Keep Your Hands Off Eizouken! – 11 [Each Other’s Existence!]

Continuing my streak of “better late than never” this week, we have Keep Your Hands off Eizouken! Though this time with backstory, some dancing and more great Kanamori scenes. Lets dive in! And I promise, no more late ones, I should have things sorted now.

Starting off, this was a pretty straightforward week for Eizouken. Focusing in on a specific theme and tackling it from a variety of angles. However while the theme itself might not be particularly complicated, I think Eizouken did a great job portraying it. The idea of “Coexistence” was tackled from a variety of angles, from more professional ones in their club to the person in Asakusa’s flashback. Each one managing to both explore the characters while still building to a final peak. I will admit, at the beginning of the episode I wasn’t to enthused. I thought it was going to be another sort of montage filler episode. Which while it would still contain Eizouken’s usual quality, wouldn’t be particularly memorable. As the episode went on though and it revealed more and more of the primary thread, I came to love it. So now, let’s get to the details, yeah?

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Chihayafuru S3 – 23 [Like a Boatsman Adrift]

Last week’s introduction of the Taichi Cup had me excited for this episode. Who wouldn’t want to spectate a free-for-all tournament where Meijin hopefuls like Harada-sensei could clash with Class C challengers? Retro was in attendance, as well, which the show could have used to follow up his recent promotion to club president. The variety of participants might have created some fun matchups, maybe an upset or two – if the show had treated it as anything more than a distraction. When the Taichi Cup’s screen time ended just six minutes after it began, I was disappointed at the wasted potential that it represented. But as the episode ran on and it became clear where we were headed, I understood the reason for its brevity. Chihayafuru has historically placed climactic moments in its penultimate episodes, and used its season finales to cool down in their wake. And boy, did this one feature the mother of all climaxes.

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Winter 2020 Summary: Week 11

Mario: With Jibaku entering its 2-part episodes, I will skip it for a week. Other than that, it’s business as usual here. We nearly reach the end of this Winter Season now, and with the coronavirus glooming around the corner, schools, works and shops shutting down, I wish you guys stay safe and maybe spend these extra free time to catch up with anime that you have missed.

RikeKoi – 11-12

Wooper: This show stopped being fun the moment it entered dramatic territory. Himuro’s jealousy of Kanade and embarrassment at breaking her present for Yukimura were both painful in their presentation. Episode 11, in particular, was so bad that I had to avert my eyes from the screen multiple times just to get through it. The explanation of Himuro’s fateful trip on the stairs (which caused the present to break) was pitiful, as well. As it turned out, everything that happened in episode 11 was according to mangaka Yamamoto’s master plan, except for the moment when Himuro slipped and fell. When Yukimura points out that her scheme would have failed if not for that coincidence, her response was, “But she *did* trip, so there!” Pretty lame for a series with a science-based gimmick. The kiss in episode 12 (and the post-kiss analysis just before the final moments) fared much better, but the lousy setup that brought the show to that point prohibited me from sharing in the main couple’s happiness. At least the show is finally over, I guess.

Oshi ga Budokan – 10

Wooper: There was some nice animation in this one. ChamJam’s comeback performance, characters swooping across the frame in anticipation of Valentine’s Day, Kumasa fretting over his secret being revealed – it all looked great. Maina’s internal monologues might be unbearably saccharine, but there was plenty of humor to make up for it, the best of which was Eripiyo’s voice-replacing whiteboard. Why don’t more comedies make use of the sore throat trope, I wonder? Having people write instead of speak presents all sorts of opportunities for wordplay, character-breaking expressiveness, inadvertent reveals, etc. On the more dramatic side of things, we got another Maki/Yumeri scene that pushed their relationship into “perhaps it’s not just bait” territory. The only way I’d watch more of this show is if those two got their own spinoff. That’s not likely to happen, but based on the next episode preview, it seems that Maki will be getting a minor spotlight next week, so I’m actually looking forward to it!

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Runway de Waratte – 10 [Must Not Lose]

Apologies for the wait on this one everyone, between Evangelion reviews and this virus, it’s been busy! As far as Runway de Waratte goes, this week was actually… surprisingly competent. Not perfect, the first half was a bit of a wash. But for once something Ikuto was involved in *didn’t suck*. So without further ado, lets dive in!

Like I said, the second half of Runway this week wasn’t half bad. Ikuto’s fashion show worked. The outfits, while clearly not my style, were interesting and his theme consistent. I could do without the various poorly thought out metaphors, or the constant “Mr.Perfect” praise. But compared to what I was expecting to come out of his fashion show, it all actually fit together. The way Runway spelled out the expected order of the countries and how clear his theme was worked. And the the finale on the minimalist outfit was an unexpected surprise. Had Runway built all of this up, the characters, the families, everything, it could have been phenomenal. As is it’s just this sorta bright spot in an otherwise lackluster series. Still, next week is Chiyuki so we may have something to look forward to there.

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Dorohedoro – 10 [Manju Terror]

Dorohedoro’s rampage continued this week, with sorcerous abductions, fungal transformations, and severed body parts aplenty. I managed to watch this episode twice before writing the post you’re reading now, so both its violence and its central mystery have had extra time to sink in. That mystery, of course, is the identity of the man inside Caiman, who was recognized as “Risu” by a fellow Cross-eye this week (just before his untimely death). After episode 9, I was convinced that the Caiman/Risu connection was less direct than that, but now we have evidence supporting the shared identity theory. There are other possibilities, of course – mistaken identity on the Cross-eye’s part, a fragment of Risu’s consciousness inhabiting someone else’s body – but I won’t dwell too intently on them. This show moves quickly enough that there’s always something new to consider (and in my case, to write about), so let’s get to it.

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Spring 2020 Season Preview

Wooper: It’s crunch time in Japan right now. Schools are closed as a measure against COVID-19, people are discontent with the lack of testing facilities for the virus, and the fate of the Tokyo Olympics remains uncertain. In times like these, people turn to entertainment to forget their troubles, and the spring anime season has over 40 potential distractions to choose from. Among them are a slew of popular sequels (including Kaguya-sama S2, which needs no elaboration), a Netflix-exclusive Trigger series with a 99% chance of getting fansubbed, the highest-profile manhwa adaptation ever, and a couple of promising detective shows. Even if we limited the preview to just those series, though, that wouldn’t cover all the good stuff in store for us beginning this April. You’re sure to find something interesting on the list, so read on and we’ll break down the upcoming season for you.

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What will you be watching from the Spring 2020 season?

MIDDLING EXPECTATIONS

Kitsutsuki Tantei Dokoro

Studio: LIDENFILMS
Director: Shinpei Ezaki
Series composition: Taku Kishimoto
Source: Novel

Wooper: I have good news and bad news regarding this literary detective series. The good news is that it’s based on a novel, so it’s unlikely to get bogged down in delivering an otaku-friendly product. The bad news is that it’s being adapted by Taku Kishimoto, whose previous stab at detective fiction was Kabukichou Sherlock (a show I dropped midway through its interminable two cour run). Even before that, his mystery-centric scripts for Erased and Joker Game hobbled their respective stories. In spite of his involvement, however, I’m excited to try at least one episode of Kitsutsuki. The idea of an early 20th century poet opening a detective agency opens all kinds of doors for his character, and the PV’s aesthetic looks a lot like Concrete Revolutio. Making use of that comic book style to adapt a work of historical fiction is an intriguing decision, so I want to see whether it pans out, even with a saboteur like Kishimoto as head writer.

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End of Evangelion Anime Review – 86/100 – Throwback Thursday

During my previous review of Neon Genesis Evangelion, I criticised it for a lot of things. The tanked production value as the series ran on and Studio Gainax ran out of funding/time. Anno’s often insane direction or story, which sometimes made sense and sometimes didn’t. Most of all though, I criticised it for it’s ending, which effectively left Evangelion as a slightly disappointing unfinished product. But what would happen if Gainax… didn’t run out of time? If Anno had another chance after the original divisive ending? What if they just made two, completely new 40 minute episodes to replace it? Well ladies and gentleman, that’s how you get End of Evangelion. Is this finale to the fabled series a roar, to replace its previous whimper? Does it make any more sense than the TV finale? Will Shinji get in the damn robot? Let’s dive in and find out.

And one last thing! There will be spoilers so we can talk about the work in its entirety, both the TV series and End of Evangelion, no vagueness here. You have been warned.

(Disclaimer: I am working to make 50 the new “average”. 70 is not an average score people. 70 is above average. Carry on.) Continue reading “End of Evangelion Anime Review – 86/100 – Throwback Thursday”

Chihayafuru S3 – 20-22

It’s time for a Chihayafuru Super Post, to borrow a term from fellow blogger Amunchet. These episodes have been on the back burner for a couple weeks now, owing to my increasingly busy work schedule. The one that prompted me to push them onto my to do list, though, was number 20 (“May the Scarlet Kadsuras”). There was some sloppiness to its shot transitions that made it feel almost unfinished, which was discouraging as a longtime fan of the series. I’ll explain what I mean by that in a bit, as beyond the “Continue Reading” link I’ll be dedicating a few hundred words to each of these three episodes. The last two installments of the season ought to get their own posts, so I hope you’ll forgive this one-off cram session. Hit the jump for some conflicted thoughts on the final leg of Chihayafuru’s third season.

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Winter 2020 Summary: Week 10

22/7 – 09

Mario: 22/7’s attitude towards the idol industry is amusing. Cynical, but also accepting the fact that “being an idol is all about being exploited”, this attitude, plus the fact that they are willing to be manipulated by the orders of the Wall (yeah, the Wall is a massive jerk this week), make the cliffhanger very intriguing. How these girls deal with the new order will tell you exactly the ambition of this show. As for the main story this week, well, Ayaka is the main focus this week and as per 22/7’s standard, the flashback is way more interesting than the current event. In fact, except from taking open air onsen and eating hot pot, our girls do nothing. Ayaka’s flashback though, about her chemistry to her sisters is much more well-developed. Depending on how you look at the show, 22/7 is either smarter than it lets on, or blindfolded by how it does acknowledge the exploitation aspect of the idol industry, yet does nothing but accepting it.

ID:Invaded – 11

Wooper: I’ve got to hand it to whoever is handling series composition for this show: they’re bending over backwards to tie all of its illogical developments together. Every time Sakaido said “which must be why” during his fits of mid-sandstorm rationalization, I lost five IQ points. After every reference to Fukuda or Hondomachi’s brain holes giving them convenient mental functions, I took a shot. Every time John Walker was painted as a mastermind despite the impossibility of his influence, I fell deeper into an anime-imposed stupor. After half the episode, I was dumb, drunk, and drowsy – the perfect state of being to watch ID:Invaded. But hey, we learned John Walker’s true identity and saw Kiki wearing a bio-suit in a state of suspended animation! At least the show is playing its strongest cards at the appropriate time.

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