Runway de Waratte – 6 [Superiority and Inferiority]

Apologies for the wait everyone, but between cons and going rock climbing over the weekend, this got pushed back. Sadly though, I have to be honest, right out the gate, I wasn’t a fan of this weeks Runway de Waratte. As this week we have an idiotic fashion school competition, Itsuko being perfect and Chiyuki being the best part of the show. So without further ado, let’s just get into it.

Right off the bat, I want to talk about what I believe Runway’s biggest problem is, and that’s Itsuko. Supposedly, based on the OP and how the show opens, Chiyuki is our lead. Yet the focus is largely on Itsuko and his “struggles”, and it’s just not good. I don’t believe his struggles, his trials, I don’t believe that he overcomes them or that its difficult for him. We see time and again characters reference his living situation and how hard it is for him to do what he wants. But Runway never shows us this, we never see his challenge. He worries about money, but we never see him have to make tough choices with money. We hear about how difficult it is to design a dress, yet he got over it between episodes. The hardest Runway has ever been was the fashion show, and mostly for the assistant!

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Keep Your Hands Off Eizouken -7 [I Have To Do It For Myself!]

This was a pretty chill week for Keep Your Hands Off Eizouken, as we focus more on our characters than the process. As this week gives us a glimpse into Mizusaki’s life, the continuing production of the Culture Festival movie and the best bathhouse ever. Lets dive in!

This week Eizouken mostly took a step back from the production side of things. Instead choosing to focus on one of our leads, Mizusaki. We got a look at her parents, her home life, her passion and how it all compares to Asakusa or Kanamori’s. For instance we saw about halfway through how Asakusa has to call her parents. How Mizusaki misinterprets that as control rather than concern. Which is rather interesting when you look at it because of how her own parents raise her. Giving Mizusaki free reign so long as she stays within their nice little box of a plan for her. Money, freedom, whatever she wants to do, so long as she becomes an actress. In a way, it’s more restrictive than Asakusa’s, and speaks a lot about how negligent Mizusaki’s parents are. Still, we know she has at least one positive figure in her life. Grandma!

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Dorohedoro – 05/06 [Caiman in Wonderland/The First Smoke]

This was the worst possible point at which to write a Dorohedoro double post. Not only did I start a new job last week, but the show started unloading all its groceries in a single trip beginning with episode 5. I can just picture director Yuuichiro Hayashi with fourteen sets of plastic handles digging into his palms, carrying too many bags of source material at once in the name of efficiency. Not being a manga reader, I don’t know which part of the story he’s trying to reach before this cour ends, but I sure hope it’s worth this frantic pace.

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Neon Genesis Evangelion – 19/20 – Throwback Thursday

Well ladies and gentleman, there isn’t any easy way to say this, but strap in. This week of Neon Genesis Evangelion is going to be a long one, because shit went down. There is no other way to put that, so let’s just get right into it.

Starting off we need to talk about the production because Evangelion was very divisive on that this week. On one hand, 19’s animation and direction was fantastic. I loved how it paralleled shots from earlier in the series when Shinji left. Except this time he is more sure of himself, he has a real reason for it and is assertive on the matter. Meanwhile the movements of the EVA unit were bestial and organic, terrifyingly so. It was one of, if not the, best episode of the series so far. On the other hand though, 20 was very weird and often difficult to follow. I understand the point, Shinji was having a bit of an episode. However a lot of it was difficult to follow and often just outright weird. There were some interesting repeating motifs, such as the train that Toji saw, but overall it wasn’t great.

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The Case Files of Jeweler Richard – 04/05 [The Fighting Garnet/ Opal of Encounters]

An update in regards to Housekisho Richard-shi coverage. Amun decides to drop these cute boys and their gems so I will take over full-time now, with him covering Kyokou Suiri instead. These past two episodes saw Housekisho Richard-shi goes through some highs and lows, but overall I’m happy with what the show has to offer. The drama in its weekly case is low-key and mundane, and while Richard and Seigi aren’t necessary there to “fix the issues” (well, at least Richard doesn’t), in this show, inconsistencies in how the customers behave reflect their own insecurities and their own personalities. Add that to the gems they seek in which they usually have some interesting message behind, and it’s pretty much the appeal of Housekisho Richard-shi to me. The other aspects of the show, namely the chemistry between the two leads and Seigi and Shouko’s romance, aren’t that interesting to me, which I will address that in later paragraphs.

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Magia Record – 05/06 [There’s No Place for You Here/ I’ll Do Anything]

At this point, Magia Record’s mobile game root becomes more and more apparent, as we encounter brand new characters with brand new rumors. Episode 5 closes off the Shrine Wish arc to a decent effect, with many intriguing ideas along the lines. Iroha and the after credit scene reveal that our little magical girls can transform into something dangerous. It becomes more apparent to me that these girls are the cause of these mysteries around Kamihama city. And maybe, like the original series, it speaks the core ugly truth about our magical girls: they can never grow up. As long as they have to fight these witches in ongoing battles, is there time for them to grow up to be an adult at all? 

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Winter 2020 Summary: Week 6

Mario: Next week, we will publish our seasonally State of the Season post, so remember to check in. Like Amun, real life stuff has eaten me alive but I still managed to keep up with current shows, and watched the Oscars yesterday. PARASITE wins. Honestly I’m still overwhelmed by that historic fact and honestly this is one of the best decisions Oscar has ever made. Parasite wins, and nothing else really matters anymore. But enough about Parasite and let’s dig in for anime time this week:

Somali to Mori no Kamisama – 05

Mario: Well, this easily is the best episode of Somali so far. The trick here is that the show does shake up its usual formula. I will start with the lesser success first. While the background designs of the various towns and locations the show displays have been its big strength, this episode is the first time it delves into the local custom of the town where Golem and Somali visits, thus making the settings feel lived-in. It also helps that later on when the group passes the forest, there are many fantasy animals (sand whales) that are pure feast in the eyes (albeit they are lacking in animation). But the real winner here is how it adds some urgency to the road trip of our main characters. We have a couple who are intriguing in their relationship (although the way the Harp girl keeps bringing up her love for her human companion gets repetitive at the end), and the fact that they are willing to harm Somali for their own gains. At least they have their own reasons to do so and I can see and understand that.

Rikei ga Koi ni Ochita no de Shoumei Shitemita – 06-07

Wooper: Both of these episodes were pretty meh, but I watched them in time for this post, so I might as well throw my thoughts into the digital abyss. The kissing experiment in episode 6 wasn’t a bad plot – I’ve seen that kind of barebones chemistry test pulled off before, but a show’s ability to do so hinges entirely on its cast. So far, RikeKoi has shown itself to be premise-driven, rather than character-driven, so the story didn’t quite fit. There was one brilliant mix of those two modes on display here, though: Yukimura’s promise to give Himuro “a kiss of the highest theoretical value.” Since the series is all about hot nerds trying to quantify love, that kind of declaration is both a strong relationship builder and a clever fulfillment of the show’s goals. As for episode 7, I found its reworking of fairy tales and folk stories to be its saving grace – everything else was pretty bad. When Himuro gets drunk and acts super lovey-dovey towards Yukimura, we don’t learn anything new about her (since it’s already clear that she likes him). But if the show puts a mathematical spin on stories like Cinderella and Kaguya-hime, that’s worth a chuckle or two.

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Keep Your Hands Off Eizouken! – 6 [Let’s Do Better Than Last Time!]

Every week I wonder how Keep Your Hands Off Eizouken can top itself. What new approach it is going to take to the industry. How it is going to explore it through our three highschoolers. And this week, Eizouken does just that by dedicating an episode to Kanamori and her struggles in management. Without further ado, lets dive in!

Starting off, this week had a big focus on the business side, making it basically Kanamori’s episode. And personally, I loved how Eizouken treated Kanamori here. I have said it before, but I like how the series gives the business aspect of the industry a fair shake through her. Showing us how she treats and looks after her team, the effort she puts into getting them what they need. Whether that be setting up meetings with the art club, getting them a PC, or just the day to day planning and management. Kanamori clearly works her ass off, as we see early on just when she falls asleep in the restaurant. Not to mention her presence in basically every scene of the episode. It helps the scenes where she does have to lay down the law feel justified, rather than just bitchy, which is important coming up.

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Runway de Waratte – 5 [Individual Styles]

Apologies for the wait everyone, but inspiration takes times, as Runway de Waratte taught us this week!

Runway starts off the week with Kokoro and Itsuko having a bit of a heart to heart. Talking about their dreams, why they want to become designers, etc etc. I actually think Runway does a decent job with Kokoro this week, as it jumps from that to Itsuko starting the competition, to getting Kokoro involved as well. And the way Runway got her involved was exactly what I wanted from the show. A look into the Modeling industry and how it practices. As we see that her agency is basically shutting down her dreams to keep her as a Model. Doing what is best for them, rather than what she wants, controlling her. Effectively locking her into a career because of how she was born. This is the kind of hard hitting look and critique of the fashion industry that could have made Runway great. Instead we get…

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