The Reflection – 9 [Downtown L.A.]

by Lenlo, posted in Finished Series: Action, The Reflection

This week The Reflection continues on towards its finale. Finally all of our characters are in one place and raring for a fight.

Reflection starts off right back with the Idol group, being unable to decide between beef or fish. Apparently an episode named for the dilemma wasn’t enough. Reflection quickly cuts back to Elen and Steel Ruler though, in the street where we left them. A van pulls up and Elen quickly gets in, riding away with Steel Ruler and her group. Right behind them however is the Government woman and her squad, tracking them. I am curious if Elen knew about this and set it up, or if this is happening without her knowledge. I would also like to know what assurance’s Elen has that the hostages will be released, since she so meekly stepped into the van.

With Elen on her way, Reflection cuts back to X-On, Lisa and the Detective. Its very quiet as Lisa is “asleep”, X-On is brooding and the Detective is drunk. Its a pretty weird scene that hangs for awhile, panning from each character doing nothing. Suppose we deserve to know what everyone is doing right now. We cut back to Elen and see the Government Woman tailing her, very very closely. Its almost ridiculous, as no one could fail to notice them. Steel Ruler tells one of her lackeys, Conman we learn, to do something. We saw him in action briefly before, and it appears his ability is to cause illusions. He fills the Government truck with fake snakes and it almost causes them to drive off the road.  Unfortunately for them, the Government Woman holds out and takes control of the wheel, keeping them on the road.

With that plan foiled, Steel Ruler tries something else. Using the ability we have seen before, they begin to phase the car through buildings, driving as if they weren’t there. This allows them to completely ignore roads. However, somehow, the government managed to put a tracker on their car and through clever driving manages to keep up with them. Somehow in all this, the streets of LA are empty and not a single person sees any of this, but hey, budget concerns I suppose. Eventually Steel Ruler and the Government are driving along a large storm drain. With all of her previous plans foiled, Steel Ruler only has one thing left, raw power.

We see the Lightning man, from Vy and Michael’s first episode, leap out the back of the moving van. The Government smashes into him and goes flying, no doubt because of his electricity. As he approaches the wreck to finish the job, Vy arrives to hold him down. Its a quite fight, before the helicopters and such appear. He steps into the water and zips away, using his power intelligently. Before we continue however I have a quick question. If you had helicopters and that large a group, why not use them to track Steel Ruler? They clearly weren’t being stealthy about it already and a squad of helicopters is much more difficult to take down. If flown high enough they are also difficult to notice. It all seems rather poorly planned to me.

The helicopters arrive and take Vy and Michael away. We cut back to the motel and find it surrounded, with X-On and Lisa taken into custody. They are escorted to an underground base and briefed on the situation. The entire time X-On hasnt said a word, yet everyone here seems to know who he is, whispering his name as if hes Voldemort. We are given a quick repeat of a few scenes and some more explanation as to the Darkness and the “Brightstar”, but none of it is particularly interesting. During all this, we see Lisa and Vy wanting to leave, though for different reasons. Lisa just hates the whole situation while apparently Vy is being “drawn” to Steel Ruler/Wraith. Deciding that’s a good thing, X-On tells Lisa to let Vy go and she escapes through the ceiling. Apparently the military wasn’t prepared for giant robots and metal monsters.

Soaring through the air after Vy, they are seem by Ian who is driving along looking for more punks to smash. He diverts course to follow them, meaning he will definitely be at the upcoming final battle. While driving away, Ians fancy new car passes by the Idols school bus, marking them as finally being in LA. The episode ends with Elen arriving at a nice house and meeting evil Stan Lee. Apparently, Wraith is ready and waiting.

Not much happened this week, and little of what did was interesting. Lots of bad shots and weird directing, but the car chase at-least was nice to watch. A good amount of action and some nice animation. The Lightning Man in particular, with the flat blue shades, looked great. Most important of all this week though, the Idol group is final in place to actually do something. Will we learn their names? Maybe their powers? Will we get to see them do anything near what they have been hyped/built up for? Find out next week, on The Reflection.

Later.

Katsugeki Touken Ranbu – 12 [Battle of Hakodate]

by Lenlo, posted in Finished Series: Action, Katsugeki Touken Ranbu

Welcome to the penultimate episode of Ranbu! Unable to end with a small, personal story, Ranbu prepares for the largest battle yet! Lets jump in.

Ranbu opens up right were last week left off. Kane’s sword falling, to strike Horikawa. Instead, it cuts into the dirt at his feet, moved aside at the final moments. I mentioned last week that I would be disappointed if this ended with Horikawa surviving. If some magical power of friendship caused him to return to the Citadel. However, I failed to consider another option, where it was Kane who faltered. Unable to kill his partner, he fails his duty and lets Horikawa walk away, and I can accept that. For Horikawa to survive, one of the two had to fail/betray their beliefs. Horikawa would have had to leave Hijikata to his fate and Kane had to let a clear threat to history leave unchallenged. All in all, a good way to open the episode.

With the arrival of their Master Saniwa however, everything starts to go down hill. Saniwa teleports in right next to them and starts one of the dullest scenes in the series. In this scene, Kane and Mutsunokami explain what has happened and Saniwa simply… accepts it. He says, why not do both? Why not protect the innocents and history, as if it was that simple. Does this mean he just didn’t care before? The only thing I gathered from this conversation is what I suspected weeks ago. That Saniwa has no personality and is purely a springboard for plot/explanation.

As it is, that is exactly what Saniwa does. After their chat he teleports them to the battle of Hakodate, 3 years in the future-past. This isn’t made clear however, as they simply teleport and the battle is suddenly underway, without any indication that time had passed. What this means however is that Horikawa has been here, waiting for time to pass normally, for 3 years. Whether or not this has had an effect on him, I cant wait to see. This also means though that Tonbokiri, Tsurumaru and Yagen were left to watch-over Ryoma, so our 2nd Unit must fight without them.

After a quick explanation of what is going at the Battle of Hakodate, Saniwa deduces that the Retrograde will no doubt be here. As he finishes, supposedly 50 Retrograde solders are teleporting in, causing Mutsunokami to question if they are trying to change the course of the whole battle. I doubt 50 soldiers could accomplish that in a battle of thousands, but we will leave that alone for now. Kane and Mutsunokami quickly cut down some stragglers before meeting the full force. Knowing they cant do it alone however, Saniwa summons in some reinforcements. In a pretty, sakura flower effect, the 1st Unit arrive and they make short work of the group of 50.

During this whole segment, the character moments aren’t worth mentioning, but the combat itself is quite good. We get a number of quick blade exchanges with actual choreography. Clearly they were saving it all for this grand finale, as we soon learn that the Retrograde are sending in a staggering 1000 soldiers. What confuses me about this, is that the Retrograde has never done this before. Do they have limitless soldiers? If so, why not over run any other time period instead of sending groups of 10-20? This inconsistency in tactics and numbers makes this whole event feel like the typical Shounen bump in the stakes of the fight. Like most, Ranbu fails to realize that the best Shounen arcs tend to be those with the more personal stakes. The ones that don’t require ridiculously strong or large number of enemies. But I am getting sidetracked here.

After leaving the First Unit, Kane splits up with Mutsunokami so that he can track down Horikawa. He runs through the fields towards the Shinsengumi encampment and manages to sneak inside. Curious what their guard situation is like for him to do this, but once again we will ignore it. Kane arrives at Hijikata’s personal room, the room we saw in the flashback. He examines the map with the armies laid out, the sword that both sits on the desk and at his waist. While doing so, Kane hears a voice and footsteps approaching. He quickly hides out of sight, seeing Hijikata enter the room. No doubt this is the scene we saw before, where Hijikata gives the sword to the young man, to return to his family.

However, instead of the young entering the room, its Horikawa! During his 3 years stuck in this time, it would appear that Horikawa has taken the young soldiers place. Its  clever reveal, as I had not considered Horikawa taking his place, yet when the flashback was first showed I thought they looked similar. Now the only question is, what is Horikawa’s endgame? Does he plan to return to the battlefield, giving Hijikata the sword, so that Kane can participate in the battle? Will he try to kidnap Hijikata and remove him from the field? Perhaps he spent the last 3 years attempting to talk to him, get him to change his mind. What about the ridiculous, 1000 Retrograde soldiers?

Regardless, it all comes to a head in next weeks final episode of Katsugeki/Touken Ranbu. Talk to you then folks!

Princess Principal – 11 [Case 23 Humble Double]

by SuperMario, posted in Currently Watching:, Princess Principal

Hmmm, something doesn’t ring true here. As this episode ends, we can assume that the Princess and Ange have a big break-up, Princess plays the role of Ange under the Princess’s disguise, and Ange has gone to Casablanca to live in a casa blanca for good. To be frank, I never really buy all that. I have no doubt that Ange can escape the airship with ease (she has the map that clearly shows the emergency exits), or better yet, I’m thinking that it was Ange who appear in front of the enemy. So, the real-Princess playing the real-Ange playing the Princess playing the fake Ange playing the fake Princess now. Seriously Princess Principal, how much more layers can you get? Thus, the next logical step would be Ange intends to be discovered as the Princess pretending to be Ange. This development would fit what Ange vowed to the Princess when they met again (to deceive everyone, even herself and the Princess to reach the goal), but if that’s the case then the rift between those two at the end of this episode will feel incredibly cheap.

Back to where it starts, this episode is obviously the lowest point for our team, with the Princess is isolated for the rest of the team, and slowly one by one is dropped out of the mission. Dorothy is discharged, Chise is transferred and Ange is tailed by the guards and spies from her own team. The Principal adds up to 8 members, with the exclusion of our core members. It comes as a surprise for me that the Princess takes no caution regarding this change. Usually as soon as someone like Zelda (or Z. as opposite to A – Ange) shows up and declares to be her personal guard, she would fell strange that Ange didn’t contact her as well, so I really think that the Princess knows all about it beforehand and either she plays the role to not let others think she knows, or Ange and Princess have swapped roles since then.

But I might just give Ange and the Princess too much credits.

At the same time, the coup has raised against the Royal, mostly from colonial soldiers who are unhappy with the Kingdom. Well, this new development appears way too abruptly and quickly, as we never even heard of it prior to this episode. But for its credits, abruptly and quickly are the very quality of a coup, and it connects to the main plot line as the coup determines to kill the Queen and replace her with the fake Princess. Sound very reckless and bold but if they play the right cards, with the support from the Control and the Commonwealth’s military, they could really take over the Queen. Wonder who’s the mastermind behind the coup? Certain Duke? But based on what he discussed with his favorite spy, he seems to have no idea who is behind it either. Or maybe it’s Ange’s idea all along.

Of course, I have given Ange far too much credits.

Our other girls don’t have much screen time this week, Dorothy squeezes the best out of little time she got however, as she clearly states that she won’t kill the Princess because she has grown attachment to her. Chise doesn’t leave much emotional attachment to the farewell scene, so it’s a bit disappointing. While the animation and the visual are still on par with the course of Princess Principal, this might be the first time that I find the presentation uninspiring (well, except maybe for the grand clockwork Christmas tree). I can’t really say whether this episode serves its purpose or not until I see how it all plays out, so I’ll reserve my comment until then. This is the time where our girls are the farthest to reach their goals, but I have no doubt that they will raise again, strike back with a big bang.

18if – 11 [The Thorn Cross Association]

by SuperMario, posted in 18if, Currently Watching:

Hum, never know that Eve is a ginger and has wings like an angel and wears that cool dress. Find a unique prom dress for 2024 too at Peaches Boutique.

Finally, 18if provides an overarching double length plot to wrap everything up. We have an episode that splits half of the time as a recap of what previously happened in their first ten episodes (which run a bit too long for my taste) and another half serves as the Matrix-inspired progression where they attempt to twist everything by saying that the dream world is real and the real world is all Eve’s dream (I hear someone whispers “a lie about a lie. It turns inside-out on itself” snap) and we do learn a bit more about Haruto’s role in all this. As a whole, I’m in favor with this new direction for a conclusive ending since the previous Witch of the Week format had been too inconsistent for its own good and only occasionally added up to the big picture. However, I am somewhat mixed at the actual presentation. I can get behind the admittedly pretentious theory from the cult leader. It’s silly but it doesn’t feel out of place with what 18if established so far. Introducing new characters this late of a game, in contrast, doesn’t sit right with me; especially the guy who is voiced by my favorite voice actor Hiroshi Kamiya where I don’t see any real role for him.

Basically, what the cult leader and Lily explain is the same story told by two contrasted perspectives. What they have the same in their story is the awaken of Eve (yes, our Adam and Eve). She is the Mother Goodness of Sleeping Beauty, fall hopelessly into sleep after eating the Fruit of Knowledge. She dreams of this world, the world we live in now, as a place where human receive punishment for their sins, blah blah all the things that basically written in the Bible. Those 10 Witches served as maidens/linchpins (again, depend on whose perspective) to guard the Sleeping Eve and now all of them have awaken by a certain someone. On one hand, the Thorn Cross Association believes that the Sleeping Beauties are the ones who “waking up” from this dream world, so it’s extremely worrisome for them now that all the Witches have been returned to this cursed world. They found Haruto guilty and thus, try to kill him and wake up Eve. Lily, on the other hand, reveals to Haruto that she’s the one responsible for not waking him up, so that now he would go on to kill Eve to save the world from destruction. (Of course, all roads lead to Rome. Every plot points in Anime has to lead to the “saving the world from destruction” scenario so we know they’re SERIOUS.)

We have a first glimpse at Yurina’s appearance (The Professor’s sister) and at this point I can assume she’s either Haruto or Eve. It makes more sense if she’s Haruto since I discussed in detail last week (and she has the same hair color as Haruto). It’s nice to see all the former Witches again, even only with the slideshow (although I swear I can’t take those flashbacks seriously with Haruto having a boner) and in the end they appear to form group in order to save Haruto. It’s a shame only 9 of them are able to make it back to the real world (the Witch of First Love in episode 3 passed away) but I am very excited to see all the girls in real life interacting with each other and I do wonder how 18if manages to put all of those different character designs altogether in one setting. I have to note that towards the end, 18if uses new scores – the first one is very impressive with its moody classical tone, the second one though… sounds exactly like Hand Shakers score for some reasons which leave a sour taste to the mouth. With only one episode left, and with the Final Boss finally in sight, I wholly expect a massive fight between Eve and all the former Witches + our team (the title is named “The Witch Wars” after all). Let’s hope 18if can pull off a satisfying ending.

Shoukoku no Altair – 10 [Dance of the Moonlit Beauty]

by SuperWooper, posted in Series which were Dropped, Shoukoku no Altair

This was the busiest episode of Altair yet, with a script that pinballed between Turkiye’s four stratocracies, introduced a handful of new characters, and chronicled the formation of both alliances and rebellious plots. To try and recap everything that happened this week would require hundreds more words than I’m willing to expend, so let’s assume we’ve all seen the episode and jump to its most important reveal: Beyazit’s demonstration of the musket’s power just before the closing credits. These last few moments marked the first time in a while that Altair has kept my full attention – it was a great choice to cut the background noise and put reverb on the sounds of the gun being loaded, then raise the orchestra after its firing. As the music indicates, the introduction of handheld firearms into this world has history-altering implications, which is lucky for Team Mahmut, since he’s been tasked with leading revolutions in all four sultan-led territories. Beyazit claims to have 77 of these deadly weapons at his disposal, which is enough to convince an important new character to join forces with him.

That character is Ismail, prince* of Buchak, which is perhaps the most important of the four stratocracies, narratively speaking. That’s because of the trade route its sultan Uzun is constructing between his country and Balt-Rhein, which has promised to support them after they break from Turkiye. This road is the key to Buchak’s financial independence, which means the coup that Mahmut is engineering must succeed before the route’s completion. Ismail’s willingness to betray his father, though, should give our plotters an advantage in their dangerous game of thrones. Another of their allies, Aishe (princess of a different stratocracy – how nice for Mahmut that these connections have fallen into his lap), concocts a plan to gather all the sultans in one place. She’s engaged to be married to Orhan (yet another prince, this time of Kuluch) and proposes to his father that he announce a date for their ceremony, which ought to be attended by all the people that Mahmut aims to take down. The masked sultan Selim, who only submitted to the Empire for the safety of his country, agrees to Aishe’s gamble, and thus anime’s version of the Red Wedding is set to occur within an episode or two.

(* Although the show uses non-Western titles for its stratocratic royalty, I’m opting to use familiar terms for my own sanity. The subtitles I’m reading are inconsistent with their terminology and spelling in the first place, so this makes things easier for me.)

That’s enough plot summary for this week. Let’s talk about fight scenes – specifically, the one that opened this episode. Rod Orm have never been especially threatening on a small scale, but Mahmut still managed to look like a badass here, calling Iskender to claw open one flunkie’s back and slicing another across the chest himself. Watching a newly one-handed Eleanor plead for her life was satisfying, especially since it gives us the sense that both Mahmut and the show have undergone a significant evolution. The former general isn’t taking prisoners at this stage in the game, especially with a shot at redemption in Turkiye on the line. He does let eyepatch girl escape, but Altair can hardly afford to give her another second of camera time, given how quickly things are moving elsewhere in the world. Blood is about to be spilled in Kuluch, and with time running out for the rebellion, no one is exempt from the dirty business of killing.

Ballroom e Youkoso – 10 [Voltage]

by SuperWooper, posted in Ballroom e Youkoso, Finished Series: Sports

When I was a kid, my friends and I included my brother in our games, but only reluctantly. He was younger, smaller, and slower than all the other players, whether the contest was bike racing or tag or touch football. If I were a team captain, I’d be sure to pick him for my side, but not until the last round – I didn’t want to arm the neighborhood brats with any reason to pick on me. Obsessed with the safety of my own reputation, I failed to notice his embarrassment until years after that part of our lives had passed. You might imagine, then, that the scene in this episode where Gaju shooed Mako away from his grown-up kickball game sent a pang through my chest. Before this flashback, his primary role had been to mock his sister at every turn, but now we have another piece of the puzzle. Gaju was just another kid who put too much stock in the opinions of others, and he’s carried that concern with him into adolescence.

This week’s opening flashback consisted of more than just the kickball scene, though. It showed us how the Akagi siblings entered the world of ballroom dancing: through Mako’s repeated appeals to her beloved older brother, who eventually caved and became her partner. Gaju may have been ashamed at the idea of dancing at first, but his stubbornness prohibited him from quitting, and his natural athleticism allowed him to excel once he began competing. When that talent was noticed and praised by a judge at one of his first events, his switch was flipped – from that moment on, he was a dancer. This need for recognition is a much stronger motivation than wanting to surpass Hyodo or impress Shizuku, so it goes a long way in making Gaju a human character with internal drives and desires. Those desires were strong enough, though, that he began to heed the whispers of his classmates and the advice of his coach, all of whom assumed that he’d leave Mako behind one day, because she was holding him back.

Now that he’s found a better partner, then, how does Gaju feel in the wake of Mako’s heart-stopping waltz from the previous episode? He’s sufficiently distracted to make a small footwork error that all the dancers and judges in the room notice immediately, and upset enough to get teary-eyed at his failure when he leaves the floor. Most shounen-y of all, he gets angry to the point of punching himself in the jaw, ostensibly to refocus himself on the contest at hand. This scene was more than a little goofy, but it wasn’t bad enough to sap the goodwill that his backstory created. Gaju left his sister because he wanted to be the best (and the way the show frames it, he made the right call, at least from a competitive standpoint), so if he starts making silly footwork mistakes, he’s both letting down his new partner and dishonoring his old one. Luckily, Shizuku is there to pick up the slack as the Tenpei Cup moves into its final group stage.

With Hyodo in the crowd, Shizuku is still aiming to blow the doors off the place, even if she has nothing to prove at an unsanctioned competition like this one. We got a second flashback to one of her practice sessions with a much younger Hyodo, where he nonchalantly informed her that she was more of a rival than a partner in his eyes. This scene did a lot less for me than the carefully-structured opening sequence, but the memory is clearly a strong one for Shizuku, who goes into beast mode during the Slow Foxtrot and wins over the entire room, much as Mako did last week. Even Tatara is stunned, which is not a good look for an underdog trying to highlight his own partner’s appeal. The last segment of the competition will be the Quickstep, but even with Sengoku’s special variation in their back pockets, I’ve got a bad feeling about the outcome of this competition for the exhausted Tatara/Mako pair. With Shizuku on fire and Gaju having found his footing once again, our heroes still have a mountain to climb, and only one dance left with which to do it.

Classroom of the Elite – 10 [Every Man has in Himself the Most Dangerous Traitor of All]

by SuperMario, posted in Classroom of the Elite, Currently Watching:

A chronology of events from class-D where nothing seems to happen, but there’s a seed of doubt buried down underneath and now waiting for its chance to crawl out of the surface? It sounds so thought-provoking like a Michael Haneke’s film if I put it that way, except in this show, all the build-up is for… a freaking stolen underwear? Really? Look, disregard the fact that they wasted 4 whole days for almost nothing (what happen to the finding and securing spots part? Now you don’t even follow your own rules Youkoso?), if the show wants to raise conflicts within the group, they could address many other issues that are way stronger than this pinky panty incident. How about someone question Hirata’s leader ability? How about someone challenges the roles assigned for the members of the class? How about the girls accused the boys for being sexist (still even better than we end up with)?

To rub more salt in the wound, the way Youkoso executes that part, from Ike clumsily passes it down to Ayanokouji, to the search the bags and bodies afterwards to the way the girls behave in general is just plain dull and tedious. Ike and Ayanokouji, how about you guys just throw it away into any nearby bush tree? No hard evidence, not guilty as charged; right? What even worse is that this conflict is never properly planted before. Except from the brief part where the class argued about the need of buying a portable toilet last week, the show has been setting up this arc as a battle between each class, so even if Ayanokouji find the true culprit, how this have anything to do with using points, survival game, and conflicts with other classes? I do have my own theory down below but there’s no denying that this development is just too silly and dumb. The way Hirata goes all his way to protect Ayanokouji has an uncanny effect to me. He does it for the sake of his class, granted, but he’s just way too nice for his own good here.

On day 2, our main lead Ayanokouji and Horikita go out their way to scout other classes, and “happen” to meet all the important figures in each class and how the other classes approach to this survival game. Class-B is all about harmony, Class-A has a military-like discipline and class-C just rejects this game completely. Using all their points on the first day, class-C truly has nothing else to lose. A destructive strategy, but by all mean not a bad one at all. I still believe Ryuen (from now on I will refer him as Nerriot Sparkling guy) has something sinister up his sleeves; like the way class-C’ “deserters” keep popping up in both Class-D and Class-B. So, my most educated guess for now is that Class-C is far from out of the game. They use moles to find each class’s proxy leaders, making the class fight against each other (that underwear incident). Ibuki might hate this plan but for her sake she had to do it, and she might hate class-D even more for falling into this trap so easily. If that is the case, I fully expect she would open up a bit when Ayanokouji finally confronts her.

Lastly, about the possibilities of the proxy leaders of each class. I would love to be proven wrong but Youkoso doesn’t ever try to include that many class members except for the important ones. Class-A has Katsuragi and that green hair guy, class-B has Ichinose and the guy Kanzaki and class-C of course no one would defy that Neriot Sparkling dude. The only one person who doesn’t participate is confirmed to be Sakayanagi and it’s interesting to learn that she and Katsuragi never see eyes to eyes in how they approach things. Don’t know how this reveal will affect future plot but for now, we need to settle down on who was stealing that pinky panty first. Such a sophisticated turn of event that I can’t help but admire with my rolling eyes.

Fate/Apocrypha – 11[Eternal Radiance]

by AidanAK47, posted in Currently Watching:, Fate/Apocrypha

We have a hat-trick as Apocrypha pulls out it’s third good episode but admittedly the reason for that is because we are still in the middle of a pretty massive action scene. Perhaps this is why earlier fights were so lacking as they needed to save the effort for an action set piece as big as this. Animation has most certainly improved as the fights are more dynamic than ever. But for the love of god can someone fire the sound director. I watched this episode with headphones and while the music is great, the sound effects are an abomination. I don’t know why but fight scenes are bombarded with reverb, compressed sound effects and far too loud explosions. These are servant battles so it’s natural that the clashes would be loud but here whenever a fight starts up it’s just a constant barrage of unpleasant noise. It’s just never lets up as when explosions stop you have uncomfortable reverb in between the sword clangs and thuds. It really goes to show how one small element can really ruin a scene.

This episode we had fight after fight after fight but I will admit to being disappointing when the Karna and Vlad fight was interrupted over some silly reason that Karna was ordered to retreat. I thought this was rather idiotic as literally a few minutes later Karna and Vlad resume the fight in the Hanging Gardens of Babylon. However upon seeing what was happening to Vlad I have to admit that it was a very smart move. Out of the black faction it is clear that Vlad is their strongest servant and that is mainly due to the stat boost he gets because Romania is his home ground. The Hanging Gardens however are not Romania so that means that within them Vlad’s power decreases immensely. By attempting to abduct the grail they gave reason for the black servants to infiltrate the Hanging Gardens and now their strongest servant has been put at a disadvantage. We also have another berserker taken out of the lineup as Spartacus explodes in a beam of energy after taking too much damage. Seeing Joan use her Noble Phantasm put a big smile on my face as I have been playing Grand Order quite a bit and during the hundred years war chapter I used that Noble Phantasm more than once.

The episode ends with Darnic about to force Vlad to use a Noble Phantasm that he despised with all his heart. I really dislike that A-1 decided to cover this information now with a flashback instead of bringing it up near the beginning of the series like it was supposed to be. Having it be mentioned mere seconds before it’s relevant just makes it feel like lazy writing. The episode keeps quiet about what exactly it is however with the clues in this episode I think people could figure it out considering the context given here. If not, let me ask you this. What fictional figure is constantly associated with Vlad the Impaler? Yes, you likely caught on now and honestly I think this is genius. Vlad Tepes joined the holy grail war in order to use his wish to erase the story of Dracula from existence. Marvelous, I adore that motivation because of course Vlad would be furious that his legacy is forever intwined with a bloodsucking monster. Even if his methods were questionable, he still defended his country from foreign invasion. He was a hero to his countrymen. Yet in the modern day people only tend to know his name because Dracula was based on him. Thus because of that association he has even gained a Noble Phantasm directly linked to Dracula. It really is a pity that Fran died as we could have very well have a Dracula vs Frankenstein’s monster matchup. Well regardless of reasoning I doubt Vlad will be very happy with being pushed to use that Noble Phantasm.

Made in Abyss – 10[Poison and the Curse]

by AidanAK47, posted in Currently Watching:, Made in Abyss

I was well on my way to saying that Made in Abyss may have dark elements but is isn’t an inherently dark show. Then this episode came along and hit like a jackhammer. For as cheery as the episode started, it most certainly took a dark turn. The darkest turn this series has taken to date. Riko and Regu encounter a porcupine like creature that seems above what they can handle and Riko is injured and poisoned by the creature. Regu manages to escape barely by ascending to another platform which of course means that Riko is hit with the Abysses curse. At first it looks like the curse actually worked in her favor as the bleeding looks to push the poison out of her system. That is of course until she starts bleeding from her eyes and ears and basically everywhere. The abysses curse has never been pretty but this is it at it’s most gruesome as seeing Regu panicking as Riko slowly bleeds out is an unnerving sight.

So with Riko gravely injured and poisoned, it’s up to Regu to do whatever he can to save her life. With happens to be some extreme measures as Riko instructs him to perform a makeshift amputation to remove her poisoned arm. What follows may be the hardest anime episode of the season to watch as Regu desperately attempts to cut off Riko’s arm while keeping his emotions in check. I winced as I saw Regu pick up the rock in order to break her arm in order to make it easier to cut and when it came to the cutting itself…christ…how did we get from whimsical adventure to this? Despite it being well over half the series we finally see the rabbit girl featured in the opening and ending.

I expected her to be more of a comedic addition to the group but from the looks of things she’s likely going to act as the experience mentor to the two. She already knows quite a good bit more about the abyss than they do and seems to be experienced in medical treatment. With this we can say the kid gloves are off. Riko almost died and these abyss creatures are not playing around. There are no Hazu’s, no Ozen’s, no Dorm leaders and even their books aren’t going to help them now. Funtime is over and the real game starts now. Though speaking of which, Made in Abyss could make for a fantastic game if handled correctly.

Kakegurui – 10[Selective Woman]

by AidanAK47, posted in Currently Watching:, Kakegurui

It seems to be a common theme in Shounen series that as the series goes on, less and less happens in each episode. Which makes my job all the harder. In this week’s episode of Kakegurui Yumeko faces off against the student council treasurer and loses. Now that would be something rather refreshing for Yumeko to lose a high stakes bet but it appears that losing was part of the plan. As Yumeko pushes former antagonist Itsuki to put all her money down for a once in a lifetime chance to get back on a council. With the flashback sequence it tries to spur sympathy for Itsuki was recruited into the council by the treasurer as a pawn and tossed aside when she lost her usefulness.

It is indeed nice to see her back up Yumeko in order to put the smug self satisfied student council president in his place. However unlike Mary, Itsuki’s redemption is harder to get behind. After all while Mary did act as antagonist before, when she did she was just trying to put Yumeko down a bit. Itsuki on the other hand carries around a case full of human fingernails and threatened to rip off Yumeko’s nails if she lost. No matter how you try to justify her actions that still comes across as rather unhinged. Villain turnarounds in a shounen series are nothing new but the turn should be a little more gradual than this if the characters actions at the start where rather horrific.

Then we have the Treasurer and boy do I dislike these types of characters. The genius planner type that somehow makes out every situation as if it is some grand master plan calculated to the most minor of details. I don’t mind characters like the cast of Death Note as at least their reasoning is within a realistic context but this guy throws around probability like it’s ironclad law. No matter how smart you are and no matter how much you may calculate the odds, there is no certainty in it. It’s just guesswork and while you can be successful in gambling by being able to calculate probability, it is far from being foolproof. Having a character be so ridiculously self assured in actions which have plenty of room for failure just has me rather aggravated as all it really takes to knock them off their high horse is one small thing not going to plan. So yes, right now the Treasurer is self assured in his victory but knowing Yumeko it’s likely she wishes to put him in a position of real risk. Losing this match wouldn’t really cost the Treasurer that much and Yumeko’s usual code of play is to get her opponent into a position where they really have a lot to lose.