Fate/Apocrypha – 22[Reunion and Farewell]

by AidanAK47, posted in Currently Watching:, Fate/Apocrypha

Breaking my usual routine today just to give an opinion on this episode but this episode made me feel compelled to get out my opinion. We have another action packed episode with three contestants out of the war and boy did they go out with a bang. Many will notice that the animation for this episode was very different from what we are accustomed to and from my information we have Hakuyu Go(A talented taiwanese webgen animator) with friends to thank for the amount of work that went into this one episode. Indeed out of the episodes of Apocrypha so far this may be the best animated one to date but alas this comes with a bit of a cost. The animation in this episode will certainly be a divisive topic and sadly I find myself on the side that dislikes it. Mainly that this emphasizes movement over art and as a result we have a episode with a large amount of movement but character go off model and look rough far too often. I have never been too fond of this animation style as I find the off model characters to be a major immersion breaker but in this case there is a second much more problematic aspect.

Let me put it this way, today I watched a epic fight between Siegfried and Karna. What happened in that fight? Well…um…Karna unleashed his noble phantasm…something happened…then rider came and unleashed a noble phantasm…explosions…um…huh? Dear reader, what do you remember of this fight? Cause I fully admit that upon watching this that I had to truly struggle just to comprehend just what was even happening. The soundtrack and passion of the scene certainly got through but eventually what happened on screen just became a big ball of chaos and explosions. The Atlanta fights fared better as the fight was on a lower scale than Siegfried vs Karna but I do wonder just where these giant voids of space appeared from in the hanging Gardens of Babylon. Sources claim that Semiramis can change the space instead the gardens which could have resulted in these large rooms but the anime really hasn’t gone into detail on all the capability the gardens give her.

But regardless the fights in this episode remind of something and I think this could be considered the anime version of shaky cam sequences. Indeed the fast cuts and general chaos is very much like a shaky cam fight sequence and I have never truly liked those. I am more a person who enjoys good fight choreography over flashy explosion fests so it is my opinion that I actually enjoyed the Achilles vs Chiron fight in the previous episode much more than the chaotic lightshow that was Siegfried vs Karna. I do admire the effort put into this episode but I fear it will have a hit or miss quality with people. I just hope that those that don’t like it don’t do that idiotic thing of screenshoting inbetween frames and using it as evidence for bad animation. Cause hey morons, that’s not how you critique animation.

A small correction to something I previously stated in my last posts about Achilles and Atalanta. I previously said that Achilles teacher told him stories about Atalanta but it was in fact his father, whom had taken part in Calydonian Boar Hunt and The Argonaut Expedition, both of which Atalanta participated. Thus he heard stories about her and had a childhood crush on her, it’s this piece of information that makes his efforts to stop Atalanta from destroying herself and the final farewell hit so much harder. I really do adore that final scene between the two of them and I also really like how much of Karna’s character came through in his final moments. Loyal to a fault that one and honorable to the end. They say Karna can match Gilgamesh in a fight and yet he is a polar opposite to him in regards to how he treats his masters. We near the finale of the series and it looks like Rulers greatest foe is…Shakespeare? Well I did say I wanted more Shakespeare.

Inuyashiki – 9 [Shihjuku People]

by Lenlo, posted in Finished Series: Adventure/Fantasy/Science Fiction, Inuyashiki

Welcome to another week of Inuyashiki! This week we have incredible sequences of terror, fearless Directors and death flags! Lets jump in.

Obviously, the first thing we need to talk about this week is Hiro. A lot has happened in the few hours since Hiro attacked the Station. Interestingly, yet weirdly, Hiro has garnered a fan club. I don’t understand this. Do mass-murderers in real life gain admirers? Regardless, whatever fans he had at the start Hiro has since lost them. The first half of his murder spree is basically a public shooting. An opening salvo, of 100 people, to declare his war. Had they done it any other way I would have no problems with it. As it is, I can’t stand Hiro’s TV gun. Air or Light bullets I can accept, but what is the explanation of shooting through screens? The fantastical nature of it is too much for me. Everything else at least was explainable as Alien technology, but this is modified Earth technology. It makes no sense.

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Fate/Apocrypha – 21[Antares Snipe]

by AidanAK47, posted in Currently Watching:, Fate/Apocrypha

When Apocrypha slows down, it’s story shows it’s cracks. But when it’s an action showcase it actually becomes quite entertaining. The characters don’t have the time to be developed but they shine in combat when they clash, sometimes showing parts of themselves the series otherwise doesn’t allow for. Astolfo for one was actually useful for once and I found myself invested in his struggle to disarm the Hanging Gardens beam cannons. Part of the reason is because Astolfo isn’t acting his usual aloof self due to a new moon being out. As the legend goes, Astoflo’s sanity was taken by the moon and when a new moon is out he temporarily regains his sanity along with his noble phantasm.

So instead of the fearless comic relief he has been throughout the series, he’s much more serious and even feels fear. This gives his fight to take out the gardens some rela weight and i was genuine tension in the scene. Well…it was also partly helped by Sieg running off to fight Karna. I don’t know what it is but that kid can suck the emotion and fun out of a scene in a instant. I was convinced that this was Astoflo’s last stand and that he was about to exit the war but he surprised me by surviving. It certainly was amusing to see Seramus also mistake him for a girl before getting dive bombed by Mordred.

They follow this is what is by far the best fight scene Apocrypha has had yet and likely the best fight in the series as Achilles uses his noble Phantasm to stop time around the plane, making it that the only way Chiron and him can fight is through hand to hand combat.(Mortal Kombat if you will) I must say that was one fantastic fight scene seeing Chiron and Achillies beat the hell out of each other in the stopped time. Sure the animation and art could have been better but it still managed to make this one hell of an anime fight. Special mention to Chiron stomping on Achilies scarf to make him into his personal punching bag.

Alas Achilies comes out on top and Chiron exits the war, although Chiron manages to use his noble phantasm to remove Achilies protection by striking his heel. Chiron even manages to get Achilies to promise to hand over one of his noble phantasms to the black team and oddly enough the end credits sequence shows that he’s keeping to it, likely giving his chariot to Astolfo. This series has it’s ups and downs as well as not living up to the potential it truly had, but it’s episodes like this that make me glad I stuck with it. There is a few great moments in this series for a Fate fan and though it likely won’t be as highly regarded as other works, it’s still a worthwhile watch.

Dies Irae – 08[Promise]

by AidanAK47, posted in Currently Watching:, Dies Irae

Netflix has funded thirty anime which will air in 2018 and this has brought concerns over whether Anime as a whole could be westernised in order to cater to an overseas demographic. I find the chances of this unlikely and the more likely result is a more diverse lineup of anime for both Japanese and overseas demographics. However if Anime was westernised then that could lead to the removal of excessive unnecessary fanservice in shows as they would not longer need to pander towards Otaku in an effort to gain more Blu-Ray sales. So why is it that I am starting off this post on the latest episode of Dies Irae with this information? Well one because this is another one of those nothing happened episodes(Which I need to think up a term for) wherein the plot barely moved forward and not a whole lot was present in this episode. The other reason however is because to fill up screen time during a long exposition scene, it was decided to show Marie stripling off and trying on different clothes. So I will state that if this mythical westernation of Anime were to happen, this is one aspect of anime I certainly wouldn’t miss. Of course my enemy isn’t so much the idea of fanservice but rather lazy fanservice. When fanservice is part of a series appeal then it is understandable why it’s present but what annoys me is when a series attempts to have its cake and eat it too and throws in fanservice without considering its effect on the story. It’s akin to having a benny hill sequence in Lord of the Rings, immersion breaking.

So let’s round up what happened in this episode. Kasumi was taken by Shirou and Ellie for her own protection, Ren calls them up and gets information on the Swastika’s locations, Ren and Marie visit School to find all the students mind controlled and Shirou and Eilie face off against Rusalka only to get devoured anticlimactically. We had two rather intrusive fanservice scenes in this episode, the first with Marie trying on clothes while Ren was two feet away from her and Rusalka making out with some guys before she goes and murders everyone in the room. I admit the second scene isn’t exactly out of character for Rusalka as she does tend to get around. IN fact at this point she’s pretty much slept with half the guys at Ren’s school. Still I always felt that Rusalka generally didn’t do this while on the job so to speak and i also originally thought that she couldn’t transform between her younger and older self. After all I thought the whole point of her downgrading herself into a lolita was to make her live longer as she is nearing the end of her lifespan. The fight scene wasn’t much to speak off, just Shirou and Ellie firing bullets while Rusalka shrugs them all off. If this was the last we saw of them then this would certainly be a disappointing end to the interesting characters of the protagonist side.

Regarding Marie i find her new personality to be immensely annoying. I wasn’t quite fond of it in the visual novel but in animated form I am forced to see just how incredibly pandering her character really is. This is likely the kind of person that otaku believe to be the perfect girlfriend…in theory. After all, she’s caring, cute and love you? Surely you don’t need her to be anything else. But of course this is in theory as in reality girls like Marie would be very boring and in the worst case scenario, annoying. Sort of like a child who grew out of the phase where everyone found them cute but still tries to act cute for attention, only for it to be very aggravating. Maybe if I could get invested in her love with Ren I might find her more interesting but the fact of the matter is that their relationship is shallow as a puddle. I don’t even understand at what point Marie fell for Ren as she’s only known him for a few days and there wasn’t really any point I could see her growing remotely interesting in him. Does this girl know anything about him at all? Of course I may be jumping the gun here as they haven’t confirmed that she’s in love with him but frankly it’s inevitable. With Shirou and Ellie, i get why these two are together, as they just work on the same wavelength but an easy girlfriend character like Marie, no matter how pretty she may be, just seems so…dull.

Mahoutsukai no Yome – 9 [None so deaf as those who will not hear]

by Lenlo, posted in Finished Series: Adventure/Fantasy/Science Fiction, Mahoutsukai no Yome

Hello and welcome to another week of Mahoutsukai! Lets hop right into it.

First and foremost, let’s talk about Chise. As the main heroine of the show, naturally it’s going to focus on her a lot. This week zooms in on her relationship with Elias and what it actually is. Characters and situations comment on it throughout the whole episode. From Simon the Priest mentioning Elias is rubbing off on her, to Angelica calling out her Stockholm Syndrome. Even the little side story about the Leannan Sidhe, which I will talk about later, is a commentary her relationship. Usually, I would applaud this sort of commentary, making the characters think about their lives. But with Chise, while I like how she has grown, we know based on previous experiences she won’t question anything. Its not that it’s bad writing, that’s far from the case, I just find it uninteresting to watch.
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Juuni Taisen – 10 [A Tiger May Die, But It Leaves Its Skin]

by SuperMario, posted in Currently Watching:, Juuni Taisen

Juuni Taisen again expands a huge flashback in the middle of the current story, but this one hits all the right notes because naturally its heart is in the right place. It’s episode like this that I am glad I’m still sticking with Juuni Taisen and regain my faith to the overall quality of this show. Forget my slam on the representative of women warriors in Juuni Taisen few weeks ago, because with this episode, Tiger becomes one of my favorite character and the whole female cast is up there as the show’s best written characters (3 out of 4 if you ask me with Monkey, Tiger and Chicken are all spectacular, only Boar isn’t that developed but since she was out after the first episode, I can get behind that). Continued right the last episode left off, the long-awaited duel between Bull and Tiger is permanently interrupted by the Zombie Rabbit – a typical move from Nisio’s writing. Despite the fact that I can forgive the carelessness of both warriors, given they didn’t know that Rabbit was a necromantis (something we learned right at the first episode), hence aren’t prepared for his sneaky, underhanded attack; I still don’t get why Rabbit bites his tongue could activate his self-control zombie mode ability. Self-sacrifice by biting off his tongue? Listen, the main reason you die from biting your own tongue is due to the amount of blood loss (bleeding to death), so it doesn’t make any goddamn sense here, technically. Only reason I can come up is that Rabbit was a zombie from the very beginning (look at his red eyes and his unpredictably moves), but then why does he think it’s a good idea to get his body chopped off like this? He can’t regenerate his body, can he?

I must admit I wasn’t ready for another flashback of Tiger, and I certainly didn’t anticipate that flashback to be this poignant and bittersweet. Snake and Dragon’s 2 part-er, take note. This flashback not only builds from the previous one about Tiger who eventually lost herself to drinking and killing because of the mad world, but also adds another dimension to her character development, with charming dynamic between Bull and Tiger to boost. Like I mentioned last week, in many ways, Bull and Tiger share the same fighting styles, but not necessary the same mentality. Tiger kills enemy recklessly because she’s lost and suffering, so to see Bull killing them with a calm demeanour, she can’t help but think Bull knows exactly what he’s doing – a warrior who always does the right thing. When confront with that question himself, Bull comes up with an answer: first, you choose to do it, then do it (the way he demonstrates the idea is priceless by the way). The moral here is the intention. That encounter eventually leaves a big impact to Tiger that she finally has a goal in her life: to meet him again and get him to acknowledge her.

Life is always a little bit more beautiful when you have something to look forward to, so naturally seeing Tiger having her personal goal is already a joy to watch. And I won’t lie when I say I’m eager for her sobering up and doing everything in her power to get into the Zodiac Wars just to meet the person who changed her path of life. She saves Bull without even thinking – her very act of doing the right thing. This episode also sells me on the warm chemistry between Bull and Tiger as we can see the spark of their relationship not only from Tiger’s, but from Bull’s perspective as well. Bull is the man of action, which is to say he doesn’t talk much or think much because his resolve is always clear as the sky. Yet within his time spent with Tiger he talks the most, he isn’t willing to let her die because he has never been saved by anyone before, not knowing that it was the debt she’s repaying him. In addition, Bull never has any intention to kill Tiger as far as I concern, and that makes their final conclusion: he has to finish her off (as Tiger requested) before she turns into a zombie, the more bittersweet and heartbreaking. Bull finally acknowledges Tiger as a warrior just as she wished, and I as well acknowledge her for having such a compelling and moving character arc. The race is now a three-way battle between Bull, Bunny and Rat, and with Rat’s nowhere to be found it’s not a good sign. With only two episodes left, I expect Rat teaming up with Bull to kill an annoying zombie plague and maybe put my beloved Monkey into an eternal rest. At the same time, I am content with Juuni Taisen for now because we’ll always have Paris this episode to linger on.

Kino’s Journey -The Beautiful World- – 09[Various Countries]

by AidanAK47, posted in Currently Watching:, Kino’s Journey -The Beautiful World-

I will likely be spending most of this post talking about one segment of this episode as just as the title suggests, these are a series of stories involving different countries. But before I get into that I must truly question why these particular stories were chosen. I have stated before that I love Kino for it’s introspective parables and how they make you think but today’s episode was mainly comedy for some reason. None of the stories are put together with any kind of cohesion and some I question the point of animating at all. For example, at one point this episode went from a serious dark story to complete slapstick at the drop of a hat as a story about a cooking country was introduced. A country gets Kino to cook something for them and it is revealed that Kino is a terrible cook whose meals are nearly fatal. My how hilarious, the cute girl who has confidence in cooking but all her cooking is lethal. That’s a joke so unique that I have only seen it a couple of hundred times. I mean i just finished playing through the third game in the Blazblue series(Story is still god awful but I made i this far for the gameplay) and that has this very same joke.

Why was this deemed animation worthy? It’s a story setup for a single joke that’s already been done to death, not to mention it doesn’t make much sense that Kino can’t cook. She can survive on her own and has fed others before, it’s makes no sense that she can’t cook The beginning segment is also equally pointless as it just sets up that Kino’s master has traumatised bandits enough to be very selective of who they attack. There are so many other stories that could make the cut, why this? For example, I know a short Kino story where she journeys to a land that is burning all the toys, magazines and playthings of the children on the grounds that without they will grow into pure and good adults. But whent hey let the kids ask Kino a question, one of the children asks her how to burn alive all the adults of the country. That’s the story, short but undeniable Kino. The moral may be a bit too blatant but I much prefer this to having a story about Ti hanging a wish on a statue.(Again, why choose to animate this?) The story about Kino visiting a country that she wasn’t allowed to remember is a good way of doing humor in this series as if provides a philosophical angle while entertaining a humorous one.

Not every story in Kino’s Journey is a gem which is to be expected considering it’s episodic nature but I feel there should have been far more scrutiny on choosing which stories get animated. I am fairly certain that three quarters of this episode didn’t need to be animated and could have been replaced with superior stories. There are just some odd choices going on here, such as having the author’s afterward in the credits of this episode. It gave the episode a weird finality which had me concerned whether this would only be a nine episode cour but luckily that appears to not be the case. Now onto my favorite part of the episode, a land where everything is awarded virtue points and doing good deeds gives you leeway in the country. This is a fascinating concept because the system has it’s ups and downs. Namely that it encourages people to perform good deeds but makes the act somewhat disingenuous as everyone is only after points rather than displaying genuine goodwill. But what makes this concept most interesting is that your virtue points can cancel out any wrongdoing that you commit. Under the grounds that it’s unfair for a man of many good deeds to be condemned because of one wrongdoing and a bad man being absolved due to one good deed. The man whom Kino talks to in this story had accomplished great deeds but he soon reveals that the only reason he did all of it was because he wanted to earn enough points to kill a single person.

Now I actually find the system genius for this as it appears that it takes a massive amount of points to cancel out murder and here a murderer spends his life performing good deeds for the sake of killing someone. And when he finally has what he needs, he’s old enough to see the folly of it and has no one he wishes to kill. This is absolute genius, for a evil man is made into a benefit for society and when the time comes when he can do evil, he no longer has the will to. But the big question of this story is do we judge a man by his character or do we judge him by what he has accomplished? For this man was evil but still accomplished great things worthy of respect. Does it matter if his motives for doing so where unsavory? I feel this message hits harder at the recent news of the author of Rurouni Kenshin, a well loved shounen series, was revealed to be a pedophile who had a large amount of child porngraphy. For now and forever that series will have the authors sin staining it but again the question remains. Can we respect that this man created a well loved franchise despite how rancid his character is? Do we judge a person in history by what he accomplished or by who he really was?

For there were many horrible people who accomplished great things that we benefit from even in this age. The Fate Franchise has built itself on taking the legends of people and building characters around them, characters which are likely nothing like their real life counterparts and yet to some like myself, have completely replaced their image. I wish that Alexander the great was like that of Rider from Fate/Zero but in truth he was likely a much worse person and I would not like him at all. So in truth is the form of immortality that is records is not truly a record of people, but rather of accomplishment? For what they people thought, felt and even who they truly were has been lost to the ravages of time. Cutting this off bluntly but I think this post is long enough, next episode appears to be another remake of an old story and again I feel like we could just get a new story instead of this. The kind land made for a great closing episode to the original series and having it be in the middle of the series like this is just odd.

Houseki no Kuni – 09 [Spring]

by SuperMario, posted in Currently Watching:, Houseki no Kuni

Houseki approaches summertime this episode and this week feels like a breather after the intensity from the last few weeks, by that I mean Phos didn’t get into any real trouble by the end of this week. Not to say this episode is anything less amazing compared to last several weeks. One of the factor that I still regarded Grimgar quite highly despite its shaky overall production is that they nailed the feeling of grief admirably, something that the anime medium usually glosses over too quickly. The loss of someone close/ dear to you usually leaves a lasting, permanent impact, so naturally I found myself tuning out whenever the main protagonist overcomes that loss just several episodes like nothing ever happen. Here in Houseki, the loss of Antarc still lingering over Phos, and although Phos doesn’t have any significant alteration in their physical body, this week marks a tremendous change in Phos’ personality. At the beginning of this episode, we see the more collected, no-nonsense Phos and they still mourn over the loss of Antarc, whom they feel their capture was entirely their fault. The nightmare/hallucination of Phos about Antarc, in particular, is a powerful and realistic moment about people gem who experienced post-traumatic stress disorder.

Back to spring, when all the gems wake up from hibernation with a new job, and new pairs of spring uniform. Phos receives unanimous popular for their new alloy arms, which can stretch, turn, attack and making a wall at will. The other gems, behave exactly like children who receive new toys, at first scare of Phos’ arms, but then the curiosity takes a better of them. With the old Phos, the sudden popularity and recognition from their peers are all they could ask for, but now that Phos actually has all the attention, they don’t know how to deal with it. “Not a single good thing has come from it”. This line nails perfectly how the current Phos feel. Phos is now strong at battle, can single-handed hold off the Lunarians’ attacks, just like what they wished right at the beginning of the series. But everything else is off. They still can’t fulfil what they promised to Cinnabar, they lost what they consider their best comrade. My favorite moment of this episode has to be when Phos cries their gold tears, in which Kongou sensei calmly responses “This is merely a defect found in ancient organism and nothing to fault yourself for”. Somehow this line really sums up Houseki’s eye-opening world flawlessly.

One thing I didn’t pick up on my last coverages is how the Lunarians have several different types attacking the Gems. I guess the different in types all depending on the Jewel materials they used to attack the Gems. My take is that the old, classic type is the type that has none of such material. Which comes to a fascinating scenario: Imagine how Phos would react when the Lunarians use Antarc’s fragments as their core materials. Granted, Antarc is fragile in nature so there is a low chance that would happen. One more interesting factor in this episode is how Phos slowly lost their memories as well. Not sure when they response to Rutile that they don’t remember Cinnabar is just a total scam or the truth, but with Phos slowly losing their memory (due to their loss of fragments), changing both in their personality and appearance, what’s left to the original Phos except their gorgeous Tomoko Kurosawa’s voice? Are they considered the same gem then? As this is the episode dedicated to the new personality of Phos, the background visual appropriately has more colourful setting with the yellow reflection from the sun. The visual motif changes as well, as previous episodes we often see Phos lying on the grass, this time though they’re standing on it, but still feel lost and directionless. The visual and the music is as dead on as ever. This might be a slow episode, but Houseki again successfully establishes Phos as a compelling protagonist, and I really hope in the last 3 episodes, we gonna have a powerful arc that close up this magnificent, unique anime in a satisfying manner.

Inuyashiki – 8 [Mari Inuyashiki]

by Lenlo, posted in Finished Series: Adventure/Fantasy/Science Fiction, Inuyashiki

Hello and welcome to another week of Inuyashiki. We are approaching the end, with only 3 episodes left. The end-game has been revealed, Hiro returns to his roots and Inuyashiki gets found out by someone close to him. Lets jump in!

To start off, Inuyashiki tipped its hand this week as to the ultimate ending. A news report mentioned a 50 km wide meteor hurtling towards the planet. This is something far beyond any human technology to stop, but luckily we have two alien cyborgs to save the day. The only real question is which of the two is going to inevitably sacrifice themselves to stop it. On one hand we have Inuyashiki, the old man dedicated to helping people. Its completely in his character to save people, yet he has much more to lose than Hiro. On the other hand, Hiro sacrificing himself would complete the “redemption” arc/theme Inuyashiki seems to be going for. I am not sure which I would prefer, or how both of them sacrificing themselves would fit in. Regardless, the general ending is now obvious, we need only wait and see how it’s done.

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Girls’ Last Tour – 09 [Life]

by SuperMario, posted in Currently Watching:, Girls' Last Tour

Leave it to Girls’ Last Tour to not only address the meaning of life in their lifeless world, but also what does life itself even mean. “What is life?”, that question is asked several times during the episode, and the girls can only come up with the most direct, simplest answer to this grand question. We are the life form, robot sure isn’t. Even us, the viewers, in this age and day, don’t even consider robot as a lifeform, do we? Since life is organic, including the capacity for growth, reproduction, functional activity, something that a mere robot doesn’t have. Girls’ Last Tour challenges that notion, as the show follows our girls into the one of the remaining fishery. The place is still automated functioned by a giant robot, and further inside is another robot who takes care of the last remaining fish in this fishery (if you noticed we’ve seen a lot of “last” in this series: the last flying airplane, the last potato few episodes back). The girls argue robots don’t have consciousness, yet their coding POV pretty much suggests that they process a consciousness of their own. The girls argue they can’t think on their own, yet in this episode they manage to do just that: talking to the girls, managing to keep on going even though the human race is gone. The girls argue that they don’t have feeling, yet they share a level of empathy that eventually touch them. Don’t those make the robot, then, a fully animated being?

And in fact, the concept of life that the robot explains is far beyond the life-concept of human being. The living things, organic and non-organic being include, inside the world forms a wholly giant organism. That world used to be “alive”, but now all we see is the remains of this death world. One of the main takeaway from the girls about “life” at the end, is that “maybe “life” means something that has an end”. That takeaway again aligns so well with Girls’ Last Tour main theme’s and its outlook of life. Throughout this episode, Chi-chan experiences herself in a brink of death by nearly get drowned in the fish pool. The plot soon thickens as the big robot decides to demolish the building, meaning the little robot and the last living fish will be soon dying as well. As soon as the girls acknowledge that the robots have life, they have to end the life of the big robot in order to save other lives. Killing it so to speak. This sequence won’t be as affecting without the moment when the big robot looks back, right before the Chi-chan pulls the trigger. That moment is an acknowledgement about the life the big robot has, as well as the acceptance that eventually everything will have to die, so the best way to die is to live on and hang in there (to borrow the lines from Kino’s Journey few episodes back).

The sense of empathy is another theme Girls’ Last Tour successful raises this week. Just look at how Yuu changes her attitude towards the fish: at first, she just wanted to eat the goddamn fish, then she is allowed to feed the fish, later on when she knows the fish is in danger, she decides to step in to save it. Empathy also plays a significant role in small robot part, as it sounds and behaves the most humane out of anyone in the cast so far and to the big robot, as I can see the empathy level of the robot towards the girls: it knows Yuu tries to kill it yet it seems to understand the reason behind it and gives in. It’s when you are truly alive that you can feel empathy. Girls’ Last Tour, once again, says so much by showing so little, asks so much about the deeper meaning of life with its low-key yet sometimes ambiguous approach. Another real winner episode for me.