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Some Quick First Impression: Shiki, Strike Witches 2 and Stitch! Zutto Saikou no Tomodachi

by psgels, posted in Shiki, Some Quick First Impressions

Shiki

Short Synopsis: Our lead character is a typical teen-aged girl who doesn’t like the place she’s grow up in.
Well.. so this series really has an issue with its character-designs. The unimportant characters are fine, and the females range from decent-looking teenagers to actually great looking parents. But the males, dear god, the poor males. Some of these guys look absolutely atrocious. What were the creators thinking here? Either way though: putting that aside, then this was a really excellent first episode. The direction was snappy and creative, and it proved to give a great cliff-hanger to its first episode. The horror was subtle yet at the same time in your face when it mattered. This is another one of those series that play in an isolated Japanese village, and the creators did a really good job in portraying the silent and remote nature of this village, full of older people and farmers about to hit retirement. The art direction was really good, and really made this episode interesting to look at whenever the males weren’t in the picture. This episode already showed that it’s great at building up an atmosphere and fleshing out a single character over a single episode. Noitamina looks like it’s going to be awesome this season as well!
OP: Best OP of the season.
ED: Hmm, badly sung.
Potential: 90%

Strike Witches 2

Short Synopsis: Our lead character originally thought that she wouldn’t be fighting anymore, but returns to the battlefield anyway.
Strike Witches… makes no sense. Seriously, any attempts to give any logical criticism to it are the equivalent of gathering a small army to kick in an open door, so therefore I won’t. Instead, it’s a series that’s all about its characters, and weird ideas for its setting and scenarios. Since the first season was obviously produced without this second season in mind, this episode merely serves to put things back into status quo by pulling the lead character out of retirement and having the enemies that were previously thought to be destroyed return. Right now, the second season will probably have more time to explore the different characters, plus it looks like we’ll also get more dime to delve into the cause of all of the evil monsters, which never really was explained in that first season. Either way, this episode pretty much showed that this really is going to be much of the same: if you liked it, then you’ll probably like this series as well as it wasn’t an entirely shallow series, and if you hated it you’re going to hate it even more because nothing much has improved. Personally, it wasn’t that much of a chore to watch the first season, but did it deserve the incredible amount of DVD sales? Of course not. This series is fluff. Charming fluff, but fluff nonetheless.
OP: Pretty much a carbon copy of your standard OP
ED: Pretty much a carbon copy of your standard ED
Potential: 35%

Stitch! Zutto Saikou no Tomodachi

Short Synopsis: Our lead character moves to a new high school with her troublesome alien friend.
I watched the first episode of this one back in 2008, so I figured that I might as well check out what happened to it. But seriously, it has really derailed in the process! The show devolved into some really weird combination between japanese and american kids’ shows. The villains are terribly incompetent morons like you always see in those uninspired american kids’ shows, while this episode showed the lead character as she moved to a new school, gets the attention of the hottest classmate and makes enemies with a spoiled rich girl, in typical Japanese fashion. I mean, East meeting West is nice and all, but that still is no excuse for a kids’ show to treat its audience like idiots. I mean, there are times at which this series tries to educate its audience when Stitch causes trouble (seriously, this thing is like a trouble magnet. For him, entering a door becomes an entire adventure of hopping across the room while breaking as much in the process as possible), but right at the start we see him steal a bunch of donuts and nobody even squeaks at it. Be consistent, dammit!
OP: I really believe that the creators should have put more than 2 minutes into composing this thing.
Potential: 0%

Maison Ikkoku Review – 92,5/100

by psgels, posted in Anime Reviews



96 episodes. I know that it’s a huge task to watch this series, especially when it’s filled with slice of life. But heck, who cares? This series deserves every inch of its status as a classic. Heck, it’s by far the best romance I’ve ever seen.

I mean, the big danger with these incredibly long series is that they spend too much time dragging on, or repeating themselves. That’s not the point of Maison Ikkoku, though. It’s here to really deliver the every day lives of its lead characters, and we follow them through EIGHT YEARS of their lives. We start at the point at which the lead character (Godai) tries to get into college, and we get to see the progression of him and the ones around him through his college years, up to the point of him, trying to find employment. There is a HUGE amount of character-development in this series, and you know what? It’s handled even better than Touch.

Along with the every day lives, this is a series that continues to tug against the characters and their relationships with real and identifiable problems. At times it may go a bit overboard with the misunderstandings, but it always finds very down to earth methods to solve them. This series also masterfully uses the cultural norms and standards of Japan in the 1980s in its drama, like the desire for women to be ‘pure’, the focus on marriage, or the tight job market. There’s always something going on in this series and when it drags out, it really drags out to get the best out of the characters, rather than stalling for time.

Some of the characters of this series are hard to get into: they’re the types of unlikable bastards who leech off others and enjoy the misery of the easy victims. Flawed as they are though, these people also have the charms that grow with you as the series continues. They’re all portrayed real people, rather than the usual stereotypes who only can live off their gimmick. Throughout the entire series, they’re annoying, but for once they’re annoying in a lovable way.

But what really blew my mind about this series was how well it was technically executed. I mean, this series has the best animation of any Studio Deen series I’ve seen so far, and that for a series with nearly a hundred episodes! Animation is smooth and detailed, characters move as life-like as possible and there are less still frames than in most 24 episoded series nowadays. The way that the series portray all of the different feelings and emotions, from anger to love to hangover, is done very realistically. And it keeps this standard up throughout its entire run, with only a few noticeable hiccups.

Rumiko Takahashi… yeah. She really is a genius when she wants to. This series even blows series from Mitsuru Adachi out of the water with its depth and execution. I wouldn’t call it perfect, though. There are times when it uses coincidences too much in order to get two characters at the right place at the right time, and its characters can be quite dense at times. But even there: it’s a pretty realistic portrayal of denseness. It’s not like we have characters like Hanamaru Youchien here: characters here have trouble getting romantic hints, but they’re in no way stupid enough not to notice the obvious signs thrown in front of them. In fact, everyone in the series has his or her moments of stupidity and intelligence. Either way though, if you want the best romance anime out there, then I really believe that this is the series you should check out.

Storytelling: 9/10 – Makes excellent use of its 96 episodes, it’s really good at building up, really succeeded in bringing the source material to life. Sometimes it uses too many coincidences, though.
Characters: 10/10 – Absolutely fantastic. Wonderfully portrayed, fleshed out and developed.
Production-Values: 9/10 – For its time and length… very impressive. Detailed in its movements, and surprisingly few corners are cut.
Setting: 9/10 – This series has ton of slice of life, but exactly because of that it’s able to offer a very detailed portrayal of what people in their twenties, more than twenty years ago must have gone through.

Suggestions:
– Touch
– Saiunkoku Monogatari
– Victorian Romance Emma

The Seamifinals of the Aniblog Tourney

by psgels, posted in Special Articles

Silly puns aside, we’ve reached the semi-finals. Yay!

Today’s opponent is without a doubt the strongest I’ve had to face so far. Heck, they already existed before I even knew what an anime blog was. As usual, you can find the link to the tourney here:

http://aniblogtourney.wordpress.com/2010/07/06/semi-finals/

And also, don’t forget to check out Sea Slugs Anime Blog, if you haven’t already done so. 😉

Some Quick First Impressions: Digimon Xross Wars, Tono to Issho and Nurarihyon no Mago

by psgels, posted in Nurarihyon no Mago, Some Quick First Impressions

Digimon Xros Wars

Short Synopsis: Our lead character is the legendary hero who can save the world from an invasion of Digimon.
Well, so this was going to be the biggest question-mark of the season. It’s digimon… but focused on an even younger audience. Would that really be able to work? Well… after watching this episode… it seems that the creators intend this to be one of those cheesy mecha series from the seventies and eighties, and I don’t mean that in a good way! Battles descend in flashy transformations in which the good guys are able to wipe out hordes of evil digimon at once, everything is unnecessarily spunky. The direction unfortunately also sucks. Things just… happen. There is no build up, no attempts to create suspension of disbelief, it’s just an adventure of a bunch of kids who happen to have superpowers. I will say this though: it is better than most other kiddie shows. There’s a hint of drama, and one or two scenes actually didn’t have cheese. But yeah, let’s face it: this one’s never going to be as good as Digimon’s first season. I know it’s a kids’ series and all, but that’s no excuse to look down on them and treat them like idiots.
OP: Decent enough.
Potential: 10%

Tono to Issho

Short Synopsis: Our lead character is a famous person in the Sengoku era.
So… if you were wondering whether the tv-series improved on the OVA… don’t bother. IT’S EXACTLY THE BLOODY SAME! Seriously, as it turns out, the tv-series is just going to consist out of the OVA, chopped up into episodes of ninety seconds. I mean… eh?
ED: The only thing new, but still crappy.
Potential: -70%

Nuyarihyon no Mago

Short Synopsis: Our lead character is the grandson of some lead of some large youkai family.
Some shows go all out with their first episode. This one didn’t, but there still is enough to like left. This episode was wonderfully subtle for a shounen series. There’s no overacting, there is no fanservice, the lead character isn’t some cocky idiot who charges into fights, and yet the drama that’s there is handled really well. The characters get to say what they want to say without going over the top, and this episode already established the lead character beyond a mere caricature by showing how he chose to grow up as a normal human, despite the house full of youkai he’s raised in. I especially want to praise that soundtrack, which turned out to be really atmospheric and added an extra layer of emotional depth to the dramatic scenes. The series still is a bit childish, as we see a lot of scenes of middle schoolers, hanging out with each other, but there was nothing bad about them. There were no obvious stereotypes or characters who abuse their own gimmicks, it pulled no cheap tricks, nor were the characters acting way too stupid for their own good. The youkai designs range from cute to simple to actually quite beautiful and well drawn. Overall, a solid start to a series that surely is still holding back a lot of its cards.
OP: Decent at first sight, but it has this innocent charm to it.
ED: Um… yeah. Why does this work so well?
Potential: 85%

Some Quick First Impressions: Seikimatsu Occult Gakuin, High School of the Dead and Seitokai Yakuindomo

by psgels, posted in High School of the Dead, Seikimatsu Occult Gakuin, Some Quick First Impressions

Seikimatsu Occult Gakuin

Short Synopsis: Our lead character is the daughter of the head of some supernatural high school.
How awesome. This was everything a first episode should be! Funny, entertaining, tense, mysterious, intriguing, engaging, this episode was all of it. I was really afraid of the way that the promo material portrayed the lead characters, but there turned out to be no need to worry. The female lead at least is a very colourful character, and most importantly: this episode really wasted no time to delve into her background. It just went “screw carefully introducing characters and waiting with their background until the last minute. We’ve got only thirteen episodes here, you know!” This episode was full of weird and entertaining plot twists that had a ton of charms. The jokes were quite creative, and most importantly: while it definitely made its characters out to be a bunch of oddballs, it never turned them into idiots. Especially the part in which that ghost pretended to be the lead character’s dead father, she really saw through such a shallow trap immediately, instead of getting all sentimental about it. However, I do have one thing to say about this episode, and this is a pretty big issue: this clearly was a “let’s go all out with our first episode”-first episode. That is NO EXCUSE for the show to dull in after this. This has the potential to become a classic if all the episodes are of this caliber. However, will the creators really have enough material to make every single episode entertaining, or will they just descend into random fluff after this?
OP: Very neat art there.
ED: A decent ballad
Potential: 95%

High School of the Dead

Short Synopsis: Our lead character is in a school full of ZOMBIES
Yeah, it’s pretty much like expected. The story itself has the depth of a paper bucket, we have a school zombie invasion and your average teen-aged lead happens to be one of the few who manages to escape, along with his love interest. There’s a ton of fanservice as well. Does that matter, though? Of course not! This is just one of those shows that knows exactly what it is: adrenaline. This episode was a great taste in what is about to come, with a tight and over the top atmosphere, with a lot of passion and overacting. Right from the start, this would be a series that’s going to sell itself with its action, and well, in this episode it accomplished its mission! On the cliche side of things, though: while there are definitely cliches here and there (the childhood promise being the worst of them), the lead characters for once aren’t actually useless or weak. the lead female practices martial arts, while the lead male has also showed that he can kick zombie ass.
OP: Decent J-rock, though nothing special.
ED: Again, decent j-rock.
Potential: 75%

Seitokai Yakuindomo

Short Synopsis: Our lead character gets to be in the student council in a school with 90% females…. they’re not even trying anymore, are they?
Oh boy, oh boy! I hope that you’re a big fan of short-jokes, because this series surely has enough of them in its endless attempts to remind us that one of the characters is short. Seriously, the people from GoHands are terrific animators. So why the heck do they keep spending their time with these incredibly stupid premises? While not as bad as Princess Lover, Seitokai Yakuindomo is yet another one of those series in which we get to see cute girls with the depth of a paper bag parade around the screen, all around one male character who gets his usual harem. The jokes here… were terrible. They’re not funny, and some of them get repeated endlessly. I doubt that many people who visit this blog were planning to check this one out, but still: there are so many better shows of this kind. I don’t see anything that sets this series apart from its ilk.
OP: Glad to see that the jokes that the series plans to drag out in the rest of the series are even more terrible than what they showed in this episode.
ED: Obnoxious.
Potential: 0%

Full Metal Alchemist – Brotherhood Review – 92,5/100

by psgels, posted in Anime Reviews, Full Metal Alchemist - Brotherhood




Because the first season of Full Metal Alchemist went with its own story, it turned out to be one of the most famous anime of the decade, and the manga was finally about to finish, it maybe wasn’t much of a surprise that Bones ended up animating the story of the manga. And they really made sure to give it a top notch treatment here!

Especially in the past few years, the trend has grown in which series should consider themselves lucky if they can get 26 episodes, or even enough time to animate the entire story on which they’re based. Full Metal Alchemist is different, however: with 64 episodes, it received just the right length in order to tell the full story of the Full Metal Alchemist manga, and boy is it an awesome one!

The story here is completely different from the first season, but I ended up liking it a lot better with the different focus. It’s still focused on a ton of action-scenes, but the story around it is deep, well fleshed out and mature, especially for a series with many shounen elements. The world that the series is set in is well fleshed out, multi-layered and quite detailed.

Another huge focus of this series is the time it spent on characters preparing. With the epic nature of this series, a lot of time is actually spent on the lead characters, finding allies to help them. The cast of this series is huge, but everyone in this series has his or her own part to play in the large scheme of things. The length also allows the creators to really look at all of them and their motivations, backgrounds and purposes, in order to make all of them unique, with excellent results.

What you get is an epic action series with plenty of depth to come by, carefully paced and wrapped up in the end with a finale that’s full of adrenaline. However, you should note that the first fifteen episodes or so follow pretty much the same story as the first Full Metal Alchemist TV-series, and it’s clear that at that point, the creators try to get through these parts as fast as possible in order to get to the new material, compared to the very slowly paced first season.

It of course depends on how keen you’re into seeing the same things again, but there are some notable differences between the two. Brotherhood cuts some of the useless fluff of the first season away, like the moments that were just there to show contrived situations for the lead character to save the day, though it also cuts away a lot of the minor character-building scenes. Don’t worry though, because after 16 episodes, the series continues with a completely different story that in my eyes completely surpasses the original Full Metal Alchemist.

It’s a definite recommendation if you’re looking for something epic. Despite being 64 episodes, Bones keep a surprisingly good animation quality throughout the series, especially the action-scenes themselves look gorgeous for such a long series. The soundtrack also fully captures the grant atmosphere of the story, and will make sure for a show that will keep you entertained.

We here have a series that really made excellent use of its opportunity to finally show an epic story that goes beyond even 52 episodes, while always keeping on track and not losing itself somewhere in the middle. The creators had a really excellent manga to base themselves on, and even though they did not keep to the manga for 100%, the way they brought it to animation still deserves to be applauded.

Storytelling: 9/10 – Well paced and varied in the long run, exciting and engaging in the short run.
Characters: 9/10 – A ton of different characters, most of them get their chance to show off themselves and get some depth. Plenty of character-development as well.
Production-Values: 9/10 – Great animation from Bones, plus an excellent soundtrack.
Setting: 10/10 – Excellent in its depth and multiple layers, focusing both on the big picture as the individual details. Successfully brings many different stories together.

Suggestions:
– Bounen no Xamdou
– Vision of Escaflowne
– Nadia – The Secret of Blue Water

Kuruneko Review – 80/100

by psgels, posted in Anime Reviews



Ever since 2009, we’ve seen a huge influx of series with really short episodes. Setting aside the obviously awesome Gag Manga Biyori and Marie&Gali, most of them were just mindless fluff. Kuruneko however, turned out to be a surprisingly good one. It’s a very relaxing slice of life series about a woman who lives together with her cats, and it’s got quite a bit to laugh at as well.

This is another one of those shows for cat lovers, but it’s also very different from Chi’s Sweet Home, for those who were expecting similarities. It’s true that both series are about the adorable antics of a bunch of cats, but Kuruneko is much more calm and relaxed. The jokes are delivered with wit, rather than energy. Another big selling point is just the downright adorable way in which the woman voice overs all of her cats’ dialogues. Throughout the series you really come to know her as a genuine animal lover who really enjoys the company of all the different cats around her, despite the troubles they tend to cause.

What also helps here is that this series evolves over time. We start out with just one cat who lives together with the lead. Over time, we get to see new additions to her family as they grow up from cute kittens to fully grown felines. While it is a comedy, this is one of those series that’s also very enjoyable to watch when it’s not funny, due to the subtle charms of the characters, combined with how all episodes are just two minutes long.

This was a series that I could always count on to relax me. Akitaro Daichi definitely pulled it off. However, this is Akitaro Daichi we’re talking about. He’s capable of directing so many awesome series, and it’s been years since he really came with an ambitious series. I’d love to see him push himself to his limits again, like what he did with Now and Then, Here and There or the second Jubei-chan series. This is a very safe and easy to create series, especially for someone as talented as him. It’s nice that Kuruneko is going to have a second season and all, but damn: show something more about yourself, dammit!

Storytelling: 8/10 – Subtle and witty, yet relaxing.
Characters: 9/10 – We really get to know these characters and see the cats all grow up. Very solid for a supposed comedy, these characters are enjoyable to watch even when they’re not funny.
Production-Values: 7/10 – Very simple graphics that don’t stand out.
Setting: 8/10 – Um, yeah. Not the focus at all here, but doesn’t get in the way.

Suggestions:
– Chi’s Sweet Home (the first, stay away from the second season).
– Niea Under 7
– Tetsuko no Tabi (if you can find it, that is)

Some Quick First Impressions: Mitsudomoe, Shukufuku no Campanella and Kuroshitsuji II

by psgels, posted in Kuroshitsuji II, Some Quick First Impressions

Mitsudomoe

Short Synopsis: Our lead character has to teach a class containing three really annoying problem children.
Granted, some of the jokes in this episode really were terrible, but this still is a series that turned out better than I expected. I thought that this would be another one of those dull moe series like there are so many of this season, but it actually got a number of chuckles out of me. There are a ton of problems in this show, and some parts are just plain wrong, but I admire that in the genre of moe comedies, it attempts to do things a bit different by having cute girls make no attempts at acting likable. There are a TON of fanservice jokes in this series, but think of it this way: who didn’t at the age of ten make tons of stupid sex jokes that you didn’t understand? At the moment, some jokes worked and others didn’t, so this series still can go anywhere at this point. The biggest problem with this episode was its forced stupidity. The teachers are supposed to be the straight men in this series, but at times they fail their job at building suspense of disbelief. At a certain point the girls all asked the male teacher to pull down his pants, and he just obliged to that request without questioning it, just for the sake of a small penis joke. As a straight man, you should build up some sense of realism that can be broken by the comedic characters. This guy is unfortunately too bland for that, and his female teacher love interest is just entirely terrible.
OP: Obnoxious, yet somehow catchy.
ED: Hmm, works surprisingly well.
Potential: 45%%

Shukufuku no Campanella

Short Synopsis: Our lead character is a mind-numbingly boring git.
I… have nothing. Seriously. What was that? It’s these kinds of series that really give anime a bad name. I already suspected that this show would be bad, but the depths that this series would reach were even beyond my imagination. This series is just… unbelievable in how incredibly dull it ended up to be. The characters, the dialogue, everything seems so designed to sap any sort of energy out of its viewers. The characters, and I mean EVERY SINGLE ONE OF THEM, become a goddamn chore to watch and listen to when they open their mouth. They just kept yapping and whining about the most pointless stuff, but the worst part was the way in which the creators seem really keen on reminding us viewer how incredibly beautiful the main cast is. Seriously, they just keep going on and on about that. The only way in which this show stands out is that girls can now get pregnant at the age of three. Worst show of the season BY FAR, this is pandering at its worst.
ED: Generic J-pop
Potential: -50%

Kuroshitsuji II

Short Synopsis: Our lead character has some sort of uber butler.
Okay, let me first explain how I went into this series: I have only seen the first episode of the original Kuroshitsuji, and I don’t really feel like checking it out at this point. The first episode felt too formulaic, it tried too hard to make Sebastien look cool and Ciel like a damsel in distress. It was too forced. However, with the new staff, new cast and new approach, I became interested in checking out the second season. And holy hell is it an improvement! I’m not sure whether I can watch or blog the rest of the series without knowledge of the first season, but nevertheless, this episode was wonderfully camp. The lead character here is an just crazy, and his butler here does things ten times crazier than what I saw in the first season. The scene especially between him and his maid was just…. WTF-worthy. And at the same time, the creators also managed to stuff in enough depth on the inner psyche of this kid, along with the weird relationship he has with his butler. It was wonderfully acted, it went over the top, yet it also had plenty of quiet and subtle moments that gave a ton of depth to these characters. Here’s definitely a big surprise this season.
OP: Standard J-rock, but very nice visuals.
ED: Nice ballad
Potential: 85%

Yojou-han Shinwa Taikei Review – 92,5/100

by psgels, posted in Anime Reviews, Yojou-han Shinwa Taikei




The Noitamina time-slot surely rocked beyond belief this season. Alongside Sarai-ya Goyou aired the possibly even better Yojou-han Shinwa Taikei, the latest product of Masaaki Yuasa of Kaiba-fame. This time, he went for a ton-of-dialogue artsy character-study slash college life series, in which we follow the lead character as he explores a wide variety of different clubs and lifestyles during his years in college throughout many parallel dimensions. And it works out wonderfully.

At first sight, the way in which this series keeps resetting itself after every episode may seem weird at first, but it actually was a brilliant method to flesh out its different characters. Because of its very frequent resets, this stands out even more than series that did similar things in the past, like Higurashi and Umineko. Because of this, we get to see a ton of different sides of the characters that would never have been able to been shown without these resets, and the most important part is that we see Watashi develop in many different ways throughout each episode. The different side-characters all have their own parts to play in Watashi (the lead character)’s world and everything comes together wonderfully in the final episodes.

All of this is accompanied by some truly excellent dialogue. This series is based on an actual novel, rather than a manga or light novel, and it really shows. The dialogue is incredibly fast and you really need to pay attention to keep up with it, but as a narration it offers very detailed descriptions of the situations that Watashi finds himself in, which is nearly always very imaginative in the ways that it does so, with quite a number of witty remarks.

One potential pitfall could have been for the series to lose itself in either its dialogue and visuals, but neither happens. There are a ton of details stuffed into this series in order to make all episodes stand out, but in the same way the main message and characters remain deceptively simple on the outside. In comparison, while Kuchuu Buranko felt a bit like a loose cannon at times, every moment of Yojou-han is instead meant to bring colour to the life in which Watashi is living, and build up for the episodes that are still to come. Because the huge amount of building up, the first half of this series is decidedly less impressive than the second half, but the build-up is definitely worth it.

It’s a series that doesn’t try to provoke the biggest emotional response, but as a character-study it really stands out as a minor masterpiece here, in the way that it very subtly manages to flesh out and characterize its entire cast. Especially after the final episodes, it stands out as my favourite show of the series that premiered during the past spring season.

Storytelling: 10/10 – Fresh, and varied, skillfully combining repetition with new ideas to flesh itself out. Top notch narration.
Characters: 9/10 – The formula really allows the characters to come alive and show many different sides of themselves.
Production-Values: 9/10 – It’s Masaaki Yuasa. Do I need to say anything more?
Setting: 9/10 – Spoilerific to go in detail here but yeah: this one rocks too.

Suggestions:
– Mind Game (another one of those movies that I’d review entirely different if I were to watch it today)
– Amatsuki
– Revolutionary Girl Utena

Sarai-ya Goyou Review – 90/100

by psgels, posted in Anime Reviews, Sarai-ya Goyou




One of the things that made the past spring season awesome was the fact that it didn’t have just one, but two Noitamina series. And boy, it sure came with a couple of amazing series to start off this new feature!

Sarai-ya Goyou is a character-study, set in the Japan of a number of centuries ago, and it unites Manglobe with Tomomi Mochizuki, of Toka Gettan, Porfy no Nagai Tabi, Kimagure Orange Road and a ton of other series. He’s a true veteran in the anime business, and he did an incredible job of bringing these characters to life.

The animation in nearly every scene in this series is full of detail, with a ton of subtle movements. This really allows the creators to put as much meaning into these scenes as possible, giving them a surprising amount of depth and development in only twelve episodes. Even most of the side characters get some development throughout the series that already is short on time and despite this limited length, it never tries to rush through things in order to fit as much as possible into its airtime. There comes a price to this, of course: it’s unfortunately an incomplete series, and stops after animating about half of the manga. The main plot threads are skillfully wrapped up at that point, but it’s clear that the storyline isn’t over at that point.

Airing next to Yojou-han this season, this series faced some incredibly tough competition, but it really shined out there despite this, and is a great recommendation for those who are looking for a short character-focused series. There is one arc that isn’t as good as the others (the Matsu arc), which breaks the flow of this series a bit, but apart from that the stories that it tells about its characters are all incredibly thoughtful and engaging.

Storytelling: 9/10 – Very detailed. Tries to put as much meaning into every scene as possible, and succeeds. Never loses itself in its pacing, though the story itself has plot threads that aren’t wrapped up.
Characters: 9/10 – Deep, well developed and thoughtful.
Production-Values: 9/10 – Manglobe does it again with excellent animation that focus on bringing its characters to life instead of over the top action scenes. Haunting soundtrack.
Setting: 9/10 – Excellent portrayal of Japan at the time, with a great analysis of the types of problems that people faced around these ages.

Suggestions:
– Mushishi
– Porfy no Nagai Tabi
– Seirei no Moribito