Some Quick First Impressions – Gurazeni, Hinamatsuri and Mahou Shoujo Site

Gurazeni

Short Synopsis: A relief pitcher is unexpectedly called on to be a starter in a money-obsessed baseball league.

Lenlo’s Review:

Gurazeni’s word of the season is, budget. A budget One Outs for the modern day. The first episode of Gurazeni is an info-dump and fails to establish anything about the main character or the series conflict. It goes to lengths to try and show how everything revolves around money, how desperate the main character is for it and the cutthroat world of baseball. Yet the bright colors, the music and general style takes away from that completely. Compare that to One Outs from ~10 years ago, where you knew the value of every pitch. Where the lead had an established personality, motivation and relationships in the first episode. Where even the lead’s design informs you to his personality. Really, what I am trying to say is this. Skip Gurazeni, watch One Outs instead. Go find it on YouTube. To this day, it is one of my favorite sports anime and without a doubt my favorite Baseball one.

Potential: 0%

 

Wooper’s review

The going is still early, but this will probably finish as the most disappointing of all the shows I watch this spring. Gurazeni is a well-respected baseball manga, but Studio DEEN clearly lost some kind of reverse bidding war and were forced to animate this show at gunpoint. The OP takes the time to portray merchandisers, groundskeepers, commentators, and fans, hinting that the series will be about the culture of baseball, rather than just the sport. DEEN accomplished something similar with Giant Killing at the start of this decade, but their approach for this series is too narrow in scope. More than half the premiere is eaten up by the main character’s narration, most of which revolves around how his salary compares to those of other players. We hardly see him pitch, or even talk to other human beings. He does go out for drinks with an ex-teammate, but that guy’s career woes dominate the show from that point on. And when we’re actually treated to some baseball, it’s with CG players and sweeping helicopter shots of PS2-era stadiums. The show’s lousy appearance and botched first episode might be tolerable if I could tell you anything about the main character’s personality, which I can’t (other than the fact that he likes money). Just read the manga.

Potential: 0%

 

Hinamatsuri

Short Synopsis: A young girl with supernatural powers and a porcelain-collecting yakuza learn to live together.

Aidan’s review

Not quite as funny as I would have though but still a really enjoyable start for the series. Hina certainly seems like a more likeable character here, whereas in the manga she was a lot brattier. Animation is actually quite impressive and comedic timing is on point so later events and characters should work well. I somewhat miss the jokes that the scantilators of the manga would put in like “Norway!” but well there was absolutely norway they would put those in the anime. Got to wonder why they bothered to put that action scene at the beginning as it really isn’t going to become relevant for quite a while but maybe the joke is just how inconsequential it will be. Really loving the dynamic between Nitta and Hina here and the emotional scenes actually work well despite them being misleading buildups to the absurdity that happens afterwards. My big concerns for this one is that there may not be enough time to get to the really great moments of the manga though the pacing of this episode burned through three chapters. Looks great, sounds great and I had a smile on my face the whole time watching. Most definitely one to check out this season.

Potential: 80%

 

Wooper’s review

Unlike Aidan, I haven’t read the Hinamatsuri manga, so my impressions of the show’s comedy will be based not on whether it’s as funny as its source, but whether I found it funny at all. Happily enough, I did! Studio Feel did a fine job of making the show seem vibrant and kooky, though it’s clear that much of their effort was concentrated in the opening fight scene. As for the story, it centers on an Odd Couple relationship between a gentle yakuza (Nitta) and a young girl (Hina) who manipulates him with her special abilities. I’d have liked their “getting to know you” phase to have been extended a bit, but with 12 episode orders being the industry standard at this point, narrative shortcuts are expected. The show’s biggest comedic strength thus far is the injection of strange gags and visual moments into a familiar story template (adult and kid are thrust together, butt heads at first, then learn to appreciate each other). Hina’s arrival in a giant metallic egg is so strange that you can’t help but laugh at it, especially after Nitta’s attempt at ignoring it fails so horribly. The show also underscores its most heartwarming scene with a comically violent one in which Hina uses her powers to help her new friend – it’s a ridiculous set piece moment, but it comes from an earned sense of understanding between the two leads. Despite feeling a bit hurried, this is one of the better premieres of the spring thus far, and it’s certainly the funniest (intentionally, anyway).

Potential: 60%

 

Mahou Shoujo Site

Short Synopsis: A girl who is horribly bullied is given magical powers

Aidan’s review

When I sat down to watch this show I prepared myself for a rough ride. Yet despite knowing what was coming it was still a hard watch. Take note that does not mean that it was a hard watch because of some skilled writing of troublesome subject matter but instead imagine an author of poor skill trying to write a Madoka clone and shoving pure visceral contempt into his story. The characters in this show are unbelievable or at least I wouldn’t want to believe people so utterly unsalvageable would exist in reality. I mean we have bullies here who literally shoved so many razor blades and pins into this girls shoes that it defeats the purpose of the act. Geniuses! The point is to put a sharp thing she wouldn’t notice into her shoe so that she hurts herself putting it on! So filling the shoe full of razor blades defeats the goddamn purpose! Not to mention you actually wasted money getting all those. Considering the number of blades you literally wasted a significant amount of money for shock value. Also, beating her up, drowning her, killing her cat and even calling a guy to literally rape her wasn’t going over the line, but putting a knife to her throat, woah suddenly too far! God it’s just so stupid and stupid it needs to be if it must push the authors agenda for more darkness. Believe me when I say this only gets stupider. Unless you really love watching this kind of trash, avoid it like the plague.

Potential: 0%

 

Mario’s review

Boy, this is one of the most painful 20 minutes I’ve ever experienced for this first impression. Forget what I said about 3D Kanojo Real Girl being forced, this one pushes all the buttons of misery and bully bullshits to the lead girl that, for once, I wish the person who write it could experience the same. It’s no fun whatsoever to see a girl gets repeatedly beaten, nearly raped, has her one source of happiness taken away because “life is cruel” message. Even if all this was just a set-up for her becoming a dark magical girl who kill people, I just wonder why they need to overplay her circumstance to this extent. It might help if those bullies say something about the show own’s nature, which it doesn’t. It might help that the show has some love to its characters, but so far I don’t think that’s the case. This show’s message seems to be cruelty happens everywhere and the weak will receive a miserable life. I actually like the visual style when the girls are in these freeze-time zones, but other than that I will avoid this one like a plague. I do enjoy bleak shows but I won’t take ones that insult our emotions plus intelligence like this.

Potential: 0% or PURE CRAP

Some Quick First Impressions: Comic Girls, Megalo Box and Saredo Tsumibito wa Ryuu to Odoru

Comic Girls

Short Synopsis: A timid high school girl moves into a dorm for manga artists and makes new friends.

Wooper’s review

I wasn’t expecting much from this series, given its moeblobby promotional art and studio Nexus’ small portfolio, but this premiere was charming in some spots. Our pink haired protagonist spends most of this episode in various states of panic, so Comic Girls takes frequent trips into her overactive imagination, turning her into quite a sympathetic character in the process. She’s not especially creative or talented, but I found myself rooting for her all the same (probably because she’s small and cute). Despite her constant freakouts, the show maintains a playful air for much of its first half – check out the multitude of sunny exterior shots that combat Kaos-chan’s gloomy mood, or the soothing guitar/marimba/accordion trio that plays around the five minute mark. It’s the stuff that came later that took the wind out of my sails – the conversations between manga artists at the dorm didn’t have a speck of originality to them. Topics included obsession with senpai, breast sizes, and ganbare-ing until you just can’t ganbarou no more. The line, “You think I’m cool? Even though my boobs are small?” is uttered here, probably not for the first time in anime history, but certainly for the first time in a show that had me kind of interested. After a while, the overwhelmingly positive vibe between the four girls wore thin, and my attention was lost. If CGDCT is your favorite genre, I’d give this one a look, but otherwise, don’t bother.

Potential: 20%

Mario’s review

Just like Saredo show down there, I’m on the fence on whether I will give those shows some more episodes. With Comic Girls, it’s a cute-girls dose of this season, this time with them being an aspiring mangaka. Although this one doesn’t offer much for viewers outside of its intended market, I enjoy the self-awareness of the characters in Comic Girls. Most of the humor comes from its ability to poke fun of the mangaka life, like how many of them don’t have any real friend, and that Kaos theatre gags nail it on the playful and imaginative of a girl who makes drawing as her living. These other girls have some nice quirks and they bounce off each other well but that’s all about it. Don’t expect them to grow or anything since this type of show focuses more on laid-back atmosphere than any meaningful development. One thing this show does have some edge though, is there is a potential of yuri elements here. Overall, this is a mild and inoffensive offering with some playful (but totally unrealistic) depiction of mangaka life, so for those who into cute-girl shows, this one is a solid recommendation, otherwise you won’t see much point here.

Potential: 30%

 

Megalo Box

Short Synopsis: an underground illegal boxer is ordered to throwing matches.

Lenlo’s Review:

Finally, an anime with style. Megalo Box reminds me the likes of Cowboy Bebop or the original Ashita no Joe, but more modern. The rough and unclean lines give it this aged feel. While there are a lot of still shots that look eh at best, in motion I love it. The lack of smooth, clean lines, mean the animators don’t have to clean it up as much so I am expecting some beautiful boxing, ala Hajime no Ippo. Especially as, from the short match we got in this episode, the fights follow a rhythm. Just look at the shot of Ghetto Hachiya beating on Junk Dog, the rhythm of his fists striking our lead was great. Combined with the, so far, stellar music tracks and I just love everything about Megalo Box. So long as it keeps the story small, a personal grudge match kind of thing, then I think Megalo Box will flourish. Just, please, don’t get too complicated. Don’t try to be a big world affecting story. You don’t need it, Megalo Box.

Potential: 90%

Mario’s review
I admit that I wasn’t too optimistic about this show before it’s airing. Boxing isn’t my favorite (anime) sports and the promotional arts feature a character with cyborg parts completely turned me off. Thankfully, this premiere explains its world well, and gives us an underdog character worth spending time for. Who doesn’t love an underdog boxer to take the trophy, right? Its premise is what I consider straight-forward but right to the point. Junk Dog is going to participate in that mega-boxing tournament and I sure am on board to see this through to the end. It helps that Megalo Box has a distinct retro visual flair, with gritty lines and those bumping musical beats that engrave so well with its gritty, washout world. Junk Dog is the right kind of protagonist for this show and so far, his character is complex enough for us to root for him and so far, the production and animation are both excellent. It has been quite a while (I can’t recall the last good one on top of my head) but finally, a sport series that can be a highlight of a season.

Potential: 75%

 

Saredo Tsumibito wa Ryuu to Odoru

Short Synopsis: dragon hunters hunt dragons.

Lenlo’s Review:

If Megalo Box in a word is style, Dances with the Dragons would be tedious. It’s filled with techno-magic-babble, meaningless fights with no stakes and a generic “magic knight” concept. It’s like every terrible fantasy anime trope rolled into one. Stupidly long character names, no real magic system. In a world with machines and knowledge of Planck’s and Nuclear Energy, we are given screaming men with big swords and flashy lights who clearly have an edgy attitude problem. There is nothing memorable in Dances with the Dragons, with even the magic coming off like what we have seen in every other generic fantasy anime. The fact that the MC is a proper adult is a pleasant change of pace, they have a life and relationships. But that is about all it has going for it. I have seen people call it the “LN version of Berserk” and that its fans “can’t believe it got an adaptation” because it’s so dark. But so far Dances with the Dragons just feels like a “2edgy4you” generic fantasy series that I don’t expect to go anywhere interesting.

Potential: 5%

Mario’s review

Saredo’s first episode feels too busy with setting up many plot threads that the whole thing is an incoherent mess. On the one side, we have this duo who both love to step on each other’s mouth but somehow realize that they’re invincible together. On another side, there’s a whole conspiracy thing going on that for now it’s hard to figure out what’s all the deal is about; and then there is a string of murders going on. The magic and fight parts are by far my least interested elements. I do like the fact that this world contains of many characters from other races, like the glassed dude’s girlfriend is apparently an elf, and its world-building is intriguing enough to develop some interesting scenarios here, serious mature ones to boot. Not to say I am fond with these two leads but I can tolerate them for a while longer. I will stick with it for another episode just to see the clear picture regarding where it will head. Otherwise, if you’re not already a fan of its LN or you aren’t a hardcore fantasy action buff, then you might just skip it.

Potential: 20%

Some Quick First Impressions: Gundam Build Divers, 3D Kanojo Real Girl and Tada-kun wa Koi wo Shinai

Gundam Build Divers

Short Synopsis: Some kids buy some Gunpla figures to play with in a virtual reality game

Aidan’s review

Once upon a time there was a show called Gundam which was made with the intent to sell toys but the animators decided to make a serious story about war, hence kickstarting it’s legacy. Now in the future, a Gundam show takes that legacy and uses it to sell toys. We have gone full circle here people. Anyway as for the show itself it’s basically one big advertisement for Gunpla models that happens to have some rather well animated mecha battle scenes. Storywise though this is about a bunch of kids taking a virtual reality game way too damn seriously. No stakes and it looks like it’s just gonna be about this kid becoming the best Gunpla pilot, like no one ever was.

Potential: 0%

 

Mario’s review

Words can’t even describe how little I care about this Gunpla universe. This first episode plays like some promotional material for Gunpla, as a consequence there’s little to no identity regarding the show itself. Characters have little personality besides “Gundam models are A-mazing” and the only real story this show has so far involve the mysterious amnesiac girl that somehow I thought she was muted (despite have some talking lines now that I recall it), just to show how forgettable all those characters are. It’s a kiddie show so I’m not going to be harsh on it, but it still remains a forgettable kiddie show at best.

Potential: 0%

 

3D Kanojo Real Girl

Short Synopsis: An otaku boy falls for a girl after they clean a pool together.

Aidan’s review

Yeah, this really isn’t for me. The developments are just contrived and the romance is forced as best. Boy isn’t it romantic when the guy you ask out rejects you in front of the class and then proceeds to stalk you after school? We had several situations that broke suspension of disbelief completely for the sole purpose of making one of them look good in front of the other in order to sell that their relationship was “Real” Thing is that examining all there intereacts I don’t see these two having anything in common or a drop of chemistry. I can’t even imagine what these two would talk about when the relationship drama dies down. But of course it won’t die down because this is shoujo and here someone will always have something to get their knickers in a twist over. Some may get something out of this but honestly a better romance anime is coming.

Potential: 0%

 

Mario’s review

This is a story of a boy meets girl and through many trials and tests they come to like each other. Happy ending. Except that this show wanted to be a realistic portrayal of nerdy otaku who find love in real life and boy, “realistic” is never in its DNA. First, the boy is a pitiful mess, not because he’s a nerd with weird hobby, but because he holes up into his shell and blames others for making him feel that way. The show, in its defense, understands that but it overplays that insecurity too many times within this first episode. They make it worse by making side characters act like true asshole to bring up that point. A boy physically abuses Iroha at school because he thinks she’s a slut? An ex-classmate meets the main character after many years and her first reaction was: “You’re still gross!”. Or later the event at the bookstore when Iroha reacts to the shoplift accusation by… undressing herself. It’s a ham-fisted way of storytelling that I just feel every development is so contrived. The main leads at the end have some good bonding (hence the 10%) but even with the girl, I don’t find her character that much appealing so there’s little in this show that makes me want to watch more here.

Potential: 10%

 

Tada-kun wa Koi wo Shinai

Short Synopsis: A teenage boy continually runs into a pretty foreign girl around town, and eventually brings her to his family’s coffee shop.

Wooper’s review

This is another romcom from the same studio and director that did Gekkan Shoujo Nozaki-kun in 2014. While that show was more focused on the “com” part of the genre, though, Tada-kun will probably be heading deeper into “rom” territory – at least, that’s the route I’d take, since I don’t find it the least bit funny. The humor in this show mostly comes from its characters acting wacky, like the craaazy gaijin girl who’s constantly getting lost, or the flamboyant best friend who thinks he’s God’s gift to women. That would be fine, except that there’s nothing comical about the situations depicted in the show, which are just a series of coincidental meetups between the two leads. Think back to the premise of Nozaki-kun: a girl tries to confess her love for a boy (who is secretly a shoujo manga artist), but he mistakes her confession as an offer to work as his assistant. Even if you think that’s the dumbest idea on earth, there is at least a potential for comedy there. In Tada-kun, there’s nothing of the sort, unless you count the hints that Teresa is of royal descent. Even that idea would be more appropriate in a romance than a comedy, though, so let’s hope the show gets there eventually.

Potential: 30%

 

Mario’s review

An original anime from the team behind Nozaki-kun should tell us a bit on what to expect about this show. As it turns out, Tada-kun’s premiere has its fair shares of ups and downs. On the good side, the blonde lead girl – which might or might not be a princess of little unknown Europe country which is “Larsenburg” (my sub), and I really hope the show trolls us there – comes off as quirky charming (chief among them is her passion about a Japanese TV drama: Rainbow Shogun, which brings me many good laugh) and she sure brightens the screen with her presence here. She and the male lead also share some moderate chemistry and I can see the romance between them has some potential to grow. I also enjoy the visual timing of Tada-kun, in addition. My favorite visual gags from this show, for example, is how Terasa miraculously appears on the male lead’s camera multiple times. The titular male lead, on the opposite side of good, is rather bland and feel much like an self-insert type protagonist. It could benefit the show if they spend some times instead fleshing out him before he met Teresa. Moreover, I have a mixed feeling regarding the supporting cast. His male friend, Mitsuyoshi with his over the top antics was so off-putting that he could be a make-or-break point for me. The same can be said for that Nyanko Big cat (geez, he’s annoying) and the plot so far is generic and fairly routine (the leads happen to run into each other too many times, they happen to live close together, she happens to be a transfer student who study on the same class. NO). I will continue watching it as the parts I enjoyed, I did really enjoy, so I hope the show just tone down all the unnecessary and tonal-whiplash antics from certain supporting cast.

Potential: 50%

Fate/Extra Last Encore – 08-10[No Second Strike ― Dead End ― /Golden Theater of the Deranged ― Aestus Domus Aurea ― /Unlimited――― ― Unlimited/ Raise・Dead ―]

It hard to have an opinion on the last three episodes of Fate/Extra when the content has been quite similar to the previous episodes of the cour. For now the series has ended with the remaining episodes coming as a special later. Still unknown if that was the actual special broadcast that was originally considered a second cour. These three episodes mainly dealt with our protagonist getting through the fifth and sixth floors and yes, the fourth floor was rather shamelessly skipped over and only spoken about at the beginning of episode 8 as being “No big deal”. They essentially pulled a Katanagatari on it and to a degree I understand as the fourth master really was someone not really worth caring about. In fact depending on what route you took in the game the fourth master could be one of two different people, neither of which are particularly interesting. Only real thing of note was that one of the servants was actually Arcueid from Tsukihime which was rather neat.

Despite the different episode number the problems of the series remain the same. The fifth floor attempted to give some characterization to the protagonist and even featured female Hakuno for a brief time but ultimately Hakuno just remains a bland faceless void that you can’t really care about. Again the Scenario is interesting but the execution is lacking and it really does bug me about how that became a running theme. Really, looking at the story of Fate/Extra purely on paper it’s hard to imagine that it would be as lifeless as it is. Let us recap, the first floor had a city set up to harber masters that gave up on the war which culminated in the entire city getting flooded and Nero fighting a pirate ship on top of the ruined city. The second floor featured a forest with a sniper whose been killing people for a thousand years with a servant who can turn invisible. The third featured a cyber ghost girl in a weird wonderland who has been twisted into a monstrous abomination while waiting for the return of a friend. The fifth featured a master who was also a dead face, causing the protagonist to question his very existence and find new meaning to his mission all while finished with a battle on top of skyscrapers between master and master with servant vs servant. The ice landscape sixth floor had two masters who fought each other to a tie and ended up becoming the floor itself spawning hundreds of soldiers to fight each other for a thousand years only to finally gain enough sanity to guide Hakuno to the sixth floor just so he can end the long standing tie. Looking at all this , it all sounds very interesting and even great so why is it that I only remember feeling apathetic while watching previous episodes? By all accounts this should be engaging, it should have me anticipating the next episode with excited glee. Yet, much like the personality of Hakuno, I just feel it’s been a lifeless void.

I believe i have more or less covered why but seeing as this is the last episode for a while I might as well do a roundup. I can point three things that are messing up this story. One is that this story is almost 90% told through exposition. The exposition dumps are egregiously bad so as to have the setting, characters and current events all told through whatever is deemed to be the mouthpiece of the author. Too much effort has been put into explaining the story over telling it and despite all this it still remains a confusing mess at times because it fails to establish a foundation. Just when you think you know what is what, the story flings another conundrum for you to place and gives little motivation to do so. The second thing is characters with a big offender being Hakuno the blank nobody character. Nero admittedly is pretty tiresome as well considering her main roles is to do the fighting and be waifu fanservice. I am actually having trouble placing who is a worse protagonist, Sieg from Apocrypha or Hakuno from Extra but in truth they are remarkably similar in how they are both non characters with some existential dilemma of their manufactured existence that ultimately leads them to become stereotypical hero archetypes. Though while the main reason for hating Sieg is that he took screentime from much more interesting characters, the characters of Fate/Extra outside of Hakuno and Nero are really just exposition devices in human clothing. These creatures spout exposition about the nature of their character, the world and magic without much emotion. Indeed even in face of their own death they speak there last words like reciting a shopping list. That’s not how humans talk, we don’t just have prepared speeches and lectures ready to be fired off with perfect clarity and precision when first questioned. Our emotion comes out in how we speak, even how we respond to certain topics is within our character. Nobody stands like a mannequin reciting hamlet from memory. Of course some may argue that in this series everyone has lived a thousand years and their dehumanization is the result of dealing with a unwinnable situation for so very long. To which I say fair enough but it means that nobody here cares about what is going on and if they don’t care, why should I?

Then comes the third problem, the animation. Now it actually has be wanted by fans for quite a long time for Shaft to do an adaption of Fate/Extra, a sentiment that I never truly understood. Maybe it was because Shaft animated the openings for the Fate/Extra games but I honestly felt they were a mismatch. Shaft are about artistic animation saving techniques, you can have an opinion on the expression that Shafts style brings but the ultimate goal is mainly to present a show in a matter that’s least troublesome to animate. Considering that the Fate series has a pendant for ridiculously impressive animation it seems like a odd choice to go for a studio that uses style to cover for animation workload. Maybe it was because Fate/Extra was considered more avantgarde? Like hell it is. While exposition scenes are made a bit more interesting with their visual experimentation, ultimately it makes all the fight scenes of this anime feel ridiculously anticlimactic. I once thought Fate/Zero was too anticlimactic, oh what a sweet summer child I was for Fate/Extra truly embodies the word. Not a single fight in this series is remotely satisfying. So the fighting stinks, the story told primarily through exposition and the characters are too apathetic and soulless. So on a last note I will say I did at least like the presentation of Nero’s backstory, female Hakuno showing up briefly and that one small moment where Rin describes her hellish situation with a pained smile. Emotion, makes all the difference.

Junji Ito Collection Anime Review – 40/100

In the realm of manga there is a man whose name is inescapable when the genre of horror is brought up. That man is Junji Ito and his work is considered legendary for its artistic detail, mastery of manga paneling and it’s outlandish imaginative concepts. Up till now his work has yet to have an adaptation that fits his legacy despite a number of attempts to do so. And now with completion of the Junji Ito Collection anime I can sadly say that fact still remains. This animes greatest failing is the lack of effort to truly adaption Junji Ito’s work to animation with the animation being bare bones to truly awful and the art not even coming close to his iconic style. This anime at least can be watchable due to the creativeness of the material but having passable animation, voice acting and music isn’t a good enough trade for the quality of the source itself.

The stories all have a problem with endings where many of them just cut off abruptly and move on to the next tale without much breathing room. Few have conclusive ends to the story being told and can feel like they were cut off in the middle of the tale. Some stories also are questionable choices with the main examples being the Souichi stories when are more black comedy than horror and stick out awkwardly when compared to the other content. The horror stories themselves fail to be scary though some do have some disturbing ideas while others prove to be far too silly to be taken seriously. Otherwise Ito’s general weakness with characterisation can have people acting in awkward or idiotic ways.

Horror anime is unfortunately a rarity and it was a solemn hope of mine that this could be something special despite skepticism. Sadly be it due to staff or studio there felt like no real heart put into this production. A meer attempt to cash in on the legacy of some who puts tremendous effort and time into his craft. A man that deserved better than this.The soundtrack has no notable tracks, the opening is a questionable rock song and the presentation weakens the content that while not making a terrible show, unfortunately turns it into a mediocre one. I do not recommend this be your first introduction to the works of Junji Ito and this isn’t really an anime worth watching, nor remembering.

Some Quick First Impressions: Legend of the Galactic Heroes – Die Neue These, Mahou Shoujo Ore and Captain Tsubasa (2018)

Legend of the Galactic Heroes – Die Neue These

Short Synopsis: A young upstart General overturns a space battle to his favor

Aidan’s review
Comparing this to its older OVA predecessor I actually find this a very strong start to the series. With the old series I only truly got engaged with the third episode while the space battle that took up the first two episodes failed to grip me. It could be my foreknowledge but the presentation in this new series worked better due to focusing on only one side of the conflict instead of jumping between the two. Besides minor elements this is looking to be a pretty faithful adaptation which isn’t rushing the source material and I am actually gaining some hope for this series. Only flaws I found is a rather intrusive piano theme in the middle of the episode which I hope they don’t overuse and that some of the character designs still throw me off a bit. kircheis just looks so strange to me. I am still a bit wary and feel that won’t go away until episode three or beyond but so far I would consider this something worth keeping an eye on this season.
Potential: 80%

Mario’s review
Unlike Aidan, I’m a complete LoGH novice here so I can offer my thoughts without any prior knowledge from the original. I was inherently worried that this show might turn out like last year’s Kino Journey, a reboot that look prettier but with much less impact. This episode sets a nice hook that not only underline the tactical aspect of this space opera, but also set up the great rivalry between Reinhard and Yang Wen Li, both of them proved to be smart, awesome and ambitious. If you’re looking for an action show or a pure sci-fi show, you’d end up disappointed because the closest thing this show reminds me of is watching two talented person playing chess. As far as I concern, this is a great start for what would be an epic battle, but there are some issues remain. First, the updated part, the CG animation doesn’t do a good job at animating the characters (they look on par in battleships, though), as I feel the animation for the parts with human involved pretty wonky. And second, with only 12 episodes how the hell this new show can fully adapt the scope of this epic war? Only time can tell I suppose.
Potential: 80%

 

Mahou Shoujo Ore

Short Synopsis: A girl is scouted to become a magical boy

Aidan’s review
Here’s how to come up with the idea of this show. Write a standard magical girl synopsis, then use find and replace to switch words with more outlandish counterparts. Then sit back and pray people find it funny. Unfortunately this kind of comedy isn’t really my thing and only gets less funny when animated as everything seems to follow a Boke and Tsukkomi routine. The meta jokes are just trying too damn hard and the references are the kind that would go over most viewers heads. I can see it maybe being a guilty pleasure for some but it’s pretty poor as a parody, satire and a comedy.
Potential: 0%

Mario’s review
There is a difference between good and mediocre satire. A good satire not only makes the twist fresh and unpredictable, it also addresses the issues behind the subject they are making fun of (for a good example you can check out the premiere of Osomatsu-san few years back). Mahou Shoujo Ore does neither of these. While I can see where those jokes (especially the meta-joke in the beginning) come from, the jokes are fairly predictable and the show is more happy just to twist around mahou shoujo’s genre tropes than have any concrete thing to say. What is the significance behind turning them in a boy for example? Why idols again? Jokes without substance like this get dull fast and I find myself bored watching this. It doesn’t help that the production is below par and the characters all have paper-thin personalities. Stay far out from this.
Potential: 0%

 

Captain Tsubasa (2018)

Short Synopsis: A soccer prodigy moves to a new town and challenges the local hotshot goalkeeper to a match.

Aidan’s review
This is a throwback in more ways than one with the series being nearly forty years old and the general writing of the show. But it seems that David production have not only done a throwback with adapting such and old property but even animating it like one too. There are an abundance of animation saving techniques in this one with the abundance of still shots and event the return of anime speed lines. To some it may be a charm point but to me it just looks like a slightly cleaner version of a 80’s anime. The events of the show go to ridiculously levels with a goalkeeper deflecting javelins and a kid somehow surviving getting hit by a truck because it was cushioned by a soccer ball? I say this one is for fans of the original or those feeling rather nostalgic.
Potential: 10%

Wooper’s review
It’s reboot o’clock once again, this time for the 1980s franchise Captain Tsubasa. Though Gegege no Kitarou is the older of the two series, Tsubasa’s legacy far surpasses it, having developed a worldwide following since it burst onto the scene 30-some years ago. Even professional soccer players have credited Captain Tsubasa with kindling their childhood interest in the sport, so it can scarcely be imagined how many other kids it inspired. With that in mind, it doesn’t seem appropriate to nitpick the show too harshly. Something I will note, however, is the inclusion of bombastic sound effects by David Production, which you’d assume were from JoJo’s Bizarre Adventure if you had your eyes closed. I wonder whether those bassy, bone-crunching noises will be attractive to young soccer enthusiasts, rather than manchildren hopped up on caffeine and Transformers films. Some of the directorial tricks from JoJo (most notably a speaking character’s translucent face imposed on top of a still shot) make an appearance here too, but they aren’t nearly as distracting. On balance, the show doesn’t look or sound very good, and there are moments of utter nonsense sprinkled throughout its first episode. But it’s about a boy who loves soccer more than anything in the world, and for some viewers, that’s all it needs to be.
Potential: 25%

Some Quick First Impressions: Gegege no Kitarou (2018), Uma Musume – Pretty Derby and Kakuriyo no Yadomeshi

Gegege no Kitarou (2018)

Short Synopsis: A young girl enlists the help of a youkai expert to cure her city’s Vampire Tree epidemic.

Aidan’s review

Not particularly special in its own right but I found this show to be decently enjoyable and far more comprehensible than its manga counterpart. Its biggest flaw is that it suffers from the Seinfeld is unfunny trope. Namely that everything done here has been done again and done better. Making this show as standard as you can get. I also could never truly get into shows about Youkai as I find the concept of them to be too silly to take seriously. So far it’s decently fun to watch but I feel it will lose a lot of its appeal once the nostalgia peels off and you are left with an episodic run of the mill show with nothing to offer.

Potential: 20%

Wooper’s review

Gegege no Kitarou is a franchise that dates all the way back to the 1960s, and it certainly shows its age in this newest reboot. Despite the focus on cell phones as a way of modernizing the series (the episode opens with a Youtuber ignoring traffic while filming himself, then turning into a cursed tree in the middle of an intersection), the whole production feels bog standard. There are bullies who pick on the weird kid who believes in youkai, a main character who uses special attacks (several involving his hair or finger guns) to defeat evil spirits, and a monster of the week format that contains not a whiff of a larger story. If you’ve been watching anime for any length of time, you’ve probably seen all of this before. There’s a cliffhanger at the end of the episode that I won’t spoil in case you’re a Kitarou devotee, but if you’re not, this incarnation of the franchise is unlikely to convert you.

Potential: 10%

 

Uma Musume – Pretty Derby

Short Synopsis: Our sparkly-eyed main character attends a horse race, a horse idol concert, and a school for other horse girls.

Mario’s review

Aussie culture has a strong and proud tradition when it comes to horse-racing. Let’s just say we’re crazy about horse racing and even I am not a proactive guy when it comes to the sport, the atmosphere of dozen of horses preparing to kick off always makes my heart pouncing. And that was the only aspect I remotely like in Uma Musume (oh, and the names. Since you’re horse girl, you’re allowed to have some crazy names like Special Week and Vodka and in case you don’t know: these girls are modelled after real racing horses). First, I still can’t comprehend why the heck they include idols part into the show, the one that clearly feel out of place. Then, the only male character in this first episode is badly portrayed that he leaves a bad taste in the mouth. And somehow our innocent girl falls for it??? The settings doesn’t have anything special enough to stand out and the main lead girl can get to your nerve at any time. I have zero interest between her yet-to-come chemistry with Silence Suzuka or anyone else in her team. Which actually can be appropriate since all I can do now regarding this show is fall silent.

Potential: 10%

Wooper’s review

Within the first five minutes of this premiere, a man with a ridiculous haircut and a lollipop in his mouth sneaked behind our main character and started massaging her legs, commenting on what a perfect horse girl she was. Embarrassed and violated, she kicked him in the head and he flew backwards ten feet or so, knocked unconscious by the force of the blow. When she trotted over and asked whether he was still alive, I was struck by the realization that a handful of people must die from getting kicked by horses each year. This was the show’s big chance to sell me on the concept of horse girls. If Ponytail McMolester would just stay down for the count, I’d swallow every other contrived, pandering bit of bullshit this script had to offer. The seconds wore on, and he still wasn’t getting up. P.A. Works was just moments away from becoming the most subversive studio of the season. Please just kill this useless character, I prayed, and rescue your godawful production from the growing trash heap of instantly forgettable 2010s TV anime!

Then he sprang into a standing position, apparently uninjured, and started wiggling his fingers and eyeing her boobs. Generic character designs, ass shots, and an idol concert followed. Don’t watch this series if you value your time or life.

Potential: Horse shit/10

 

Kakuriyo no Yadomeshi

Short Synopsis: A woman who can see spirits finds a job in another realm to avoid marrying a mask-wearing ogre.

Mario’s review

I figure you’d call this a Mahoutsukai no Yome that set in the world settings of Spirited Away, although I admit that if you put it that way then this show just looks pale in comparision. It’s simply on a lower caliber here. The main girl experienced a childhood just like Chise, albeit without the self-hatred. Just like Mahoutsukai the romance part gives a lot of head-scratching development and it is easily my least favorite part of the show. That oni master is just… unbearable from his character design to his attitude. We have quite a strong female lead this time, which I’m glad and the concept of her finding job in an inn of the spirit world has some potential, although towards the end it comes to the light food-porn that generally turn me away. The world building of this spirit world is another part that the show done well so far, with the world is vivid and different from the normal world in the first few minutes. Not a fan at all of the character designs, however, and the romance saga including the “selling off my sweet granddaughter” subplot will need to some serious improvement to get me hooked again. Overall not a bad start, but I don’t see myself coming back for it.

Potential: 30%

Wooper’s review

How many anime have there been where the main character “can see things that other people can’t?” What percentage of those have given their protagonists tragic backstories because of their abilities? And what percentage of those have included a sexy love interest who wants to marry the protagonist right off the bat? We’re still talking about thirty or forty series, I’d wager, and this must be one of the cheapest attempts at telling this ultra-specific story. The unlucky girl in this particular yarn was sold to a bishounen ogre (or, to use the technical term, bishogre) to pay off her grandfather’s gambling debt, but she negotiates her way into a cooking job at an otherworldly inn instead. Here’s where I’d typically say that the usual assortment of youkai made their appearance, but the majority of the spirits in this show are human-looking, with only a mask or horns or a pair of fox ears to distinguish them from each other. What’s worse, the tracks that play behind the characters’ conversations are somehow such boilerplate throwaways that they stand out like sore thumbs. There’s just a general lack of care to be found in every aspect of this episode, which doesn’t bode well for the next 25. If you want to watch something similar, but with improved visuals and more personality, try Kamisama Hajimemashita instead.

Potential: 0%

Darling in the Franxx – 10-12[The City of Eternity/Partner Shuffle/The Garden Where It All Began]

Three episode coverage this week as many things got in the way of my casual blogging, the much late preview being one of them. I must say that the last few episodes of Franxx have been quite strong as we have had a string of character development episodes which have really fleshed out the cast. As well as shed some light on the situation of the world itself. First up we have Zoromes episode where he manages to meet what may be his biological mother in the lower city plantation and through talking with her found that becoming an adult isn’t quite what he expected. My previous theory of there being no true humans in the city turned out to not be true and instead it seems that adults just spend their time in a machine that partially drugs them with doses of happiness. Social interaction has more or less disappeared as the woman states she hasn’t talked with her husband in years. Ultimately it seems that the children above are distinctly more human than the seemingly privileged adults living in the plantation. By episodes end it seems Zorome stopped caring about becoming an adult and prefers to enjoy his time up with the others, even mentioning his fondness for arguing with Miku. While locking away his memories of something devastating the woman told him and the way the officers treated him like some kind of contaminant.

Our second episode mainly focuses on Kokoro, Mitsuru and Futoshi with a rather disheartening route as Kokoro chooses to swap partners so she can work with Mitsuru, leaving Futoshi devastated. While in one way this could be considered a betrayal on Kokoro’s part as before there relationship was shown to be rather wholesome, it does bring some more context to those previous interactions. Futoshi is obviously head over heels for Kokoro but when examining previous interaction it does feel like a one sided arrangement. Kokoro very much puts up with Futoshi and his general overbearing affection most likely pushed Kokoro away. Whereas Mitsuru gives her space and doesn’t treat her like everyone else does. Seeing the greenhouse conversations I felt things were moving in this direction but you still feel bad for Futoshi. Though hopefully this is a good lesson for him. As for Ikuno this episode gave more credence to the theory of her being a lesbian considering her attempting a girl on girl control of a Franxx. I am not quite sold on her batting for the other team considering there is little evidence of her having sexual interest in women. I feel the internet is jumping to extremes again. It’s clear she holds a disdain for boys, likely thanks to Mitsuru, but just because she doesn’t like boys doesn’t mean she wants to pull ichigo under the covers. In the same way that just because Mitsuru is salty over Hiro forgetting their promise to pilot together doesn’t mean he’s secretly thirsty for man meat. Though considering that the mechs are often used as a metaphor for sexual intercourse I can’t say that people are wrong for coming to these conclusions.

The third episode focuses on Zero Two and has thrown the Red and Blue Oni theory back on the table. With her going increasingly more out of control and monstrous shes pushing aside her own teammates. Ultimately her fixtation to become human is pushing her to kill Klaxosaurs while being unaware that her fixation is only making her less human. But what makes this rather interesting is that Zero Two apparently met Hiro back then at a point where he was a golden boy and lost his memories. Theories are going around that Hiro might be a clone and that Zero Two is attempting to find the original Hiro who died through him. Either way we basically find that the squad of the series is indeed an oddball within the facility as they see children who go through much more rigorous testing to make them nice little puppets. The fact that the kids developed more human charistics may indeed be some sort of plan by Franxx, either because of curiously or some end goal. It’s clear the man wants these kids to be human and is slowly letting them know of society. Perhaps so they can judge it? We reach the middle point of Franxx and if there is to be a turning point, this is most likely it. This show could potentially become something else entirely in it’s next cour or we could just continue as things have been. What’s your move Franxx?

“I wallow in anime mediocrity”

For me a mediocre show is one that I can watch and enjoy, but which does not really break new ground in elements of animation, story, or cinematography, or does not “move” me. It does not if you will touch the “higher” emotions and faculties of who I am, but does leave me satisfied at having some fun. This season I followed three mediocre shows. These were B: The Beginning, Hakata Tonkotsu Ramens, and Classicaloid Season 2.  Here I will give brief reviews. All these shows score a C on my grading system.

B: The Beginning

The fun part of the show

What it claims to be about: In a fictional contemporary setting , the archipelagic Kingdom of Cremona, there are periodic murder sprees by serial killers. A special force of the Royal Police, together with the genius detective Keith try to solve the secret behind the crimes. At the same time a winged avenger directly interferes in the solution of crimes, engaged in a running battle with secretive group with government ties.  It turns out that Keith and the winged avenger also share a tie, which is part of a wider triangle with Keith’s college friend, and the murder of his sister years ago.

Essentially B: The Beginning tries to tell a series that combines a supernatural  action show, with a police detective story.

What is it really about: Two separate stories badly tied together.  The police detective story is not that bad.  There are attempts at resolving the crimes, and wider mystery behind. They use some of the recent Sherlock series gimmicks to spice things up. In general the characters in the police detective ark, that is the unit of which Keith is part of, are interesting (especially Lily, Kaela, and Erik), have good chemistry, and work well as a group. The supernatural action story is a mess. A already convoluted plotline is made more convoluted for cheap twists. None of the characters in that part are really interesting, and their interactions are boring. Now it is true the action scenes are well done, but again you do not really get the point of why this is part of this anime. Do not get me wrong. The anime tries to tie the two stories together in the face of the big bad. It just does a terrible job at it. The big bad itself is not too bad, but trying to shoehorn the supernatural  into his modus operandi just ruined the potential. Now, there are series that do this well. Full Metal Alchemist is ultimately an action series tied to a  political conspiracy thriller. It works for me. But it did not work here.

Why you should watch it: The detective part of the story is good, and the characters in the investigation unit are great with good chemistry. Animation, music (especially the ending theme song) , character art, and art in general are very good.  It is good enough I am willing to give a sequel a try.

Why is it mediocre: The supernatural action plotline is substandard, with boring characters. The attempt to mesh the two together fails. The ultimate villain is a boring idiot.

Hakata Tonkotsu Ramens

Did we tell you about Hakata’s great baseball?

What it claims to be about: A all-ensemble cast story in the vein of Durarara! and Baccano! Cool characters interacting in a city of crime and mystery! Cool action! Hakata is Cool! Lin, a cross-dressing assassin, teams up with Banba, a private detective, and his cute bunch of frenemies, including a genius hacker, a friendly torturer, a guy who gets paid to do revenge, and others, try to survive in the deadly, sunny, rather clean streets of Hakata,Japan. There is ramen!

What is it really about: An attempt to advertise the city of Hakata. Which is not that remarkable. By presenting it as a place were 1 in 10 people are professional killers. Come see our City! Don’t mind the body! Careful to not die. I have no idea why anybody thought this would be a good way to raise tourist interest about a city. Ah well, the show is not half bad. Essentially you have a bunch of people who are trying to be cool, and are self-conscious about it-so at least you get an answer about why some of the things they do are idiotic, doing cool stuff (at least in their eyes). Most of the cast does not get much development, and some of it really has no real purpose.  The problem here is this. The key to the success of a show like Baccano! was the chemistry of the characters. While not all were equally developed, the plot provide some common development that tied everyone together. Hakta fails at that. Some of the characters get good development (Lin, the hacker guy). Some of them have some good chemistry. But most of them are really just cardboards of “coolness”.  The action and stories are so-so, as the adversaries border on the ridiculous, and our heroes are just so “cool” that one never feels they are in danger. As a result this is not a show of tension. You can enjoy it as a mild entertainment with a nice beer, and then reminisce about how much more fun Baccano! was.

Why you should watch it: It is fun enough, and the some of the main characters interesting enough to provide some mild entertainment. You really want to know a bit about Hakata. The Opening song is not too bad. Animation is serviceable.

Why is it mediocre: Hakata is boring. Most of the characters are boring. The storylines are not really much to write about.  If the goal was to get me to read the light novels it failed miserably.

Classicaloid Season 2

Mozart, Wagner, Beethoven. Luminaries of Classical European Music.

What it claims to be about:  The first season was a show pgsels liked, but the rest of the blog group did not care much about. Since it seemed to be absurdist comedy, and since I like that a bit (Cromartie High FOREVER!), I decided to give it a try. It was fun. The 2nd Season continued the same story. A bunch of artificial humans that have the personalities of great classical conductors live in the same house and interact. The addition of a new character based on Wanger, and his attempts to win acclamation provides the central theme for these seasons, as Bach’s machinations did in the first. All characters come to learn something important, and young Wagner grows up. Or something like that.

What is it really about: Absurdist Comedy in the service of getting you to learn or care more for some of the great composers of the classical European music era. The first and 2nd seasons do not change much in style. Most characters behave the same, and I must confess in the second seasons some of those characters became irritating (Mozart, Sosuke and Schubert mostly). The show is still fun but the Wagner sub-story felt a waste of time. Ultimately this is mindless fun, and sometimes it dragged.

Why you should watch it: It can still get you laughing hard. It did get me to look more into some of the composers. The music is good and sometimes the variations on classics are very interesting. Art is colorful and fun.

Why is it mediocre: No real growth makes many of the characters irritating this seasons. A pointless and boring central plotline.

 

3-gatsu no Lion – 39/40 [Burnt Field]

Another month, another 3-gatsu post for episodes that aired a month ago. And what a couple of episodes they were – the “Burnt Field” chapters are among my favorite in the manga, and though the anime treatment didn’t stun me as the source material first did, it still managed to create an emotionally dense hour of television for which Shaft can be proud. The title of this miniature arc comes from the mouth of Yanagihara’s old friend Gan-chan, who describes his post-layoff sense of purposelessness as being in the middle of a burnt field. Something I’ve always appreciated about 3-gatsu is its presentation of diverse perspectives, and that continues here as the story chronicles the Kishou Championship fought between two older men, one of whom is the most senior Class A player in their region, if not all of Japan.

The night before the last game of their best-of-5 match, Shimada (the challenger) complains of the “away game feeling” that Yanagihara creates by inviting so many of his friends and contacts to drink at the championship venue. Despite the apparent advantage gained from that warm, lively environment, however, both Gan-chan and Yanagihara himself feel isolated by their age and circumstances. Gan-chan is uncertain of what his future will look like in the wake of his forced retirement, but Yanagihara has the opposite problem; as the oldest remaining player of his caliber, he is forced to carry the hopes and dreams of countless retired professionals. Umino-sensei visualizes these burdensome dreams as tasuki, best translated as “sash,” and that’s the word that Crunchyroll used in their translation of the anime. Seeing Yanagihara swallowed up by these white sashes is striking enough when you consider what they represent in 3-gatsu, but understanding their common use gives the scene a new dimension. Tasuki is (among other things) the term used for a sash passed between runners in long-distance relays, so Yanagihara’s possession of so many sashes indicates that he’s the only man still running in a race he once shared with dozens of competitors and friends. Contrast this lonely sense of duty with the fun party about which Shimada gripes, and it becomes clear that the older man is struggling with a burden his opponent can’t yet understand.

The tasuki metaphor isn’t the only sign of weariness that the show provides for us. We get an intimate look at Yanagihara’s morning routine, which includes the taking of various pills, medicines, eye drops, and the application of pain patches to his shoulders and back. He moves slowly through the entire process, and later, once the fifth and final game is underway, he slumps forward onto an armrest, his body wracked with pain and exhaustion. Though Shimada also lives with debilitating physical pain, he plays the role of young upstart in this fight, and seems at multiple points to have the upper hand. But the turning point comes when Yanagihara inwardly embraces his role as a representative for his generation, clutches the tasuki that once constricted him, and turns to run in the opposite direction (calling the “race” idea to mind once more). 3-gatsu has always done well at leveraging these metaphors so the uninitiated viewer can follow its shogi matches, and this episode was no exception. As Yanagihara brought his king further up the board, I was excited to see which player would triumph, even though I don’t possess an ounce of knowledge about the game. The poster for the Kishou Championship may have been on the dull side, but the contest itself was anything but.

After 169 moves, Yanagihara wins the game and the title of Eternal Kishou, having defended his position for ten consecutive years. With his legacy cemented this way, the moment must have been among the proudest of his life, and he opts to share it with all the people whose faith in him was rewarded. If I had been under that much external pressure, I can confidently say that my decision would have been to sit for the post-mortem and make everyone wait for me, their new shogi god, rather than spend that time justifying their abandonment of the game I love. The thing about Yanagihara, though, is that he plays not just for the love of the game, but for the love of others, difficult as that may be. He even invites Shimada to be in the photo commemorating his big win – but he’s not so gracious that he won’t bitch to the Chairman over drinks that everyone expects too much of him. It’s an interesting way to end the episode, given how profound his moment of acceptance was, but that’s another thing I really like about this series; nearly all of its characters are made to suffer at some point, but rather than escaping their pain and revolutionizing their lives, they must settle for merely continuing to live. Yanagihara’s aching bones won’t heal as a result of his victory, nor will the solitude of his position in the shogi world be abated. Instead, he’ll keep complaining to his close friends about whatever’s bothering him, and keep fighting for the people and things he believes in.