Boogiepop wa Warawanai (2019) – 06-07 [VS The Imaginator 3-4]

Boogiepop thickens its narrative considerably this past 2 weeks. Instead of peeling the skins to its already complex narrative, it feels as if Boogiepop adds more layers to it, each layer matters differently to the big picture. While I feel the first arc Boogiepop and Others suffers from rushing too much (it scraps many side characters for instance), this arc it suffers from totally opposite issue, it’s meandering quite a bit here. I don’t mind the way it jumps around between narratives to narratives. After all, it’s make the central mystery more intriguing, but I do feel that there is little progress in the last two episodes. News emerges that the next arc of Boogiepop: Boogiepop at Dawn will be a 2-hour OVA which will be Boogiepop’s 10th to 13th episode, it’s safe to assume that there are two more episodes to wrap up this current Imaginator arc and for me they certainly don’t need 6 episodes for this material.

To be more specific, Masaki and Orihata’s relationship makes up the main emotional core of this arc, but I feel the chemistry is stalled this last episode. Orihata is torn between Spooky E’s order and her genuine care for Masaki. Now that we learn that Orihata’s mission is to cross-breed to create a new non-human being, whatever that is. At the beginning of episode 6, Masaki finds her being manipulated by Spooky E but he manages to control him, and instead of making him his puppet, he just erases his memory. Orihata makes sure about his safety by playing along with Spooky E’s order, dressing him up as a fake Boogiepop to lure the real one, but at the same time protect him with all her might. While they certainly share a mutual chemistry together, and Masaki’s naive care towards the girl plays well against the dark tone of the series, I don’t feel like they provide enough reasons for me to care for their wellbeing.

It’s neat, however, to have one of our main character pulled into the heart of this story from the outside looking in. Kinukawa Kotoe, who is Jin’s cousin, reaches Suema to investigate about his strange behavior. What she witnesses afterward is something “creepy”: he performs a ritual to plug/modify highschool girls missing hearts, so that they feel “fulfilled” afterward. It’s a interesting concept, since it remains to be seen whether his action can be perceived as “savior” or “crime”. On the one hand, we have him going through some malicious intent and was on the verge of breaking down. On the other hand, the people he saved feels happy afterward. Too happy that they seem to lose their drive to live. Suema, in the meantime, bumps into Orihara whom about to jump of the building. As she proceed to talk her out of it, they also spell out loud the themes about Boogiepop franchise as a whole. That’s all these supernatural beings are the result of teenager’s growing up. As Suema frames it, Boogiepop is there to lend the helping hand to fragile young hearts that adults won’t provide, as adults they feel adolescence is just a phase everyone goes through, and will pass. Well, what do I say? Obvious issues aside, it’s nice to know what Boogiepop is really about, right? We need that for something as roundabout as Boogiepop.

Lastly, Kotoe makes up for the last missing piece of this chessboard. We learn about her affection towards Jin (since childhood, no less) until it gets abruptly interfered by Spooky E goddamn mind control power and now she becomes his copy – not a terminal- but a copy. Actually, I found those raw moments where the victims’ is completely erased, but in some rare moments their real feeling sip in one of the more effective moments in the series. Whether it’s Kotoe this week or Anou in the past few weeks, although with their identity erased, the feeling they had for somebody still remains within their conscious. That’s harsh, yet beautiful. It’s amazing that while the main conflict of the arc is between Imaginator and Boogiepop, neither of them appear much in the last few weeks.and I still don’t think that Imaginator is that bad, it’s Spooky E is the main villain here. He’s spook for sure, not sure what an E stands for anyway.

Kaguya-sama wa Kokurasetai – 05

This was the first episode of Kaguya-sama that did anything less than thrill me, probably because it retread so much ground that previous episodes had already covered. The laugh-out-loud moments and generally heartwarming atmosphere were still present, but they weren’t as fresh as in previous outings. We went back to the ‘three chapters’ format this week, but after spending the last couple episodes branching out from Shuchiin Academy, all three of these new stories took place on campus. They all closely echoed previous chapters, as well, especially Kaguya’s love advice segment (which is a direct follow-up to Shirogane’s bluff-fest from several weeks ago). I’ve written before that Kaguya-sama’s power lies in its reliability, but after watching the series’ formula undergo these slight tweaks, it’s a small disappointment to receive an installment that doesn’t mix things up in the least. The show is still my biggest hope for the winter 2019 season, however – its positivity and sense of fun are undeniable.

Though the episode felt too familiar, it did surprise me in one way, and that was in its choice of the next student to seek romantic advice. Episode 2 pointed us in the direction of Kashiwagi’s friend, whose obvious consternation pointed to her crush on the (still nameless) male inquirer. Instead, it was Kashiwagi herself who came to Kaguya with feelings of ambivalence, which the inexperienced Kaguya is ill-equipped to handle. She does a better job of it than Shirogane, but it’s actually Fujiwara who saves the day, deerstalker cap and pipe in hand. After expressing a desire to be involved in love talk during last week’s banned word game, she simply barges into the room upon hearing what the other girls are talking about, and inadvertently causes Kaguya to realize her feelings for the president a little more clearly. Though she often foils Kaguya’s romantic schemes by accident (as seen during the umbrella segment in this episode), here she helps her friend to equate jealousy with attraction. Coupled with her bizarre “resist society” advice to Kashiwagi, her previous lack of involvement in others’ love lives was probably a blessing, but things seem to work out for everyone in this segment. Well, everyone except Kashiwagi’s friend, who is still lurking tearfully in the background at the very end. Hopefully her distress doesn’t become a running gag.

Fujiwara’s curiosity about others’ romantic situations extends briefly into the volleyball chapter, when she suspects that Shirogane’s athletic training is to impress a girl. This was probably my least favorite of the three stories this week, because it didn’t take us anywhere new. We already knew that the president is a hard worker and a bit of a klutz (though perhaps not on this level), so devising a plot where he works hard to compensate for his lack of hand-eye coordination feels too safe. Fujiwara’s ponytail look and bandaged bow near the end were cute, but her trainee’s eventual success wasn’t much of a payoff for me. Better was the traditional game of wits surrounding the umbrellas, where Kaguya proved once again that her preparation is second to none. Even putting aside her aborted victory over Shirogane, she claimed a win against every girl in school who had designs for summer vacation involving the president. Though Kaguya inwardly claims not to care about sharing an umbrella with Shirogane so much as everyone witnessing them sharing an umbrella, she does get swept up in their resulting closeness when all is said and done. I say it every week, but that contrast between her rational and emotional minds is my favorite thing about both her character and the show. Even when it falls back on familiar material, Kaguya-sama has a weapon that can always put a smile on my face.

Paranoia Agent – 3 [Double Lips] – Throwback Thursday

Welcome to week 3 of Paranoia Agent! Once again, we focus on a new set of characters, new problems, and a new part of society. So lets jump in!

Once again, Kon’s outlandish style shined through this episode. Everything about it was just so… weird and disjointed, but I loved it. First off, Kon introduced the central character last week as Icchi’s tutor, easing us into her place in the story. It makes for a much less abrupt shift in focus. Yet at the beginning Kon fakes us out, by basically hiding her character from view with the makeup and wig. At the very least, it successfully confused me at the beginning. But not in the “I can’t follow whats going on, this is stupid way”. It confused me in the sense that there was a mystery and I wanted to know the answer. Why was she leading a double life? How does this tie into Shounen bat? What societal issue is Kon commenting on this time? And over this episode, I found an answer to each.

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Kaze ga Tsuyoku Fuiteiru – 16 [Dreams and Reality]

Welcome to another week of Kaze Fui, as we come right back to Haiji’s dangerous dilemma! This week our boys finish the qualifier, Kurahara earns a runners respect and the twins begin to question things.

The first I noticed about this week, simply because of how many there were, was the CGI. Normally I don’t mind it much. CGI can really help with crowds or larger setpieces. But this episode was an emotional high point for the series and while it worked, the CGI was nothing but a hindrance. There were so many characters on screen, that you couldn’t help but notice it. And with the 2D models of our lead cast at the forefront, it became even more obvious. I want to like it, I want to be able to look past, but I just can’t. Not when there are dozens of them on the screen at the same time. At least the 2D animation we got was nice, and the direction saved a number of scenes. But overall, the CGI just kills a lot of the hype.

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Kemurikusa – 05

My apology for skipping over the other two shows and week in review this week, given I’ve gotten busy in the last week or so as my sisters come to visit. So for the next two weeks I won’t promise to blog regularly, but I’ll try my best. For Kemurikusa this week, the group reaches island 6 and encounter another one of Kemurikusa girl, whom we still have little idea about. One of the biggest reveal in this episode is the full function of Midori the tree. In Wakaba’s own words it is “to fix things”, but I still believe it goes broader than that, to heal things. Remember it heals Wakaba’s injuries in the first episode? It might sound like another one of tired game mechanics but I believe in this case it is for the show’s benefit. Speaking of Wakaba, although he’s represented as a human so far, upon close inspection I would say he has the least human traits out of all characters. He doesn’t sleep, he eats and drinks very little and he can manage to function various kemurikusa power. In this episode, he managed to sniff the scent of… a tram wheel!! If we take the ED literally, he might be born from Midori’s tree, hence that can explain how he has no prior memory in the first place.

This episode also raises another interesting threads regarding the robots/bugs. If we consider Midori’s power is to heal things, doesn’t it make sense that these Red Bugs are some sort of virus and Midori’s power can wipe that out? In addition, the little robot that helps and communicates to Wakaba feel like a relic from the lost era, which I suspect that all the robots are designed to support human in some sorts but they go berserk by the red power and destroy the humanity. The fact that it can communicate to Wakaba (it seems to understand what he says) and Wakaba can read support this train of thought. I wouldn’t be too surprised if the robot helps out mapping the unexplored Island 6 to our team.

This week, we have another brief mention to the dead members of Kemurikusa girls, this time revolving around two deceased Rinas. From the appearance of the other Kemurikusa girl though, I have high hope for the team to revive the dead members as some point in the future. Kemurikusa’s plot might be a bit slow at times, but I’m surprised to say that I enjoy every single episode so far. It reminds me a bit of Made in Abyss in the sense that it goes deeper (but more horizontal instead of vertical) and explores new settings with so much details put in the world-building. It might never reach the level of Made in Abyss but it does have the same kind of appeals, and I would be lying if I say that I’m not looking forward to what it does next.

Dororo – 5 [The Story of the Moriko Song]

This week Dororo is simultaneously at its brightest, yet possibly lowest, point so far. With Hyakkimaru adjusting to his new senses, a new character joining the cast and the Priest wandering back in, lets jump into the details!

Dororo was pretty good this week, all things considered. It went a direction I wasn’t expecting, and is starting to weave more anime original content in, but I enjoyed it. Before getting into spoilers though, there were some snafus I saw. Namely, animation and model issues. Take for instance the old mans re-entrance, cutting down the bird. In the moment, in motion, it looks great. But when you really look at the scene the old mans model after the cut is just… very blobby. There are no details and all the colors and lines sort of bleed together. Like the man isn’t entirely solid. There is a similar issue in regards to the characters feet. Where toes are all but non- existent. Considering the shots of feet, and how no one apparently wears shoes, this is a big issue for me. I just hope this is the worst we see.

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Kaguya-sama wa Kokurasetai – 04

Kaguya-sama isn’t the sort of show that would suddenly depart from a tried and true formula, especially not after attracting so many eyes in just one month thanks to whip-smart direction and a memetic ED. Nevertheless, this was a week of firsts for the anime. We got four short stories in this episode instead of the usual three, stepped outside the student council room for the largest portion of an episode yet, met some French transfer students, and received some wonderful eye-catches to bridge the gaps between each chapter. I remember seeing those little transitions last week, as well, but these were on another level, featuring a couple of dynamic poses from Fujiwara (her demonic cat impression made the biggest splash for me), who I assume is the fan favorite at this point

The first two segments this week were classic “mental gymnastics in the student council room” routines, revolving around cat ears and the banned word game, respectively. The performance that most impressed me here was that of Makoto Furukawa, Shirogane’s seiyuu, who really let loose this week in order to flesh out the president’s attraction to (and slight feelings of inferiority toward) Kaguya. We’ve gotten hints of the latter in the past, especially where her finances are concerned, but her cute cosplay and flawless French stunned him this week, and Furukawa’s yelps and prolonged cries gave us a good look past the veneer his character usually keeps up. This dorkier version of the president is one we’ve known about since he bluffed his way through a romantic advice session (despite having no experience of his own), so it feels natural to see him act a little nuttier here. On the other hand, the wordiness of his resolution to throw the banned word game to Fujiwara was a bit thick – but of course, that’s the scriptwriter’s decision, not Furukawa’s. And hey, it was still a nice gesture for him to make, even if it failed spectacularly. I do appreciate that the show’s three main players have genuine affection for one another, rather than mean-spiritedness (as would be in the case in a lot of other comedies).

Kaguya’s obsession with her cell phone was undoubtedly my favorite chapter this week, though I do have one knock against it, and that’s the reuse of 3D council room assets in the creation of Kaguya’s room. Her desk and bookshelves looked eerily similar to the ones we already see every week, and provided a sizable distraction to an otherwise charming story. That aside, though, seeing the calculating vice president dissolve into a bundle of nerves over a simple phone conversation was precious. I’m glad Kaguya has a “girl talk” sort of friend in Hayasaka (the pressure of being an heir to such a large legacy might otherwise be crushing), but I’m equally glad that Hayasaka likes to push her buttons, since that teasing exposes a side of Kaguya that she ordinarily keeps locked up. The thought of a president/secretary relationship is enough to briefly fluster her charge, but Hayasaka’s flawless poker face makes her such a wild card that I wouldn’t be surprised if she went after Shirogane herself (if only to spur Kaguya into action). Whatever the series’ romantic blueprints may be, I’m hoping she’s involved somehow – her character is too fun and too valuable not to be included.

Mob Psycho 100 S2 – 5 [Discord ~Choices~]

Screw the intro, forget being clever, Mob Psycho just dropped an episode so well animated, you could piece together the entire thing with nothing but Sakugabooru clips. Lets go!

I will get to the actual narrative pacing and adaptation discussion later. For now, I just need to gush for a bit. Mob Psycho look good. Like, real *good*. As in, 23 minutes of Sakuga good. Everything from the character and facial animations to the psychedelic, bombastic ending 12 minute fight scene. I loved it so much I had to find a good way to shove more screenshots into this post, so enjoy like… 4 slideshows below the break. Sadly static pictures don’t do it justice. Hakuyu GO did a fantastic job directing this episode and I can’t imagine how many animators they had working on this. We aren’t even halfway through the first season and Mob Psycho already has Best Animation for the year locked down. It’s insane. My gushing aside though, how about we actually, objectively, look over it a bit hmm?

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Yakusoku no Neverland – 04[291045]

The focus of this week’s episode happened to mainly do with the identity of the traitor in the farm and how our main trio plans to deal with that. As such it was a bit of a slower episode and acted more as a planning session on when and how they tiro where going to escape. Letting two more kids in on the nature of the farm while still keeping the aspect that they are food a secret was a good move on Norman’s part but Ray’s reaction is somewhat justified as eventually these kids are going to find out the truth and what’s more, it looks like Sister Krone is looking to using that lie to her advantage.

Something that has come up before but I feel the need to bring up again as it’s starting to become a problem is the show don’t tell principle of the series. Normally this should be something that anime strives to do as many don’t make use of the visual medium in other to aid the storytelling, instead just opting to translate manga to anime wholesale. However here we once again have the problem where characters could really benefit from inner monologues. Krones abrashed shouting of her plans along with one of the kids shouting about how Mom totally isn’t selling them off and now how the series goes out of its way to make the supposed traitor look even more guilty. One moment I find baffling is that before going to sister Krone in order to tell her that she wouldn’t work with her, this girl gives Emma a look of disdain upon leaving the bedroom.

Now at the time that look suggested she was a traitor but it’s later revealed that she isn’t a traitor and has decided to trust Emma. However if that is the case, why that look? There is no reason as to why she would look at Emma like that and the look honestly just feels like a narrative ploy to fool the watcher, not a logical thing within the story itself. Again like Krone it is like a extra action put in place for the viewers benefit, almost as if the characters were aware of the audience and took extra action to include them. It’s an immersion breaker for sure and one I hope is solved in later episodes as right now it’s Neverlands major failing.The viewer needs to make lots of concessions in order to believe in the story being shown and it’s getting to the point that suspension of disbelief is getting pushed too far.

Our ending hook this week was Norman pointing out Ray as the traitor as it appears his rope ruse that he told Ray about wasn’t there to catch out the two kids, it was there to catch out Ray. From the looks of things Norman has suspected Ray and I find it rather interesting that he came to Emma to ask a obtuse question as to how to deal with him. From the looks of things, Norman uses Emma as his moral compass and I wonder whether there is true emotion behind that smile of his. Considering how Norman is going by Emmas feelings rather than his own mindset and how Emma made it clear that she wants to save everyone, even the traitor then I would think that Norman is going to try and convince Ray to his side. But with a traitor in the plan that would mean that whatever these kids cook up will always have someone who can rat them out.

Paranoia Agent – 2 [The Golden Shoes] – Throwback Thursday

Hello to week 2 of Paranoia Agent, now with an extra dose of weird! This week we focus on some new characters, the cruelty of children and the supernatural presence of Lil Slugger. Lets jump in!

In general, this was an odd week of Paranoia Agent. Only 2 episodes in and I expect to see myself saying that often. It started off very subdued with its animation. Lots of nice details, but nothing like Kawazu’s beautifully creep fluidity. It did have some awesome direction though. Showing how Icchi views himself and his growing paranoia and solitude. A lot of the shots were very evocative, and really sold the growing dread, even if the animation was more subdued. That isn’t to say Paranoia Agent didn’t have its moments of Kon greatness though. It just reserved it. Every time Icchi started to freak out, the art changed to a more simplistic but exaggerated style. Really playing with the camera angles and stretching the models. I think reserving the fun animation for these moments was a great idea, as it made them really stand out from everything else.

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