We came tantalizingly close to understanding the truth of Caiman’s identity in this episode, but in the end, Dorohedoro’s tendency to complicate itself prevailed. Not that I’m complaining – this was a strong ending, assuming that a second season will emerge some day to continue the story. It resolved some mysteries and created much bigger ones, and convincingly reconciled two friends after brutally pitting them against each other. The latter of those accomplishments was important, as without Caiman and Nikaido’s pinky promise towards the end, this finale would have felt overstuffed with flashbacks, dreams, and clues. Nevertheless, I enjoyed all of those hints at the show’s bigger picture, and I’m going to spend the bulk of this post unpacking them, since I can use tomorrow’s series review to discuss everything else.
In/Spectre – 09-12 [Steel Lady Nanase Arc]
Here we are at the back half of In/Spectre – the vaunted Steel Lady Nanase Arc. Even a cursory glance at the show’s artwork would reveal how central our faceless (but boobiful) idol is to this show. Is it worth the majority of the season though? Let’s find out!
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Runway de Waratte Anime Review – 39/100
It’s hard to deny, this was a pretty good season for anime. From my personal favorites of Keep Your Hands Off Eizouken! and Dorohedoro to returning series like Haikyuu and My Hero Academia. Standing out amidst this crowd of new and returning anime was going to be difficult. With an acclaimed Manga at your back and a decent amount of fanfair though, you would think a series might have a chance. Sadly, that is not the case for Runway de Waratte. Even going so far as to say the odds were stacked against it from the start doesn’t really explain the trainwreck that is series. So what happened? Was it that this was only Studio Ezo’la’s third production? It probably isn’t Director Nobuyoshi Nagayama’s inexperience, this isn’t his first rodeo. Or does it go deeper, all the way to the source material? Let’s dive in and find out, shall we?
And fair warning, this will contain minor spoilers for Runway de Waratte!
(Disclaimer: I am working to make 50 the new “average”. 70 is not an average score people. 70 is above average. Carry on.) Continue reading “Runway de Waratte Anime Review – 39/100”
Runway de Waratte – 12 [This Is My Story]
Welcome all to the finale of Runway de Waratte! This week we see Ayano Toh’s show, find out the winner of the event and once more get to watch pretty girls cry. So if that’s your idea of a good time, lets jump right in.
Right off the bat, I have to come out and say it, I found this finale to be pretty “meh”. Compared to last week, Toh’s show just lacked any sort of real impact. It was presented in an almost matter of fact nature, compared to Kokoro or Ikuto’s more emotional ones. Runway tried to shock us with Toh’s formatting, but I don’t think it really works. Sending out 2 models at a time, or starting with a t-shirt, might have worked had it been the opening of the show. But after Ikuto’s performance of closing with such a simple outfit, or Kokoro’s incredibly emotional show, Toh’s feels like a footnote. It’s like last week was our finale, and this was more of an epilogue tying up loose ends. I just found it dull, all the while one of the worst music choices of the show played over it.
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Keep Your Hands Off Eizouken! Anime Review – 90/100
It’s not often an adaptation suits a Director as perfectly as Keep Your Hands Off Eizouken suits Masaki Yuasa. Of course you have works like Gen Urobuchi’s Puella Magi Madoka Magica or Satoshi Kon’s Paranoia Agent. Yet those works were originals, dreamed and created from the ground up by the directors for the anime. Yet here we have someone else’s manga, their work, fitting together perfectly with a renowned industry veteran. Everything from the narrative to the visual aesthetic of the series seem tailor made for him. The highly detailed backgrounds and setting to the rough character designs. The subject material and focus on animation itself to Yuasa’s own life experience in the industry. It’s an aligning of the stars that oh so rarely happens, yet when it does we get something amazing. And that’s what we got this season with Eizouken. Let’s dive in.
(Disclaimer: I am working to make 50 the new “average”. 70 is not an average score people. 70 is above average. Carry on.) Continue reading “Keep Your Hands Off Eizouken! Anime Review – 90/100”
Chihayafuru Season 3 Review – 82/100
Back in October of last year, I wondered whether Chihayafuru’s foundation of unceasing karuta matchups and unrequited love would have lost its luster by the third season’s end. Now that we’ve reached that point, I have to say that the series approached that limit several times over these last 24 episodes. When it first reappeared on screen after a six year hiatus, I was taken aback by its consistency, but small issues cropped up as the story ran its course (more on those in a bit). These problems were cause for reflection – was the 2019 incarnation of this show really that different, or had my expectations changed? After some thought, I arrived at an answer: the show was, in fact, different, but it still met my primary expectation. Despite some stumbles in its third season, Chihayafuru’s continued success aligns with my core belief about narrative fiction: character is king.
Princess Tutu – 1/2 – Throwback Thursday
Welcome one and all to another season of Throwback Thursday, now featuring Princess Tutu! This week we open on a rather straightforward magical girl plot, with dark implications and enough orchestral/theater implications to shake a stick at. Let’s dive in!
Right off the bat, I have to admit, Princess Tutu isn’t what I expected it to be. Starting this series, I was prepared for your stereotypical children’s magical girl show. Something along the lines of Precure. And while you can see a lot of Tutu’s influence in Precure, from designs and and all that, it actually feels like a much darker series. Because so far Princess Tutu has far more incommon with the old classics, things like the Nutcracker and Swan Lake, than it does the happy-go-lucky nature of modern magical girl shows. There are these sinister or tragic undertones throughout just these two episodes. And it’s this dichotomy between the childlike front on the tin vs its actual content that actually makes it rather engaging. Its similar in a way, though far less overt, to Puella Magi Madoka Magica. And considering I love that show, it’s a good sign.
Chihayafuru S3 – 24 [When Winds Send Waves Crashing]
Now *that’s* how you use a callback to finish an anime season. As a long-running series, Chihayafuru has both the history and the cast of characters necessary to echo itself in a satisfying way, and the conclusion of this episode is proof. Better yet, it involved all three main characters in the process, repeating Taichi’s past encouragement to Chihaya through Arata in the present. Even when those three are far apart, even when their minds are distracted and their hearts are broken, there’s something about the time they shared as children that keeps them connected. It’s no coincidence that the OP for this third season opened with an image of them as grade schoolers, or that both boys flash back to their elementary days once every few episodes. This finale worked to connect them in a more present sense as well (despite their physical separation), but I have to say that Arata’s text message mirroring Taichi’s faith in his old rival put a beautiful bow on this surprisingly-structured episode.
Continue reading “Chihayafuru S3 – 24 [When Winds Send Waves Crashing]”
Winter 2020 Summary: Week 12
Mario: Only one week left before the end of this season. We got to the finish line of a couple shows this week with Eizouken in particular ending on high note. With the world currently in total lockdown I do feel like we are in some sort of post-apocalyptic world in anime where humanity has declined. It might sound depressing but hey, at least it’s an once-in-lifetime experience, right? Stay safe, by which I mean stay home and do nothing, to save the world.
Somali to Mori no Kamisama – 11
Mario: Somali and Golem reach their most dangerous journey so far, with the “monsters” hunt down the human child and Golem is on self-destructed mode in order to save Somali, but this higher the conflict, sadly the more clumsy the show gets. There are 2 main messages the show wants to transfer across in this hunt, First, the human race brought it all to themselves since their racist behavior is the main reason other races turn against them, and second, humans taste delicious and these two thoughts don’t really mesh well with each other. Imagine the flow of dialogues moves from “It’s all human fault” in one moment, followed by “I will have her brain”, and you get the idea. The whole ambush plan has a lot of flaws as well, so you need to turn off your logical sense and just roll with it. Sure, the stake is higher than ever but sadly I am already tuned out by what was happening onscreen.
Oshi ga Budokan – 11
Wooper: Wow, that episode really just ended with a series of tweets set to a warm, uplifting string accompaniment. Is there any more appropriately vapid choice that a show about idol culture could have made to conclude its penultimate episode? Seriously though, this whole episode was a miss for me, even if you set aside the silliness of its final minutes. The series’ typically well-animated performance scenes were nowhere to be found here, with a series of panning stills replacing their practice sessions, and a miniature clip show intruding on their weekly concert. Movement was pretty limited in general, actually, except when Eripiyo was screeching about her love for Maina. Eri’s VA was at her least tolerable this week, delivering throat-shredding screams about how her favorite idol is the cutest in the universe. You know what tone of voice makes a convincing case for cuteness? Literally any intonation except that one. Even when a female coworker came over to her place to watch ChamJam’s two second TV appearance, Eripiyo couldn’t settle down. At least she’s consistent, though – that’s more than I can say for Oshi ga Budokan itself.
Magia Record – 10-12
Welcome back to the mega post of Magia Record. After the stellar episode that was episode 9, the following three have been… unremarkable to me. There are some neat individual moments, mostly due to how well the direction is, but as a whole Magia Record introduces too many characters that it’s hard to keep up at times, while at the same times, the central mystery regarding finding Ui still yet to make any significant progress. With this amount of unresolved mysteries left, I really am in doubt that the finale next week is going to cover them all. That would mean with this pacing there’s a chance that there will be a second cour to wrap things up, but if that’s the case I’m not too interested to follow its second half.













































