Gakkou Gurashi! – 80/100

Gakkou is one with a good facade as promotional material would have you believe it was some dime a dozen moe slice of life. I was one who wasn’t fooled by the cute cuddly exterior but I was truly surprised with just how good this anime ended up being. Gakkou is one of those rare examples of an adaption which improves its source material by making use of the animated medium. With visual subtext and better presentation this adaptation took something that could have ended up a mere gimmick of a show and made it so much more. The direction is simply marvellous with little details hidden throughout to reward those who pay close attention. Be it in the slight changes in the opening from episode to episode or the minor details hidden in the background.

The characters are likable though not particularly deep and I fear that shallowness might be a turnoff for some. In a twelve episode series building deep characterization is a challenge that even the often praised Madoka didn’t manage. But Madoka managed to keep the plot in center focus and didn’t wander between it’s two moods. Some of the plot developments are foreshadowed too heavily leaving little surprise when they are finally revealed, though the reveal is often great to see for execution alone. Music can provide the necessary mood though for the large part it’s fairly unnoticeable. Art and animation are adequate with the real effect of scenes being mostly on the presentation of certain scenes.

There are flaws with this odd combination of genres of course and Gakkou still makes use of a lot of the fluff present in moe slice of life, even if it has a purpose now. There are a two or three episodes dedicated to random hijinks that act more to delay the plot. But when the plot takes a dark turn it’s often very effective with some excellent scenes that make use of music and camera shots to the best effect. Ultimately I wish there was more darkness in this show and the manga does have scenes which could have remedied that problem. But alas they were not made use of and I blame the largely unnecessary pool episode for that. The ending is another issue as it does make use of far fetched plot contrivances to provide an ending which could leave viewers cheated or disappointed.

Gakkou remained a consistently good watch throughout it’s run and it is a series which would benefit greatly from a second season. Fans of Mahou Shoujo Madoka Magica who are looking for a similar show might scratch that itch with this series, for others however the mix of Moe and horror elements might be too off putting or schizophrenic to enjoy. But to me the juxtaposition of the two sides of the show are what make it the most effective. If either element was played alone this show wouldn’t be quite as interesting but with the two placed together it makes you appreciate both all the more. Or to put it in other terms, Despair is at it’s peak beside the greatest hope

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