Some Quick First Impressions: Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!, Kandagawa Jet Girls and Stand My Heroes: Piece of Truth

Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!

Short Synopsis: A newly-reincarnated mage frets about her godlike powers while rescuing a group of kidnapped children.

Wooper’s review:

Here’s a “reincarnated in another world” series that’s preoccupied not with explaining game mechanics or assembling harems, but with creating a main character worth following. All Mile wants is a normal life, but she was granted incredible powers upon her rebirth, much to her chagrin. Even though her prodigious skill is a burden to her, she’s the sort of girl who will sign up to rescue an inn-keeper friend just days after having met her (even if she has to reveal her shameful invincibility in the process). Mile is rather excitable, so we get both cheery and reserved attitudes from her in this premiere, both of which are believable. She and the show provide plenty of commentary on anime tropes, as well. Early scenes are constructed as though she’s talking to herself in clumsily-written fashion, but five minutes later we learn that she was speaking to an invisible friend the whole time. The circumstances of her arrival in the new world are cliched, so the show winkingly pushes through them in just a couple of minutes. The boarding school setup is unlikely to push any narrative boundaries, but it will allow the show to continue elbowing its fellow fantasy series in the ribs every now and then. With both self-awareness and decent characterization in its arsenal, NouryoKinchi is a fun isekai adventure for people who are burned out on the genre.

Potential: 60%

Lenlo’s review:

You know, as someone who has a relatively across the board distaste for Isekai… this one wasn’t actually that bad. I dare say I actually enjoyed parts of it, which was unexpected. The cast isn’t particularly crazy, seemingly existing for more than just fanservice at this point. Which is always a plus. Meanwhile the MC is rather self aware and generally just tired of all of this kerfuffle. Of course she’s still OP as all hell, and that’s annoying, but welcome to Isekai I suppose. It reminds me of Cautious Hero, in that it’s attempting to subvert the genre, yet I feel it does so… better. None of them have the character of Rista, but that’s fine. It’s not terribly well animated, but it gets by. Really all I can say is that the show is solid, and if I actually liked the genre, I could see myself liking this.

Potential: 35%

 

Kandagawa Jet Girls

Short Synopsis: Two girls team up to challenge the elite school of ski jet sports.

Mario’s review:

What with all these random fanservices? I know that anime medium is the land of pandering but in this show these shots come from nowhere which makes me think that 1 guy in the production committees push hard for these shots regardless of the content. It’s such a shame because otherwise the visual presentation is rather decent. The story takes a familiar route for this genre by introducing the two main characters who are fated to be partners. What it does raise the bar is how these two both have some sort of backstory/ special relationship to this self-invented sports, and the sport itself does intrigue me (do they shoot each other until one’s down or do they shoot some obstacles to gain points?). Then again, these out of nowhere butt and boob shots do deflate my interest somewhat.

Potential: 20%

Lenlo’s review:

Look, you know me. You see my name at the top of this blurb, and you already know what I am gonna say. That its a fanservice, water sports show with a cast of girls who exist purely to get wet, and get naked. The only upside this series has, is that it has a “mature” tag or whatever, so they moved up to the mystical realm of sideboob. To be frank, I don’t see anything interesting here. Keijo from awhile ago had better animation, better art and solid asses. Meanwhile Darling in the Franxx at least use the partner system as a metaphor for sex and all that, even if it kinda fell apart and got weird by the end. Kandagawa though? It’s just pandering, and I have 0 expectations of it.

Potential: 0%

 

Stand My Heroes: Piece of Truth

Short Synopsis: A girl is appointed head scout in the quest to recruit hot boys for an investigative unit.

Mario’s review:

It’s clear from watching this episode that Stand My Heroes is based on an otome game (which normally I’m not fond of), and in the game we play this main girl whose main purpose is to recruit attractive boys to this STAND unit – an investigation unit that work independently with police force. Right in this first episode we have her meeting a football-size boys with proper full names and some sort of catchphrase lines to inform us their personalities. So formulaic aside, two questions come up. How does the main heroine fare compared to the genre and what makes this show different than other otome adaptation? For the first point, personality-wise our girl is still a plain character given how her enthusiasm for “justice” feels one-note at best. For the second point, this show has a crime procedure twist to it, which is clumsy in execution. No, otome adaptation isn’t a high bar and even then this one comes out as a run-of-a-mill addition to the list.

Potential: 10%

Some Quick First Impressions: Babylon, Fairy Gone 2 and Africa no Salaryman

Babylon

Short Synopsis: In the middle of investigating pharmaceutical law violations, the cops stumble upon evidence of a much bigger case that involves a current mayoral election.

Amun’s review:

(Like Mario, I’m only going to discuss the first episode, even if 3 have been released).  Coming into the season, Babylon stood out as something different from the 100 billion isekai offerings this season.  No one could watch the trailer and not feel a twinge of hope that this might be the next Monster. With those expectations the first episode…was pretty bland honestly.  It was well polished, well directed, and had passable 3D animation – it just felt like I’ve seen this setup so many times before. Even the big reveal could be seen a mile off (by apparently everyone but the supposedly smartest guy in the room).  I’m hoping the upcoming episodes start to flesh out the story a bit more, but for a show that’s supposed to be all about twists, I think this might turn out quite predictable.  

Potential: 35%

Mario’s review:

Note that the following review is for the first episode only, as 3 episodes have been released all at once. And as far as this premiere goes, I had a good time watching it. The mystery at heart keeps escalating at the right pace, and at least so far the setup hasn’t fallen into stupid territory or gone thorugh any major leap of logic yet. Penned by the guy who wrote Kado the Right Answer, I was looking for an ambiguous, mature project and everything happening so far ticks the boxes. The Law & Order vibe, and the dark shade of the city fit right to the tone of the show, but at the same time I find those qualities to be competent but a bit on a conservative side. See, looking at this opening chapter in a procedural crime drama’s point of view, it goes pretty much by-the-book. Main character has some solid traits but as a whole this feels more like an action-driven show rather than character piece or thinkpiece. Depending on how the story escalates in later episodes, we’ll see what heights this show aims for. At least this first episode proves that it can serve as a neat crime investigation show (with no superpowers!!!) for anime fans.

Potential: 50%

 

Fairy Gone 2

Short Synopsis: A cursed child and a war survivor join a military organization to manage powerful “fairies” and protect order in an unstable political landscape while seeking personal redemption.

Amun’s review:

On paper I really shouldn’t like Fairy Gone.  A political fantasy thriller is not usually my cup of tea – throw in shoddy CGI and no backing source material and it should be an easy pass.  But this show punches well above its weight and our first episode back reminds us of it. I think, despite the absolutely awful CGI we saw, the revisit of the Suna village helped flesh out some questions I had from last season.  I think the director and composer of this show really do an excellent job with their extremely limited animation resources – even in a recap episode, we saw some lingering issues nicely shored up. Their scene transitions are on point and honestly the VAs were great (and I usually don’t comment on VA or music).  I keep looking for an excuse to drop this show and it just keeps bringing me back – this season will probably be no different.

Potential: 55%

 

Africa no Salaryman

Short Synopsis: Anthropomorphic savannah creatures try to scrape some enjoyment out of their corporate wage slave lifestyles.

Wooper’s review:

This show reminds me of nothing so much as last year’s Pop Team Epic. They share a raucous sort of humor, though PTE was a stealthy satire whereas Salaryman’s laughs are more sophomoric. Both series used a variety of art styles in each episode, as well; Salaryman shifts between 2D animation reminiscent of Haoliners’ better stuff (To Be Hero comes to mind), stiff but occasionally charming 3DCG, super deformed reaction shots, a crayon-styled kiddie look, etc. This mixed visual approach was the most noteworthy aspect of the show for me, as the humor wasn’t my cup of bush tea. There are segments about girls making false molestation claims, pursuing girls at mixers because their parents are loaded, jokingly trading a donut shop point card for a quickie in the bathroom, etc. These bits aren’t exactly offensive, but they wore on me because they all stem from the buffoonery of one very loud character: the toucan. Here’s a fun fact: toucans don’t live in Africa! Dial down his appearance rate and make the office setting more central to the show, and I might come back for another episode.

Potential: 25%

Mario’s review:

Imagine Aggressive Retsuko, but with an African setting and more crude and mean-spirited humor, and you pretty much have Africa no Salaryman. As is the case with comedy shows, humor can be a hit or miss depending on each person. For me, the humor of the show hits when it defies our expectations on certain characters’ archetypes – given they are anthropomorphic cast. It suffers when it tends to be snotty to gets its jokes across. The highschool girls portrayed as “false victims” certainly raise an eyebrow. While at first it appears that Lion is the main character of the trio, the spotlight for this episode instead is given to Toucan, which makes sense since Toucan has the boldest personality. In that light Lion, and Lizard in an extend, still don’t have much room to grow. Visually speaking, while I approve the art styles, it’s the CG animation that makes the show looks cheap and stands out in a bad way. I’ll give this show another episode to see whether to stick with it.

Potential: 40%

Some Quick First Impressions: Special 7 – Special Crime Investigation Unit, Actors: Songs Connection and Boku-tachi wa Benkyou ga Dekinai 2

Special 7 – Special Crime Investigation Unit

Short Synopsis: A rookie cop helps bust a bunch of bank robbers.

Lenlo’s review:

Unlike Wooper, I actually didn’t have that big an issue with the opening plot and bank heist. It’s a simple and straightforward way to introduce your whole cast. No, my issues lie much deeper. From the knockoff Shadowrun setting, to the crazy cast and dull visuals. First up, the setting, which it establishes as fantasy-modern in nature ala Shadowrun but does virtually nothing with. Window dressing that might as well not exist, even with all the wasted opportunity of a bank heist to throw in things like magic or magical races and the like. Meanwhile the cast itself just doesn’t feel like a “mature” one, to use Wooper’s word. They feel like over the top Shounen characters. Which in a Shounen show is fine, but for a cop drama? Eeeeeh. Last up the actual presentation, which just felt… flat? The crosshatch shading gave me flashbacks to Berserk 16/17, while the actual scenes themselves never really felt fully together. Like a lack of depth, or direction, such as simply cutting to different sides of the car as characters talk, etc etc. I’m just not feeling any passion from this project, which is a shame. Because passion can at least take something dull and make it unique. This is just forgettable.

Potential: 0%

Wooper’s review:

To put it frankly, Special 7 (“Tokunana” in Japanese) didn’t hold my attention. Neither its flashback opening scene nor its ‘in medias res’ bank robbery plot are crafted with much care or attention to detail. They just serve to introduce our newly-minted policeman friend to his childhood savior and his new partner, respectively, via dialogue you’ve heard a dozen times before. The mystery of which bank employee helped the robbers with their heist was Scooby Doo-tier in its simplicity, and only gave Mr. Rookie an excuse to scream about justice and punch the traitor in the face (despite having a gun trained on him). The ‘supernatural procedural’ angle, which has already been tackled by Cop Craft and Midnight Occult Civil Servants this year, adds basically nothing of value. Worst of all, the show looks ugly as sin, featuring jerky character animation and hatching lines being used to shade an inordinate number of surfaces. The result of that second technique is so amateurish that it must be masking the plainness of the unaltered backgrounds, though I don’t know how they could look worse than what we got. Special 7 is proof that mature anime can turn out just as poorly as the moe and isekai bogeymen of recent years.

Potential: 10%

 

Actors: Songs Connection

Short Synopsis: Countless boys gather in a club to sing and “connect”.

Mario’s review:

Actors is another male idol property and it has the same problem many idol or game-adaptation shows before it have: it’s so busy introducing too many characters that the plot gets sidelined. And because there are five, six characters getting introduced at the same time it’s hard to tell them apart, let alone have any proper investment to them. The fact that it has a supernatural twist about White Wall and white shadows that would fit right at home with shows like UNDONE (hey, I just watched it. UNDONE is awesome) than here doesn’t work for the show’s benefit. There’s an actual singing at the end that serves as a climax for this premiere and brings everything together, so I’d suggest that if you decide to check it out, wait until that moment to decide whether or not this show is for you. For me, while the song isn’t bad it lacks the dynamic of songs in say… Sarazanmai or production values of Carole & Tuesday, thus there’s nothing to keep me hanging here.

Potential: 0% 

Lenlo’s review:

I’m not even a fan of normal idol shows. So why in god’s name the other writers thought it was a good idea to let me be the one to write this is beyond me. Maybe they thought it would be funny to watch me lay into the series generic characters or complete lack of actual production value. Or the seemingly split focus between being an Idol show, and this odd supernatural mystery. For the songs themselves, it wasn’t bad, I just didn’t feel anything from it because I didn’t much care about anything that built up to it. Of course, Mario references Sarazanmai and Carole & Tuesday in his writeup, which doesn’t really help considering I wasn’t a fan of either of those as well. So to make a long story short, my answer is this: If you like Idol shows, you will probably like this. If you are like me, and don’t like Idol shows, there is nothing here for you. It’s a very binary choice, all things considered.

Potential: 0%

 

Boku-tachi wa Benkyou ga Dekinai 2

Short Synopsis: An average student must earn his recommendation by tutoring several geniuses who are brilliant in one area and useless in all others – can he avoid falling in love with them…or his teacher?!

Amun’s review:

Our first episode back and we’re here to…discuss bust sizes.  Boku-tachi had an entire season’s break to come up with that premiere?  Not only that, this episode came off as picking on one of the candidates rather than the typical building up of one girl per episode.  I’ll be honest, my patience at this point is wearing pretty thin, so barring any remarkable character building within the next couple of episodes (which would be a complete departure from where the manga was going last I checked), this is probably the end of my “learning” from this show.

Potential: 25%

Vinland Saga – 12/13 [The Land on the Far Bank/Child of a Hero]

Hello again everyone and welcome to a double feature for Vinland Saga. Apologies for the missed week, but even I am not totally immune to sickness. So this week we cover episodes 12 and 13. Where we learn quite a bit about Askeladd, Canute finds his voice and winter starts to turn. In we go!

Starting off, since its a 2 for 1 this week, let’s talk production. Across both the episodes, I thought the music was fantastic. Still very unique for most anime I feel. And they really accentuated each scene they were used in. I do think that it was a tad loud at times, though. Sometimes drowning out the conversation and such of the scene. Part of me thinks this was a conscious choice though, as Vinland Saga was putting a lot of effort into showing how much noise an army makes. With stomping boots and chatter and all that. Seemingly to setup the Ear’s little listening to the ground trick. But as a whole, while I really like the music, the volume mixing just felt a bit off. Over all though, the presentation was solid. Great presentation of armies and the changing of seasons and backgrounds. Onto the meat though!

Continue reading “Vinland Saga – 12/13 [The Land on the Far Bank/Child of a Hero]”

Some Quick First Impressions: Chuubyou Gekihatsu Boy, Mairimashita! Iruma-kun and Val x Love

Chuubyou Gekihatsu Boy

Short Synopsis: A seemingly ordinary transfer student is dogged by three classmates who insist she has supernatural abilities.

Wooper’s review:

If you’re going to appreciate this show, you have to embrace its central gimmick: that its delusional heroes, despite their ridiculous personalities, are to be taken somewhat seriously. Transfer student Mizuki does seem to possess limited precognitive skills, as in the matching scenes where she senses the presence of an enemy. Her bothersome classmates are able to stop the projectiles meant to cause her harm, and one of them is able to jump from a second story window and land without issue. So while she spends most of her time trying to escape conversations with these weirdos, they’re onto something when they claim that she has special powers. The show supports both the comedic and the slightly more dramatic parts of this premise by stretching its limited animation as far as it can go, with exaggerated expressions and heavy emphasis on posing. It doesn’t look great, but it’s far from the worst effort I’ve seen this year. Based on the misdirection in this premiere, Chuubyou may have something clever up its sleeve for the future. I doubt that cleverness will be worth 10 more episodes of mixed humor and ear-splitting voicework, however.

Potential: 20%

Mario’s review:

This show relies on one main gimmick in which I’m not too fond of: chuunibyou. While it’s amusing to see how the character with 7th grader syndrome acts all self-serious and delusional, the jokes often wear thin quickly. This time we not only have one, but five (four so far) hypers who act like humanity is on the verge of extinction. Most of the gags in this episode comes from the way it contrasts those guys’ antics with a transfer student who just wants to go through her school life unnoticed, yet she runs into them all the time. This show reminds me a bit of the first episode of SKET Dance, to a much lesser effect and production values. In a season where comedy shows have been performing decently so far, Chuubyou unfortunately doesn’t promise much.

Potential: 0%

 

Mairimashita! Iruma-kun

Short Synopsis: A neglected teenager is sold to the Demon King to serve as his grandson and rule an underworld academy.

Amun’s review:

Any anime can be gory, serious, or even funny.  To me, however, there will always be a place for shows that are just plain fun. Marimashita!  Iruma-kun’s first episode, at least, is that – good fun. I think the Japanese rendition of anime demons tends to be humorous and playful (even considering shows like Death Note), and Marimashita! is no different.  This is the reverse Beelzebub – human in demon land. And, despite being a school setting, I definitely feel the joy in the project – from the background scenes to the voice actors having a great time. I think we’re in for quite an enjoyable ride (despite being yet another isekai school setting).

Potential: 70%

Wooper’s review:

Iruma-kun is the most promising new anime of the season thus far, at least in my view. Though it takes place in hell, it isn’t bogged down by a self-serious story or complicated designs that the artists can’t be bothered to animate. It’s a spry tale of an unfortunate lad who gets whisked off to demon land and finds himself in way over his head, and everything about the show works in favor of that premise. The character designs are colorful and alien, and plenty of love is given to the background players. The humor isn’t particularly inventive, but it’s boisterous and brisk, nicely emphasizing the fish-out-of-water scenario. These are two big positives, but one issue I’m having is the characterization of Iruma himself. A narrator is on hand to inform us about his difficult past and the skills he’s developed as a result, but he’s so busy trying not to die that we don’t learn anything else about him. This issue may be addressed with a couple more episodes, but I doubt we’ll ever get a fulfilling portrait of the guy. As for whether I’ll continue with the series, it’s at least fun enough that I’d consider it. That makes it the better of the two shows this season to feature a German suplex (though I’m sure my co-writer above would disagree!).

Potential: 60%

 

Val x Love

Short Synopsis: A boy with an evil aura takes care of 9 sisters/maidens in his house. 

Mario’s review:

OMG this one is bad. Let’s just go through the premise. This boy boosts up 9 girls’ (!) (who are sisters (!!)) power by fondling their boobs (!!!). The worst aspect of it is that they don’t even try to make this fanservice pleasurable to watch. The potato-kun has a unique design for a main guy but is ultimately plain and uninteresting. And the amount of fanservice is tired and boring. This might appeal to some since we have 9 girls with different appeals and boob sizes for him to touch every week, but for me I’m pretty much done here.

Potential: 0%

Dr.STONE – 14 [Master of Flame]

And so begins the 2nd cour of Dr.STONE, complete with a whole new OP and everything. However for us, we are just picking up right where we left off. With Kinro’s fight, Senku’s science and an old friend returned. Let’s dive in!

In general I think this week was better than the last. Yes, the focus was still on the fights and yes this is still a Shounen. However it’s the manner, the focus of the fights, that differs. As last week was primarily on brawn and how it can be accentuated by Science. While this week Dr.STONE goes back to its roots and focuses entirely on science and teamwork. Of course before we can get to that, we have to talk about Kinro getting duped. I have to say, it was hard to write around knowing that would happen, and I am curious. What did you all think of the dupe? Was it setup fine and worked, or did it feel like a lazy contrivance to build tension? As Kinro has long been established as a bit of a rules lawyer. So while you read, please keep that in mind.

Continue reading “Dr.STONE – 14 [Master of Flame]”

Some Quick First Impressions: Kono Yuusha ga Ore Tueee Kuse ni Shinchou Sugiru, Choujin Koukousei-tachi wa Isekai demo Yoyuu de Ikinuku you desu! and Azur Lane

Kono Yuusha ga Ore Tueee Kuse ni Shinchou Sugiru

Short Synopsis: A jaded Goddess summons a highly cautious kid as a hero to save her world.

Amun’s review:

Watching this first episode, I can’t shake the feeling that this show is comprised of all the side characters from Kill La Kill.  Just the unexpected devolution of character designs for laughs really reminds me of that. In this isekai, we have a goddess closest to Aqua (KonoSuba), a hero closest to Death The Kid (Soul Eater), and a world closest to…really any fantasy show ever.  I didn’t really see enough from this episode to get a sense of how this anime will go, but the art was passable and the gimmicks okay. The “shout till it’s funny” humor fell a bit flat in the second half, but I guess I see what they were going for. I’ll give it a few more episodes to flesh out the season’s direction – who knows, might be a diamond in the rough…or just the rough.

Potential: 33%

Lenlo’s review:

You know, for a knockoff Konosuba, I was moderately surprised by Cautious Hero. Don’t get me wrong, it’s still not my kind of show, as I didn’t even like Konosuba. But it seems to have enough of a handle on the shtick to play with it a bit. Playing on the prevalence of “Isekai” stories and such and using that for some of its comedy. The lead goddess is even an amusingly terrible person. The issues though start to arise with our lead who is just… incredibly dull. Like, take your regular isekai protagonist, and remove any defining feature from them dull. Maybe if it plays up the “cautious” bit to actually negatively impact things it could be interesting. But considering I already don’t like this genre, and other shows have done it better… I am pretty meh on the whole thing. Still, it’s not offensively bad. So that’s a pretty good for this season all things considered.

Potential: 20%

 

Choujin Koukousei-tachi wa Isekai demo Yoyuu de Ikinuku you desu!

Short Synopsis: Seven super genius high-schoolers somehow get on the same plane and get transported to another world.

Amun’s review:

Seven super high school geniuses aren’t smart enough to fly on separate planes and end up being whisked away to a primitive fantasy world…with the main protag getting some mouth to mouth meat in the first five minutes.  Choujin has started off beyond pretentious, and, given that all the characters are tired archetypes, I see no reasonable chance of it living up to its delusions of grandeur.

Potential: 1%

Lenlo’s review:

Look people, I don’t need to tell you things are bad, everyone knows things are bad. This is a season of Isekai trash, I am writing my second paragraph yet I am 6 Isekais in and there’s no end to it. We know the anime is unfit to watch and the waifus are unfit to lewd, yet here we sit while some pretentious blogger goes on and on about it as if that’s the way things are supposed to be. We know things are bad. It’s downright garbage. Slowly the medium we love is dying, and all we say is “Please at least leave us alone in our Shounens, let me have my Sakuga and leave me alone,” well I won’t leave you alone! I want you to get mad! I won’t tell you to write to KyoAni or Bones or Miyazaki, because I don’t know what to tell you to write. All I want is for you to get mad. You have to say “I am a human being god damnit, my time has value!” You know what doesn’t have value?! This trash! Don’t watch it. Watch the Network instead.

Potential: -100%

 

Azur Lane

Short Synopsis: Girls from 4 different factions fight against aliens and among themselves because it’s human nature.

Mario’s review:

Azur Lane is designed to be a “cute-girls-in-combats” show by way of KanColle rip-off, and so far it does a terrible job of keeping us engaging. It’s never a sound idea to throw a dozen or more characters on-screen from many fractions and hope we can get invested to any of them. It also isn’t a good idea to throw a book-length of world-building context in the beginning of the show, and it’s certainly a bad choice to feature a battle where we don’t know most of the players. In between those fights we have moe girls looking for a lost pet, talking unnaturally and… did I mention that these girls are embodiment of warfare? It’s a mess of some cool ideas but poor presentation and I don’t think the show delve any deeper than providing a reason for these groups to fight against each other. Maybe after this episode, the show would slow down a bit to tell us more about the main cast but by this point I don’t care about any of them to go on.

Potential: 0%

Lenlo’s review:

You know, I have a lot of friends who play this, and for an adaptation of what I think is a mobile game, it apparently does a decent job. As someone who the only thing they know about it is “Waifu Ships”, it was exactly what I expected. Every possible waifu ship thrown into the first episode so the weebs wouldn’t be annoyed if their boat was left out. And you know what, at least the waifu’s are cute. The designs are on point, and I don’t just say this because one of my favorite artists Dishwasher does a good bit of Azur Lane fanart. Sadly, tits and ass is pretty much all the show has. I have no time to get connected to any of them, the combat makes no sense, and its literally a tie in to a mobile game I don’t play. So I suppose the question of whether or not you should watch this boils down to this: Do you play Azur Lane? If yes, it’s perfect for you. If no, wait for it to be over and and the waifu fanart to start getting produced. It’s what I will be doing.

Potential: 0.01%

Mononoke – 9 [Japanese Chimera, Part 2] – Throwback Thursday

And so ends another arc of Mononoke, in a way I never would have expected. As this week we solve a murder mystery, once again question our perceptions of the world, and get another new “favorite arc”. Apologies for the wait, sickness waits for no man, but let’s dive in.

Starting off, as always, the production of the episode. Mononoke has always had a strong visual direction, but this week was a treat. Both in terms of, mostly limited, animation and in direction. What with the usage of the bell to cut between scenes, or cutting angles in a scene to change the characters in it. There was a lot of very gripping imagery used throughout the episode that I thought connected well both in tone in content. My favorite part of the aesthetic though was the emphasis on color, and what it represented. Seemingly with each of the characters only gaining color as they felt strong emotions. Whether that be because of the scenes, or the events taking place. Based on how the episode finished up, I would suppose we could surmise that the color was linked to how “alive” or “real” they felt. Regardless though, it looked good.

Continue reading “Mononoke – 9 [Japanese Chimera, Part 2] – Throwback Thursday”

Lord El-Melloi II Sei no Jikenbo: Rail Zeppelin Grace Note – 13 [FINAL]

I can’t help but feel disappointed when the epilogue of  Lord El-M skips the entirety of the epic use of Rhongomyniad, and Hecatic Wheel smashing into each other. It doesn’t make for an exciting climax when the antagonist just simply teleports away before those two noble phantasm meet each other in a violent explosion. I understand that the show is simply following the source material and that wiping out the main baddie this early on in the game would be narratively unsatisfactory. It still sucks that after all the effort put into assembling the cast to help out Waver, Kabetro ends up dying and there is no payoff to show.

Continue reading “Lord El-Melloi II Sei no Jikenbo: Rail Zeppelin Grace Note – 13 [FINAL]”

Some Quick First Impressions: Houkago Saikoro Club, Ore wo Suki nano wa Omae dake ka yo and Radiant 2nd Season

Houkago Saikoro Club

Short Synopsis: A shy high schooler stumbles upon an out of the way hobby shop and bonds with other girls over board games.

Wooper’s review:

This series has two things going for it: pretty backgrounds and the allure of a new board game or two to be unveiled each week. Seriously, the background art looks really nice, especially during the exterior scenes, with plants and streams that feel as though someone drew them, rather than using digital assets or slapping some filters on top of a referenced illustration. The layouts are imaginative, and the digital coloring is appealing. The same can’t be said for the characters, who are the same shy/genki/strict trio we’ve seen before in anime. Shy Girl operates on “wears headphones to school” levels of anxiety, while Genki Girl’s philosophy that you can never be lost if you don’t have a destination soured me on her character. Most people will need to head home in the evening, so of course you can get lost, regardless of your immediate goal. The board game they play during the second half of the episode (“Marrakech” – shoutout to Crosby, Stills & Nash) is charming in its simplicity, but that too is sullied by the other characters investing way too much of themselves into helping Shy Girl have fun. It doesn’t feel natural in the least, and I doubt the show will take its foot off the gas in that respect.

Potential: 25%

Mario’s review:

It’s a pretty standard start overall. Too standard that it fails to register to me in any way. I blame it on the plainness of the blue hair main girl, who was literally starting to cry while playing a freaking board game. She’s too uninteresting that I feel the way the other girls “assist” her to be forced. The plot also goes pretty much aimless in the first half and only starts to form once the girls get into the board game store. The other aspect of the show, the board games, does a decent job of introducing various board games and that might be the only selling point I find from this show. Houkago is your average “cute girls playing games” show and doesn’t offer much more than that.

Potential: 10%

 

Ore wo Suki nano wa Omae dake ka yo

Short Synopsis: A literal potato fails to earn the affections of two anime girls wearing tacky flower accessories.

Wooper’s review:

I watched the first three minutes of this and had to bail. The main character introduced himself by saying that, apart from his name, there was “nothing remarkable about me.” This was a clear sign that the show could be disregarded, as it’s the laziest possible means of creating a relatable protagonist, and also the least effective. I pressed on, undeterred by the show’s upfront admission that characterization was not a priority, and watched with horror as the series used GBA-era sound effects to accompany the appearance of two female characters’ tits and asses. At this point I was done with Ore wo Suki nano wa Omae dake ka yo, but I clicked through the rest of the episode at random and discovered two nearly identical, pitifully animated scenes where a male character cries and softly bonks his head against a wall. The only difference between the two was a different girl watching him each time, staring at him with tears in her eyes as though this fucknugget’s emotional display was the most pressing concern of her life. Also, the character animation is shit and the design work is even worse. Someone please kill me.

Potential: 0%

Mario’s review:

The fun of watching Ore wo Suki is to see how it establishes obvious tropes and then slowly derails from these. While normally I’m not fond of meta-jokes, it works in this case because the show uses our old knowledge of such cliche to twist around the head. It doesn’t make the show great or anything (still pretty trashy), but at least now it’s more engaging. The catch here is that our main guy is a scheming, mean bastard and girls he wants to hunt falling for his best friends instead. While I’m enjoying what this episode offered, I am wary about how it goes from now. The production looks average, and with a show like this the moment it goes for standard route it’ll lose its sparks. Let’s hope we have a no hold bar, wacky tale all the way.

Potential: 50%

 

Radiant 2nd Season

Short Synopsis: One sorcerer boy fights to end the discrimination he faces and fix the world’s conflicts by killing all of the monsters that made him this way.

Amun’s review:

Radiant is back!  Picking up where last season left off, Seth is off on a new adventure and Draganov, expecting to be executed, got a snowy walk and a promotion.  Alma got a prisoner work release program (that she decided herself) and we can start to see the political framework being set up for this season.  The biggest takeaways from this episode are a) we’re in for some new characters (and a flying raccoon bat?), b) we’re going to have some definite power creep and c) we’ll get closer (but never all the way) to revealing the mysteries of the world.  Speaking of the world, the setting looks great as always – props to the French artists involved.  The formula for success here is simple: straightforward plots, good characters (but not not too many all at once plus some screen time for the old ones), climactic fights, and some minor reveals to string the viewer along.  I like what I see so far.

Potential: 75%