Fall 2020 Summary – Weeks 7-8

Wooper: After making way for our quarterly State of the Season post last week, the recap post has returned with a value-sized installment. I might fall down on the job where my episodic reviews are concerned, but the weekly summary arrives on time, come hell or high water. There’s a new show under Lenlo’s microscope before the jump, plus double episode impressions for the usual suspects afterwards. Have at ’em!

Heaven’s Official Blessing – 4/5

Lenlo: A new addition to the lineup, by popular request! This was a slow but important two weeks for HOB. Where the first arc sought to establish the world and the setting, this one dedicates itself entirely to character relationships. Specifically between our lead and Xie Lian and our Antagonist (?)/Love Interest (?) Hua Cheng. And across both of these episodes I can say… it did a pretty good job of it. I’m not a big fan of BL, mostly because romance isn’t my genre. But the interplay between Lian and Cheng was rather interesting. Lian, a heavenly official trying to suss out who Cheng really is, and Cheng who could be simply playing with Lian or legitimately interested. This early into the series it’s too early to truly tell one way or the other. But for what I expected to be two boring episodes, HOB did a great job playing them off each other and establishing this relationship and I am looking forward to more.

Oh and one last thing of note that I almost forgot, there was some great visual alliteration in these two episodes. I especially liked the story of how Hua cheng earned his name with the white flower, both speaking to his own history as well as to when we first met him a few episodes ago. How he helped Lian, leading him through the forest under his umbrella. It was well done!

Kamisama Ni Natta Hi 06/07

Armitage: To paraphrase one of Shakespeare’s most well-known sonnets, “Thou art a Lolicon, yes?” In all seriousness though, this show is best when it’s not being serious at all. While we finally got back to the shady boy-hacker from Episode 3 and were presented with a head-scratching reveal at the end to tide us over till next week, I don’t know exactly how I feel about it. I mean, I guess this isn’t a fantasy show anymore. Well, it was always just winking at that possibility but now, it’s pretty much embraced the sci-fi genre altogether. Which I mean… yeah, sure. Feels a little shoehorned but the red herrings were there too. There’s also a love triangle being set up at the heart of our narrative though unlike other love triangles (read: Harems) in anime, I actually don’t mind multiple girls falling head over heels for our protagonist, as Sota is a very likeable one. Though, honestly if you were to ask me to choose between this show trying its hand at new ways to incorporate drama into its story or the viewers being treated to 12 episodes of Sota and co. shooting a movie, I’d choose the latter all day, every day.

Continue reading “Fall 2020 Summary – Weeks 7-8”

State of the Season – Fall 2020

Mario: With 3 staff members moving house and everyone rushing to get their whatchamacallit done before Christmas, this Fall season (and Spring here!) has undeniably been busy. But that chaos of so-called real life doesn’t stop us from following and checking back on a ton of current seasonal anime and the classic ones. This season has been heavy on action with a couple of fun surprises along the way. In particular, we have a talking cat, a talking panda, a talking bird, a talking crocodile, a self-proclaimed alien girl, a self-proclaimed goddess, a self-proclaimed mind reader and a self-proclaimed immortal harakiri man (can you guess all the shows?), so you know this Fall season isn’t short on weirdness and is full of excitement. This time 5 of us will be doing this round-table post, with plenty of hot takes, contradictions and influences and even a heartwarming exchange among us writers around the corner. Read on and enjoy: 

What show are you enjoying that you’re not reviewing?

Lenlo: Akudama Drive, Golden Kamuy, Tian Guan Ci Fu and Haikyu. Nothing too crazy, all things considered.

Wooper: I’m liking the Dragon Quest: Dai no Daibouken reboot, but I write mini reviews of each episode for our weekly recap posts, so I don’t know if it qualifies. I’ll go with Jujutsu Kaisen as a backup, since it looks nice and tries hard not to be a boilerplate battle shounen.

Amun: Tonikaku Kawaii – this show is just heartwarming and wonderful and it just makes me happy.  On the same note, Kuma Kuma is far better than it has any right to be (somewhat of a Hamefura for the season).

Armitage: The volleyball boys have been great as always and Talentless Nana has been very dumb but very entertaining. Also, Tian Guan Ci Fu is a glorious piece of entertainment which many people might not even have on their radar due to it being a Chinese animated production.

Mario: Akudama Drive has been a consistently fun ride with loud, crazy characters and impressive production quality.

Continue reading “State of the Season – Fall 2020”

Tian Guan Ci Fu – Animation Appreciation

Welcome everyone, to round 2 of me making a fool of myself to talk about Chinese animation, this time featuring Tian Guan Ci Fu or Heaven’s Official Blessing. Just like the last series we talked about, Fog Hill, odds are you haven’t heard of it. And if you have then congratulations, you anime hipster you. Just like last time, this isn’t actually a review and is in no way meant to be taken as such. In fact the series is still airing right now, having just shown its 4th episode on Bilibili. Rather I just want to talk about its production and the cool things going on in the Chinese animation scene right now. So let’s just jump into that shall we? Directed by Haoling Li and made by studio Haoliners Animation League, this is Heaven’s Official Blessing!

So first up, who the hell is Haoling Li and Haoliners Animation League? Unlike Samsara Studio from my last post, these two have actually been around the block a few times. Haoliners is based in Shanghai, China, and according to their website was founded by Haoling Li in 2013. Prior to this, Haoling Li primarily worked as a storyboard artist on projects for Shanghai Television, though I was unable to find which ones. Meanwhile Haoliners is a different story, their earliest works being Lu Shi Dai and Man Tou Riji, the second co-produced with Studio Lan. Since then they have done steady work, airing consistently on Bilibili and QIY streaming platforms, slowly growing their staff. It wasn’t until 2018 that they achieved their “western debut” so to speak with their contribution to the anthology series Flavors of Youth.

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Fall 2020 Summary – Week 6

Wooper: Last week I said that we might be skipping our weekly recap for a seasonal check-in, but then Amun came through with some impressions to give us three whole writers in one post, and I couldn’t pass that up. We’re approaching levels of blog contribution that shouldn’t be possible! Next week will be our Fall 2020 State of the Season shindig, but for now, we’re here to gab about the newest wave of weekly anime. Enjoy!

Tonikaku Kawaii – 06

Amun: Not in my normal strike zone of shows, but I find myself watching Tonikaku Kawaii first on the weekend anime binge. With a simple premise and a tiny cast, Tonikaku Kawaii should fall under the category of show that gives you cavities and I avoid like the plague. Tonikaku Kawaii banks on, and makes light of, some common early onset romantic issues – but it’s done in such a light hearted way that you can’t help but cheer on our silly, spacy couple as they bumble through the beginnings of married life. I’m sure you could find some criticisms of the perverted bath owner or the meddling little sister, but for now, it’s cute and that’s all you really need to know.

Golden Kamuy S3 – 06

Lenlo: I never know what to expect with Golden Kamuy. Some weeks it’s light hearted gallows humor with a sprinkle of drama, other weeks like this one that recipe is flipped on its head. Sadly it’s in weeks like this that I really start to see the cracks in the series. Drama is not Golden Kamuy’s strong suit, to say the least. Don’t get me wrong, I enjoyed it, the sniper battle was fun. I really liked the double misdirect in regards to Ogata’s position, and how his strategy actually laid him flat for the rest of the episode. Pair that with Shiraishi’s introspection and you have some decent drama. But I didn’t care much for Ogata’s flashback, all things considered. It didn’t tell us anything we didn’t already know about him as a character, and while it introduced a bit of guilt, it’s not something I really see it acting on. All in all it felt like it existed to pad runtime. Not in the worst way, it fit the show and reminded us just how much of a cold bastard he is. But it definitely wasn’t the most interesting thing in the episode.

Continue reading “Fall 2020 Summary – Week 6”

Great Pretender Anime Review – 78/100

From an aesthetic point of view, Great Pretender is my favorite TV anime of 2020. I’ve spoken plenty about art director Yuusuke Takeda in previous posts, but since this is the last time I’ll be writing about this show for the blog, allow me to recap: he’s one of the best and most prolific visual designers in the industry today, and Great Pretender is one of his most striking works. His brash juxtaposition of color was a great fit for such a sharp, fast-moving series – as were the angular designs of legendary character artist Yoshiyuki Sadamoto. Tasked with creating an entirely adult cast, he opted to give them prominent noses and messy hairdos, incorporating plenty of detail while still allowing the animation team room to breathe. They did their nimblest and most acrobatic work in the show’s first arc, but even as Great Pretender settled in for the long haul, it maintained a sense of liveliness sufficient to absorb you in its story.

So why the caveat that it’s my favorite only in aesthetic terms? What disqualifies it from being the runaway AOTY that I initially hoped it would be? And on the flip side, what does Great Pretender do right that most other series wouldn’t dare to attempt? Read on for one man’s thoughts on one of the year’s most original anime.

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Fall 2020 Summary – Week 5

Wooper: We’re down to just two writers for this week’s recap, which means we’re down a few shows, as well. Now that we’ve entered the second of this season’s three months, it’s only natural that anime will start to fall through the cracks. The State of the Season post is coming up, though (it may even replace next week’s summary), so it won’t be long until you hear from the whole crew on their midseason picks. Until then, Lenlo and I have got you covered.

Haikyu: To the Top Part 2! – 05

Lenlo: I said last week that as much as I love Nekoma, I want to get back to the Inzarizaki match. I still stand by that, I love Atsumu, but boy is it hard to not get hype about our boy Kenma. The relationship between him, Kuroo and Nekoma as a whole is always a treat. How they tease and respect each other, how Kenma fails or refuses to see his own growth (“guts”) etc. My only real complaint with the episode is that, outside a few of the big scenes, it once again looked kinda… eh? Production has definitely not been a strong suit for Haikyu this season. My only hope is that they are saving something big for the finale, because the narrative core is all there, it’s great. Furudate is a great writer. I just think the show deserves better than this sometimes.

Dragon Quest: Dai no Daibouken – 05

Wooper: Boy, did this episode look good. The bulk of it was given to a continuous fight against Hadlar, first waged by Avan and then by Dai. It was chock-full of shounen staples, from the sensei who sacrifices his life to the villain undone by overconfidence, but watching such a slick reboot of a classic title makes it hard to find fault with its adherence to genre conventions. I’ll confess to being disappointed that Avan’s life-offering final attack wasn’t enough to end the battle – giving Dai the crushing blow smacks of protagonist worship – but Hadlar is a major antagonist, so killing him off this early wouldn’t fit the template that this series was instrumental in creating. Great animation and a sense of high stakes going forward are two reasons to love this episode, as well as some justification for Dai’s overpowered forehead (which is apparently called a Dragon Crest). Seeing what an effect that glowing mark had on Hadlar was an indirect promise of things to come – I’m hoping we get some adventuring and party building first, though.

Continue reading “Fall 2020 Summary – Week 5”

Fall 2020 Summary – Week 4

Wooper: Ask and ye shall receive; we’ve got mini impressions from not one, but four writers in this edition of our weekly recap. Feels good to have some company for this column! Lenlo, Amun and Armitage pitched in to deliver thoughts on a few of the fall’s bigger shows and sequels, while I’m still banging on about weird anime comedies and a stray shounen property. It’s the new and improved Weekly Summary, y’all – enjoy, and we’ll see you next time.

Kamisama ni Natta Hi – 02/03

Armitage: I was supposed to write entire full-length posts covering this show but turns out that the events of each episode don’t lend themselves to wordy breakdowns. Still, this is one of the major torchbearers of the Fall Anime Parade and I cannot in good conscience let it air without any coverage. Which means that from now on, I shall be using the Weekly Summary section to give my thoughts on it! So far, Kamisama ni Natta Hi has essentially played out as a gag comedy anime and a solid one at that. Episode 2 was especially great with its parodies of Armageddon, Edward Scissorhands and the gut-bustingly funny Rocky skit. I am the kind of person who rarely full-on ‘laughs out loud’ but yeah, this episode got that out of me. Episode 3 too had its nice moments with Youta’s suit and sparkling MSG but it didn’t work quite as well as its predecessor. The characters, while being really entertaining, have not yet come off as people you truly care for and I hope the show remedies that in the coming weeks. Lastly, I just wanted to give a shout-out to Natsuki Hanae, the VA for Yota, as he is the one who solely makes the show such a blast to watch, displaying a voice range on par with Mamoru Miyano from Zombieland Saga. Honestly, this show is worth a watch just to hear him say “IZANAMI-SAAAAAAAN” as anime Rocky.

Golden Kamuy Season 3 – 04

Lenlo: I’m not usually a fan of comedies, anime ones especially. Something about their humor or their aesthetic just falls flat to me. So it’s always a joy when Golden Kamuy gets me chuckling for its entire run time, week after week. Something about the mix of murder and humor lines up perfectly with my love of gallows humor. It helps that every single joke has layers upon layers to it, similar in a way to classic Simpsons, though not of the same level. Take the chase scene early on for instance, Koito’s section alone has at least four jokes in 30 seconds that all build on each other. We go from the Naruto run and leap, to him running in the air, to grabbing a branch which then snaps, to his silly landing, to the branch landing on his head. It’s all small stuff, but no joke exists on its own, always building to the next.

Alternatively Golden Kamuy also establishes these episodic comedic narratives inside its larger dramatic narrative. This episode it’s Genjiro’s saga with dancing girls. His failure to actually dance, being fawned over and encouraged by children only to get a riff on a romance or career drama thrown in for good measure. There’s just something funny about this massive muscular soldier in a tutu getting fawned over by children for dancing a side-bit, and without a doubt the reaction faces help it. Suffice to say I am continuing to enjoy Golden Kamuy. From military circus jokes to “I’m gonna cut it” jokes to just how petty Koito is willing to be over his tricks. I am not caring that much about the larger narrative but god damn if this show isn’t fun.

Continue reading “Fall 2020 Summary – Week 4”

Fall 2020 Summary – Week 3

Wooper: We’ve reached the third week of the new anime season, and you know what that means: it’s time for the hopeful anticipation of viewers everywhere to be ground into the dust of unmet expectations! Or maybe that’s just me. None of these series had showings poor enough to take them off my radar, but a couple of them are inching away from my range of interest. Shows like Jujutsu Kaisen and Kamisama ni Natta Hi are holding down the fort just fine, though, so an early misstep from the B-team isn’t the end of the world. You still get to read my complaints about a couple of recent episodes, though – and they might not be the ones you’d expect.

Maou-jou de Oyasumi 03

Maou-jou continues to be a fun weekly diversion, but there’s not much more to it than fun. Princess Syalis always completes her quests, so the show doesn’t offer much suspense – it’s her unconventional methods that serve as mild surprises each week. And what’s more surprising than stumbling upon a genie trapped inside an ancient grimoire? For most fantasy anime, the answer would be “nothing,” but according to Syalis-hime, even the latest edition of Shonen Sunday would provide more entertainment. If it isn’t contributing to her forty winks, she’s not interested, so Alazif (the spirit within the grimoire) comes and goes within the span of five minutes. The middle segment was based entirely on misunderstandings, so I could take or leave that one, but I did appreciate the detail put into the last one. The princess made use of items acquired in previous episodes for her jailbreak, creating a string of neat callbacks, and the forest she explored had an enchanted feel that paired well with the interior of the Demon King’s castle. This show may be a sleeper, but it gets a lot of mileage from that simple vibe.

Majo no Tabitabi 03

Witch Weekly busted out a two-parter for this episode, but neither story provided me with much food for thought. The first was marred by cheap computerized textures, both for the overhead shots of the meadow from the opener and the curse that afflicted the sentry at the end. A better visual representation of his poisoning would have done a lot for the conclusion, but even if the art had held up its end of the bargain, the story boiled down to “beautiful flowers can be dangerous, too.” Elaina didn’t have a participatory role in the story, and that’s fine – but if she’s going to be little more than a guide, the people she meets have to carry their weight.

The second story had the same failing, despite using more time to develop its scenario. A slave girl’s sadness at being shown a bottle full of happy memories might be touching or profound, if not for the fact that she, her master, and his son (the memory bottler) underwent precisely zero change during the episode. Majo no Tabitabi is so lesson-oriented that it hardly seems to care where it leaves its characters; the wrap-up here involved Elaina summarizing a similar story she’d once read, and criticizing the moral as being heavy-handed. Based on what I saw this week, I’d have to agree.

Continue reading “Fall 2020 Summary – Week 3”

Fall 2020 Summary – Week 2

Wooper: With the low-output Summer 2020 season in the books, our weekly summary posts are going back to their roots: talking about currently-airing shows that aren’t receiving full episodic coverage. There are a bunch of extra shows we’re following this fall, and though some will surely wear out their welcome before the year’s end, the present freshness of the season has us in the mood to chat about them. It looks like it’s just me this time around, but I expect that some of the other writers will chime in over the next 10 or 11 weeks. For now, you can scroll down for one man’s thoughts on a handful of the season’s more underrated shows.

Dragon Quest: Dai no Daibouken 02

Wooper: I know we’re only two episodes in, but this adaptation of Dai no Daibouken isn’t letting up on the gas. Princess Leona’s introduction flew by in what felt like minutes, thanks to her companions’ betrayal arising so quickly. Her magic tutor in particular turned out to be the sort of unhinged villain you don’t see too often in modern anime, which meant that his fight against Dai turned into a yelling match within the first few seconds. On the plus side, the CG during their battle was used to tremendous effect, showcasing Dai’s acrobatic abilities as he ran circles around the tutor’s mech before delivering the crushing blow. Despite the script’s efforts to paint him as an untalented mage, Dai’s physical strength and instinctive use of spells in high pressure situations make him way, way stronger than the average shounen protag. He may be the Chosen One, but I hope the story chooses some more powerful opponents to put in his path pretty soon. We are meeting new major characters with each passing episode, though, so for now I’ll patiently await Popp’s introduction and see how things progress from there.

Hypnosis Mic: Division Rap Battle 02

Wooper: After a wild premiere that jumped between four different rap groups, Hypnosis Mic settled down with a single trio (the Buster Bros) this week. I’ve got to say, the results were better than expected – even though the younger siblings’ idolization of their older brother Ichiro makes for tiresome conversation, the show does make a convincing hero out of him. He always shows up to save the day, he defends innocent people during a hostage situation, and he’s got so much love for his little bros that all his rap verses celebrate their partnership. The hip-hop numbers are still the best thing about the series by far, bursting as they are with cool poses, dynamic colors, on-screen lyrics, and song-ending explosions. Even when the Bros aren’t conducting their musical onslaughts, though, Hypnosis Mic can be pretty fun. The moment when a stick-up artist pulled back his jacket to reveal a bunch of illegal microphones – which the cops treated as though they were guns – cracked me up. You love to see a ridiculous show like this one embrace its gimmick so wholeheartedly.

Continue reading “Fall 2020 Summary – Week 2”

Fall 2020 First Impressions: Maesetsu!, Ochikobore Fruit Tart, Magatsu Wahrheit: Zuerst

Maesetsu!

Short Synopsis: A comedy duo struggles to make it big, or even to stay funny.

Mario’s review:

Out of all the shows I watched for this First Impressions, Maesetsu hands down has the worst production values. Everything looks stiff, to the point where they didn’t bother to animate the whole stadium of fans in a concert – not a single one of them. Then, it’s the subject matter that is going to be a hard sell for anime viewers: this is a cute girls show where girls do comedy – and the comedy bits are on the “missed” side of the spectrum. When the main girl fails multiple times to make people laugh for her routine, I get the same sense about this show as a whole. Still, the way the main duo struggles with what they love and tries best to do what they love is grounded and believable. If this is the story about underdog groups who break out then I still have reasons to follow it.

Potential: 20%

Ochikobore Fruit Tart

Short Synopsis: A small town girl moves to Tokyo to become an idol.

Wooper’s review:

It’s been a long couple of weeks, but we’ve finally reached the end of preview season, where all the trash gets dumped. Ochikobore is perhaps the least inspired show of the fall, though it’s not the worst – it’s far too competent at its cutesy idol shtick to earn that distinction. Instead of outright badness we’ve got unavoidable deja vu, including a cast of characters who slot nicely into each of the major otaku food groups: nice girl, genki girl, loli girl, and Tits McGee. Their manager announces that they’re forming an idol group, and thus they proceed with the singing and “dancing” and distribution of flyers. You’ve seen this before. Fruit Tart looks alright – the performance scene near the end is animated entirely by hand, which is notable for an idol series. The characters spend about half of the episode in silly chibi mode, so if that’s your favorite thing in the world, this is the show for you. Interior scenes make dreadful use of pre-existing digital assets, but that’s par for the course in modern anime – even Jujutsu Kaisen, arguably the season’s biggest production, has the same problem. Alright, I think I’m done writing about this tiresome premiere. Time to go make dinner.

Potential: 10%

Mario’s review:

We can’t never truly escape them huh? Idol anime is here to stay – not for the better though. Despite having a rather pleasant aesthetic, the story of 4 unlikely idol members forming an idol band is an easy but ultimately plain and unmemorable watch. Characters are the kind that have 1 or 2 significant traits and they would max it up to 11, and the plot of getting them into an idol group is terribly contrived, except that they gloss it up as a joke – and not very funny at that. And worst of all, I’m kinda tired of the big boobs trope that frankly exists for fan-service. If they try their hands on parodying the idol industry or these character types, it would work way better, and there are moments where the show touches slightly on that, but then it reverts back to celebrating the genre anyway. It’s not a total waste of time as I find myself enjoying the episode through and through, it’s just harmless and unassuming.

Potential: 20%

Magatsu Wahrheit: Zuerst

Short Synopsis: A novice soldier has to fight the extremist group on his first day and witnesses his best friend killed.

Mario’s review:

The last premiere of the season is a surprise one. When I heard that Magatsu Wahrheit is based on a mobile game I had given up all hope, but at least this first episode featuring multiple perspectives have its merits. While you can easily point out the plot progression and the generic settings, what sells me so far is that they manage to form separate narratives into the big chase at the end – so that by that point we are in both the army and the extremist group. Well, the show actually goes a bit busy for my taste as it introduces a bigger plot threat (the monsters) that has little to do with this cop chase this week. The production is overall inconsistent, there are a couple of nice shots but the rest looks uninspiring and uneven. I’ll be checking more episodes to see how this show progresses.

Potential: 30%