share great chemistry together, there’s no denying that “boy gets girl” part is the most cliché part of them all. But even so, this week’s moments between them are goddamn effective. The reason why Naho and Kakeru in the original timeline couldn’t get together was because they were unable to express their feeling to each other. Kakeru always hides his feeling deep down, and Naho is too nervous to say what she really thinks. In this timeline, however, with the help of Suwa and all these friends, Kakeru has a chance to confess to her and she replies him back. Call me cheesy but I found the flowers scenes are heartfelt. They were used twice but each sequence conveys different feeling. When the adult Naho receives the flowers from Suwa, it feels deeply poignant, but when the young Naho accepts the flowers from Kakeru and his confession to her, it feels sweet and genuine. On other notes, there are many nice visual motifs in this episode: the flowers, butterfly (butterfly effect?) and the fluid-est scene transition that fit to the opening credit (go see it!). Based only from this episode, things are about to get better after Kakeru confesses his deepest regrets, but I’m not sold. The theme and the tone of orange always firmly head towards the melodrama territory, so things going to be sad. I’m for once keen to see how they pull this off but at least this episode is a solid example of what orange can do best.

Re:Zero -Starting Life in Another World – 20

by AidanAK47, posted in Currently Watching:, Re:Zero -Starting Life in Another World

“For a rat, Poison. For a White Whale, a harpoon. To our Honorable Dragon we are, Shitbags”

The above was actually the first time the white whale was mentioned in this series, way back in the second part of episode one. This was the password Felt said to gain entry to Roms shack. The first line makes me wonder if there is a rat mabeast giving the kingdom an equal amount of trouble. This was a pretty great episode. So much so that I will even forgive the music at the start of the episode blatantly robbing part of the Melody of the Chrono Trigger Theme. Todays episode focused on the battle against the White Whale and on the past of Wilhelm who was likely channeling the spirit of King Bradley from Fullmetal Alchemist Brotherhood. I wasn’t quite sure what to expect from Wilhelm when it came to fighting but I certainly wasn’t expecting him to jump on the thing and slice it up in what could be considered completely ridiculous yet strangely awesome at the same time. Goes to show that in this universe everyone is truly ten times more powerful than Subaru.

Even an old man, or more specifically an old man’s wife make Subaru seem like average Villager A. The flashback to Wilhelms younger days honestly would make for an interesting story on it’s own and there is a extra novel detailing how he and his wife meet and fell in love. Still the small scenes give us a decent idea of what exactly happened and I quite regret that Theresia is dead seeing as she is quite likeable. I wonder if it’s going to be a thing from now on for Re:Zero to make every side female character deeper and more interesting than the main Heroine? Emilia, you are going to need some serious development to catch up here.

We have the reveal of not only Wilhelm’s wife but Satella the jealous witch makes a brief but long awaited first appearance. When Subaru tries to tell someone about his power in order to draw the White Whales attention, Sattella appears over his shoulder with only her lips visible. She mouths the words “I love you” before disappearing. Seems she’s quite taken with Subaru but that’s likely not a good thing. It’s been pointed out previously in the series that if the Jealous witch takes an interest in you then it will only lead to bad things. In this case she isn’t just interested in Subaru, she’s outright enamored with him much to Betelgeuse’s dismay. White Fox have taken the costly move of not resorting to CGI to animate the white whale and I certainly thank them for it. CGI is still recognised as such no matter how well it is done and will truly never quite match the level of a 2D animated object.

The animation of this episode was quite brilliant and the fight was exhilarating with a nice exchange of blows between both parties. At first I was worried that the White whale would go down without much of a fight considering how much of a beating the army were giving it. But they managed to show just why this thing is so dangerous once it summoned its fog. It was similar to a raid fight in an MMO as all members of the army jumped into to attack in waves. The more damage they inflicted on this thing, the more dangerous it gets. Summoning the fog to hide, blasting people out of existence, making people go insane with it’s roars and pulling out it’s final and most dangerous card by episodes end. This thing knows how to put up a fight and I certainly would love to give it a fight in Monster Hunter if they ever made a tribute to it.

The beginning of this battle started off with such hope and perhaps I should have seen that this being Re:Zero, things were going far too well. At episode’s end it makes me wonder if this is a dead end for Subaru and he may need to come back to this battle with new reinforcements. Perhaps he needs Priscilla to give him a hand and maybe Felt can manage to get Reinhart to join the faye. Fairly certain he could make short work of this beast but as Wilhelm pointed out, his wife shouldn’t have been killed by this creature if it was only this strong. He’s right in that regard as based on how much Wilhelm was ripping it apart, his wife would have made short work of it. But then the answer comes with the episode’s cliffhanger. That there is not a White Whale but instead White Whales.

Considering that the army threw everything they had and couldn’t even kill one this truly doesn’t bode well for Subaru. Even Wilhelm is out of the running now but something tells me he isn’t dead quite yet. That whale swallowed him whole and I think he would be able to cut his way out. So once again this series leaves me thirsting for more as we get a new ending sequence that likely won’t be put to much use in the last few episodes. In fact we managed to get an opening and ending in an episode for once which is good yet somewhat disappointing. The next episode likely will end the battle with the white whale but one must wonder how much trouble the Witches cult after this will give Subaru seeing as the White Whale most likely wouldn’t leave anyone ready to help take them down.

Fate/kaleid liner Prisma☆Illya 3rei – 06

by AidanAK47, posted in Currently Watching:, Fate/kaleid liner Prisma☆Illya 3rei

At the moment I must admit that the Ainsworths are not a particularly interesting antagonists. They are a good addition in that Prisma Illya has an antagonist rather that Zwei which generally had to throw in a makeshift one to take up time. However the Ainsworths as they are now are just evil people being evil for the sake of being evil. THere is likely a better method to their madness but they do come across as rather one dimensional. This episode mainly serves to introduce Darius who has his own meta way of looking at the situation. Claiming the situation to be an act in a play with Illya and co being the stars of the show. He pulls several made up noble phantasms out of nowhere and proceeds to introduce himself to Illya. I will admit that locking himself and Illya in a ice dome with limited air was particularly dark for him. He has pretty much shown the group just how outclassed they are in terms of combat strength so as an obstacle to Miyu’s rescue he works great. However he will need more development on his objective and character to truly stand out as a villain.

The action in this episode was decently animated however I can’t say the action scenes themselves were great. For having the villain just one sidedly beat the heroes doesn’t make a good action sequence. This is the main reason why Bleach’s whole Aizen battle failed so miserably as a climatic showdown. A battle is interesting when both fighters are pushed to their limits and there is an exchange of blows. If one fighter is never injured, never has to try and always has the upper hand then there is no tension. Thus no real interest. Though One Punch Man may be an exception to this rule but even then those battles put Saitama in interesting situations to compensate. Those noble phantasms make Darious a bit overpowered and as Gilgamesh pointed out that the Noble Phantasms he used were not items from his treasury and therefore not real Noble Phantasms. So essentially our villain can pull any power he wants narrative wise and  considering that Noble Phantasms are ridiculously overpowered as it is, this means the heroes are going to have to pull some major weapon out to get on an even playing field.

Sliver Link, was there really a need to make that scene with Miyu even more awkward? My memory of the manga might be a little foggy but I am certain that scene wasn’t quite so…suggestive. Sort of reminds me of that scene in the second Gurren Lagann Movie where they made the anti-spirals treatment of Nia well…suggestive. That really doesn’t make sense. Alright if the point is to get across that Darius is a serious asshole then I am certain the stabbing and draining of Miyu’s blood would have accomplished that. Having him insinuate so much and those camera angles just seems to be fan service for a very select fetish group. Miyu and Erika’s relationship seems a complex one as Erika really can’t seem to see the evil in her family. She’s not a bad girl but she doesn’t quite realise just what kind of horrible things are being done to Miyu and why everyone is trying to save her. She has a kind of childish cruelty. Still despite my gripes with this episode, I appreciate that we are getting more action. The last two episodes were veering towards Zwei territory again and I was starting to get worried.