Arte – 03 [First Job]

 

Hello, everyone! Welcome to the third installment in the story of our favorite noble-turned-apprentice. This week, Arte learns about the warm joys and strange sorrows of first love, gets her first opportunity to draw professionally and throws her hat in for the seasonal Best Boy race! Let’s jump in.

Leo-san asks Arte to come along with him to the carnival but only after she has changed into an adorable Peter Pan cosplay costume. There they meet up with a courtesan – a high-class prostitute – who is somehow able to make the normally ogre-like and demonic Leo-san smile and laugh like he was having the time of his life. Seeing her looking pretty as a picture and smelling all nice, Arte can’t help but fight the feeling which takes over her heart; a feeling of envious approbation.

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Kakushigoto – 03 [Makeshift Circus/ The True State of Manga and Muscles]

The third episode of Kakushigoto leaves me a bit indifferent. This week, Kakushigoto presses hard on its “gags” nature and while that works well in his previous anime adaptations, I feel these skits are a bit random in Kakushigoto. Structure-wise, the show bookends bits of the present day (with more context each time) to its “flashback” that really is our true timeline. So what do we learn in this flashforward this week? That the house the 18-yo Hime visits is their old house before they moved to Nakameguro and that Gotou layouted their new house exactly like this old house. The fact that the house in Nakameguro is on sale now, and with Gotou’s still absent in the flashforward could mean something sad is waiting around the corner. 

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Fugou Keiji: Balance: UNLIMITED – 2 [Love can do a lot, money can do everything]

Hello ladies and gentlemen to the first, and last, post of Fugou Keiji! It breaks my heart to say it this early, but we have news that this series is being indefinitely postponed. Due to the Coronavirus, after this week it’s going to be awhile until we get more snarky millionaire detectives. Until then though, we just have to make the best of it. So let’s jump in!

Right off the bat I have to say… I was a bit disappointed. This second episode wasn’t nearly as good as the first, for obvious reasons. It would seem that Fugou Keiji wants to be an actual, legitimate crime thriller, with a dusting of absurdity. From the start, this episode played it straight. Introducing us to a crime, scoping it and working it out, then busting it at the end. Meanwhile the first episode was 2 kids robbing a chocolate shop they thought was a jewelry store. All the while Kambe reroutes traffic and drives through the middle of a street without a care in the world. The energy between these two episode couldn’t have been more different. I still enjoyed some of the absurdity we got of course, Kambe is still fun. But it’s like Fugou Keiji was more subdued this week and that’s just a bit dull.

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Princess Tutu – 7/8 – Throwback Thursday

Every week I go in to Princess Tutu expecting it to fall off, to finally disappoint me. And every week Princess Tutu manages to shut me up with another pair of good episodes. This week, we focus in on Fakir and Rue, Mytho stands up for himself and Drosselmeyer intervenes. Let’s dive in!

Right off the bat, I want to talk about how Princess Tutu is constantly surprising me. Specifically here I want to point out the pacing, and how quickly we are actually moving. Princess Tutu has managed to tell more story in 8 episodes than most shows do in a full 12. Even taking ones that I started off thinking were filler and turning them into full blown major plot reveals. And yet even with the amount covered, I don’t have any fear about the plot in the 2nd half. There is still plenty of content that could be covered, from Fakir or Rue centric episodes to Mytho’s past to confronting Drosselmeyer himself. It really is impressive how much compelling content Princess Tutu manages to stuff into straight-forward Magical Girl plot. So that said, let’s get into the episodes proper.

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Tower of God – 3 [The Correct Door]

Another week, another episode of Tower of God. This week we learn a bit more about Khun, take 2 more tests, and Rachel makes her return! I don’t have any clever one liners or puns for this opening bit, so how about we just jump right into it.

First up, let’s talk adaptation and production, because Tower of God was a mixed bag this week. As far as adaptation goes, I think it’s doing a good job. Cutting small things, reinventing scenes to work better animated vs Webtoon, etc. You can see this most clearly in the pacing, as we burn through the 3rd test. In what was originally almost 2 and a half chapters of dialogue, we instead get a much quicker 12 minute character focus on Khun. The original intent of the test is still there, just streamlined. Meanwhile animation wise Tower of God is much more spotty. While Mr.Neonbag (yes that is his name) had some nice physical animation, Anaak’s fight felt pretty weightless and stunted in places. I still enjoyed it, little was lost. But it wasn’t the opening spectacle I hoped for. Regardless, it was a good time visually, I love the artstyle.

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Yesterday wo Utatte – 02 [A Blind Alley]

Ah, this episode hit the spot. Lots of good character animation, a strong introduction for the fourth member of the love rectangle, a tragic flashback, and plenty of interplay between past and present events. What I appreciated most about this one was the focal shift from Rikuo to Shinako – both episodes have had an ensemble feeling to them, but Rikuo was clearly The Protagonist of the premiere. A second, slightly tweaked version of “convenience store worker waffles between two women” would have felt terribly self-indulgent, but pivoting to Shinako’s point of view made that a non-issue. There’s so much to process regarding her character, from the death of her teenage love, to her regret over Haru’s suspension, to her real feelings for Rikuo. Most crucially of all, though, we must ask ourselves: what’s the deep meaning behind her new haircut?

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Spring 2020 Summary: Week 2

Mario: Welcome to the first edition of Spring 2020 Weekly Summary where we throw our opinions on leftover shows that don’t receive a full coverage (the orphans so to speak). There are still more shows that I will check out when their second episode’s out (like Fruit Baskets 2, Appare-Ranman and Kisutsuki and that Cute Girls Fishing show). I also have this self-imposed rule where I’ll drop a bunch of them after 3 episodes. So expect a big clean up after next week (Beware! Listeners and Tower of God and Gleinpir). Thanks Amun for contributing to this column, and readers, if you want us to give more chance to any other show airing this season, shout out in the comment section below.

Hamefura – 02

Mario: The second episode of this Otome Isekai might not be as fresh as the first one, but it’s still adorable as heck. This week our main (villain) girl Catarina conquers two more “underlings”, not necessarily with any ulterior motive. It has considerably less self-awareness than the premiere, although in this case I prefer the meta aspect. It says right there in the title, but for me the show works best when Catarina uses her game knowledge and has her little freakouts when all roads she paves indeed leading to doom. Another winning aspect in which Hamefura succeeds so far is that she gains other characters’ trust through her efforts and goddamnit she’s earned it. HameFura is a total delight so far.

Listeners – 02

Amun: If anyone can understand a single thing that went on in this episode, then hat’s off to them.  There’s a weird trio that’s apparently never been approached by a fan, a spooky bathroom, and Mu who is definitely DTHH (Down to Hand Hold) despite our protag’s best efforts.  Throw in the creepy amusement park and a random crucifixion (I think?) and this episode was Evangelion levels of confusion. That being said, it’s not like I didn’t enjoy it – I’m just a bit confused.  Looked good while doing it though, and say what you want, but this show has some characters (MC notwithstanding).

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Spring 2020 Anime Coverage & First Episode Awards

Mario: Well, with all the premieres are out (and couples of them delayed infinitely), it’s time for our usual blogging schedule for the next 3 months and our First Episode Awards. It might be an unpopular opinion but I still eager to follow what this Spring season has to offer. The current pandemic has sadly halted many projects (most of them are sequels, for reasons I am yet to comprehend), and I suspect in the next two seasons, we’re going to hear more sad news regarding the medium. That’s the reason why my current attitude is that I am happy with what we currently have. This Spring season has couples of stylish Detective shows, new trend of isekai a protagonist who came back as someone younger (or I call it New-AGE isekai), and many promising seinen titles. Unlike last season where Eizouken and Dorohedoro dominated our list, this season we have no clear “Best Premiere”, in fact there was a heated discussion between staffs to agree on the winners.

As for this season’s coverage, there are some good news: Armitage is back in full force with Arte and new manga column (I wish her all the best), and hat’s off to Wooper for blogging full time (3 shows) this season. Amun won’t be blogging any show, but he will be regular in Weekly Summary post. Here’s the full coverage for Spring 2020 season:

SPRING 2020 BLOGGING SCHEDULE

Mario: Kakushigoto, Oregairu 3 (If it ever happens)

Lenlo: Tower of God, Fugou Keiji: Balance:UNLIMITED, Princess Tutu (Thursday Throwback)

Wooper: Kaguya-sama 2, BNA, Yesterday wo Utatte

Amun: Weekly summary contributions

Armitage: Arte, Manga Musing on Mondays

FIRST EPISODE AWARDS

Best First Episode
(The Death Note Award)

KAGUYA-SAMA

Likely Spent All Their Efforts on the First Episode
(The Kyoukai No Kanata Award)

LISTENERS

Best Animation
(The Samurai Champloo Award)

BNA


Season Sleeper
(The Gargantia Award)

YESTERDAY WO UTATTE

Worst First Episode
(The Bleach Award)

ARGONAVIS FROM BANG DREAM!

Exceeded Expectations
(The Hyouka Award)

OTOME ISEKAI


Most Disappointing First Episode
(The Berserk Award)

APPARE-RANMAN

Best Continuation
(The Natsume Book of Friends Award)

KAGUYA-SAMA

Best Background Art
(Made in Abyss Award)

OTOME ISEKAI

Some Quick First Impressions: Kaguya-sama S2, Argonavis from BanG Dream!, Kitsutsuki Tantei Dokoro

Kaguya-sama wa Kokurasetai 2

Short Synopsis: You already know what this show is about.

Lenlo: What is there to really say here? It’s Kaguya Season 2, if you have seen the first, you know exactly what to expect and what you are getting here. There will be gags, romantic comedy, Chika will be an idiot and along the way we may get to the point where actual romantic developments occur. The only real difference is the production, which was without a doubt stepped up here. I have no idea if they can carry this through the rest of the season, but its animation was definitely a contender for best of these first impressions. As far as criticisms… Only one I really have is that it felt rushed in places, pacing wise, since it covered 4 chapters and that the animation was actually rather distracting in some places. I don’t expect either of those to keep up though, so ultimately, it’s a pretty easy recommendation.

Potential: 80%

Mario: This premiere does a decent job of reminding us why we love Kaguya-sama in the first place. It has this ridiculously high stake mind game between Kaguya and Shirogane (and other cast members, as the show playfully reminds us in the first segment). In fact, each segment establishes many groundworks that played as the series’s strengths, and ones I expect them to follow up for the rest of the season. We have a couple of supporting casts who receive their spotlight (segment 1 & 2), we have fun games when the core cast spend time together where Chika’s unpredictability drives our main duo insane (segment 3), and we have their usual mind game that ends in an unexpected way. The production is a clear step up as well, with great building up and the narration is pretty sharp. My minor complaint (AKA not really complaining but bragging) is that the show tends to go overboard with Chika’s cartoonish expressions. I know it’s purely fan-service but… I need to find these gifs asap.

Potential: 75%

Argonavis from BanG Dream!

Short Synopsis: Aspiring singer joins bishie band in 3DCG hell.

Mario: Haizz Sanzigen. I remember liking their early efforts including BBK/BRK, ID-0 and Arslan Senki (they just partly produced the latter but still…), but recently they followed the golden prospect of idol anime and they went completely off the mark. Argonavis is in the same universe with their BanG Dream (well, you can see it in the title), and the first episode is a fairly standard story of how the members form a band together. It’s filled with cliche plots, underwritten characters and really really bad CG production. I do think that the studio is in a dire situation, given that the production looks cheap. It’s nothing offensive in its story but it’s the kind of story that I’d forget as soon as the ED hits.

Potential: the worst premiere

Wooper: “I aM fOnD oF sAnZiGeN gIvEn HoW tHeIr ChArAcTeR dEsIgNs ArE aTtRaCtIvE aNd ThE cG lOoKs RaThEr DeCeNt”

Potential: lol

Kitsutsuki Tantei Dokoro

Short Synopsis: A genius poet opens a detective agency to help pay the bills.

Wooper: This show isn’t on the same level as Rakugo Shinjuu, but it’s clearly inspired by it. Both are historical pieces that involve a specific artform; both begin in the present before embarking on a serialized flashback; and both focus on the friendship between two men, one of whom has died and left the other alone in the world. Kitsutsuki Tantei Dokoro is less elegant and more matter-of-fact than its predecessor, throwing Ishikawa into his new detective gig by the end of episode 1, but it’s admirably directed. It focuses on small details, like hanging nails or stuffed bookshelves, that gain new meaning once they reappear in a later scene, having changed in some small way. The backgrounds are strikingly geometric, creating an attractive picture of Tokyo City as it existed in the late 19th century. I really like the show’s use of color, too – the palette is muted, with lavenders and olive greens giving it a vaguely romantic air. The contrast between the city’s orderly layout and earthy appearance results in a nice atmosphere, which helps counteract the sting of the series’ lackluster animation. The characters haven’t sold me yet, but they’re based on novelized versions of real life tanka poets, which sounds neat. And they’re going to solve mysteries, too? Count me in for another couple episodes, at least.

Potential: 60%

Mario: Another stylish detective anime of this Spring season, it’s a style-over-substance show where it has “cool” factor written all over it. While Fugou Keiji rocks you hard on characters’ over-the-top traits and its crazy, wild ride, Kitsutsuki is more concerned with refreshing background arts, the blue character outline and how the main character trolls everyone around him. The show’s style is pleasing with attractive character designs and a nice soundtrack. The actual case is passable with some leaps of logic but at least the plot constantly moves forward. It’s the characters that I am most worried about. Main guy is fine and indeed he carries the whole show so far, given that the other characters are pretty unmemorable at the moment, especially Watson-kun. Because of that I don’t find any chemistry whatsoever between these two so the ending doesn’t work for me. In addition, comparing detective work with poetry is interesting, but frankly I don’t see the links between these and this is more about my lack of class when it comes to poetry but the poems the main character often recites fall flat for me. Still, I can see the appeal of watching this and Fugou Keiji back to back every week to see which one tops the other in terms of stylish ridiculousness.

Potential: 30%