Mob Psycho 100 S2 – 8/9 [Even Then ~Continue Forward~/Show Me What You’ve Got ~Band Together~]

by Lenlo, posted in Mob Psycho 100 II

Hello everyone to a double feature of Mob Psycho 100 this week! I have returned from my vacation and its time for some catch-up. This time Mob Psycho goes from 0 to ??? faster than a bullet and we meet our big bad. Lets jump in!

Starting off, as always, lets talk animation and visuals. Mob Psycho is without a doubt one of the best looking series of the season, and probably the year. It’s all so expressive, from the faces to the wild activity on screen. I find it almost impossible to look away while Mob Psycho is on screen. Combine that with it’s willingness to dive into completely different mediums and styles, and its a feast for the eyes. Always changing for whatever works best for the scene instead of feeling constricted by its art style. Simply put, Mob Psycho looks fantastic. As far as the actual story goes, I am going to tackle this two-parter one episode at a time. Delving into 8 and then 9. Really, I think I got lucky with the vacation, as it meant I didn’t have to wait on that cliffhanger. And remember, spoilers after the break!

Continue reading “Mob Psycho 100 S2 – 8/9 [Even Then ~Continue Forward~/Show Me What You’ve Got ~Band Together~]” →

Kaguya-sama wa Kokurasetai – 08

by SuperWooper, posted in Finished Series: Romance, Kaguya-sama wa Kokurasetai

Kaguya-sama hit a low point for me last week, so I was hoping this episode would be more my speed, and that wish was granted with the adaptations of three fun chapters. One used the introduction of a new character to prey on Kaguya’s unmet desires, one was a narration-heavy dive into academic life at Shuchiin Academy, and one featured Ishigami in his best and most sympathetic role so far. The aforementioned “new character” is Shirogane’s little sister Kei, who made a previous appearance from the neck down, but only came into focus this week. Kaguya is fascinated by the traits she shares with the president, but I was mostly hypnotized by the ornate ribbon she wears in her hair. It’s a cute look, but its extravagance makes Kei feel like a calculating girl. That’s something she might sense about Kaguya, as well, given the nervousness she felt around her. Kaguya was certainly up to her usual scheming ways during this chapter, wondering how she might strike up a relationship with the younger girl to better approach her brother, but her thought process betrays a deeper motivation: Kaguya is “starving for familial love.” Though she has Hayasaka to confide in, I don’t think we’ve seen or learned anything about her parents. The scene she dreams up where the Shirogane family accepts her as one of their own is quite sad when you consider where that dream comes from.

The middle chapter was much sunnier in tone, despite the way it put our main characters through the academic wringer. A fair number of the recent stories involving both Kaguya and Shirogane have ended with one silently acknowledging their feelings for the other, but they were much more combative here. With exams coming up fast, they both lie through their teeth about their level of preparation for the tests, probably hoping to lure the other one into a false sense of security (as well as make their victory seem that much more impressive). Fujiwara has been the show’s wild card from the very first episode, but this segment was perhaps the clearest indicator of that status thus far. Kaguya and Shirogane’s deceptions have the slippery-voiced narrator calling them out left and right, but he can’t say a negative word about the pink-haired crowd favorite, whose smarts aren’t sufficient to spot her friends’ lies. It might have been nice to get an outside perspective on exam season from a couple side characters, but Fujiwara already provides a nice contrast to the two egomaniacs, neither of whom end up winning or losing with humility (not inwardly, at least).

Though the last chapter wasn’t my favorite, it provided some essential context-via-backstory for Ishigami, who was once a frequently-truant middle schooler. This lessened interaction with his peers probably set the stage for his current image as a gloomy geek, which not even a spot on the student council has managed to cure. The show pulls a neat trick by placing the events of this story during the lead-up to the exams that conclude the previous segment, allowing us to glimpse a more serious side of the students’ preparation. Ishigami isn’t lacking in wits, just motivation, and it’s Kaguya (of all people) who spurs him to avoid being held back a year by subpar test scores. His usual fear of her harshness gives way to appreciation, especially once she sticks up for him in a library scene that may be the launching point for something more in their relationship. Shirogane once thought of Kaguya as cold and unapproachable, so I don’t see any reason why Ishigami’s trepidation couldn’t give way to affection. Kaguya seems unlikely to set her sights anywhere other than the president, but a one-sided crush from the treasurer’s end looks a bit more likely after this episode.

Winter 2019 Summary – Week 6-8

by SuperMario, posted in Currently Watching:, Weekly Summary

Again, sorry for my lack of coverage for this column, but doing these weekly summaries make me realize more clearly than ever how quickly time passes. Feel just like yesterday that we just started this season, and now it has come way past midway point. Anime this season offers a wide range of offerings. Mob Psycho 100 had many stunning episodes, Boogiepop keeps up with its unpredictability by releasing a whole batch of 4 episodes. I’m slightly disappointed at Promised Neverland, however, as it somehow becomes less and less thrilling as the story goes on. The 4 other shows that I will feature below, still have their own appeal that keep me come back every week. The next season might be an heavyweight, but I’m perfectly happy with the current wealth this season has been offering.

Endro! (ep06-08)

Endro spends the last three episodes to flesh out the characters outside of their heroes’ group, to a varying degree of success. First, loli Devil Lord is my waifu of the season so it’s a delight to see more of her, cute facial expressions (and there are heaps of it) and whatnot. It’s a good little episode since it shows how much she steers away from her supposed evil role, and learning to accept companionship even if her friends are the ones destined to destroy her. I do have a feeling that the Devil Lord vs the Heroes fight is too repeated at this point, but everything else is a delight. The same could be said for Princess, whose assigned role is to love Yuusha unconditionally and she pushes it to the max. I enjoy how she getting close to other members because those scenes, as repeated and predictable as they tend to be, spark a solid chemistry between her and each member. That is why the latest episode fares as its worst effort. Staggering a rescue mission is nice and all, but her plan becomes a bit too much in my opinion. There’s still some solid gags (like how the faked Demon Lord’s underclassmen are more powerful than the actual one). This is the show where it constantly pokes fun at the “roles” everyone supposed to play, so the segment where they play exactly like their roles doesn’t really speak well to me.

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Boogiepop wa Warawanai (2019) – 14 [Overdrive: The King of Distortion 1]

by SuperMario, posted in Boogiepop wa Warawanai (2019), Finished Series: Mystery/Suspense

This is often the case for a series that is fragment and non-linear like Boogiepop, the beginning is often its weakest part. Not only because it has no real beginning, therefore no real “introduction”, it has to create the right kind of mood that represents the overall tone of an entire arc. Moreover, the lack of “big catalyst” also makes it hard for viewers to fully engage with what unfold on screen. The very first episode of Boogiebop suffers hard from that (by hindsight, that premiere is amongst Boogiepop’s worst episode so far). To say all that leads to my next point: this first episode of the new arc “The King of Distortion” is a successful opener. It feels a bit meandering at first, mostly because it shifts back and forth between side characters that we know next to nothing about them, but as soon as the paranormal event kicks in, everything starts to fall into place. Like the premiere episode of “Boogiepop Doesn’t Laugh” arc, it begins through Takeda – Miyashita’s boyfriend – point of view. That fact alone gives me a good chuckle because despite appeared as serious as he is, his role is always that of a bystander. He has no real relation to the main events, therefore he’s more like a springboard for viewers before we jump into the event. Chronologically, this arc is appropriately happens right after that first arc, as many members from that cast comes back in a big way in this episode.

Everything in this episode revolves around the twisted statue that represents very well the very nature of distortion (I see it more as a walking naked woman but it’s just me). From what we gathered, it’s a “failed” project from millionaire called Teratsuki. There are some interesting nitpicks with that piece of information alone. The reason it’s “failed” isn’t because of its incompleteness, it is because Teratsuki dies mysteriously at the age of 56 and no one have a clue on the intention or even what to do with the Moon Temple architecture. Even his life was complicated before his death, he was a success in almost every field he was in (strongly indicated that he’s already evolved), and he was the person that Scarecrow investigated before he met Nagi in “Boogiepop at Dawn” arc. Precisely because people don’t know what to do with it, they make an exhibition out of it, and it attracts fair share of people lining up to get in. That Moon Temple in itself a mysterious identity, and we follow a whole range of different characters as they line up: A kid who encounters the King of Distortion in the image of Teratsuki himself (and based on what he said he’s a just-born), a random guy named Habara who meets the archery boy Tanaka, and a random girl named Michimoto who is having a fight with her date. I’m not even sure if they will become something important later on.

The one the is important, however, Niitoki, one of the surviving member after the climax of the first arc. First she sees her crush Takeda, then she pursuits Boogiepop and finally gets transferred back to the time she regretted the most – the Manticore event. The moment where the paranormal event kicks in remain one of the most breath-taking moments Boogiepop pulls up to date. As the doors closing the visitors turned into statues. Seriously, this is something that falls more in line with Ikuhara than most other anime, but I’m glad that Boogiepop goes there. Niitoki is taken back to meet Saotome, and I’m pretty sure there’s some hidden feeling, something much more about her own psyche than meets the eyes here. What is it about him (and not Manticore or her crush Takeda), that she feels regret the most? At the same time we have a look to another random security guard who appears to not be able to confess his love to the girl he likes. And even the King of Distortion himself. How was he born? It’s clear that he takes shape into whatever things people perceive him to be, but does he, like Imaginator before him, want to “evolve” human in some ways? Making them facing their own guilt past isn’t the bad way, after all, but to what extend he’s going to “fix” people? Boogiepop sets up a pretty intriguing first episode, one that again speaks to its adolescent theme, and one where Boogiepop themselves appears actively. Hopefully this arc also gives more justice to Miyashita, so far is sadly just a cardboard character with no real depth yet.

A quick and dirty review of Garo: Vanishing Line

by AidanAK47, posted in Anime Reviews
All the heroes in one shot. Sword, Luke, Gina, Sophie and talking motorcycle (? really can I call it that?) Zaruza

What it claims to be about: A secret order of knights and alchemists, the Makai Knights and Alchemists, fight horrifying creatures called Hollows who prey on human weakness .Part of the media franchise spanning anime and live action shows, this iteration is set in modern metropolis and concerns the attempts of Sword, the strongest Makai Golden Knight, Luke and Gina, two Makai alchemists, and an intrepid young girl, Sophie, to unravel the mystery behind the mythic city of El Dorado, and the King who rules it.

What is it really about: A touching story about bonding between an adult and child amid a setting characterized by body horror and schlock violence. No this is not Dororo or Berserk. The very nature of Horrors guarantees that most of this show is about our heroes killing truly disgusting creatures that devour humans in disgusting ways. There are some attempts to provide some gravitas about who and why becomes consumed by Horrors in the first episodes, but this is quickly dropped for sheer B movie horror action. Most of the secondary characters and all of the major antagonists are just boring. Battles are mostly CG and ok rather cool, but not something mind-blowing. Actually the non-CG action was much better. Horror battles have got it all! Ranging from fistfights to even Mad Max inspired car wars. While all of our heroes do get some development, generally I found Gina and Luke rather boring. Instead the real soul of the show is Sword and Sophie and their relationship.

Booby-man in action!

Why you should watch it: And it is that which makes this show worth watching. Sword is in many ways a walking anime stereotype. All muscle, a voracious eater, and a worshiper of female bosoms, which is why I called him booby-man to my wife and called the show booby-man. And yet, there is depth and maturity to Sword that belies his act. He hits the sweet spot between silliness and maturity that makes the show work. It also means that he can be both a friend and father figure to Sophie. Their relationship and its development is what keep this show together.

It also helps that the animation and drawing style is pretty pleasing to me (it also produces quite a bit fanservice keep in mind). The penultimate episode has some really interesting visual art. I have to say that at times the show is willing to try something new.

Why is it mediocre: Because ultimately this is a schlock B movie violence action show and it gets in the way of character development. Indeed the last episode spends too much time on boring URRGGHH!! battle between booby-man and the most boring of the big bads, rather than driving forward the Sophie and Booby-man relationship. The music is ok. It is rock and roll and hard electronic guitars, and sometimes it works great and others not at all. The plot is boring, and the sub-plots mostly boring, with a few exceptions.

In a final analysis, this is a good mindless action series if that is what you want (which is what I wanted from it). Sword (aka Booby-man) is different enough than the usual stereotype protagonists of these types of shows to give it that extra thing that makes it stand out, but the general character of the show sacrifices the promise. If you want just some pure, silly fun, go for it. But don’t expect more. Interesting, I would say it felt like a very USA animation show (the more adult DC kind). So keep that in mind.

Yakusoku no Neverland – 08[021145]

by AidanAK47, posted in Finished Series: Mystery/Suspense, Yakusoku no Neverland

Yet again I am rather surprised at the slim amount of content in these episodes. It’s not to say that this episode was by any means bad, honestly it’s quite the opposite. This was one of the best episodes. However it’s strange when I consider that the entire first half of the episode was dedicated to just Krone dying. An entire ten minutes dedicated to Krone getting killed off. I do like the small flashes of her life which do give some insight into how sisters are trained up from Livestock to moms and contrasting it to the children eating dinner was delightfully morbid. But this show is certainly taking it’s time and I feel it’s somewhat becoming a detriment as it continues. Nonetheless the death of Krone was executed excellently though it does sort of undermine her presence throughout the series. Her death makes for a unexpected twist but with it that pretty much makes all her plotting and psycho faces really all fulite. Perhaps though, that was the point. It’s now clear from the start that Krone never had any control over her situation and that her being sent to the farm was a intended sacrifice from the start. Maybe due to her clear mental instability which makes her rather unsuited for the position as mother and when comparing her to the current mom, Isabella, she does seems like a bit player at best.

Man, Isabella really is something. Looking at her actions throughout the series I just have to marvel at the level of manipulative control she had. Truly it is honestly impressive just how insidiously focused and thorough in how she trapped these kids in a no win situation. So she found out the kids knew and knew who found out and that Ray was a double crosser. So she hires Krone and brings in a new boby, giving the impression that she’s doing something about the situation. However the real game was deeper and Krone was just a distraction to keep the kids occupied while she prepared. It worked, the kids where so preopuccied with the immediate threat (Krone) that they pushed the greater threat (Isabella) to the background. Even Krones machinations to overthrow her were to plan as she used it to keep the kids off her. Slowly waiting for the delivery date to be set. Then when the date is set and it’s too close for the kids to do anything about it, she makes her move. Krone gets the boot,(Or the guillotine in this case.) she treminates her deal with Ray and she catches Norman and Emma in the act. Then the final move in breaking Emma’s leg just crushed all the kids plans in one fell swoop. Emma, the most achelic of the trio is crippled, Norman can’t leave without her due to his feelings and he’s getting shipped out the very next day hereby eliminating the most logical of the group and Ray is no longer in the good graces of Isabella which eliminates his usefulness in information and his ability to mislead Isabella. Truly a checkmate so complete that you can’t help but applaud.

But the really interesting thing is in how Isabella sees herself. He words to Emma and Norman but how she loves them really feel like her true feelings. Indeed in the first episode she hugged Connie’s drawing before taking her to the gate and her secret room looks to contain a toy of every child that was sent off to be eaten. Isabella loves these children and is dedicated to making their short life that the farm as the happiest they can be. I have no doubt that she sees herself as the good in these kids lives and her motivation seems so altruistic. But the contrast between that and her snapping Emma’s leg without hesitation to cooing her like a beloved child is want makes her so frightening. She sees what she does is the best that she can do in the situation but ultimately the job is a job which she will accomplish by any means necessary. Like Krone this woman is fundamentally broken but broken so completely that her sense of morality is skewed to psychotic affection. WIth an enemy like this, it’s a wonder that the kids thought they could escape at all. Really my complaints about them being so vocal with their plans seem pointless now. After all it didn’t matter how loud they talked about it, they were in the palm of Moms hand right from the beginning.

Boogiepop wa Warawanai (2019) – 10-13 [Boogiepop at Dawn]

by SuperMario, posted in Boogiepop wa Warawanai (2019), Finished Series: Mystery/Suspense

This new arc of Boogiepop, “Boogiepop at Dawn”, serves as a prequel to the current timeline, and I’m glad to say that I consider this batch of episodes to be Boogiepop’s best arc so far. It addresses many issues that I have in previous arcs. For once, the length is just about right as it squeezes all the relevant characters to their full potential. Most of all, unlike “Vs Imaginator” where the main characters are hardly relevant, this arc Nagi is the beating heart as everything revolves around her and she’s the one crucial element that ripples the water. In addition to that, both Suiko and Miyashita appear at the right moments. I agree with what Animosh said in his comment about Miyashita, as of now we know very little about her, as a result we don’t find much to invest to her own character except when Boogiepop persona takes over. Secondly, the supporting cast’s purpose feel much stronger than any of previous arc. Everyone has their roles that further affect the tide of the current. Most importantly, however, Boogiepop at Dawn delivers some emotional affecting moments that it often lacks (usually deliberately so). Episode 10 for example is one of its most resonate episode because I can clearly feel the weight of suppressed emotions Scarecrow has paid his life for. It is something raw, powerful, and yet beautiful.

My praise doesn’t stop there, either. With this arc, I have a better grasp on the themes Boogiepop as a whole franchise wanted to address. It’s all about “evolution”, be it evolving to something that surpass humans physical ability, most at the cost of losing their own humanity (Dr Kisuki) and vice versa (in Scarecrow and Sasaki’s cases), or be it the transition from childhood to adulthood (in our main Miyashita character). It’s no surprise that the original light novels target young adult as its main audience, and like Suema asserted few episodes back this is the phase where teenagers go through some psychological changes, and these supernatural characters are a physical manifestation of these psychological changes. Myths and gossips give presence to these beings, and they take advantage or devoid the weak. Lastly, the character’s weight and their chemistry sink their teeth deeper on what lies between the lines, underneath the surface: The fact that Nagi never finds out that Sasaki was her father’s killer; the fact that we never witness what Pigeon has gone through after the death of Scarecrow but we all feel it through her course of action; or the fact that the only good deeds that Scarecrow did to save Nagi would be the catalyst for many catastrophe events happened in the future. I was thinking to myself how Nagi’d react to Sasaki if she learn the truth, and I came to the conclusion that it wouldn’t affect her decision at all. Nagi is just that strong and perceptive.

I’m certain we can draw a parallel between Scarecrow and Mo Murder arc, even though at first they function in the opposite spectrum. They are both artificial human, and they are well aware of that fact (in hindsight it’s neat to show how well they blend in to the society – we don’t know about Scarecrow being an artificial human until the end of episode 10). The crack of the surface appears when Scarecrow befriends a then bed-sicken Nagi with an incurable disease. It’s her words that give him the courage of becoming Superhero: helping others even at the cost of his life. This tender moment where he meets (and names) Boogiepop before he dies really hit it home. And it comes off as rather bittersweet to know that this action causes a massive butterfly effects to the all the events later on. This arc does a nice job of depicting artificial human with their own heart in contrast with humanity who lost their own nature. Mo Murder character serves as a nice addition as well. Though he’s a hired murderer, he does try to protect Nagi out of the mess and pays his life doing so.

On the other side of the coin, Dr. Kisuki steps as a formidable villain for this arc. She’s the kind of character who obsessed with “fear” feeling to the point the feeling consumes her. The more fear her victims experience the more bloodthirsty she becomes, and by utilizing the drugs that Scarecrows used to save Nagi, she evolves into a monster. I’m in awe how her character fits very well with Boogiepop’s evolution theme and it plays as a nice contrast to Scarecrow, Echoes and the likes. The other smaller characters also fulfill their roles nicely. Chief among them are Nagi’s father who catches on with all this, and Pigeon shines in a little screen time she has. She’s definitely an unsung hero for this arc. For a character that appears so little she’s surprisingly poignant and heartbreaking. I’m not sure what the next arc of Boogiepop gonna be like (if I have to guess, I’d say it’s an arc about Miyoshita the character), I just hope that it’ll be as good as this one. Up until now, I’m more curious with Boogiepop meandering, fragment approach than its theme or actual characters’ engagement, but Boogiepop at Dawn proves that it still has its chops to become something more than just its presentation.

Kouya no Kotobuki Hikoutai – 06/07 [No Place to Return/ Blood for a Nazarin Pound]

by SuperMario, posted in Finished Series: Action, Kouya no Kotobuki Hikoutai

I’m a bit regret that I missed my chance to cover Kotobuki last week, since episode 6 of Kotobuki is easily my favorite week of the show so far. The latest episode is no slouch either, as it expands its universe considerably. Now we have a clearer sense that there is indeed an opposing organization that is on about something sinister. It’s still vague, of course, but at the same time now we have a pretty good idea what Kotobuki will head in its second half. It also shakes up a bit from its own formula as the aerial fights happen pretty early into the episodes, and then they proceed to flesh out the characters/ advance its story. I also find the CG characters are less grating, and the CG model planes are a real treat to watch. While it’s for certain that Kotobuki has its limited appeal, I still like many elements of the shows to make it an entertaining watch every week.

The reason episode 6 remains my favorite is how it fleshes out our main character Kirie, and makes her likable and relatable even though she’s the simplest character out of the cast. The way Kotobuki mixes between her memories and her present time struggles is its highlights. Her memory serves a reminder why she falls in love with piloting planes in the first place. In addition, the chemistry between her and the old geezer Sab is solid. He’s shunned by the villagers but it’s a Kirie-way to just ignore all the talks from them. Instead, her persistence eventually reaches him and he opens up more to her, even teaching her the joy of flighting in the air. While this backstory isn’t necessary refreshing, it ties up really well with her current situation when she gets shot down by another airfighter (who proves to be even more skilled than her), and finds herself stranded with a broken airjet. As she has to starts again from scratch, and as this dire situation gets more desperate, it comes as natural that her mind flips back to the memory she treasures the most. Well, this breakup between her and the old geezer could very well mean that they might meet again in this present time, hopefully not as opposing sides.

In latest episode, Kotobuki delves more into its overarching story, now that we know there is an organization behind the scene doing something evil. First, there’s a cheap gasoline around the market from Standon Oil Company that has less quality, and second these bad guys want to destroy Nanko gas station in order to monopolize the oil market. This episodes also focuses on the silent voice of the team, Kate, who wants a day off to meet her bed sick brother, Allen. She is extremely knowledgeable about mechanics, thanks for her well read, and she proves to be the mastermind behind the plan to distinguish the fire, by explosions no less. I figure in the next episode we will learn more about the bad guys, and I really hope that they aren’t just a bunch of villain who want to monopolize the world. The cast of Kotobuki has been goofy so far, but somehow they’re also endearing so it fits the show better if they don’t make villains who take themselves seriously. The chase is on now, let’s hope for an entertaining aerial combats ahead.

Yakusoku no Neverland – 05-07[301045, 311045, 011145]

by AidanAK47, posted in Finished Series: Mystery/Suspense, Yakusoku no Neverland

I feel it’s often the case with a shounen series that episodes tend to have this point where when you examine a episode, you come to see that not a whole lot actually happened. I felt this as well with the second season of Attack on Titan where you would have episodes where it’s was hard to determine if any progress was made at all. In Neverlands case, if we look at episode 5 we can see that it mainly showed Ray admitting to being a traitor, explaining why he’s a traitor and then revealing himself to Emma. Followed by an ending hook of Don investigating Moms room. When you look at the episode time and what other series have accomplished with a single episode, what Neverland has done here seems rather minimal. It could be the case that the series needs to stretch itself out a bit in other for the finale to be the same as the ending of the first arc.

About Don and his reckless inspection of Moms room, I find Don’s actions to be rather hypocritical in context. The story seems content on pinning the blame of Emma and the others for dressing up the truth and not trusting Don and Gilda with it. However I feel the reasons they did so where quite logical and for Don to chastise them on matters of trust when he broke their trust within seconds to investigate Moms room and jeopardise the whole escape plan seems more than unreasonable. Yes they didn’t tell you the whole truth but the fact of the matter is that you proved exactly why you were untrustworthy when you put everyone in danger for your own personal agenda. Someone really should have called Don out on his blatant hypocrisy but sadly no one did. Not even Ray who really had every reason to, for his plan nearly went up in flames due to an impulsive idiot. Considering Dons reaction as well, it’s up for debate whether he has the emotional control to hide what he knows from mother. Hereby giving a another reason why the kids were in the right about not giving him the whole truth.

The alliance with Krone is a risky endeavor but she does make for a interesting information outlet on the state of the world with her even revealing that mothers of the farms are former farm kids themselves. It’s up in the air for now as to what the two notes say in regards to the info that Ray fed her and the message Mom passed on. Though I would guess based on reaction that the final message was some form of dismissal. Also as a final note it’s getting really absurd the degrees which these kids do not attempt to lower or hid their intent to escape. Lets escape in five days! shouts Don at the top of his voice. Honestly it’s not even all that surprising that Krone managed to find them out. She didn’t even need to use any kind of examination like she did when talking with Emma and Norman to find out the truth. Characters are too overtly loud about their motivations and intentions so that when they are figured out, it’s not so much a victory of intelligence but rather common sense.

Kaguya-sama wa Kokurasetai – 07

by SuperWooper, posted in Finished Series: Romance, Kaguya-sama wa Kokurasetai

We’re back in love advice mode for the third time this week, with Kashiwagi’s still-nameless boyfriend asking Shirogane for advice on how to hold her hand. Kaguya-sama has mostly avoided the prudish territory in which a lot of high school romcoms drown themselves, so I was relieved when Fujiwara busted down the door and pointed out that holding hands isn’t really that big a deal. Apart from a neat conclusion, this was the oddest of the three advice segments so far, since the president spends so much of it trying to coerce Mr. Boyfriend into getting a part-time job. I feel like something was missing from this chapter – was Shirogane supposed to get a bonus or some other benefit for recruiting a classmate? I know he values hard work and everything, but he pressed the issue so far that I thought there might have been a small omission regarding his motivation. On the other hand, the preposterous hand-holding prerequisites he dreamed up (such as renting a cruiser at sunset to establish the proper mood) somehow endeared him to Kaguya even more, which was cute.

Part two was all Ishigami, who’s still scared to death of Kaguya, though it’s a terror of his own making this time. Gossiping about your female classmates’ cup sizes is poor form, especially in a room where both girls (one of whom you believe to hold a grudge against you) are known to congregate. Ishigami doesn’t seem like the type to learn a lesson from Fujiwara’s paper fan smackdown or Kaguya’s threats, though, since he’s preoccupied with jealousy toward the popular guys in the soccer and other athletic clubs. His proposal of a happiness tax is especially funny given his role as treasurer, but it’s also kind of sad, since he’d clearly love to be well-liked with a girl on his arm. Though he rails against the pretenders among Shuchiin Academy’s club programs, he’d probably be happier if he became one. Honestly, my favorite part of this chapter was learning which clubs Fujiwara and Kaguya were in – an episode that splits its time between those two groups could be a lot of fun, even if they have to recycle the idea that they’re in competition for a chunk of the proposed budget.

Looks like this week’s post will be fairly short, as I have little to say about the wiener chapter. The show explains the joke: in the course of researching the birds and the bees, Kaguya has entered the phase where such terms make her laugh uncontrollably, and many wiener-related outbursts follow. I’m not against sophomoric humor in the least, but with a concept like this, it either makes you laugh or it doesn’t, and I fell into the latter camp. The 80s new wave track that played midway through this bit was a direct rip-off of Dead or Alive’s “You Spin Me Round (Like a Record),” so that’s neat, I guess? This whole segment was a dud for me, but I’m happy to write it off and look forward to next week, instead.