Dororo – 7 [The story of the Jorogumo silk spider]

Hello and welcome to what is, I believe, an anime original week of Dororo! This time we have a sympathetic ghoul, Hyakki dealing with his emotions and a continually worse feudal landscape. Lets jump in!

Dororo was a rather disappointing one after last week, to be frank. Story wise there were some interesting ideas and it got its message across, as we will talk about. But visually Dororo fell very short. There were lots of dull stills, choppy or lazy animation and questionable transitions. Take the opening for instance, as Ohagi runs away after her first encounter with Hyakkimaru. The walk/run animation there is basically a loop as she slides across the screen. Or Hyakki and Dororo’s “search” as just the background fades and changes. Simply put, visually, I would not blame someone if they checked out while watching this episode. As much as the story does it’s job, it simply isn’t engaging compared to last weeks arc finale. It felt like filler, almost, which considering all the plot threads currently available and in the air isn’t really acceptable. Now, spoilers after the break!

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Mob Psycho 100 S2 – 7 [Cornered ~True Identity~]

Hello and welcome to the halfway point of Mob Psycho Season 2! This week continues Reigen’s story as he rises high, falls low and comes to an epiphany. Lets jump in!

Starting off, Mob Psycho once again looks fantastic. Say what you want about the story or characters, the quality of the animation is undeniable. In an episode with no big fights or villains, just character moments, Mob Psycho was more expressively animated than most series finales. Everything from Reigen’s exorcism and incredible reactions to the continuous ending shot of the floating camera. Mob Psycho impressed me this week, in a very different way from episode 5. We also got to see more examples of unusual animation, with the paint on glass effect appearing again. I will admit, this effect is a personal favorite of mine. Seeing the individual brush strokes takes me back to the backgrounds of cell animated series of old. Yet it has a modern polish that makes also crisp and clean. Enough about animation though, as always, spoilers below the break.

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Kaguya-sama wa Kokurasetai – 06

The treasurer of the student council, Ishigami Yuu, finally got a proper introduction this week. I’d say this episode was his time to shine, but it’s actually the opposite – he’s so preoccupied with Kaguya’s apparent hatred of him (as well as his own social faux pas) that it was actually his time to mope. His design screams “introverted nerd”: dark hair and eye color, long bangs covering one eye, and headphones around his neck, ready to block out the world at a moment’s notice. Throw in the running gag about wanting to ditch school due to Stockholm Syndrome or a desire to kill himself, and you have a totally ReLaTaBLe character with whom all the sad dorks out there can identify. I don’t want to come down too hard on the guy just after his introduction, but I do have an issue with the series’ decision to create a character with his function (that being his detection of Kaguya’s more cunning personality). Kaguya-sama already does a great job of balancing her two selves through the use of internal monologue, narration, and quieter moments alone or with Hayasaka, where we see Kaguya as she truly exists. She’s already a well-rounded character, about whom we get plenty of different perspectives through the president, secretary, and admiring student body. I don’t feel as though an additional set of eyes, particularly not one that interprets things in such an exaggerated fashion, adds much to the proceedings.

This is undoubtedly an unpopular train of thought, as Aidan mentioned in the comments of a previous review that Ishigami is /ourguy/ among the manga’s fanbase. I can understand why that is, but if he’s going to contribute to the show, I’d rather it be on his own terms. For example, in the final chapter from this week’s episode, he’s struck with embarrassment after Fujiwara calls him creepy for a remark about her new conditioner, and he excuses himself from school. If his arc will involve battling his depression and social awkwardness to become a new or improved version of himself, that’s cool. This is a rom-com, so I assume the story will eventually nudge him in the direction of a female character, which could be the catalyst for that change. As long as his screen time isn’t dominated by a fear of the vice president, I’m down to see where he’ll go in the future (apart from “home” midway through every segment).

All of that aside, my favorite story from this episode was probably the Fujiwara-led barrage of psychological tests. These things usually function as a way for lazy writers to let their characters speak directly to the audience, but in a series built around deception, they were just another opportunity for comedy. I think this is the second time Shirogane has defaulted to being a siscon to avoid his crush on Kaguya being detected, and while he escapes for the price of the girls’ scorn, Kaguya gets overwhelmed upon realizing the meaning of the flower test. The shot of the dump truck backing up and gently covering her in a pile of petals was the best of the week, for my money. It was nicely stretched to allow us to anticipate the moment when they would fall, and to feel Kaguya’s shock at their intended symbolism. This show continues to be very well-timed, with another case coming near the end of the third chapter, where Shirogane frantically pedals away from Kaguya after failing to compliment her nails. Just as he and his bike are about to disappear from sight over a hill, he freezes in midair for a moment, emphasizing the hunched position he uses to flee the scene. It adds to the comedy of the moment, but also the light pathos of being too afraid to compliment the girl you like. Good storyboarding is likely responsible for these small successes, so kudos are in order for whoever has handled that task so far. We’ve arrived at the midpoint of Kaguya-sama’s 12 episode run, so I hope this level of attention is maintained during the show’s back half.

Paranoia Agent – 4 [A Man’s Path] – Throwback Thursday

This week, once again, Paranoia Agent takes another interesting turn. This time we follow the cop who caught Shounen Bat, see a bit into organized crime and watch a man fall apart at the seams. Lets go!

So in general, while this episode was interesting and explored some more aspects of society, I wasn’t big on it. The issue is, I can’t really tell you why either. It just didn’t… click with me? All of the pieces were there. Kon’s unique animation style, societal commentary, interesting direction. Maybe it was Hirukara as a character whom I did not enjoy? However I would find that to be odd, as all of his scenes succeeded at what they set out to do. I was incredibly nervous anytime he was onscreen in the latter half. Objectively, he succeeded at his role in the story. So why didn’t I enjoy it as much as the previous episodes? Well, let’s get into the details, and hopefully by the end I will have figured out an answer.

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Mid-Season Review of Kakegurui××

For all of you who are disappointed that we didn’t cover the sequel to the show that even Elon Musk watches, I felt that this season of Kakegurui would benefit more from an periodic overview rather than following it week from week. Kakegurui was never about the mechanics nor tense stakes as it relies on its orgasmic reactions, psychotic personalities and outlandish circumstances to appeal to the mainstream audience. It doesn’t hurt to have one of the most memorable OP of recent times. However, when it comes to the opening credits of this season, it was always going to be an uphill battle to match, much less surpass, the visually exciting and musically alluring predecessor. That being said, I think that the second opening is actually pretty good and I wouldn’t mind listening to it a couple times on repeat.

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Kaze ga Tsuyoku Fuiteiru – 17 [Searching for the Answer]

Welcome to the feel good relaxation week of Kaze Fui! This time the Twins confront Haiji, they see the track and Sakaki continues to be a dick. Lets jump in!

Starting off, this episode was a very subdued one. Similar to Mob, Kaze Fui slowed down this week. Giving the characters room to breathe again and building up for its final arc. Once again, this isn’t necessarily a bad thing. A good series knows when to slow down, to perform a falling action, and let the audience relax. If a series is 100% go from the beginning, not only do the narrative climaxes feel dull, but the audience gets apathetic. If everything is important, nothing is. So while I was not enraptured with this episode, it was necessary and I am glad it exists. For instance, Kaze Fui spent a lot of time with the twins this week. They have, before this point, gotten even less focus than Musa. So they really needed it. As for what their story is specifically? Well, lets chat about that.

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Mob Psycho 100 S2 – 6 [Poor, Lonely, Whitey]

Welcome to a very poignant episode of Mob Psycho 100. This week Mob shows us his growth, Reigen his lack-there-of and things start to fall apart. Lets jump in!

Starting off, almost anything would look inferior when compared to last week. Almost as if knowing this, Mob Psycho decided to be very light on animation this week. Focusing on small character animation and details rather than any big action sequences. This isn’t a bad thing though, as this episode acts as a breather both visually and narratively for the series. Letting our characters spend some time with each other outside of harrowing situations, actually interact. Mob Psycho is very good at this, as the first episode of the season showed. So I think stepping back and flexing its narrative muscles a bit is a perfectly valid thing to do at this point. Plus, who doesn’t love spending time with the Body Improvement Club? Such wholesome boys they are. But now, onto the details.

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Winter 2019 Summary – Week 4-5

We are reaching towards midway of this season where shows start to settle down and we have a firm ideas of which shows we wanna follow till the end. As for me, I decided to skip both Asuka and Domestic Girlfriend for now. I’m still mildly curious about then, but in the season where I find other 10 shows have much more to offer, “mildly curious” ain’t gonna make it. For this last two weeks, Mob Psycho 100 delivered one of the best piece of sakuga action in years, Kasuga-sama had its first meh episode, Run with the Win continues to deliver and I’ve heard good things from Dororo (which I still need to catch up). In fact, only my blogged shows remain in a quiet side of the conversation. They have their own appeal but they’re niched, to put it nicely. For the 4 shows remained here, I must say I enjoy them thoroughly. It’s such a nice set of shows that for the first time since several seasons I’d anticipate all them right after its airings. Now without saying too much let’s get run them down:

Tate no Yuusha no Nariagari (ep04-05)

Damn it, Shield Hero. It raises many head-scratching issues but it still manages to hold my attention and investment. For every touching moment of Raphtalia standing up for Naofumi we have to endure awful treatments from basically everyone against him. For all plot building of her becoming free from slaves (which is actually good) the next thing we know we have her binding the slave contract again. For all the chemistry between the fast-runner chicken and Naofumi we have the twist of it transforming into a loli naked girl. Why, Shield Hero? WHY? I was perfectly fine with the chicken being just an eccentric chicken. I was perfectly fine with him NOT gathering a harem team. And yet I’m still down to follow it. I know the only reason to explain all that is that I like trashy shows.

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Dororo – 6 [The Story of the Moriko Song, Part 2]

Hello and welcome to Dororo, your weekly dose of suffering for the season. This time Hyakkimaru get’s revenge, Mio proves herself Best Girl and Tahomaru gets some development. Lets dive in!

Starting off, this episode looked fantastic. Dororo is often very subdued with its animation. Either reducing details or going slow. This week however proved, without a doubt, that when Dororo want’s to it can get really smooth. Both the return fight with the Demon and the battle at the house looked fantastic. Not only was the animation beautiful, but Dororo’s muted color palette it had used up until now is starting to pay dividends. Making the bright color of the fire and golden rice incredibly striking on screen. Dororo also seems to know what character moments are important. As the facial detail and subtle character animation really ramp up during certain, emotionally important scenes. Such as when Dororo confronts Mio about her “job”, the focus on Mio’s face and the care put into her lips, hair and shading really make it stand out.

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Kouya no Kotobuki Hikoutai – 04/05 [Elite Stronghold/ The Splendid Aleshma]

It has been fun over the last two weeks of Kotobuki, where we get to learn more about two members of the squad and some more fun times with them fighting against air pirates. One thing first, I still greatly enjoy the tongue-in-cheek conversations Kotobuki employs. It’s fast-paced, it’s irrelevance, it’s silly but Kotobuki is also whole lotta fun. At this point I can firmly say that the characters aren’t supposed to be a full-fledge characters, instead they are cool and boy, did the show deliver on that. On top of that we have some really silly, goofy side characters (read: mostly men) that despite their over-the-top, there’s something charming about them. I know there’s an overarching arc that will come later on, but now I’ve warmed up considerably with this pirate-of-the-week format. One factor that needed mentioning regarding its world-building though, is that the characters are in the era where they don’t have any idea about “sea” or “bike”. Which is interesting if they can manage to explore the world building more.

In episode 4, it’s Zara (not the brand!) who takes the torch and she sure makes an impression as the experient quiet one who manages to singlehanded raids the gang and effortlessly claims back the Raiden safe and sound. She appears to know about basically everything, has her way of gaining information and beat the men in their own game (booze). Moreover, when she meets the young girl who is behind all the paintings the CEO trying to sale, she encourages her to be her own self. The CEO, although unbearable in episode 3, suddenly becomes charming as we learn that all he does is for the benefits of the girl, and naturally it gets in the way of other members of his “organization”. The way they double-cross him is a tad bit on your face, but I let it aside because it’s fun to see them got hit by our girls and the interactions between the girls are as natural as ever.

In the last episode, we have an addition cast, Isao who is the head of View Trading who has lame magic tricks. This time it’s the team leader Reona who going through some sort of focus as it’s revealed that Isao was a talented pilot and had saved her in the past, so that she wants to pay back by protecting him. Unsurprisingly, air pirates appear with overwhelming volume (air pirates are everywhere in this world, not that it’s a complaint), and the man himself joins the battle, shoots down some air jets before accidently self-destruct his plane. As I keep saying every week, while the plot itself is merely passable, and the characters aren’t what we considered as deep, it’s the confident tones and the way Kotobuki represents itself that make it a rewarding ride with heaps of fun so far. Even if this turns out to be a low-tier offering of the season, I’m still pretty much happy with its existence.