End of Evangelion Anime Review – 86/100 – Throwback Thursday

by Lenlo, posted in Anime Reviews, Finished Series: Adventure/Fantasy/Science Fiction, Neon Genesis Evangelion, Reviews by Lenlo, Throwback Thursday

During my previous review of Neon Genesis Evangelion, I criticised it for a lot of things. The tanked production value as the series ran on and Studio Gainax ran out of funding/time. Anno’s often insane direction or story, which sometimes made sense and sometimes didn’t. Most of all though, I criticised it for it’s ending, which effectively left Evangelion as a slightly disappointing unfinished product. But what would happen if Gainax… didn’t run out of time? If Anno had another chance after the original divisive ending? What if they just made two, completely new 40 minute episodes to replace it? Well ladies and gentleman, that’s how you get End of Evangelion. Is this finale to the fabled series a roar, to replace its previous whimper? Does it make any more sense than the TV finale? Will Shinji get in the damn robot? Let’s dive in and find out.

And one last thing! There will be spoilers so we can talk about the work in its entirety, both the TV series and End of Evangelion, no vagueness here. You have been warned.

(Disclaimer: I am working to make 50 the new “average”. 70 is not an average score people. 70 is above average. Carry on.) Continue reading “End of Evangelion Anime Review – 86/100 – Throwback Thursday” →

Chihayafuru S3 – 20-22

by SuperWooper, posted in Chihayafuru, Finished Series: Sports

It’s time for a Chihayafuru Super Post, to borrow a term from fellow blogger Amunchet. These episodes have been on the back burner for a couple weeks now, owing to my increasingly busy work schedule. The one that prompted me to push them onto my to do list, though, was number 20 (“May the Scarlet Kadsuras”). There was some sloppiness to its shot transitions that made it feel almost unfinished, which was discouraging as a longtime fan of the series. I’ll explain what I mean by that in a bit, as beyond the “Continue Reading” link I’ll be dedicating a few hundred words to each of these three episodes. The last two installments of the season ought to get their own posts, so I hope you’ll forgive this one-off cram session. Hit the jump for some conflicted thoughts on the final leg of Chihayafuru’s third season.

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Winter 2020 Summary: Week 10

by SuperMario, posted in Weekly Summary

22/7 – 09

Mario: 22/7’s attitude towards the idol industry is amusing. Cynical, but also accepting the fact that “being an idol is all about being exploited”, this attitude, plus the fact that they are willing to be manipulated by the orders of the Wall (yeah, the Wall is a massive jerk this week), make the cliffhanger very intriguing. How these girls deal with the new order will tell you exactly the ambition of this show. As for the main story this week, well, Ayaka is the main focus this week and as per 22/7’s standard, the flashback is way more interesting than the current event. In fact, except from taking open air onsen and eating hot pot, our girls do nothing. Ayaka’s flashback though, about her chemistry to her sisters is much more well-developed. Depending on how you look at the show, 22/7 is either smarter than it lets on, or blindfolded by how it does acknowledge the exploitation aspect of the idol industry, yet does nothing but accepting it.

ID:Invaded – 11

Wooper: I’ve got to hand it to whoever is handling series composition for this show: they’re bending over backwards to tie all of its illogical developments together. Every time Sakaido said “which must be why” during his fits of mid-sandstorm rationalization, I lost five IQ points. After every reference to Fukuda or Hondomachi’s brain holes giving them convenient mental functions, I took a shot. Every time John Walker was painted as a mastermind despite the impossibility of his influence, I fell deeper into an anime-imposed stupor. After half the episode, I was dumb, drunk, and drowsy – the perfect state of being to watch ID:Invaded. But hey, we learned John Walker’s true identity and saw Kiki wearing a bio-suit in a state of suspended animation! At least the show is playing its strongest cards at the appropriate time.

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Dorohedoro – 09 [Ah, Flower Smoke]

by SuperWooper, posted in Dorohedoro, Finished Series: Mystery/Suspense

This episode was mildly confusing to me. Some of you might be surprised to read that, but it’s my belief that Dorohedoro should be presenting itself in a measured, straightforward manner. These weekly assaults of new plot points and ideas are great, but their greatness is sometimes in spite of that rapid clip. Take this episode, for example. Yaku and Baku have cool powers, and it’s appropriate that Shin and Noi get truly threatening antagonists. But what about our cleaner duo makes Yaku and Baku want them as partners, specifically? Even if the show provided that bit of info (and I don’t believe it did), it wasn’t sufficiently clear. And how about Noi’s stunted growth during her devil training? The last phase was only supposed to last one year, but Shin appeared to age much more than a year during that time. Even Risu’s recovery after getting blasted with smoke, while it makes perfect sense, doesn’t gel in the moment because the show’s focus shifts to Noi. I know Dorohedoro is on a journey to a particular stopping point in the manga, but damn, can’t it hold my hand for two minutes before moving to the next checkpoint?

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Keep Your Hands Off Eizouken! – 10 [Against Our Independent World!]

by Lenlo, posted in Keep Your Hands Off Eizouken!

Welcome all to another week of Keep Your Hands Off Eizouken! Like the Runway de Waratte post, this one is going to be shorter, for very similar reasons. But where “more of the same” for Runway is a disappointment, for Eizouken its just a good time. So lets dive in!

As always, the animation and production of Eizouken is good, but this week I want to focus on something else. I want to focus on the meta aspect of it all, and how Eizouken cleverly uses its premise here. This latest episode actually gives me a perfect example of what I am talking about, ala how it visualize things. We see it when Doukemi, the sound club girl, is modifying the sound waves in time with the actual bell. Or when she is moving the sound waves around, layering and piecing them together. It’s a little choppy of course, it isn’t perfect. But I love the concept behind it and how Eizouken uses its premise and medium to depict it all. This isn’t the first time either, we have seen it throughout the series. This week just gave me a good chance to talk about it.

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Runway de Waratte – 9 [Rivals]

by Lenlo, posted in Runway de Waratte

Hello everyone and welcome to another week of Runway de Waratte! Apologies, but this one is going to be a short one. I just don’t have much to say about what was a pretty meh episode. So without further ado, let’s dive in!

Right off the bat, I have to say, this was a very non-episode episode. What I mean by that is that Runway didn’t really do anything new or different this week. There was no meaningful reveal or change from what is already a pretty standard shounen formula. And that isn’t to say a standard formula is necessarily bad. Kimetsu no Yaiba was one of the most standard Shounen’s of last year, but I loved it because it was competent. Runway’s problem is that it goes for a similar formula, yet it has none of the competence that Yaiba did. The stakes are either low or non-existent and there is never any real concern that Ikuto will lose. Meanwhile as a character Ikuto is very bog-standard in his actions. So when I say that Runway gave us more of the same, I mean that you could have predicted it last week.

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Neon Genesis Evangelion Anime Review – 77/100 – Throwback Thursday

by Lenlo, posted in Anime Reviews, Finished Series: Adventure/Fantasy/Science Fiction, Neon Genesis Evangelion, Reviews by Lenlo, Throwback Thursday

It’s not often that I get to review seminal works in a medium. I read and watch them often. Vagabond, Monster and Berserk are some of my favorite manga. Meanwhile Fullmetal Alchemist is perhaps the epitome of Shounen. But not once have I thought I could, and should, transcribe my thoughts about them into a single review. To boil down my feelings on them to a scant 4,000 or so words and a final, numerical score. Yet here I am having to do the same for a work arguably more important than any of the ones I mentioned previously. A work so universally known in the community that its like Japan’s Star Wars. I am of course talking about Neon Genesis Evangelion (Director’s Cut), directed by Hideaki Anno and made by the now fallen from grace Studio Gainax. With that, there is no point to dawdling anymore. Let’s dive in.

And one last thing! An End of Evangelion review will soon follow this. I am aware it completes the story, but this review is for the TV anime and that alone. I have not watched it yet. The movie will cover everything and how it completes the series as a whole. Also there will be spoilers so we can talk about the work in its entirety, minimal vagueness here. You have been warned.

(Disclaimer: I am working to make 50 the new “average”. 70 is not an average score people. 70 is above average. Carry on.) Continue reading “Neon Genesis Evangelion Anime Review – 77/100 – Throwback Thursday” →

Neon Genesis Evangelion – 25/26 – Throwback Thursday

by Lenlo, posted in Neon Genesis Evangelion, Throwback Thursday

I had a lot of expectations going in to Neon Genesis Evangelion’s ending. After episode 24, I was sure that no matter what happened, it would at least be decent. We would learn about the Angels, Seele, the Scrolls. Maybe get a big fight with the Seele Eva Units mentioned before and complete some great character arcs. Sadly, only one of those things came true, at the expense of everything else. So how about we just jump in to what is going to be the most rant-style post I will ever make on this site, eh?

Right off the bat, I have to say, what the fuck did I just watch. Normally I go over each episode independently, but 25 and 26 together are just a joint “what the fuck”. It’s hard for me to even write coherent paragraphs here, because all I want to do is scream bullshit, but I will try my best. So first up, the good. This ending at least manages to tie up Shinji, Asuka and Rei’s characters. Not in a terribly satisfactory way mind you, as we basically sit through an hour of internal monologue from Shinji, but it does it. We see Shinji finally come to accept that he was pushing people away, self-attributing a lot of his worst traits. He believed that no one could accept him and in doing so turned it into a self-fulfilling prophecy as he looked for one-side relationships like Kaworu. Everything else though…

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In/Spectre – 07/08 [Preparing to Conquer Steel Lady/Fiction Spinner]

by Amunchet, posted in Currently Watching:, Kyoko Suiri

When I came to write about these past two episode of In/Spectre (Kyokō Suiri for you purists), I was afraid that I had actually missed 3 weeks of it – that much happens in these two episodes.

For a yokai show, In/Spectre has an insanely small cast – there were 3 (now 4) main characters that have dominated most of the season.  Normally you have several new ghosts per arc – Natsume’s Book of Friends (what I consider the gold standard of yokai shows), has several new side characters per episode.  In lieu of that, In/Spectre is doing an amazing job of the relationship development (Kuro, you lucky immortal, you).
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Keep Your Hands Off Eizouken! – 9 [Aim for Comet A!]

by Lenlo, posted in Keep Your Hands Off Eizouken!

Every week I wonder how Keep Your Hands Off Eizouken is going to top itself. And every week it finds a way, it finds some area to improve or some new facet to explore. That is no different this week as we learn a bit more about Kanamori and explore the wonderful world of “labor costs”. Riveting. Lets dive in!

Starting off, I just have to gush about the character animation throughout this episode. Specifically, I want to call attention to Asakusa at the end, both during the sound effects and her realization. These were just some beautiful long shots, like the one you can see below. Really showing off how expressive Eizouken can be. Simultaneously keeping her on model while exaggerating the movements just enough to keep it energetic. I want to credit this cut to Izumi Murakami, but so far I haven’t yet seen any sources confirming who worked on it. Meanwhile you also have the general aesthetic of scenes like the Kanamori flashback. Turning the world into this almost watercolor or marker scene. It’s the same style used whenever they are imagining something out in the world, yet now its being used as a flashback, and I love it. Chibi-Kanamori is just fantastic.

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