Spring Season Preview

Back in 2008, I started a little experiment: what if I were to avoid all kinds of promotional material before the start of a season. Would that be better for my expectations of each individual season? The answer to that is: No. Sure, I got no expectations of the majority of the anime that aired, but in the end I just could not avoid the titles of each new series, so I found myself creating expectations and stereotypes, based on these titles anyway. Especially for the more hyped series, it was just impossible to avoid information about them. And overall, I didn’t really end up enjoying these anime I had no expectations about better than if I would have prepared myself and wrote a preview like I usually did.

So here you go: you can expect a seasonal preview out of me again, about a month and a half before the start of each season, depending on how much time I have. I’ll update this post as soon as more information or series get announced. But first, here are a bunch of statistics:

In total, according to Moonphase, 31 television anime are about to air, 26 of which are not kiddie shows. There are 2 superhero series, 3 sports series, 9 are based on historical sources in one way or another. 12 shows were very obviously moe at first sight, while 7 were at first sight very obviously trying to reel in viewers with hot guys. Mecha and horror are nearly completely absent. At first glance (with some shows I had to guess in this), the age distribution shows 7 shows that focus on pre-highschool characters (subtracting the five kiddie shows, that just means two), 14 shows of high school characters, 9 anime about adults, plus Hetalia, of which I have no idea how old these characters are supposed to be.

There’s a huge amount of sequels: 10 of them, that’s one third of all shows airing. The busiest anime studios are A-1 Pictures and Studio Deen with both three series. Production IG, Bones and Sunrise are surprisingly absent with only one minor entry each, and Gonzo seems to have disappeared completely.

For a spring season, there isn’t a lot of series. However, there are a number of great sounding series and there are also quite a few series that either have a bad premise and a good staff, or a good premise and a bad staff, which really can go anywhere. All that’s left is to hope that as many as possible will get a 24 episode schedule allocated.

Mayoi Neko Overrun

Summary: The story revolves around Takumi Tsuzuki, a boy who lives with his older “sister” Otome, although the two have no blood ties between them. Otome manages a run-down confectionery store called Stray Cats. One day, Otome picks up a mysterious beautiful girl off the streets. – (Taken from ANN)
Why you should look forward to it: Um, the original creator, Tomohiro Matsu, will be working on the series composition so it’ll be faithful to its manga.
Why you should not look forward to it: Oh god. I’m amazed at how many overused stereotypes you can show, just with one picture. I’ll be frank here: the premise for this show sounds abysmal. A guy picking up a catgirl… it’s just another pointless variation of the umpth bishoujo series. And he lives together with his older sister who isn’t related by blood? Oh please. Stop trying to be subtle when hundreds of other series have already done that before.
First-Glance Potential: 0%

Kiss Sis

Summary: Keita has two older step-sisters, Ako and Riko, but since they aren’t related by blood, they love him in a lustful way. After a mishap at school, Ako and Riko finally confess their love to him. Keita dislikes the thought of seeing them other then brother and sister, but as he tries to enter the same school as his sisters, he slowly becomes attracted to them. – (Taken from ANN)
Why you should look forward to it: If you’re looking for porn then this show has a lot to offer.
Why you should not look forward to it: Oh, where to start? Shallow premise, just an excuse for porn, Munenori Nawa, the director has made more of these cheap shounen romances,and the same goes even more for the person behind the series composition, Katsumi Hasegawa.
First-Glance Potential: 0%

Bakugan Battle Brawlers – New Vestroya

Summary: Drago returns to Earth with a new ally named Mira. The five original Bakugan that helped restore order to New Vestroia have been captured, Drago is now being targeted, and a group of humans known as the Vexos are taking over New Vestroia. With the help of Dan and the Battle Brawlers though, Drago believes he will have enough power to not only free New Vestroia but his friends as well. – (Taken from ANN)
Why you should look forward to it: If you like mindless and stupid action, I guess.
Why you should not look forward to it: It’s just another toy commercial, going into its third season. A few years ago I caught its first episode, and nothing really set it apart from other silly shounen series.
First-Glance Potential: 0%

Ikkitousen Xtreme Xecutor

Summary: It is Hakufu’s ambition to fight against new opponents from all over the world. To pay for the travelling expenses — to be able to visit these tournaments — she got a job, to earn enough money to make her dream come true. Little did Hakufu expect that new allies and enemies would detract from her goal. Or that she might even be considered a weak leader in the eyes of her companions. To top it off a sister suddenly appears, making it painfully obvious to Hakufu that she does not really know much about her mother’s past. – (Taken from AniDB)
Why you should look forward to it: Um… boobs? Some staff changes?
Why you should not look forward to it: Seriously… did this thing really need this many sequels? I can guess that porn with shallow action and silly humour can be entertaining enough for one season, but after this we’re at 50 episodes of the same mindless fluff. Also, what kind of idiot found it a good idea to air this show at ten o’clock? IN THE MORNING?!
First-Glance Potential: 0%

Shin Koihime†Musou: Otome Tairan

Summary: The anime adaptations re-imagine the characters from the Chinese novel Romance of the Three Kingdoms as “moe (fiery), moe (preciously cute) action love comedy” with an almost all-female cast. – (Taken from ANN)
Why you should look forward to it: I’m blank on this one.
Why you should not look forward to it: Just… why. Let’s do a little math: both Koihime and Ikkitousen attempt to parody the Romance of the Three Kingdoms franchise by making all of its characters female. Ikkitousen is in its fourth season, Koihime with its third. That means 50 episodes for Ikkitousen, and about 38 episodes for Koihime Musou, adding up to a whopping 88 episodes of cheesy Romance of the Three Kingdoms parodies. Why the heck so many?! What did these series deserve to get so many airtime, while most other series should be even lucky to get themselves 24 episodes?
First-Glance Potential: 0%

SD Gundam Sangokuden Brave Battle Warriors

Summary: The SD Gundam Sangokuden model series features the heroes of the Chinese literary classic Romance of the Three Kingdoms — only they have been re-imagined as two-head-high Super Deformed Gundam robots. Liu Bei (Ryū Bi) Gundam, Guan Yu (Kan U) Gundam, and Zhang Fei (Chō Hi) Gundam protect the legendary continent Mirisha from General Dong Zhuo (Tō Taku) Zaku, the assassin Hu Zhen (Ko Shin) Gyan, and other enemies. – (Taken from ANN)
Why you should look forward to it: Are there seriously people interested in this?
Why you should not look forward to it: Why? Why WHY? Seriously, WTF is going on with anime when we have THREE ROMANCE OF THE THREE KINGDOMS PARODIES IN ONE SEASON!? Seriously, was there honestly no other literary work that you can parody? Does every Japanese kid get the RotTK novels forced down his throat and nothing else or something? Do they really have to parody that crap over and over and over again? Seriously: WHY!?
First-Glance Potential: 0%

K-On Second Season

Summary: It’s Yui Hirasawa’s first year in high school, and she’s eagerly searching for a club to join. At the same time, Ritsu Tainaka, a drummer, and her friend Mio Akiyama, a bassist, are desperately trying to save the school’s light music club, which is about to be disbanded due to lack of members. They manage to recruit Tsumugi Kotobuki to play the keyboard, meaning they only need one more member to get the club running again. Yui joins, thinking it will be an easy experience for her to play the castanets, the only instrument she knows. However, the other members think their new addition is actually a guitar prodigy… – (Taken from ANN)
Why you should look forward to it: If you like moe, moe, moe and even more moe, then there’s a good chance that you’ll like this.
Why you should not look forward to it: If you do not, however, then you should stay away from it. It’s like yaoi: meant for only a select audience while others are bound to hate it, but that fan-base can be very passionate about it. Obviously I am not part of that target audience.
First-Glance Potential: 0%

Hanakappa

Summary: The manga follows Hana Kappa, a kappa (mystical Japanese river creature) who happens to have a flower (hana) growing out of his head. Hana Kappa-kun lives with his father, mother, grandfather, and grandmother in a verdant village known as Yamabiko. – (Taken from ANN)
Why you should look forward to it: It’s a pink kappa with a flower on its head.
Why you should not look forward to it: Joking aside, this pretty much is another one of those kiddie shows. I can’t find anything about the cast or staff, but I really doubt that it’s going to be interesting for anyone above seven years old.
First-Glance Potential: 0%

Hime Chen! Otogi Chikku Idol Lilpri

Summary: The story centers on Ringo Yukimori, Reira Takashiro, and Natsuki Sasahara — three elementary school girls who can change into idol princesses. – (Taken from ANN)
Why you should look forward to it: I have no idea because I have no idea who the staff is going to be.
Why you should not look forward to it: Toy commercial! I really doubt at this point that Sega got someone actually competent to direct this thing. Also, what’s up with that damn long title? How do you expect kids to remember that?
First-Glance Potential: 0%

Arakawa Under the Bridge

Summary: Gag manga about a young “elite” man who has a policy of not being in debt to anyone. But he ends up owing his life to a strange girl who saves his life. Rino, the girl, believes she’s a Martian & lives under the bridge by the Arakawa river. So the young man ends up living there too. – (Taken from ANN)
Why you should look forward to it: The premise sounds like an interesting romantic comedy provided that the creators can give enough characterization to the lead characters to prevent them from being more than just these stereotypes that we see in the description.
Why you should not look forward to it: Blegh, Shinbo.
First-Glance Potential: 0%

Jewel Pet Second Season

Summary: In the magical place called Jewel Land, the magicians turned the Jewelpets into Jewels so they can travel to the magic forest but with the exception of Ruby, a white rabbit who likes to goof off. But then a strong wind blew the stork and the jewels were spilled, scattering them across Takaragaseki City on Earth. Ruby, now being punished, is sent to Earth to retrieve her friends. On Earth, a student named Rinko is on her balcony observing the night sky and saw a group of shooting stars and one of them falls into her water glass to become a red jewel. The next day she and her friend Minami was saved by a guy named Tatewaki from a jewelry store robbery. He then explained to them that he’s working from a special organization which is linked to the magicians of Jewel Land and told them about the Jewelpets. As Rinko awakened Ruby, and then met Alice later on, It’s now their task to gather all the Jewelpets together back to Jewel Land before an evil Jewelpet named Diana gets them first. – (Taken from ANN)
Why you should look forward to it: For a kids’ show, it was slightly above average. Clean fun if you’re in the mood for something really, really brainless.
Why you should not look forward to it: But yeah, I only lasted through three episodes of the first season. At that point it already got repetitive, there was hardly any creativity and none of the characters got even the slightest hint of a bit of depth.
First-Glance Potential: 10%

Major 6th Season

Summary: Goro’s dream is to become a professional baseball player like his father. As he strives through the path towards the pro league, from infancy to adulthood, his passion for the game galvanizes all of those around him. – (Taken from ANN)
Why you should look forward to it: I can only imagine that at this point, Goro must have gotten a ton of character-development.
Why you should not look forward to it: I didn’t like Major though. I watched through the first season, and while lead characters in sports series are bound to be very good, it took it way over the top by requiring Goro to join a team of incredibly incompetent beginners, just to make sure that he wouldn’t god-mode all over the Little League. And that was with an actual competent director in the lead: Kenichi Kasai. The sixth season is directed by Toshinori Fukushima. The only experience that this guy has in directing a full blown anime is a Beyblade Movie. At this point, I really don’t feel like catching up to 100 episodes to get Goro’s character-development.
First-Glance Potential: 20%

Yutori-Chan

Summary: The story centers around Yutori-chan, a high school girl assigned to a part-time job in the marketing team of a medium-sized toy company called Popū. There, she deal with the generation gaps that separate her from Tsumekomi-chan (another part-time worker and a student at Japanese’s most prestigious university, “T Dai”) and Daikai-san (the regular employee who oversees Yutori-chan). – (Taken from ANN)
Why you should look forward to it: Miya Asakawa is writing the script. She also wrote the script of gems such as Noein, Turn A Gundam, Geneshaft and Overman King Gainer.
Why you should not look forward to it: BIGLOBE has come up with a brilliant marketing strategy to distribute this Original Net Animation: it will be the first anime to be broadcast through e-mail. How? By sending a link that contains the URL to each episode. I wonder who it was who actually sat down and thought: “Yeah. That’s a good idea.” On top of that, the director is Keiichiro Kawaguchi. The guy from Moetan.
First-Glance Potential: 30%

Ichiban Ushiro no Daimaou

Summary: In a world where magic is something supernatural, Akuto Sai is a boy, perfect in all, who wants to enter the order of the most famous magicians of the country and wants and help society. It is once admitted to the academy of Constantin Magic and passes a fitness test that predicts its future activities: The Demon King (Dai Mao) while there are over 100 years, a great war was ravaging between humans and the Demon King… – (Taken from ANN)
Why you should look forward to it: The director, Takeshi Watanabe, is very experienced and has directed two series that I’m a big fan of (Starship Operators and Boogiepop Phantom)…
Why you should not look forward to it: …but but he also directed the generic adventure shows as Shakugan no Shana, Slayers Revolution, Ikkitousen and Lost Universe, which is exactly what I feel that Ichiban Ushiro no Daimaou is going to be, with its cheesy premise and generic harem set-up. The guy behind the series composition, Takao Yoshioka, has worked on some great series, but also did plenty of generic moe series, so I don’t have a lot of faith for this one.
First-Glance Potential: 30%

Heroman

Summary: The story will centre on a boy named Joey who discovers a toy robot near the west coast of the United States. Then, the toy becomes Hero Man, a giant robot that Joey pilots against evil threats. – (Taken from ANN)
Why you should look forward to it: Bones and one of its most experienced animation directors: Toshihiro Kawamoto. So yeah, Stan Lee, one of the creators of Spider man and the X-Men asked Bones to create Heroman for them. Now, I actually have nothing against the X-Men. It’s one of the very few American cartoons that I watched as a kid that I can still respect today, as it had strong themes that had to do with outcasts and acceptance.
Why you should not look forward to it: But seriously, a toy robot? What do you intend this to be, a commercial or something? I can’t say anything about the director, Hitoshi Nanba, because I’ve not seen any of the series he directed aside from a few random episodes.
First-Glance Potential: 40%

B Gata H Kei

Summary: In the story, Yukari Tamura will play the heroine Yamada, a virgin high school student who dreams of having 100 casual sex partners. However, she ends up targeting and pursuing only one boy. – (Taken from ANN)
Why you should look forward to it: Sure, the premise sounds awful, but look at the direction and series composition, done by Yusuke Yamamoto and Satoru Nishizono respectively: it’s the same staff as NHK ni Youkoso, which also started out this questionable. Seriously, these guys have a ton of experience on great series, and really relatively few cheap romantic comedies. That alone has me intrigued.
Why you should not look forward to it: Good staff or no good staff, it remains near-porn based on a 4-koma, which doesn’t promise much.
First-Glance Potential: 40%

Ring ni Kakero 1: Shadow

Summary: After defeating Black Shaft’s makeshift Team America, the Golden Japan Jr. team returns to training for the World Tournament that will be held in Tokyo. But during training the Shadow Clan, which uses boxing as an assassination technique, kidnaps Kiku in order to lure Ryuji and the others into a fight to see who’s truly the better representatives of Japan’s junior boxers. – (Taken from ANN)
Why you should look forward to it: Yousuke Kuroda, the guy behind the series composition. He has worked on so many different series, among which Honey and Clover, Infinite Ryvius, Phantom and Risky Safety are only a small selection. Toei also has gotten its best background artist on this job: Takashi Kurahashi, who also did the backgrounds for Bake Neko, Mononoke, the Air movie and Hakaba Kitarou.
Why you should not look forward to it: That premise! As if they couldn’t make a shounen boxing series even more generic with these random assassin boxer bad guys. Also, check the director: Toshiaki Komura, the guy responsible for the god-awful Kinnikuman Nisei and the first number of Pretty Cure series. Thankfully that’s a franchise he left now, but it turns out that Toei shifted him to this franchise instead.
First-Glance Potential: 40%

Hakuouki

Summary: The story centres around a female protagonist and the historical Shinsengumi samurai group in Kyoto during the 19th century. – (Taken from ANN)
Why you should look forward to it: Remember Toward the Terra? Well, it shares its director with Hakuouki: Osamu Yamasaki. He also directed a bunch of Mushishi-episodes.
Why you should not look forward to it: Studio DEEN, what the heck do you think you’re doing? You used to be a studio for creative and original premises, but for the past years you’ve been way too heavy on the bishies. And that’s the thing with this series: the director has shown that he can make an awesome series, but on a dating game about bishies? Last Autumn, Kenichi Kasai showed that even the best directors can trip over them and produce crap. It’s all going to depend on how much of the project he will write himself (which thankfully is necessary in a game adaptation), because I’ve been in the mood for another show about the Shinsengumi.
First-Glance Potential: 50%

Giant Killing

Summary: In Giants Killing a ragtag bunch from East Tokyo are struggling in Japan’s top football league. The team is going through an abysmal spell right now where they are nearing the bottom of the table and have lost 5 matches in a row. The losses haven’t done much to team moral, because it was already low. Fan support, on the other hand, is looking bleak. In the world of football, once the fans turn on a team the end is near. Teams don’t recover. Coaches are fired, players are sold, and teams drop to smaller divisions where profits often prevent them from ever being successful against even mediocre top division programs. East Tokyo United, ETU, can only blame their coach right now. And Coach is ready to give up this next game to prove to his team and fans, that against the biggest club in the nation he can make this team win. – (Taken from AniDB)
Why you should look forward to it: Toshifumi Kawase behind the series composition. Very experienced, and this will allow the series to have a solid structure.
Why you should not look forward to it: But really, he should have been the director here: that’s where he’s at his best and directed gems such as Shion no Ou and Higurashi Rei. Instead, we’re stuck with Yuu Kou, infamous for ruining Zero no Tsukaima, and also behind flops as Robby and Kerobby and Monochrome Factor.
First-Glance Potential: 50%

Kaichou wa Maid Sama

Summary: The romantic comedy centres on the student council head named Misaki Ayuzawa who despises the mostly male, slovenly population at her school, which was once an all-boys school. However, Misaki’s most handsome schoolmate just discovered her secret — that she works after school at a maid café. – (Taken from ANN)
Why you should look forward to it: A very strong staff: Hiroaki Sakurai, who also directed Les Miserables, Cromertie High School, Kodocha and GA will be the director, and I’ve become a real fan of this guy’s strong characterization and fresh sense of humour. The woman behind the series composition, Mamiko Ikeda is also very experienced and wrote series such as Victorian Romance Emma, Fruits Basket, Bokura ga Ita and Tsukikage Ran.
Why you should not look forward to it: But yeah, it’s another one of those otaku premises. I never understood the appeal of these maid outfits, nor why SO MANY SERIES NEED TO HAVE THEM. It’s a very weak premise, and a strong staff, so this is one of those series that can go anywhere.
First-Glance Potential: 50%

Hetalia Axis Powers Third Season

Summary: Italy, once home of the strongest empire in the world, has changed. This is the story of Italy, now a cowardly pasta-loving fool, and his friends (other personified countries of the world) as they live through strange moments in world history. – (Taken from ANN)
Why you should look forward to it: The first two seasons, while not the best have been pretty enjoyable comedies with spot-on historical references. It’s good to see this one continued and I’m going to hope to see the return of The Netherlands.
Why you should not look forward to it: With comedy sequels, there always is the matter that most of them just aren’t as good or enjoyable as their prequels. The second season of Hetalia avoided this, but will the third one do so as well?
First-Glance Potential: 60%

Angel Beats

Summary: In a world after death, angels fight for their fate and their future. Yuri, the leader of the Shinda Sekai Sensen, rebels against the god who destined her to have an unreasonable life. On the other hand, Tenshi, the chairperson of the student council for the world after death, battles against the SSS members. SSS members utilize armed weaponry to battle it out against the angels harnessing supernatural powers. – (Taken from AniDB)
Why you should look forward to it: PA Works are a relatively new company, but they’ve really set themselves apart as a top-notch animation company with consistently good animation. It’s also Key’s newest project, so it’s interesting to see how a studio that isn’t Kyoani nor Toei adapts it.
Why you should not look forward to it: But oh, the hilarity. Seiji Kishi is one of the rising comedy talents of the past five years. His comedy series have always been witty, bold, un-subtle and over the top. Trying to combine that with Key’s gentle and sad approach is like trying to make an elephant dance ballet. I can’t say that I’m not interested to see that kind of combination, though. 😛
First-Glance Potential: 60%

Uragiri wa Boku no Namae o Shitteiru

Summary: Sakurai Yuki is a mysterious boy with a mysterious ability. He was found in the bushes as a baby and adopted by his current family. Because of this, Yuki strives for independence. The last thing he wants is to be a burden to anybody. Furthermore, when he touches others, he can feel their emotions. Unable to control his ability, he often made insensitive blunders in the past. With death threats and his abilities increasing, what will happen when a man claiming to be his older brother appears? – (Taken from Mangaupdates)
Why you should look forward to it: Excellent director: Katsushi Sakurabi‘s work on Asatte no Houkou, Rescue Wings and Tsukihime was really good, and the latter showed that he also isn’t afraid to deviate from the original source material. On top of that, Natsuko Takahashi is doing the series composition, and that woman really has a broad, broad experience in all sorts of different scripts.
Why you should not look forward to it: Yeah, this has a lot of potential, provided that the shounen ai elements don’t become too present. And really, I don’t say this because I have something against the genre, but shounen ai series always tend to be so ridiculously cheesy that it becomes hard to enjoy them. However, there have been exceptions. If this show can do something similar to Night Head Genesis, Tactics or Antique Bakery, then we’ve got a potential gem here. If not… then… yeah.
First-Glance Potential: 60%

Shoka

Summary: The action story is set during the turbulent years of the shogunate, as dark forces try to undermine the shogun’s power in Edo-era Tokyo. Shirō Sumiya is the leader of the “Way of the Paper Drawing” clan which captures the chaos of the struggles with rapid brush strokes. Sumiya is summoned to Edo, and his disciples, who have extraordinary powers in their secret drawing techniques, become part of the ensuring battles with giant drawn creatures. – (Taken from ANN)
Why you should look forward to it: Whoa. The Animax Grand Prix is basically a yearly contest amongst amateur writers, where the winner gets his story animated in a one-shot OVA. Up till now, they were mostly simple and innocent kids’ stories, but this looks like something else! Production IG will animate it, it’s directed by Makoto Yamada, an experienced animator who worked on anime as Mind Game, Detective Story, Beyond, Noiseman Sound Insect and various OPs and EDs, the background artist is Hiromu Itou, who did the background art of Noein and Juu Oh Sei. I’m not sure about the story, but I’m expecting a ton of eye candy from this.
Why you should not look forward to it: The length: it’s a shame that this is just going to be an OVA of 20 minutes. It deserves more.
First-Glance Potential: 70%

Working!!

Summary: The story is set in a family restaurant named Wagnaria in the northern Japanese prefecture of Hokkaido. Sōta works part-time among the restaurant’s high-spirited, mysterious, yet cool staffers. – (Taken from ANN)
Why you should look forward to it: Another horeca series, nice. It looks a bit moe, but it’s about adults and Yoshimasa Hiraike, who directed Solty Rei, Sketchbook and Kaleido Star’s second season is bound to make something nice out of it.
Why you should not look forward to it: The animation director Shingo Adachi doesn’t look that experienced. Those looking for action should also look elsewhere.
First-Glance Potential: 70%

Ookiku Furikabutte Second Season

Summary: The series, set in Saitama, follows Ren Mihashi, who had previously excelled as his middle school baseball team’s ace pitcher, due to his grandfather’s connections as its manager. As he graduates to high school, whose baseball team his grandfather does not manage, he initially does not believe he is good enough to succeed at baseball, however, but assisted by his friends, he grows in stature, confidence and skill, helping his team excel with his own ability. – (Taken from ANN)
Why you should look forward to it: Most baseball series feature a pitcher who is incredibly talented. This one doesn’t. I’m still not sure why I ended up dropping it, but the focus on teamwork made this promise to be a very unique sort of baseball series, and I’m going to try and catch up with it in the next month or so. The director, Tsutomu Mizushima may have had his flops, but those were only shallow comedies. He can produce great results when he has to take care of a serious story (just look at xxxHolic). Yousuke Kuroda is also back with this series, and his experience is bound to help both this series and Ring ni Kakero.
Why you should not look forward to it: At this point, I think that the baseball genre is getting over-saturated a bit. Seriously, how long has it been since a baseball series did not air? They’ve all been very good, but I also think that some limit is necessary.
First-Glance Potential: 80%

Senkou no Night Raid

Summary: The story is set in Shanghai in 1931, when the Imperial Japanese Army has been dispatched to mainland China due to the relatively recent First Sino-Japanese War, Russo-Japanese War, and World War I. In this cosmopolitan city of intrigue, there is a special military spy organization called “Sakurai Kikan” that has since been buried in history. – (Taken from ANN)
Why you should look forward to it: Anime No Chikara. This means that this series is not based on any kind of source material, but instead it’s specifically written for the anime format. And on top of that, the spy genre has a lot of potential. A-1 Pictures will make sure for a lot of eye candy. Jun Matsumoto will direct the thing, and he also did Persona – Trinity Soul. While that one could have been better, I’m interested to see what he can do when he’s not bound by a game or other kind of original story, because Persona definitely showed hints of potential. Shinsuke Onishi, who did the series composition for The Third and the script of various Darker than Black episodes also really helps. Also take note of Kazushige Kanehira, who’s going to be behind the art setting. While I have no idea what that entails to, it’s bound to be really good because he also did the same art design for Noein, Birdy the Mighty, Full Metal Alchemist Brotherhood and Ayakashi Ayashi.
Why you should not look forward to it: I’m not that big of a fan of the character-designs, who look a bit too shounen-ish. This premise can really go anywhere depending on where you take it, from a standard depth-less spy story to a complex character-study. So let’s hope that the creators can pull this one off.
First-Glance Potential: 80%

Iron Man

Summary: Born Anthony Edward “Tony” Stark, he is an industrialist playboy and genius engineer who suffers a severe heart injury during a kidnapping in which his captors attempt to force him to build a massively destructive weapon. He instead creates a powered suit of armor to save his life and escape captivity. He later decides to use the suit to protect the world as Iron Man. Through his multinational corporation, Stark Industries, Tony created military weapons and his own metal suit is laden with technological devices that enable him to fight crime. Initially, Iron Man was a vehicle for Stan Lee to explore Cold War themes, particularly the role of American technology and business in the fight against communism. Subsequent re-imaginings of Iron Man have gradually removed the Cold War themes, replacing them with more contemporary concerns such as corporate crime and terrorism. – (Taken from Wikipedia)
Why you should look forward to it: What I especially like about this series: Madhouse has gotten complete freedom from Marvel as to how they should interpret this franchise. They can really take it anywhere, and that’s the exciting part, knowing how Madhouse loves trying out new things. There’s hardly anything known about them apart from that, though. No staff, cast or anything.
Why you should not look forward to it: Superheroes often means really powerful people fighting each other. I’m counting on you Madhouse, to insert some more subtle storyline.
First-Glance Potential: 80%

Rainbow

Summary: Around 10 years after World War II, a group of delinquents are sent to the Shounan Special Reform School and must learn to cope with the atrocities and unfairness they encounter there. A student that had already been residing there when the teens arrived acts as a mentor, teaching them about friendship and guiding them through difficulties. – (Taken from ANN)
Why you should look forward to it: What a premise! Apart from that, hardly anything is known about this series yet, but a bunch of delinquents in the aftermath of WWII has so much potential. I’m really keeping my eye on this one.
Why you should not look forward to it: But yeah: hardly anything is known about this series. Who knows whether or not the staff is competent in handling it or not.
First-Glance Potential: 90%

Yojou-Han

Summary: The story follows a nameless protagonist who is a third-year college student. The protagonist looks back at the earlier years of his college life and his adventures with a particular circle (club). – (Taken from ANN)
Why you should look forward to it: Masaaki Yuasa is back! On top of that, it’s again animated by Madhouse, and aired on the Noitamina Timeslot. What a combo! I’m also very intrigued by Makoto Ueda, who seems to have only worked on live action movies thus far, and I’m intrigued to why this guy of all people was selected to write this series.
Why you should not look forward to it: However, it is a bit of a shame that it’s Noitamina. Why? Because that means that this series is only going to take up 11 episodes. I really would love to have seen what Masaaki Yuasa could do with a 24-episoded series. His series have always been a tad too short to really get their full potential out.
First-Glance Potential: 100%

Sarai-ya Goyou

Summary: The story follows the lives of the House of Five Leaves gang members in Edo-era Japan during the height of the shougun’s rule. In particular, the masterless samurai (rōnin) Akitsu Masanosuke finds himself desperate for work after being let go by one lord after another for his naïvety. He becomes the bodyguard of the House of Five Leaves gang’s charismatic leader Yaichi and discovers there is more to the gang leader than his criminal activities would suggest. – (Taken from ANN)
Why you should look forward to it: Whoa! There are going to be TWO Noitamina-series this season! While Yojou-han already looked very impressive, this is really a series with an all-star cast: seasoned veteran Tomomi Mochizuki who worked on Umi Ga Kikoeru, Porfy no Nagai Tabi, Yokohama Kaidashi Kikou, Fancy Lala and many more will be the director. This is one guy with an eye for creativity. On top of that, he’s been paired with one of the best animation companies you can get: Manglobe. The original creator is Natsume Ono of Ristorante Paradiso-fame, the art director is Michie Watanabe, who also did the art of a ton of Samurai Champloo episodes, the chief animation director Yoshimitsu Yamashita also directed the OP of Blade of the Immortal, among others. And to top things off: the character-designs are done by Kazuto Nakazawa, the director of Comedy. This is going to be a really well written series and a true feast for the senses.
Why you should not look forward to it: Um… yeah. I guess that the composers aren’t that experienced, but who cares?! They’re nowhere near bad.
First-Glance Potential: 100%

Space Adventure Cobra Review – 75/100



Well, so Inspired by Cobra The Animation, I decided to check out the original Cobra series for some good old-fashioned entertainment. Within that, I found myself slightly disappointed, though. In the end, I like Osamu Dezaku best when he takes himself seriously.

But Cobra himself is still interesting to watch, if only for how over the top this series takes his superpowers. This franchise remains one of shallowness: Cobra never really develops and really only remains interesting because of his personality and how he continues to kick ass even with every odd stacked against him. The people he meets are all pretty shallow, and mostly stay forgettable. But at light entertainment, it’ll keep you interested with its action.

Seriously, this is 1982. For a TV-series, the graphics are very well drawn and animated. There is hardly any distorted frame, and the animation cuts no corners whatsoever. I believe that this series, the founding of Ghibli and Macross (which aired around the same time) started the revolution in anime that lead to significantly improved graphics throughout the eighties.

To illustrate my problems with this series however, I think it’s best to compare it to Cobra the Animation. While similar, there are some essential differences that made me actually enjoy the remake more than the original Cobra series, and it has to do with the focus of these series. They’re both both adventure series: the kind that you watch for their simplicity and unpretentiousness. However, the focus of 1982 Cobra lies on killing bad guys. The focus on Cobra 2010 lies on on exploring: meeting interesting places and people. Sure, Cobra 1982 has some creative settings, and Cobra 2010 also kills a bunch of bad guys, but these take a bit of a backseat to the real focus.

The thing is: 31 episodes of Cobra killing waves and waves of bad guys, often ending in him facing some sort of boss, gets old. With the exception of Crystal Boy, all of the bad guys just look like each other, especially the minor ones. The series does try to bring in some variation here and there, but it’s nowhere near enough to really catch my attention.

The thing with series that feature a godly main character who can never be beaten is that you really need to keep it entertaining to make up for their lack of flaws. The key is often creativity: take One Outs for example: a lot of fun to watch despite its complete lack of depth. And then there also is the Cobra of 2010, which despite its low production values isn’t afraid to insert the craziest ideas that prevent it from being boring. The 1982 Cobra however plays it too safe: there just wasn’t enough creativity in it for my tastes and for every nice idea it had three repeated and recycled ones.

Storytelling: 7/10 – Solid direction, but too safe and repetitive.
Characters: 6/10 – Shallow, to say the least. Especially women and bad guys are just paper bags but Cobra has his charms.
Production-Values: 9/10 – Very detailed animation, decent but unimpressive soundtrack.
Setting: 8/10 – Granted, the backstory of the universe that this show is set in does have its set of surprises.

Some Quick First Impressions: Heart Catch Precure

Heart Catch Precure

Short Synopsis: Our lead character is the umpth incarnation of the legendary mahou shoujo.
Holy crap! Pretty Cure has always been a franchise of cheap mahou shoujo series; that’s why I initially dismissed this series. But oh my god. This episode was just awesome: it was everything a mahou shoujo should be! Just one look at that opening scene should tell enough: the utterly gorgeous character-designs, the animation, the music and the tension. Everything was just wonderfully done in this episode. The humour was really funny and adorable. But the best part were the facial expressions: just look at how many different and expressive emotions they managed to convey in just one episode! Seriously, this episode took me by an utter surprise. The question now is: does it also have a good plan for the next 49 episodes. Precure has been… notorious for its repetition, however if it’s really the intention of the creators to finally come up with a good series, then I’m in!
OP: Fun and catchy.
ED: The ugliest part of this show.
Potential: 80%

Night on the Galactic Railroad – Fantasy Railroad in the Stars Review – 85/100



Remember Night on the Galactic Railroad? It was probably one of the quietest movies you can get. In any case, it was based on a story from Kenji Miyazawa, and back in 2007, it was animated for a second time by a digital artist named Kagaya. I was expecting something with cat people again (something that returns in nearly all of Kenji Miyazawa’s adaptations), but instead I got something much more unique than I thought.

If you looked at the screenshots you might wonder why there aren’t any people on it. That wasn’t because I was in some strange mood when I took them. There really are NO PEOPLE, or any other sort of characters in this OVA. We just have a narrator who reads the story of Kenji Miyazawa, combined with visuals and music. She also does the voices of the lead characters, but they never appear on the screen. All this show is is one huge chunk of atmosphere as we travel through all sorts of locations and constellations.

Don’t worry though. This is really an excellent recommendation if you like visual poetry. What this movie does excellently is combining the narrative, dialogue, visuals and music into one. It’s the perfect movie for if you want to relax for about an hour and dream away, and because of the limited storytelling and how we never get to see the characters, the narrative speaks to your imagination to fill in the omitted parts. It’s such a relaxing, yet thought provoking and imaginative OVA.

Which is really helped by an absolutely beautiful soundtrack. Every second of that soundtrack fits perfectly with the rest of the story and visuals, and it’s been very skillfully composed. The visuals themselves are also utterly gorgeous. Nearly everything is in 3D, and not everything is perfectly and realistically rendered, but nevertheless it’s full of eye candy. This is what I meant with the art of cutting corners in 3D animation, back in my Urban Legend Hikiko Review. Everything that matters is rendered beautifully, and the rest, like realistic water or textures. Ah well, who cares. They don’t prevent the visuals in this movie from being awesome.

Fantasy Railroad of the Star really is an engaging adventure and a beautifully imaginative journey across the Galactic Railroad. It’s obviously not for everyone, and you have to be into this kind of stuff otherwise you’re going to be bored out of your skull, but it’s OVAs like this that start off with a great experimental idea, and actually make it work. It’s a shame that it’s taken three whole years for this thing to get released in the west.

Storytelling: 9/10 – A wonderful combination of dreamy narrative, visuals and audio.
Characters: 8/10 – Um, yeah. We never get to see them, but even though words they were a wonderful lead cast.
Production-Values: 9/10 – Beautiful soundtrack, very imaginative rendered visuals.
Setting: 8/10 – You can see that the creators had an extensive amount of astronomical knowledge.

The Future of This Blog

The future of this blog: I have no idea, to be honest. Tomorrow I’m going to say goodbye to my lazy student life, and start a five-month internship. It’s going to be the first time in my life in which I’m full time busy with something. After that, I’m planning to find a job, and move out of my father’s house. 2010 is very likely going to be the year with the biggest amount of change in my life, and I’m going to have much less time to work on this blog.

However, I have no idea how much that amounts to. I have no idea whether I’ll still have the time or energy to blog twelve series every week, and I may have to cut back on that amount. In the same way, I don’t think you can expect me to churn out reviews on other anime at the same speed that I’ve been doing for the past years now. If there are delays in posting, it’s also simply because I won’t have as much time on my hand as I once had.

However, I do want you to know that I have no intention to simply quit this blog. At this point I like blogging and the community too much to just go on a permanent hiatus and stop writing. Unfortunately, with my life about to go through huge changes and with the anime industry gearing more and more towards moe and fanservice, I have no idea how I will be thinking about this in a year’s time.

As for my to-watchlist, I might as well give you an update on its status, for when I do get the chance to watch more of it, I’m about to get to the stuff I’ve been really looking forward to: when I started it out, combining it with any additions I made in the process, I had a list of 209 series to go through. At this point there are only 63 series on that list left. As soon as I get to fifty I can get to the stuff that I’ve really been looking forward to (you know, the Honey&Clovers, etc). First I still want to finish off a few sequels or spinoffs before that, though.

January Summary

Well, so I’ve said that out of all the season in which I’ve been active as a blogger, this one is the worst of them all. There’s not just a lack of new shows in this season, but there also were relatively few series that carried over from previous seasons. However, does that mean that there are only one or two worthwhile anime? Of course not. There still are tons of enjoyable series. Just not as many as usual.

#26 (new) – Omamori Himari – (3/10) – Oh god, this is just the worst. Ripping off just about every generic harem show under the sun, without any ounce of its own content, going for the cheapest and safest way possible, and then thinking it can get away with it. If you like these sorts of shows, then good for you. But I personally hope that shows like these aren’t going to become the norm for anime in the future. Dropped
#25 (new) – Ladies Versus Butlers – (3,5/10) – This is one of those shows of which you’d wonder: why isn’t it a hentai? The plot is just an excuse to show a lot of naked maids getting it on with the lead character. The acting is terrible, the scenario is ridiculously bad. Why try to make this into a TV-series when you can go all the way with the hentai format?
#24 (new) – Kaito Reinya – (4/10) – Cheap flash anime. Dropped
#23 (new) – Chu Bra – (6,5/10) – This show is the product of deranged minds. While I have to give this show points for creativity, I’m just not a fan of this show’s sense of humour. The characters were dull. Dropped.
#22 (new) – Dance in the Vampire Bund – (7/10) – At this point I’ve lost all my patience with Shinbo. Wake me up when he’s not trying to make way too many shows in too little time, creating six generic shows instead of one really good one. Dropped
#21 (new) – Seikon no Qwaser – (7,25/10) – So this obviously is not my kind of series, but at least I’m glad that it chose to not just go for cheap fanservice, but also tries to stuff in some sort of story. But with the kind of fanservice it has chosen for, there’s no way for me to take this thing seriously. Dropped.
#20 (17) – Hetalia Axis Power – (7,25/10) – Nothing much to say about this show for this month. Only one episode aired and it was boring.
#19 (new) – Baka to Test to Shoukanjuu – (7,5/10) – Fun for one episode, but I don’t see the potential for an entire series. Dropped.
#18 (13) – Anymaru Tantei Kiruminzoo – (7,5/10) – Bleh. This month has been a major step down for this series. The cases were repetitive, the characters were predictable and the charms it had in the first 13 episode seem lost now.
#17 (19) – Nodame Cantabile – (7,75/10) – Yeah, this is just as I feared. The creators are putting too much emphasis on Nodame’s quirks and the charms and spirit of the first season seems completely lost at this point. Right now, this series is just another average romantic comedy, and there are plenty of funnier series in this season.
#16 (new) – Ookami Kakushi – (7,75/10) – The mystery and screenplay in this series are very good. But throughout this, it seems to be forgetting one important thing: the characterization! The characters have hardly made any advances through the past four episodes, they’re still the same caricatures that they were at their introduction. I don’t feel like we’ve gotten to know ANY of them better.
#15 (19) – Kimi ni Todoke – (7,75/10) – So this month showed the big climax for the Kurumi-arc. And I have to admit that the drama worked sort-of, but at the same time the creators were just stretching it on for waaay too long.
#14 (new) – Hanamaru Yochien – (7,75/10) – The big flaw of this show is the female love interest. She’s just another carbon-copy of tens of thousands other clueless romantic interests. The rest of the cast however is interesting enough to make this an enjoyable enough slice of life series.
#13 (new) – Cobra the Animation – (7,75/10) – Yeah, very much a guilty pleasure. The plot can be ridiculously stupid at times, but it has the single best soundtrack of the season for me. Plus, I have to applaud the creativity of the creators, and how they’ve managed to throw in quite a bit of neat ideas for Cobra to run into. The visual direction is also very good and overall it’s entertainment… but you don’t want to watch it with a straight face.
#12 (new) – Katanagatari – (8/10) – I really like the deadpan execution of the seemingly endless dialogues in this series. This show has subtle wit, the characters have their charms an the graphics looked fresh and pleasing to the eye. It’s not anything deep, but it knows how to make fun of itself and yet carryon with a serious story.
#11 (16) – Kaidan Restaurant – (8/10) – Long hiatus is looooong, but surprisingly, I’ve been looking forward to this show’s return. Here’s something I did not see coming, but I’m still very much enjoying this series’ bite-size chunks of horror (pun sort-of intended).
#10 (10) – Tentai Senshi Sunred – (8,25/10)

We’re past forty episodes and this series still is able to consistently raise laughs. I’m glad that this sequel was made with plenty of inspiration in mind.

#9 (new) – Gag Manga Biyori + – (8,25/10)

It has the same bizarre sense of humour as the first season, and I’m enjoying this series a lot. The pacing has to be among the fastest I have ever seen. Just one thing: was I the only one who had a bit of a deja vu moment at episode 4?

#8 (14) – Letter Bee – (8,25/10)

In this month, this series has won me over. The fillers are just as good, if not better at times, than the manga-material, and even though this series is episodic, it makes very well use of its formula.

#7 (new) – Sora no Oto – (8,25/10)

While it has its flaws and a bit of an idiotic lead character, I’ve found a lot to like about this series so far. The characters start out a bit one-sided, but the past four episodes have already given them much more depth than I could have expected. The real gem in this series is the setting, though. It’s a true mystery of where this series is playing, and the creators put in tons of little details to make us guess and wonder what’s going on at the background of this series.

#6 (15) – Kobato – (8,5/10)

In this month, Kobato really grew on me. The build-up has worked, and it’s no longer that moderately enjoyable series, but Kobato has become a wonderful character to watch, and the side-characters all have their charms, despite the simple storyline.

#5 (9) – Marie&Gali – (8,75/10)

Marie&Gali has possibly become even better this month now that it removed one of its very few weaknesses. It’s true that Marika once was a bit of a Mary Sue, but even that is completely gone with the past few episodes, in which she has crawled completely out of her shell. And really: it’s still an over the top fun-filled science adventure that sparkles with creativity.

#4 (6) – Cross Game – (8,75/10)

This show still manages to deliver incredibly charming and witty slice of life. The characters have really grown to me at this point, and they’re just consistently enjoyable to watch.

#3 (new) – Durarara – (8,75/10)

Out of the newly debuted series, this is without a doubt my favourite. A terrific style, every episode so far had a different style of storytelling, it’s varied, the characters are charming, the dialogue is well written and the scenario is very cleverly constructed. I’m very much looking forward to more of this, especially considering it’s going to be 24 episodes long.

#2 (5) – Full Metal Alchemist – Brotherhood – (9/10)

This series just keeps getting better and better now. The back-story just continues to get fleshed out, and the huge cast just gets more and more complete with every episode. Bones’ animation as done a wonderful job so far and I’m getting more and more excited with this series.

#1 (2) – Armed Librarians – The Book of Bantorra – (9,25/10)

This season, I have no doubts whatsoever in choosing my favourite show: this one. It just continues to weave all sorts of fascinating storylines into one and it does so with an incredible amount of creativity. The direction is so powerful that it makes a treat out of every single episode.

Full Metal Panic! – The Second Raid Review – 80/100



Okay, so for those who missed it: I am not going to review Fumoffu because I don’t want to sit through a comedy I don’t enjoy. I do want to say a bit about why I didn’t like it, because the comedic moments of The Second Raid also turned me off for the same reason. For me, the creators took Sagara’s antics way over the top. In the first season he was a bright kid, who just had trouble adjusting in normal society. In the subsequent series, the creators try to make use of every light-hearted moment in order for him to do something outrageously stupid, only for Chidori to smack him in an over the top fashion. My biggest problem was that it wasn’t just not funny, but it also turned Sagara into an idiot and this plagues him throughout nearly the entire Second Raid.

As for the rest of this series… I’m really troubled judging it. During the middle part, I was really ready to label this series as superior to the first season. Even though Gonzo’s version of Sousuke was superior, Kyoani added a lot of extra things. The animation was far superior and the visual direction, and the small details within the storytelling were great to watch.

However, as the series drew near its finale, and Sousuke and especially his angst got more and more screentime… something just didn’t work for me. There was so much potential for this storyline and yet the creators waste so much time on Sousuke angsting over and over. It goes up to the point where his angst gets in the way of just about everything, preventing the minor characters from really shining.

And then came the ending. Seriously, what is it with Kyoani and Deus ex Machina endings? I’m trying not to spoil it, but the final episode was poorly built up, tried to do way too much character-development in way too little time, tried to wrap up its patiently built-up storyline way too fast. It felt way too convenient. A huge shame, considering how much potential there was in this series. It would even have been better if the creators just left a few more plotholes open, perhaps for a potential fourth season to address.

So yes. I may be the only one in this, but I actually enjoyed the Gonzo version more. With all the hype that surrounds it, I really expected something more from Kyoani’s version. It was undoubtedly more refined and superior in technical terms, but I just never liked Kyoani’s sense of humour, and this series misses the charms that made me enjoy the first season so much. This mostly is due to Sagara’s “derailment”, but also the villains themselves were surprisingly disappointing: none of them really matched the Gauron of the first season. They were all just too busy with their own quirks to really make an impact on me.

Storytelling: 8/10 – Excellent in technical terms; very creative, but the overall plot fails to make use of this potential.
Characters: 7/10 – Disappointing lead character and villains, though some of the side-characters have their moments of greatness.
Production-Values: 9/10 – Very highly detailed, very smooth animated. No complaints whatsoever.
Setting: 8/10 – Detailed military background forms a pretty solid base for this series to work with.

Macross Plus Review – 87,5/100



Yeah, this is it. Macross Plus has without a doubt turned into my favourite installment of the Macross Franchise. Directed by Shinichiro Watanabe, it turned into an amazing character-study of its three lead characters. It’s much less chaotic and whimsical than your average Macross series, and instead it is a very focused story about fully grown adults and the relationship between them.

These three lead characters are the ones who make this series, but what also supports them is a rock-solid sense of storytelling, who knows exactly how to use its airtime to the fullest, giving a great balance between action, drama and build-up. Especially the final episode, in which everything comes together, is an amazing episode that allows the best of these characters to rise.

If I had to mention a flaw, then it’s that some of the side characters just seem… shallow. And I mean that in the way that they only seem to exist or do stuff, for the sake of advancing the plot. Sharon’s executive, for example. His actions had great result, but the guy himself was just a stereotypical evil villain who was evil for the sake of being evil. And while the ending itself is amazing, I’m a bit disappointed by the lack of an actual epilogue to wrap everything up.

For a Macross Series, the animation is perhaps not the most impressive out there, but still very good and fluid, especially considering the year in which this was produced. The animation is very smooth and the artistic direction is also very powerful. The soundtrack is an awesome one as well.

So yeah, now I finally understand why the Macross Franchise is held with such a high regard. The other Macross series I’ve seen had their charms here and there, but for me they mostly stood out through their eye-candy, not their substance. I’d probably rank them in the following way, from least favourite to most:
5). Do You Remember Love? (Lacks the charms of the series it recapped)
4). Macross Zero (Great visual direction but a chaotic story)
3). Macross Frontier (Great middle part but disappointing beginning and finale)
2). Original Macross (Great insight on the Zentradi)
1). Macross Plus (Great character-study and storytelling all around)

Storytelling: 9/10 – Focused and powerful.
Characters: 9/10 – Very well detailed and fleshed out lead characters with an excellent chemistry.
Production-Values: 9/10 – Very smooth animation, great soundtrack.
Setting: 8/10 – Some things exist just to forward the plot, but otherwise a good addition to the Macross Universe.

Macross Zero Review – 77,5/100



The Macross Franchise has always been one of eye candy, and Macross Zero does not disappoint in the slightest. As the first Macross of the new Millennium, the graphics are utterly gorgeous. The CG is a bit unrefined at times, but the way it’s animated and contrasts with the background; the huge explosions and vivid and detailed animation. If anything, you should be watching this OVA for its amazing visuals. The audio? Again, beautiful. The best of the Macross franchise that I’ve seen (meaning the Original Macross and Macross Frontier).

But what about the rest of the OVA? Um… yeah.

I think it’s best described as “chaos”. Macross Zero is typical of Shouji Kawamori; both the good parts and the bad parts. The story has some interesting parts; there are a number of interesting characters, but at the same time it just feels so incomplete. I found it very confusing to try and figure out what everyone’s motives and ideals were throughout these five episodes. The creators like to introduce things without any build-up whatsoever and overall the storytelling feels very unbalanced.

As for the characters: I loved native side-characters. It’s just too bad that they hardly got any airtime. The lead characters didn’t impress me too much. The male lead is yet another bland teenager who somehow is authorized to fly a jet fighter. The female lead character is just way too naive. Their whining often gets in the way of the story and especially that female lead just keeps going on and on about her ideals and how you shouldn’t mess with nature and stuff.

I admit that at times she has interesting points about war versus nature, but at others we just see Kawamori taking another chance to shove his enviromentalistic ideals down your throat. On the other side, the main villains are also pretty shallow. There was just nothing that made me interested in them.

So no; as substance, this OVA rather failed. However, as entertainment it more than succeeded, it only because of the beautiful visuals and its amazing visual direction. Especially in the final episode this stands out like no other: the story becomes just ludicrous at that point, but oh, did it look pretty.

Storytelling: 8/10 – The story is poorly balanced, but the visual and technical direction rocks.
Characters: 7/10 – Unappealing teen-aged lead characters whose whining often gets annoying.
Production-Values: 9/10 – CG looks a bit out of place, but other than beautiful.
Setting: 7/10 – Way too little back-story and too preachy at times.

Some Quick Reviews: Bungaku Shoujo, Two Walnuts and Kowarekake no Orgol

This is a bit of an experiment. All these three titles are pretty short and I don’t have much to say about them individually, but I might as well make a combined entry that talks a bit about all of them.

Bungaku Shoujo

This one’s a strange 15-minute special about a girl who loves books so much that she eats them. Seriously, she imagines the stories she reads very vividly and compares them to food, only to eat the paper the stories are written on literally. While I liked some of the food analogies, I overall fail to see the point of this release. To me it just seems like a really long commercial for the manga, light novel or whatever this story is based on. There is potential if it can get itself a proper TV-series: if they can make this into a sort-of story about stories, and put more emphasis on the latter than the former unlike what was done here, it might become interesting enough to warrant a watch. But even then it’s going to have to really put work in making its characters interesting. This OVA though… I can only imagine recommending it to someone who already is interested in the source material to have a quick look on what it is about.
Rating: 70/100

The Two Walnuts

This has to be one of the lazier premises of a World War II movie I’ve seen. Instead of just taking a person who actually lived through the hellish period, and expanding upon his or her life, the creators just had to take a kid who lives in 2007 and magically transport her back to a few days before the bombing of Tokyo. The rest of the antics are predictable: while the creators did well in showing the hardships of those times (especially the cruelty to animals is a major theme) it’s just all too easy for the lead character. At the end the creators try to create sympathy by going Tomino, but the melodramatic way in which these deaths are acted out is just a mockery of the real Tokyo Bombings. Stay away from this one, if you want WW2-movies: instead go with those from the eighties and nineties.
Rating: 65/100

Kowarekake no Orgol
Again, this is just a random commercial for whatever manga or visual novel it’s based on. The problem is that it was unbelievably boring, and what impressed me the most was how it kept dodging any sort of explanation of what’s going on. Seriously, every time that it’s about to explain something, it quickly cuts to some sort of boring slice of life scene. That doesn’t really work in a one-shot OVA. At this point we have some sort of story about a guy who finds a broken down android, who dies and wakes up again a couple of times, but how and why are never explained. And on top of that, the characters themselves are boring and cliched, especially their back-stories (or whatever this episode dared to show of them, anyways). It’s obviously a slice of life OVA, so if you like that then be my guest and ignore this mini-review, but for me I only find slice of life around characters I don’t care about boring.
Rating: 60/100